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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ( D. v' r. V: l
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BBC评出100大英国文学名著/ Y& z( N: X5 N$ g
http://www.bbc.com/culture/story ... test-british-novels/ Q+ m" t1 D; u* k J/ n, }
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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$ \! i3 \; P+ N6 }8 J; n/ D1 z- q100. The Code of the Woosters (PG Wodehouse, 1938)5 z! Q; s0 Q4 a
99. There but for the (Ali Smith, 2011)
5 e' [. k; j9 V' M, X1 ~& r! J9 g4 u98. Under the Volcano (Malcolm Lowry,1947)& O# d) V! n9 c$ x7 ~0 u8 {
97. The Chronicles of Narnia (CS Lewis, 1949-1954)' D, ] [& }3 j
96. Memoirs of a Survivor (Doris Lessing, 1974)! i2 W, G7 _, n: Z, h* h* V `9 T7 X
95. The Buddha of Suburbia (Hanif Kureishi, 1990)/ I& x Y# D2 _1 m
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)' J+ f4 w4 B+ s; a, l. P$ Y
93. Lord of the Flies (William Golding, 1954)2 l$ X5 Y+ U* J) K) P
92. Cold Comfort Farm (Stella Gibbons, 1932)% I' B) N# [' s; M/ B
91. The Forsyte Saga (John Galsworthy, 1922)
! J& w4 R2 }3 \/ k4 Z% u6 p90. The Woman in White (Wilkie Collins, 1859)
; ?$ ]% W' k0 g9 [' s89. The Horse’s Mouth (Joyce Cary, 1944)
, s M9 [& L7 C88. The Death of the Heart (Elizabeth Bowen, 1938)
3 |! A, G7 F/ g3 k2 l5 `87. The Old Wives’ Tale (Arnold Bennett,1908)
7 V& \ `( X, u4 Y* X- b86. A Legacy (Sybille Bedford, 1956) D; A2 n6 L. z: X# x
85. Regeneration Trilogy (Pat Barker, 1991-1995). ~" `1 z y% W3 D- n8 A5 B
84. Scoop (Evelyn Waugh, 1938)+ ]4 n0 u# O, Z9 z
83. Barchester Towers (Anthony Trollope, 1857)( x$ w& A) q9 [7 v+ D6 N
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
# J( i. E3 j& i! \81. The Jewel in the Crown (Paul Scott, 1966)
2 K! M; X5 W# c) a% h80. Excellent Women (Barbara Pym, 1952)9 O7 x, u: E( f9 s: I) i3 I( S
79. His Dark Materials (Philip Pullman, 1995-2000)) N4 {9 ^' T$ }7 ]& F% a
78. A House for Mr Biswas (VS Naipaul, 1961)" F3 u4 Z, Z7 Q9 [
77. Of Human Bondage (W Somerset Maugham, 1915)
1 e7 [) ^! a/ N# d76. Small Island (Andrea Levy, 2004): |9 n+ P/ G- @- E4 n# x
75. Women in Love (DH Lawrence, 1920)8 u" i% Q* `: \& \# ?' i
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
9 V1 ^8 W G: y4 M8 O5 a73. The Blue Flower (Penelope Fitzgerald, 1995)7 z5 Q1 @! P) j) ?5 e3 O
72. The Heart of the Matter (Graham Greene, 1948), ~1 C+ x4 U% h' t7 b6 U
71. Old Filth (Jane Gardam, 2004)& T! A$ U% {1 F$ ~5 B* j# h0 H9 A! k
70. Daniel Deronda (George Eliot, 1876)
1 i3 p$ V; U. ?- l9 k69. Nostromo (Joseph Conrad, 1904)7 b& e" s: N% y x0 _
68. A Clockwork Orange (Anthony Burgess, 1962)6 ~1 A, q* c, M# {+ A2 m( f" f- N6 x- C
67. Crash (JG Ballard 1973)! g5 o0 {" c% d4 V
66. Sense and Sensibility (Jane Austen, 1811)
* X- G/ v3 D9 z/ o7 l8 D65. Orlando (Virginia Woolf, 1928)
1 t4 d/ u* V v5 }9 t. r) s64. The Way We Live Now (Anthony Trollope, 1875)
0 B; X y; ]% t5 w' s4 U63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
. W6 v' [' Q1 _% m62. Animal Farm (George Orwell, 1945)
; _0 d0 A: f8 q61. The Sea, The Sea (Iris Murdoch, 1978)' L( }1 B2 D1 p/ R' j J
60. Sons and Lovers (DH Lawrence, 1913)$ A# Z6 l- x7 C+ n
59. The Line of Beauty (Alan Hollinghurst, 2004)5 Z. ]2 @. G Z4 r
58. Loving (Henry Green, 1945)
! D) Y0 h2 T. d$ e57. Parade’s End (Ford Madox Ford, 1924-1928). j9 |1 W. l9 i
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)5 B5 H% x4 ?' A
55. Gulliver’s Travels (Jonathan Swift, 1726)" B1 T4 ^; {$ _
54. NW (Zadie Smith, 2012)
/ P0 Q% G* L# G7 J ?5 ~" H53. Wide Sargasso Sea (Jean Rhys, 1966)
+ L9 Z4 X0 g- G9 r) G52. New Grub Street (George Gissing, 1891); t% d9 @. j$ }# _- w
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. T# E" D* c. a6 i50. A Passage to India (EM Forster, 1924)
1 _+ N9 w, m" s" {: ]49. Possession (AS Byatt, 1990)
- D$ b2 J/ |; X48. Lucky Jim (Kingsley Amis, 1954)& }. v$ \8 E% Z5 r. i* L
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
: ~( T1 @% d0 q& c s; n46. Midnight’s Children (Salman Rushdie, 1981)- c4 z7 l4 }4 i( x- g7 f3 y
45. The Little Stranger (Sarah Waters, 2009)
( F" M- l" t* P' [% L& w/ B8 H5 Z- R44. Wolf Hall (Hilary Mantel, 2009)
$ i+ \7 c7 _6 u! ]) r% O3 E43. The Swimming Pool Library (Alan Hollinghurst, 1988)
9 S0 w6 g; `8 |/ L# T42. Brighton Rock (Graham Greene, 1938)4 p ]* i6 i' ]/ w0 E& A$ S
41. Dombey and Son (Charles Dickens, 1848)9 F" R/ {5 A& u, l
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
2 t8 B8 j+ D% F L3 I0 d39. The Sense of an Ending (Julian Barnes, 2011)
( V5 l9 C; H2 M1 ]7 ~) \38. The Passion (Jeanette Winterson, 1987)
% \" I9 I/ S- H& a8 E( b' D37. Decline and Fall (Evelyn Waugh, 1928)' S0 n% z) I7 P1 c
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)- g' e1 U, G* P
35. Remainder (Tom McCarthy, 2005) C. ^) C% W1 N9 r7 o
34. Never Let Me Go (Kazuo Ishiguro, 2005)
- h- J8 m, h3 y33. The Wind in the Willows (Kenneth Grahame, 1908)) W4 d2 [6 z1 ~4 R8 _) S
32. A Room with a View (EM Forster, 1908). |9 e+ E# i2 j5 F2 H" o6 d7 e$ i
31. The End of the Affair (Graham Greene, 1951)
4 S- y& A2 h( [0 K30. Moll Flanders (Daniel Defoe, 1722); L t2 o2 L8 l- R, z
29. Brick Lane (Monica Ali, 2003)
0 P9 G o, ^ ~28. Villette (Charlotte Brontë, 1853)1 ?) X% E% I3 N/ e: P7 N
27. Robinson Crusoe (Daniel Defoe, 1719)& C6 l: q. G: H8 C8 [
26. The Lord of the Rings (JRR Tolkien, 1954)! K& Q$ y6 O: ]/ K( Y" m
25. White Teeth (Zadie Smith, 2000)* d0 B, L& P7 `" b+ p9 z/ `
24. The Golden Notebook (Doris Lessing, 1962)
) w; a3 ~6 I' o8 g1 n5 `, G6 u/ [23. Jude the Obscure (Thomas Hardy, 1895)
7 x: o: X$ V: H/ L$ h I2 z8 S22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
' G% g- q7 S& d- ~( ]" V% i' T21. Heart of Darkness (Joseph Conrad, 1899)
, b) T8 F/ ~9 t, {- f8 C20. Persuasion (Jane Austen, 1817)& |8 ~9 f' ]2 ?9 v" J& |4 `) J
19. Emma (Jane Austen, 1815)5 @) e) W3 a- ]0 ?# ?
18. Remains of the Day (Kazuo Ishiguro, 1989)9 H* |, W* Y8 J
17. Howards End (EM Forster, 1910)
], ~, a- x* ^! b; m# l16. The Waves (Virginia Woolf, 1931)
6 X* j% {. r& y9 w15. Atonement (Ian McEwan, 2001)
, ?) T2 D) b" j14. Clarissa (Samuel Richardson,1748) c- g/ }: [# s" @5 S4 y# E2 z' b. x
13. The Good Soldier (Ford Madox Ford, 1915)
+ j: D6 ]4 G6 q7 E M12. Nineteen Eighty-Four (George Orwell, 1949)! H, q; D0 M. x0 E
11. Pride and Prejudice (Jane Austen, 1813): N! L( x- l7 o2 ]: [8 L9 J
10. Vanity Fair (William Makepeace Thackeray, 1848)/ V* o6 O# B( v6 Q, x
9. Frankenstein (Mary Shelley, 1818)
^, ?0 s4 {$ ?+ F M) H+ N/ y8. David Copperfield (Charles Dickens, 1850)+ h' V2 m. C6 y
7. Wuthering Heights (Emily Brontë, 1847)
+ J, e& P2 E9 V- r7 W7 X6 A6. Bleak House (Charles Dickens, 1853)
0 O5 w" L X1 W" J- n, z4 N; \5. Jane Eyre (Charlotte Brontë, 1847)2 S1 ]6 ~0 d. q' v6 F1 C4 ~/ a) c
4. Great Expectations (Charles Dickens, 1861)
- M, V& A5 [' E3. Mrs. Dalloway (Virginia Woolf, 1925)
9 s3 p. A- C" B; l* s6 @2 j/ o2. To the Lighthouse (Virginia Woolf, 1927)- k% U& Y/ O/ Y K. Q* [) ~
1. Middlemarch (George Eliot, 1874)
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+ F# v5 o7 W. y前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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9 g- L- V3 x5 C呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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