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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 * q4 W( F! R9 M8 Y
! U) C* G0 [; v$ fBBC评出100大英国文学名著( v6 f5 d" W2 _. D! w
http://www.bbc.com/culture/story ... test-british-novels" R! d5 p5 i7 Y7 N+ |' p/ a" l
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)% k {( w( P" t
99. There but for the (Ali Smith, 2011)
2 ?2 Q$ X* I/ B7 t8 ?- f% R* P9 x5 o98. Under the Volcano (Malcolm Lowry,1947)
! t0 |3 d, H4 [# q97. The Chronicles of Narnia (CS Lewis, 1949-1954)
- b; Y' P# b# @ Z7 t96. Memoirs of a Survivor (Doris Lessing, 1974). F% z' J P: k
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
t( W0 w/ T9 h1 `! W3 L94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)- U) T6 ~3 h$ ]3 _1 n, y
93. Lord of the Flies (William Golding, 1954)
7 ~+ A4 Z; s4 T( l4 a Y92. Cold Comfort Farm (Stella Gibbons, 1932)2 ]7 U7 G# z3 Z
91. The Forsyte Saga (John Galsworthy, 1922)
" V0 k% F; `) h, S- ^) n90. The Woman in White (Wilkie Collins, 1859)+ v' o9 f$ j6 |2 F/ b
89. The Horse’s Mouth (Joyce Cary, 1944)
/ P- [3 F5 \ O- a0 z% O9 w88. The Death of the Heart (Elizabeth Bowen, 1938)5 }* f c9 _3 g( j
87. The Old Wives’ Tale (Arnold Bennett,1908)2 ]) E& @( s" `5 W
86. A Legacy (Sybille Bedford, 1956)6 Y; b8 c. u c" N+ t0 T* ^
85. Regeneration Trilogy (Pat Barker, 1991-1995)
8 [3 U, e/ Q3 Q* _* a7 g; l84. Scoop (Evelyn Waugh, 1938)
' O% H: F3 K. l' j. v$ `; p83. Barchester Towers (Anthony Trollope, 1857)
5 |$ G6 [; _9 D; r' C82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)* e8 T6 W! ?- h$ \: `2 d
81. The Jewel in the Crown (Paul Scott, 1966)
8 {9 a. h. e" I80. Excellent Women (Barbara Pym, 1952)
9 h4 w7 c# `% `) n' \79. His Dark Materials (Philip Pullman, 1995-2000)1 W+ @$ Z) X3 _% ]+ K5 N
78. A House for Mr Biswas (VS Naipaul, 1961)
! s0 z. v4 N4 Z7 i; m% |7 N" a77. Of Human Bondage (W Somerset Maugham, 1915)
5 Z/ Z* i( E! I3 Y1 u0 W f76. Small Island (Andrea Levy, 2004)% g7 y1 \0 G3 U: A2 P6 O
75. Women in Love (DH Lawrence, 1920)
% z4 X6 X2 p1 m# [74. The Mayor of Casterbridge (Thomas Hardy, 1886)
' K4 P' A3 F4 b" C; ~7 `! A73. The Blue Flower (Penelope Fitzgerald, 1995) e Z7 m+ ~% g& r# j$ L
72. The Heart of the Matter (Graham Greene, 1948)* n4 z2 ]+ Y! l5 {3 \
71. Old Filth (Jane Gardam, 2004)6 x: d; D' a+ r2 X- Z m3 q
70. Daniel Deronda (George Eliot, 1876)
+ S4 a+ v; \* a. C3 d69. Nostromo (Joseph Conrad, 1904)
' M0 {3 L8 A. @1 Y& D68. A Clockwork Orange (Anthony Burgess, 1962)
/ _& v( {% r H7 L5 L. E67. Crash (JG Ballard 1973)
, A( g8 ]! q6 U+ o7 x( f6 j0 G6 ^66. Sense and Sensibility (Jane Austen, 1811) Y; ]1 m, D* V2 t t0 K& n
65. Orlando (Virginia Woolf, 1928)3 K/ c2 ^; ?7 X7 P
64. The Way We Live Now (Anthony Trollope, 1875)! p$ w& e" \0 g& [4 S
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)8 P, |: [5 M7 y. S8 Q) s
62. Animal Farm (George Orwell, 1945)
' F2 ]5 H* V. g+ l1 J3 ~61. The Sea, The Sea (Iris Murdoch, 1978)
. N2 M# D3 h* l% g# ^60. Sons and Lovers (DH Lawrence, 1913)# b: D4 }& Z! I. B( m: ]
59. The Line of Beauty (Alan Hollinghurst, 2004)
3 S9 E9 _6 g, B; h! ]5 X58. Loving (Henry Green, 1945)
, h: L/ x" X1 M+ [57. Parade’s End (Ford Madox Ford, 1924-1928); u" F8 V6 E. c% q2 Y2 K( b
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
! ]9 H- n$ d3 O* ^6 P55. Gulliver’s Travels (Jonathan Swift, 1726)
8 f; E8 `0 s- b: X4 t. }: [7 y7 G54. NW (Zadie Smith, 2012)
, g, ^0 n: q. v& _7 p53. Wide Sargasso Sea (Jean Rhys, 1966); \5 Y- `+ o$ g+ D% ~+ ] P3 g) v
52. New Grub Street (George Gissing, 1891)
/ x, C) f& U9 `# l2 F51. Tess of the d’Urbervilles (Thomas Hardy, 1891), S7 K& j `6 ^1 l( e2 C0 e
50. A Passage to India (EM Forster, 1924)8 A7 D2 P# { u, w# d3 ^9 x' V6 L
49. Possession (AS Byatt, 1990)
- P% J/ t9 b8 n48. Lucky Jim (Kingsley Amis, 1954)
" F3 E3 p, B- Z) `0 j47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)' r- K' {6 Y. q
46. Midnight’s Children (Salman Rushdie, 1981)
3 [2 ^0 \- O) q& g4 g1 |45. The Little Stranger (Sarah Waters, 2009)8 A. q' Q! c4 x
44. Wolf Hall (Hilary Mantel, 2009)7 P. Y# ~2 {) w: ~
43. The Swimming Pool Library (Alan Hollinghurst, 1988); c' p1 G% ]* a
42. Brighton Rock (Graham Greene, 1938)
# Y, y0 P& X. o41. Dombey and Son (Charles Dickens, 1848)
, v( I& Y: P( U4 x* Y& w/ D6 y40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
# g3 X6 ?# ^" ]% ~3 J3 A8 {' g39. The Sense of an Ending (Julian Barnes, 2011)7 M2 G. B+ }5 o. B
38. The Passion (Jeanette Winterson, 1987)' e9 k4 m9 k5 {0 ~9 Z9 q
37. Decline and Fall (Evelyn Waugh, 1928)
. r8 O, w# ~, l9 h+ i36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
; r. E$ g( p( e5 ?35. Remainder (Tom McCarthy, 2005)9 w; O& F; F' O$ q% O# J) b
34. Never Let Me Go (Kazuo Ishiguro, 2005)( `6 @/ m4 [6 I b; w7 ~
33. The Wind in the Willows (Kenneth Grahame, 1908)
( P0 F! w4 R8 e) O7 L. {3 U: w32. A Room with a View (EM Forster, 1908)* D- H0 n2 q& @$ p2 M' V
31. The End of the Affair (Graham Greene, 1951)
% o$ g% x" S: I2 k# G30. Moll Flanders (Daniel Defoe, 1722)- Y. I! u$ H$ U, Q u6 l% S
29. Brick Lane (Monica Ali, 2003)
$ f$ I( Z+ k/ n% D28. Villette (Charlotte Brontë, 1853)* m( v& c p' x6 c: ?, f
27. Robinson Crusoe (Daniel Defoe, 1719)( d( x r, P' Z+ C7 Y, |
26. The Lord of the Rings (JRR Tolkien, 1954)
, D+ \. O7 t8 j F9 X! }0 G25. White Teeth (Zadie Smith, 2000)) I# m& l9 q* t6 Z" r+ T
24. The Golden Notebook (Doris Lessing, 1962)
3 L1 _/ ^% c& Q) I* m7 P23. Jude the Obscure (Thomas Hardy, 1895)7 U/ H. Y2 M; f$ G9 T! C
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
' n! E3 @; c2 ~9 g& u21. Heart of Darkness (Joseph Conrad, 1899)1 J/ ~/ M! g1 ~
20. Persuasion (Jane Austen, 1817)2 V+ @2 ?& J7 i$ i! W6 \7 X. B
19. Emma (Jane Austen, 1815)
/ I) n7 t3 T5 j7 s& M18. Remains of the Day (Kazuo Ishiguro, 1989)
2 V. k2 E( i; r+ ^17. Howards End (EM Forster, 1910)1 i1 y: b$ I* x$ O* L
16. The Waves (Virginia Woolf, 1931)! w& B% `) {, ?/ g/ f) X5 P5 o3 Z
15. Atonement (Ian McEwan, 2001)
" J2 v% D! p0 j$ P2 H+ f14. Clarissa (Samuel Richardson,1748)( g* m1 m9 J" V2 k2 q
13. The Good Soldier (Ford Madox Ford, 1915)
1 l% G3 ^% l' W, y L* C B12. Nineteen Eighty-Four (George Orwell, 1949)
( t6 n9 x2 F: e8 s7 Y2 L11. Pride and Prejudice (Jane Austen, 1813)
$ e( A( }) C5 i$ w10. Vanity Fair (William Makepeace Thackeray, 1848), ]! U5 C, Q& J
9. Frankenstein (Mary Shelley, 1818)
/ r9 a3 ] B2 \8 @3 w: Q* s8. David Copperfield (Charles Dickens, 1850)/ N6 r- A( N: O$ U I9 G# f! ]
7. Wuthering Heights (Emily Brontë, 1847)
K' E8 ?: O) I9 r/ s6. Bleak House (Charles Dickens, 1853)" A# W. w: |( ?% h1 u7 W
5. Jane Eyre (Charlotte Brontë, 1847)
: y# Q; Z) e( G) Q4 `4. Great Expectations (Charles Dickens, 1861) n( i3 k: m! g8 v2 X+ V
3. Mrs. Dalloway (Virginia Woolf, 1925)
% H# f5 M r. G2 s2. To the Lighthouse (Virginia Woolf, 1927)
$ C4 s5 |. _# D1. Middlemarch (George Eliot, 1874)
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6 }9 H6 X+ r# F) `2 O9 C2 ]前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。; _5 C9 q) I* u! I( ?: }* s9 [
9 }: u( E; ?+ `; y呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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