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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
8 N4 b" B. U. U; i# Zhttp://www.bbc.com/culture/story ... test-british-novels3 R% H/ o$ T8 F/ Z9 q/ r. J
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。4 M' |) s$ L$ |- |
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100. The Code of the Woosters (PG Wodehouse, 1938)1 [/ }; h7 r1 K; M$ l; K
99. There but for the (Ali Smith, 2011)( _* N; t2 {4 o; b6 n
98. Under the Volcano (Malcolm Lowry,1947)6 Q9 L" v/ N4 k
97. The Chronicles of Narnia (CS Lewis, 1949-1954) @* K9 d$ C% @( M
96. Memoirs of a Survivor (Doris Lessing, 1974)
* o- d! r' {3 s+ t3 `* w4 y, `95. The Buddha of Suburbia (Hanif Kureishi, 1990)% P& L+ d' Y/ E" u2 ]
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
, [- s5 q: E% k, Z% Z93. Lord of the Flies (William Golding, 1954)
' i: M. m( [& H g5 k7 x$ i& @92. Cold Comfort Farm (Stella Gibbons, 1932), R6 v2 V5 j) T( @" {% S9 @* B
91. The Forsyte Saga (John Galsworthy, 1922)
6 Y+ S' l; }4 F; J1 X: c90. The Woman in White (Wilkie Collins, 1859)4 U5 d' q' m& _" y' X3 m
89. The Horse’s Mouth (Joyce Cary, 1944)
6 X* `, W4 Z; N, m4 j88. The Death of the Heart (Elizabeth Bowen, 1938)( j4 ~, G* i- Y: ^! R h
87. The Old Wives’ Tale (Arnold Bennett,1908)
; S# x% ~7 M; R5 w. g: _86. A Legacy (Sybille Bedford, 1956)- K" w! ^- b. x7 k
85. Regeneration Trilogy (Pat Barker, 1991-1995)
& E; S/ f6 E2 g; M0 u84. Scoop (Evelyn Waugh, 1938)1 A4 u. j& e4 {" x
83. Barchester Towers (Anthony Trollope, 1857) e* c% z7 c1 ~* G- X
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
: q- S# X1 ?! w) K+ G& f81. The Jewel in the Crown (Paul Scott, 1966)# _/ @9 U7 h% b# X' y) X, n7 L( G
80. Excellent Women (Barbara Pym, 1952)
3 _. y: h9 W; _& A0 b7 X, t79. His Dark Materials (Philip Pullman, 1995-2000)
9 @& n, L3 S$ Z3 N1 u, L4 K78. A House for Mr Biswas (VS Naipaul, 1961)' _6 b" H _! L" o" a
77. Of Human Bondage (W Somerset Maugham, 1915)3 o7 ?5 A6 P6 u9 G/ [5 L
76. Small Island (Andrea Levy, 2004): A& X& t: u1 m1 |: x. V6 r
75. Women in Love (DH Lawrence, 1920)2 K0 |; L* \: h3 }
74. The Mayor of Casterbridge (Thomas Hardy, 1886)" s# F/ B0 d1 u, W( R- g
73. The Blue Flower (Penelope Fitzgerald, 1995) P% w' b( X. V) ~! G, O
72. The Heart of the Matter (Graham Greene, 1948)) B" ?: d) w. `5 l& C
71. Old Filth (Jane Gardam, 2004)
% J, [9 ^$ T2 a0 ]/ A t, \3 c6 n, M70. Daniel Deronda (George Eliot, 1876)
& A# D; S) J. Y/ {- `69. Nostromo (Joseph Conrad, 1904)
5 _) i, N f8 J- @0 m68. A Clockwork Orange (Anthony Burgess, 1962)
& X, C" y& X G67. Crash (JG Ballard 1973)
+ {) ]% ] n. a% ?. W& H% h66. Sense and Sensibility (Jane Austen, 1811)
% Q5 F1 m( j2 {* L# ~! R7 X! X# C65. Orlando (Virginia Woolf, 1928)
8 O# U+ P( Q$ ?% k64. The Way We Live Now (Anthony Trollope, 1875)
4 F2 ], M9 h3 D [# [! @6 [63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
' u- A+ C! O% A' a- i8 d% S! u62. Animal Farm (George Orwell, 1945)
& M6 L; D7 ]! w3 R* l2 R2 v1 k' @61. The Sea, The Sea (Iris Murdoch, 1978) Y. ?% Y* f% g; t
60. Sons and Lovers (DH Lawrence, 1913)# S9 W! H; Y, a+ [) I( ?/ D3 `9 l5 X, I
59. The Line of Beauty (Alan Hollinghurst, 2004)
( |/ @# O/ a, D8 S2 M7 Z+ m! ?58. Loving (Henry Green, 1945)
& h9 Q7 Q7 Y. z) R. `57. Parade’s End (Ford Madox Ford, 1924-1928)
0 d) k. P' ~, }8 @. d+ v# z56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ a2 ~/ l* N) G( c: z1 w
55. Gulliver’s Travels (Jonathan Swift, 1726) }* K# [; A) n. M! O( S) v% u
54. NW (Zadie Smith, 2012)
/ N) X3 ?5 ?% m! }$ p7 R53. Wide Sargasso Sea (Jean Rhys, 1966)! b+ d3 O" K% V* r( c
52. New Grub Street (George Gissing, 1891)' v; g: V& x% l; _6 E+ A: |1 w) }
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)5 u+ o0 S( _5 C, [8 N1 @
50. A Passage to India (EM Forster, 1924)
* F/ I1 ?9 a1 y9 x0 g9 M9 u49. Possession (AS Byatt, 1990)
2 O. C4 `1 P# a5 z6 l' c48. Lucky Jim (Kingsley Amis, 1954)
5 p- }( S3 Q! u47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)+ Y. C* [( R$ B
46. Midnight’s Children (Salman Rushdie, 1981)
5 a6 y$ p T/ B0 q45. The Little Stranger (Sarah Waters, 2009)
- l* B$ a& n X2 r6 A44. Wolf Hall (Hilary Mantel, 2009)' l; K* y* g# F
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
/ R2 H# v1 I6 l- G1 L S" N42. Brighton Rock (Graham Greene, 1938)3 y, Q( w" K% e; f
41. Dombey and Son (Charles Dickens, 1848)
7 M. ~& X% ?3 I6 k) `: t, c40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)& j2 n! }( A8 }6 Z6 U+ Z7 B
39. The Sense of an Ending (Julian Barnes, 2011)+ I+ P/ g/ t5 T! D2 y( L. C
38. The Passion (Jeanette Winterson, 1987)
8 e- w' x H, h7 x: e( R/ O37. Decline and Fall (Evelyn Waugh, 1928)
4 v- b- k6 } C i! ~36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
" z* V$ S# |! s& E6 V% W3 J# i35. Remainder (Tom McCarthy, 2005)
- C ?" r. Z% O/ Y# m34. Never Let Me Go (Kazuo Ishiguro, 2005)
$ I4 _4 n( g u0 V4 [+ a33. The Wind in the Willows (Kenneth Grahame, 1908)
5 J# ^+ n8 z' \ b, { Y5 `/ o6 A32. A Room with a View (EM Forster, 1908)2 V. a3 y3 X$ ^" e8 r. q! y& Q M" Q
31. The End of the Affair (Graham Greene, 1951)* r$ I ]8 }) j3 d$ T+ e# q- r
30. Moll Flanders (Daniel Defoe, 1722)5 c1 ]* v1 ~* D) ?
29. Brick Lane (Monica Ali, 2003)! R+ c% }/ y- w* v
28. Villette (Charlotte Brontë, 1853): t: ^0 Q' G4 s& K( R8 k) U: a8 S
27. Robinson Crusoe (Daniel Defoe, 1719)
' n. u2 ?7 V" H26. The Lord of the Rings (JRR Tolkien, 1954)
& v0 w& C% h% L8 Q- _- V& N2 f/ \1 n25. White Teeth (Zadie Smith, 2000)
8 ?4 I# B- ?( c! y3 Z24. The Golden Notebook (Doris Lessing, 1962)' |$ }- `) |5 `1 w2 i
23. Jude the Obscure (Thomas Hardy, 1895). J; r# w# l; M0 q+ G4 P8 Y
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)" f' C* H: [" g+ H
21. Heart of Darkness (Joseph Conrad, 1899)
& z- p R( H$ W4 o1 W20. Persuasion (Jane Austen, 1817). N G- A- B. ^/ `. c( j# f
19. Emma (Jane Austen, 1815)0 ^' F8 C/ m. C! U: n& q
18. Remains of the Day (Kazuo Ishiguro, 1989)
" n$ b! |5 G9 c- V0 [0 Y17. Howards End (EM Forster, 1910)5 _* ?, n0 s3 T; A/ K% p0 n* B
16. The Waves (Virginia Woolf, 1931)
" S& j1 R: r A8 U6 X) K3 Y* V15. Atonement (Ian McEwan, 2001)
- \: b) J% ], r4 \7 B2 f7 p14. Clarissa (Samuel Richardson,1748)
+ k) P1 p9 ^8 D/ }/ j13. The Good Soldier (Ford Madox Ford, 1915)
6 Y7 S' G# g; I0 u1 @1 d2 t12. Nineteen Eighty-Four (George Orwell, 1949)
. y/ w( ^* A2 \- o+ O11. Pride and Prejudice (Jane Austen, 1813)
2 u! y6 |& h9 r* |% n* \" j10. Vanity Fair (William Makepeace Thackeray, 1848)2 l, P( p3 t/ \* x0 D- r% E( p$ w* B
9. Frankenstein (Mary Shelley, 1818)% }; Y; Z) D& V9 X& }
8. David Copperfield (Charles Dickens, 1850)
6 f7 M9 l/ }3 M% H6 [) h2 }5 `, I7. Wuthering Heights (Emily Brontë, 1847)
: ~" m/ \2 I$ M5 |1 C6. Bleak House (Charles Dickens, 1853)1 ^2 j7 E9 s2 b
5. Jane Eyre (Charlotte Brontë, 1847)
, L% Y ?$ t0 W: s; D4. Great Expectations (Charles Dickens, 1861), T5 G6 {* b! C
3. Mrs. Dalloway (Virginia Woolf, 1925)
0 R# b+ a2 q. k# o2. To the Lighthouse (Virginia Woolf, 1927)
! @5 ]3 g1 j! H1. Middlemarch (George Eliot, 1874)( G3 r$ ]/ u8 e
4 {2 t% n' g$ M. h( _前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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