|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
b9 n2 \* C, l4 r$ b4 s+ p: a) w' k% c& j2 o2 A
BBC评出100大英国文学名著
4 d/ \( c# p! P0 R9 }1 K* a C8 Rhttp://www.bbc.com/culture/story ... test-british-novels6 t% p$ C6 _3 b3 }, t/ {- W3 [
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
, \+ h8 Z" ]* n2 b8 C0 Y% C: ?5 Q, S% _' U+ S
100. The Code of the Woosters (PG Wodehouse, 1938)! V9 R) q+ B9 O0 T9 Z
99. There but for the (Ali Smith, 2011)
0 e0 G" m% m$ E98. Under the Volcano (Malcolm Lowry,1947)
$ S& N9 z- f/ ]8 M5 g0 Z& g97. The Chronicles of Narnia (CS Lewis, 1949-1954)' z+ V k3 d- i/ I! [
96. Memoirs of a Survivor (Doris Lessing, 1974)
6 Z9 M9 T7 E6 N' Y3 \95. The Buddha of Suburbia (Hanif Kureishi, 1990)+ S8 R. U( u) C' y' n; D1 }0 K
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824). I9 h! A j3 s- |8 x y1 r4 C
93. Lord of the Flies (William Golding, 1954)
1 C" m+ e7 n* o) f; V92. Cold Comfort Farm (Stella Gibbons, 1932)
' @! r, n. @& F W91. The Forsyte Saga (John Galsworthy, 1922)% r p) U5 h& O8 O# F- N9 V4 s9 ]
90. The Woman in White (Wilkie Collins, 1859)0 h5 a5 `, M" u
89. The Horse’s Mouth (Joyce Cary, 1944)
4 ~# w# S' d1 \9 o: b; I0 ]88. The Death of the Heart (Elizabeth Bowen, 1938)
9 R9 c. C( U/ n" t1 `9 _) d87. The Old Wives’ Tale (Arnold Bennett,1908)$ {1 R( A3 P, G! w$ A$ {" [5 ^
86. A Legacy (Sybille Bedford, 1956)
2 H. H; O0 l, P7 i# \' t85. Regeneration Trilogy (Pat Barker, 1991-1995)
. O, s' f! L) g! i5 s84. Scoop (Evelyn Waugh, 1938)2 H% N4 ]. ^" w9 _
83. Barchester Towers (Anthony Trollope, 1857)! H8 n: ?( Y* q1 |5 w
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
$ K' H! j# p! o" p% U81. The Jewel in the Crown (Paul Scott, 1966)7 I3 ^2 m3 U) R' c% q# `5 }! u
80. Excellent Women (Barbara Pym, 1952)
) ?5 V; x/ u4 \) Z79. His Dark Materials (Philip Pullman, 1995-2000)) B# S5 @, B! j
78. A House for Mr Biswas (VS Naipaul, 1961)
$ M. M2 G' I" b6 c1 d: V4 e- h; o* b77. Of Human Bondage (W Somerset Maugham, 1915)
' _; P5 ^" @: u, W! _# R76. Small Island (Andrea Levy, 2004)& j% |# ^4 x$ n5 R) s! N3 \
75. Women in Love (DH Lawrence, 1920)
: {+ {( P% k. Q0 a: V4 N74. The Mayor of Casterbridge (Thomas Hardy, 1886)
" g; R) h/ N/ W0 H: x73. The Blue Flower (Penelope Fitzgerald, 1995), N& R( c. H7 `4 M* X& {' A T7 K/ y( ^
72. The Heart of the Matter (Graham Greene, 1948)
: q& y* N/ L+ v2 Q- U( l7 U) U71. Old Filth (Jane Gardam, 2004)
) T% i2 g1 q; {# f70. Daniel Deronda (George Eliot, 1876)! `3 k3 A+ @5 ~. J! b( K) O
69. Nostromo (Joseph Conrad, 1904)" Q+ h' k3 U4 v
68. A Clockwork Orange (Anthony Burgess, 1962)9 c9 G+ {5 U; ^. t6 E
67. Crash (JG Ballard 1973)
8 @6 d- R# E, y" [8 W! y66. Sense and Sensibility (Jane Austen, 1811)
7 }5 O: T K9 Z0 y) e65. Orlando (Virginia Woolf, 1928)1 _* i) o/ N$ j9 \9 u% S' ~
64. The Way We Live Now (Anthony Trollope, 1875)& c6 P: z B+ k; G7 v5 X" C7 y* Q
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
z3 |, h7 {) m6 v0 Z- H8 I62. Animal Farm (George Orwell, 1945); m: F' V/ b: E9 [. z; m
61. The Sea, The Sea (Iris Murdoch, 1978)( d6 G' T0 k) a6 `
60. Sons and Lovers (DH Lawrence, 1913)) Z8 Y3 @$ E0 I) x( p$ W
59. The Line of Beauty (Alan Hollinghurst, 2004)1 t. N" r. p- n- O# @; ?
58. Loving (Henry Green, 1945)
( g2 N7 J) M" I( d$ v57. Parade’s End (Ford Madox Ford, 1924-1928)
" g. Q4 |; R# @! S: R, d- z56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)- k( `; _, `: R: T7 ~/ C( h9 p
55. Gulliver’s Travels (Jonathan Swift, 1726): ~) O* O4 z; z5 G: d8 O
54. NW (Zadie Smith, 2012)
& s% g( _1 j- x: i4 v7 N# m53. Wide Sargasso Sea (Jean Rhys, 1966)
" l) z2 M& e7 J) {52. New Grub Street (George Gissing, 1891)7 R" z1 I. w& E6 @. X
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)/ i e# F9 ~2 S4 l- t4 c2 M
50. A Passage to India (EM Forster, 1924)6 X& L4 S' j0 ]! h4 ~
49. Possession (AS Byatt, 1990)
2 P+ L4 {5 V4 S9 A2 D5 O48. Lucky Jim (Kingsley Amis, 1954)! z# y! g1 q+ L! r" ~$ @5 n
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759); Z7 f2 w: Y) M$ g; I6 H, q
46. Midnight’s Children (Salman Rushdie, 1981)
u3 [6 O4 \& e45. The Little Stranger (Sarah Waters, 2009)
3 F- @7 d; z: }& Y x44. Wolf Hall (Hilary Mantel, 2009)
& q9 w4 g9 v6 P, L43. The Swimming Pool Library (Alan Hollinghurst, 1988)
: v" H1 E) T1 @& E. R42. Brighton Rock (Graham Greene, 1938)
+ S1 g! {, l0 x- Z1 O. v, o# Y41. Dombey and Son (Charles Dickens, 1848)
- L7 s! g% [) n O2 ]2 N- h* n40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)+ ?5 \8 ?. P! J! m4 _9 x
39. The Sense of an Ending (Julian Barnes, 2011)
2 ]* Z G m3 ~2 c; T; |4 }' g! `38. The Passion (Jeanette Winterson, 1987): C& @ N0 U) E% r7 R
37. Decline and Fall (Evelyn Waugh, 1928)0 _- g# N9 K# e5 U/ B
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)+ `& o: M9 e7 A' O
35. Remainder (Tom McCarthy, 2005)1 h: h7 r. M: k5 R
34. Never Let Me Go (Kazuo Ishiguro, 2005)* |! _* k7 j$ b6 |+ j5 k9 {; u1 }
33. The Wind in the Willows (Kenneth Grahame, 1908)/ f7 G% ?0 ]) H# A" R* @
32. A Room with a View (EM Forster, 1908)) E) z0 K% P, x9 R7 V! b l
31. The End of the Affair (Graham Greene, 1951)
' W$ _0 s2 W4 C30. Moll Flanders (Daniel Defoe, 1722)6 g1 z9 d& t$ }: {- t$ k
29. Brick Lane (Monica Ali, 2003)
9 x! {9 n% i. t% A1 H @" g) W28. Villette (Charlotte Brontë, 1853)2 Y; G9 ~# x5 \, W+ V# f+ X% S
27. Robinson Crusoe (Daniel Defoe, 1719)( f5 n$ l& m7 ]! o
26. The Lord of the Rings (JRR Tolkien, 1954)
! [9 W+ a+ M1 k( i8 e ~25. White Teeth (Zadie Smith, 2000)
6 B1 Z2 b" c L) _! M24. The Golden Notebook (Doris Lessing, 1962)
1 N3 N$ T) }7 N* k6 D) m23. Jude the Obscure (Thomas Hardy, 1895)* A4 @5 u3 j* C1 V) |
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)" `, W! S& I6 `3 c
21. Heart of Darkness (Joseph Conrad, 1899)6 I( P$ t- O" h5 V
20. Persuasion (Jane Austen, 1817)3 t3 d) v) s+ V a1 c
19. Emma (Jane Austen, 1815)
3 ^+ i# p0 P3 N4 S18. Remains of the Day (Kazuo Ishiguro, 1989). o; H* n5 _4 m& W. h' b
17. Howards End (EM Forster, 1910)$ ^9 s* w9 T- x8 T6 Z, ]5 I( {
16. The Waves (Virginia Woolf, 1931)/ l/ ]5 h# B8 K2 c' M, o* W
15. Atonement (Ian McEwan, 2001)% i% Z S+ f7 ^: o2 l: _8 [) D
14. Clarissa (Samuel Richardson,1748)! T3 \2 V8 J/ ]# q" Q8 V1 t2 n9 H
13. The Good Soldier (Ford Madox Ford, 1915)# E/ m+ P y8 P0 B. Y
12. Nineteen Eighty-Four (George Orwell, 1949)
0 y7 C2 F- E. v R: s! \11. Pride and Prejudice (Jane Austen, 1813)8 ^) [8 X+ p. i" f4 t
10. Vanity Fair (William Makepeace Thackeray, 1848)
, Y& D! v/ k' z& V0 ^" l' M9. Frankenstein (Mary Shelley, 1818)
2 [+ t2 I- \0 ~8. David Copperfield (Charles Dickens, 1850)
- }9 l! c$ u# @2 n# a! G- R* T7. Wuthering Heights (Emily Brontë, 1847)! C2 r) `0 f0 x4 j
6. Bleak House (Charles Dickens, 1853)2 v# q+ E6 s( K5 h/ {" d! `) ~) {
5. Jane Eyre (Charlotte Brontë, 1847)
0 _" ], Q. O( P7 g4 O4. Great Expectations (Charles Dickens, 1861)
% Y9 M4 l8 F% I, K) S; ?3. Mrs. Dalloway (Virginia Woolf, 1925)
/ C: U7 o1 _" S: y2. To the Lighthouse (Virginia Woolf, 1927); K9 b0 v0 C8 [" G" U6 T* @
1. Middlemarch (George Eliot, 1874)6 g7 k6 R3 ~3 q6 F5 J' J
5 B9 J2 p5 M' }. Z* X8 d7 H* ]" w- r前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
2 w4 _: f+ ]& N: C/ I) \% I
1 ^6 Z2 `6 m/ d" f" g& ^) Y呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
2 ^5 e8 V9 I9 \$ ] l; \
