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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著, P9 K4 x$ z0 p4 R0 X0 l
http://www.bbc.com/culture/story ... test-british-novels
, e2 w1 k" w1 {惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* x# m$ ^- V5 S7 n! @' g
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100. The Code of the Woosters (PG Wodehouse, 1938)
: O8 F/ _: v& g! ]0 K2 P99. There but for the (Ali Smith, 2011)+ \# N/ ]& E" ^9 T9 N
98. Under the Volcano (Malcolm Lowry,1947)
' e2 o" J1 l& A7 W% _% P, M# V97. The Chronicles of Narnia (CS Lewis, 1949-1954)! g& U# v* f h1 U
96. Memoirs of a Survivor (Doris Lessing, 1974). [$ c2 W: l- m2 m
95. The Buddha of Suburbia (Hanif Kureishi, 1990)7 R9 [; T; q' F0 _
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)0 R# U1 O2 I3 A+ u
93. Lord of the Flies (William Golding, 1954)6 s) r8 w- c+ e8 a# l k
92. Cold Comfort Farm (Stella Gibbons, 1932)
! s6 D% y" G: _5 T- j- i91. The Forsyte Saga (John Galsworthy, 1922)& r2 |) B/ c1 Z; _
90. The Woman in White (Wilkie Collins, 1859)' ~, h) e( n9 D& d
89. The Horse’s Mouth (Joyce Cary, 1944)
! g' ]# @, ]/ A5 `1 Z) C$ \* P88. The Death of the Heart (Elizabeth Bowen, 1938)1 ]7 T" F; Z# P- G/ @. k
87. The Old Wives’ Tale (Arnold Bennett,1908), p2 X& i4 ^* C
86. A Legacy (Sybille Bedford, 1956)7 y. ~+ _$ f, a/ j K- ~; |
85. Regeneration Trilogy (Pat Barker, 1991-1995)5 M5 M2 s) ]% d: U6 q2 Z
84. Scoop (Evelyn Waugh, 1938)# k/ r1 s% h8 a5 ~! T
83. Barchester Towers (Anthony Trollope, 1857)( l- j" V% f3 l
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)4 w1 F N& f) Q$ t6 o5 t+ l1 M. Y9 N4 j
81. The Jewel in the Crown (Paul Scott, 1966)4 d( Q% _# r; s z
80. Excellent Women (Barbara Pym, 1952)
. ?$ K0 K6 {# |/ d8 Q e$ N% g79. His Dark Materials (Philip Pullman, 1995-2000)( N. h6 A1 k% D, c% B
78. A House for Mr Biswas (VS Naipaul, 1961)2 K4 }2 V. U6 T$ t) x
77. Of Human Bondage (W Somerset Maugham, 1915)+ @$ g# L0 D4 k8 ?! J' o* T
76. Small Island (Andrea Levy, 2004)
/ _' V5 n( d, a& k75. Women in Love (DH Lawrence, 1920)
2 y3 |% t/ d* T; S( B6 j8 @0 L; i74. The Mayor of Casterbridge (Thomas Hardy, 1886); J/ L" _( Z s1 M8 V; O) p0 h
73. The Blue Flower (Penelope Fitzgerald, 1995)2 }. Z4 y8 J+ \3 H( g; K3 R6 M
72. The Heart of the Matter (Graham Greene, 1948)
' F2 K/ l; S7 P71. Old Filth (Jane Gardam, 2004). }. ?( K) m _ Z7 |9 X! p
70. Daniel Deronda (George Eliot, 1876)
4 T: A; s* [$ p; `' s4 Q69. Nostromo (Joseph Conrad, 1904)8 t& ^) e; k3 u3 [# G
68. A Clockwork Orange (Anthony Burgess, 1962)
4 y# R5 K8 t; S67. Crash (JG Ballard 1973), O; Y' H% ^, Z' x6 C- b" ?4 T
66. Sense and Sensibility (Jane Austen, 1811)
; q+ \# Z; F4 t5 c9 d/ g2 o65. Orlando (Virginia Woolf, 1928)/ N* b' e% N! c8 l* W
64. The Way We Live Now (Anthony Trollope, 1875)3 _( B; a/ c. L' e( N a/ k$ n
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
6 V4 ^5 z% o5 U# z# {62. Animal Farm (George Orwell, 1945)& ?- R, M2 b8 b" ]- k _! K) \/ A E
61. The Sea, The Sea (Iris Murdoch, 1978)
3 t* C2 ~( {/ {5 O60. Sons and Lovers (DH Lawrence, 1913)4 b Y; m' n/ c* \( h& K. k
59. The Line of Beauty (Alan Hollinghurst, 2004)1 t# z. y% y5 n- }% I% _
58. Loving (Henry Green, 1945)
1 ]7 ~- M7 k* k# F. |! K i57. Parade’s End (Ford Madox Ford, 1924-1928)! ?: C @" ^; ?3 r
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)8 y$ s4 `4 k: f; l4 F: [8 a7 `
55. Gulliver’s Travels (Jonathan Swift, 1726)
; n# O+ w6 ^% s& j# D54. NW (Zadie Smith, 2012)
, J) K' o" e4 C" x3 n. x53. Wide Sargasso Sea (Jean Rhys, 1966)
2 Y5 @" V4 j* E$ F- s52. New Grub Street (George Gissing, 1891), r: ~( Q: ^. O: I' }& p
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)+ i( J7 k9 L. L' E: X# H; A
50. A Passage to India (EM Forster, 1924)
0 C8 j, A+ H* F& I( `49. Possession (AS Byatt, 1990)
7 c! d0 H+ ^! G+ ^$ W" M" K48. Lucky Jim (Kingsley Amis, 1954)
8 f4 ]6 |7 P; E( m; L+ @47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)4 l2 i) C: v2 P" c0 {9 ^ C
46. Midnight’s Children (Salman Rushdie, 1981)
* A m/ d( V5 D' G4 M45. The Little Stranger (Sarah Waters, 2009)) P7 p1 t8 n* X( R$ e( o) c
44. Wolf Hall (Hilary Mantel, 2009)8 |* z' @2 k* N9 u/ H
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
' |8 f, [- s; e2 _2 f42. Brighton Rock (Graham Greene, 1938)
) z) Y5 b: t/ | t7 O1 k41. Dombey and Son (Charles Dickens, 1848)
* N @4 W ^8 j. f3 v6 K' n40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" q) K" V p4 @) p; U
39. The Sense of an Ending (Julian Barnes, 2011)
% l0 m, k6 y9 G/ L5 V5 V8 q, U38. The Passion (Jeanette Winterson, 1987)+ Q' K! Q4 l& C' G0 Q' O' |
37. Decline and Fall (Evelyn Waugh, 1928)
0 c& G$ T, w3 [$ s4 x: Q9 \" ~36. A Dance to the Music of Time (Anthony Powell, 1951-1975), D$ Z- [9 N. s9 x
35. Remainder (Tom McCarthy, 2005): m; J( G4 ]; \0 o4 Z$ ]6 C
34. Never Let Me Go (Kazuo Ishiguro, 2005)7 b" I+ E7 p1 b) N% H' {
33. The Wind in the Willows (Kenneth Grahame, 1908)' h5 H" G$ S$ _4 v! h$ H8 V
32. A Room with a View (EM Forster, 1908)
" B9 O( L7 _* R31. The End of the Affair (Graham Greene, 1951)
7 }# F$ Q1 t7 I2 L( ~30. Moll Flanders (Daniel Defoe, 1722)
' t2 l5 U; J! h5 L! S29. Brick Lane (Monica Ali, 2003)" d z V6 W' r; W
28. Villette (Charlotte Brontë, 1853)* q" }) e9 k3 ]% h
27. Robinson Crusoe (Daniel Defoe, 1719)
: l$ b3 r( `! H9 \8 j( ?8 h7 q' d26. The Lord of the Rings (JRR Tolkien, 1954)
+ P R9 L% p% m' o25. White Teeth (Zadie Smith, 2000)$ o& ~" Z3 O3 v5 `* u" b# \. F" p
24. The Golden Notebook (Doris Lessing, 1962); e) @) M8 k/ x/ j8 Y) p
23. Jude the Obscure (Thomas Hardy, 1895)3 m$ Y& x/ n% ~* a2 d: k
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)+ G0 x9 m! U. P) G6 v7 s
21. Heart of Darkness (Joseph Conrad, 1899)
. I6 }) o" }2 j2 B$ a20. Persuasion (Jane Austen, 1817)
; M q3 ?( X, ]# c* z' `$ r19. Emma (Jane Austen, 1815)8 d: t3 s- l) W8 x* ?9 _
18. Remains of the Day (Kazuo Ishiguro, 1989) P2 }7 |: h1 e
17. Howards End (EM Forster, 1910)
% \- ^5 p5 }; R' s! a16. The Waves (Virginia Woolf, 1931)
% \9 `! O/ j& E15. Atonement (Ian McEwan, 2001)
6 j9 d1 q+ P8 E% v14. Clarissa (Samuel Richardson,1748)! y" c- z6 d; j2 }: l7 ?, v9 k+ H
13. The Good Soldier (Ford Madox Ford, 1915)
% Z' Z q2 W# I' y12. Nineteen Eighty-Four (George Orwell, 1949)( P; Z6 Z- l3 Y* O
11. Pride and Prejudice (Jane Austen, 1813)
, o9 ]& p3 t1 o: H7 Q2 x0 w) A, e10. Vanity Fair (William Makepeace Thackeray, 1848)
8 [1 ?% n, j+ p8 \9 @3 Y9. Frankenstein (Mary Shelley, 1818)7 L9 z$ F. [# g- [ e h3 Q
8. David Copperfield (Charles Dickens, 1850). Z0 m3 {1 v+ @) N7 d0 D. z* ^* @
7. Wuthering Heights (Emily Brontë, 1847), X/ O0 Q* H1 g% _
6. Bleak House (Charles Dickens, 1853)5 i* ]7 F! n$ c) X$ [9 L% F! {: W( Q
5. Jane Eyre (Charlotte Brontë, 1847)
9 |/ R8 [9 ]) ]$ W4. Great Expectations (Charles Dickens, 1861)# D4 x% t. Y' u& O
3. Mrs. Dalloway (Virginia Woolf, 1925), n; ^ W7 k/ `. J) S4 g& l
2. To the Lighthouse (Virginia Woolf, 1927)
# h* c4 T; ` ~) W1 Z. A2 A4 }1. Middlemarch (George Eliot, 1874)
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; _: P# v F# v, w3 e前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。- z& Z' V( |" x3 w) S
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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