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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著' m. b1 `& y6 T1 t" a5 Z9 N% Y
http://www.bbc.com/culture/story ... test-british-novels& u, U. e. n; f f# K* ?" L3 D
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。, P7 E/ j9 c* p# f1 r/ X
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100. The Code of the Woosters (PG Wodehouse, 1938)% l) F$ h) {3 I: k; ]: d
99. There but for the (Ali Smith, 2011)% |: q1 Q. c$ s; P+ D* G) k4 u
98. Under the Volcano (Malcolm Lowry,1947)
# s: M$ A/ d3 c97. The Chronicles of Narnia (CS Lewis, 1949-1954). y7 h6 e9 o1 f3 @* E" I
96. Memoirs of a Survivor (Doris Lessing, 1974)
5 R) J R5 u% n, a& L95. The Buddha of Suburbia (Hanif Kureishi, 1990)8 h( ~: j' `$ [
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
* {; ]7 R( p+ K9 X% @. g93. Lord of the Flies (William Golding, 1954)6 G1 A3 E$ E) f' O s# V8 y; U6 m% l
92. Cold Comfort Farm (Stella Gibbons, 1932)0 ~' @8 }- E) C
91. The Forsyte Saga (John Galsworthy, 1922)
1 F; r" w! p: J4 @: K _90. The Woman in White (Wilkie Collins, 1859)3 [. Q4 S" r9 ]; ~& t% v4 L
89. The Horse’s Mouth (Joyce Cary, 1944)+ C! `; o( L& w! Y% C, @! D
88. The Death of the Heart (Elizabeth Bowen, 1938)4 W9 K- H' t2 X# l; R
87. The Old Wives’ Tale (Arnold Bennett,1908)3 p2 c2 _' e" h' `
86. A Legacy (Sybille Bedford, 1956)
) i, n/ z+ a- K85. Regeneration Trilogy (Pat Barker, 1991-1995)- f; C. p7 K A
84. Scoop (Evelyn Waugh, 1938)
4 U4 `0 D3 X; ^+ c- m83. Barchester Towers (Anthony Trollope, 1857)/ g Y+ ^% a- j8 n/ i' ?# O. c
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
2 e) ~* W! o0 C3 J3 J+ H81. The Jewel in the Crown (Paul Scott, 1966). _4 N& j( o7 |$ R( k" }/ ^
80. Excellent Women (Barbara Pym, 1952)
4 Z! c% o& Q# ?! X1 I79. His Dark Materials (Philip Pullman, 1995-2000)
+ i( I. h6 E) ?' B. r" S78. A House for Mr Biswas (VS Naipaul, 1961)
( S% B2 G0 r$ z) p% ^9 b77. Of Human Bondage (W Somerset Maugham, 1915)$ r3 w+ X8 y4 L. ?
76. Small Island (Andrea Levy, 2004)
) }" Q/ f' F7 ^3 M+ x75. Women in Love (DH Lawrence, 1920)
$ d9 ?3 q' }4 _' ^5 r4 x! p74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& H* w& e! p3 k$ c8 p& g, A& Q73. The Blue Flower (Penelope Fitzgerald, 1995)
# _$ V+ S: m7 Y) |72. The Heart of the Matter (Graham Greene, 1948)
) u ?# \9 p+ W T71. Old Filth (Jane Gardam, 2004)" G x9 h9 a. r% h. N! U: T
70. Daniel Deronda (George Eliot, 1876). t2 q$ f5 K5 K" q
69. Nostromo (Joseph Conrad, 1904)8 G$ W1 W0 d$ I4 C/ V
68. A Clockwork Orange (Anthony Burgess, 1962)
2 `9 z( p1 K" f, B. {8 c% \67. Crash (JG Ballard 1973)
# V0 F) S7 l: ]# ]9 ^9 H1 d66. Sense and Sensibility (Jane Austen, 1811)
1 ]% l$ b5 G8 l2 V65. Orlando (Virginia Woolf, 1928)3 `7 X$ f; U8 d5 R3 ^
64. The Way We Live Now (Anthony Trollope, 1875) q, b+ P% Q* _) Q2 G% z# V7 t
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961); U C8 M9 a; R
62. Animal Farm (George Orwell, 1945)) ]! W9 O- y3 O
61. The Sea, The Sea (Iris Murdoch, 1978)/ y, ]; W& q! V; r; c* K/ @1 o0 J4 W
60. Sons and Lovers (DH Lawrence, 1913)4 n3 z$ J# G/ P
59. The Line of Beauty (Alan Hollinghurst, 2004)
: i/ ]4 v# d' i58. Loving (Henry Green, 1945)' p- q2 }! u; k& M+ H
57. Parade’s End (Ford Madox Ford, 1924-1928)4 A9 I. C5 B6 n' W/ k1 G8 s# o: v
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)0 \ @4 z8 T, m" I( P, [
55. Gulliver’s Travels (Jonathan Swift, 1726)
0 @$ L* s6 |9 t7 |: S( z5 q54. NW (Zadie Smith, 2012) \7 Q. @. o; m4 b) b ?" g
53. Wide Sargasso Sea (Jean Rhys, 1966)
% G0 ?! x% }* }, i) n& i' x52. New Grub Street (George Gissing, 1891), v% Q7 i, a" H. i3 Y% V1 |
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)1 t7 T/ F$ [; H9 [0 j; ?" y# ]4 L
50. A Passage to India (EM Forster, 1924)6 x7 T/ Z" Z& _; s9 ], C
49. Possession (AS Byatt, 1990)5 h+ P5 { ~3 V! K. P4 \2 @5 Z
48. Lucky Jim (Kingsley Amis, 1954)
& j a, y4 ?+ Q$ C3 f47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)5 S9 F4 s& S1 M6 a/ S% }
46. Midnight’s Children (Salman Rushdie, 1981)
) R% C+ {* z9 o( ~0 n2 I45. The Little Stranger (Sarah Waters, 2009)3 A$ h1 W1 O/ ~: O2 a: B8 k
44. Wolf Hall (Hilary Mantel, 2009)
k) f# e5 M, I& L9 O43. The Swimming Pool Library (Alan Hollinghurst, 1988)
+ {2 |. G* Y1 E3 R9 F! z: }42. Brighton Rock (Graham Greene, 1938)
8 a; P( e# p: X41. Dombey and Son (Charles Dickens, 1848)
4 j1 v+ E9 o' S+ [/ f3 q40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)4 D9 m2 f2 U& S, B6 j6 j
39. The Sense of an Ending (Julian Barnes, 2011)
' G5 A& D# a E# c38. The Passion (Jeanette Winterson, 1987)2 m9 O, }$ b& p& |/ N# y2 M
37. Decline and Fall (Evelyn Waugh, 1928)
( A, Q& M. |- ]% m# Y/ j36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
% D, l: C* v" I, J2 x) r35. Remainder (Tom McCarthy, 2005)! R: _$ d {: S$ V5 M
34. Never Let Me Go (Kazuo Ishiguro, 2005)
' b8 R6 v+ T/ L: u- e2 K33. The Wind in the Willows (Kenneth Grahame, 1908)- v) u3 k6 k5 s1 Q4 R/ N
32. A Room with a View (EM Forster, 1908)) C2 M# I$ \) \+ A+ B
31. The End of the Affair (Graham Greene, 1951)$ G! @: v9 E3 d0 k: _: @& F! L
30. Moll Flanders (Daniel Defoe, 1722)6 U$ C; p# Z, o _) n" z- p
29. Brick Lane (Monica Ali, 2003)
; j# H6 O) R s4 f7 y& ]* w28. Villette (Charlotte Brontë, 1853)( K' I; s7 a4 j
27. Robinson Crusoe (Daniel Defoe, 1719)& Q, w! r _) i# Y
26. The Lord of the Rings (JRR Tolkien, 1954)( K2 R& C f9 N
25. White Teeth (Zadie Smith, 2000)
! _1 |/ E" g6 K" ]5 i7 N24. The Golden Notebook (Doris Lessing, 1962)
4 m5 E: w! [8 }+ \, w6 T t) \23. Jude the Obscure (Thomas Hardy, 1895). \# c* d6 t! J1 {# T4 c5 {
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749); y# X, w* V9 y7 i! V
21. Heart of Darkness (Joseph Conrad, 1899), P4 K# h! T$ j; |0 K
20. Persuasion (Jane Austen, 1817)6 `, I# d% K5 h% G
19. Emma (Jane Austen, 1815)
5 b0 r0 s& Z0 T/ I# r18. Remains of the Day (Kazuo Ishiguro, 1989)
" U+ h+ L$ L8 i7 } r+ Z! F17. Howards End (EM Forster, 1910)( d7 W: v& S" d0 u
16. The Waves (Virginia Woolf, 1931)
. g! I! `, ^7 i9 d2 O# ` Z6 [ F15. Atonement (Ian McEwan, 2001)
/ P1 R" \6 ]/ K- c8 D3 X14. Clarissa (Samuel Richardson,1748)
3 c9 h: I# g+ l! s13. The Good Soldier (Ford Madox Ford, 1915)5 R4 Y' w- h7 A: u0 L, ~9 i
12. Nineteen Eighty-Four (George Orwell, 1949)
$ J; H$ o7 R& c, n) i11. Pride and Prejudice (Jane Austen, 1813)3 I2 p/ V2 U9 ]3 i( A. u0 {
10. Vanity Fair (William Makepeace Thackeray, 1848)1 S4 D: v& _2 ]. [+ G; y3 ^1 ?9 n
9. Frankenstein (Mary Shelley, 1818)% V9 r5 c7 ?6 [
8. David Copperfield (Charles Dickens, 1850)+ u H7 @% {$ ~3 q
7. Wuthering Heights (Emily Brontë, 1847)* V$ Z ?/ x' L& t) U
6. Bleak House (Charles Dickens, 1853)
/ E9 H# R4 }) Q# ]# b4 T$ M: u- }5. Jane Eyre (Charlotte Brontë, 1847)
/ O; F) ?7 e1 C: T& K* M8 i% \; n4. Great Expectations (Charles Dickens, 1861), O# F' e' T; [6 ]7 e
3. Mrs. Dalloway (Virginia Woolf, 1925)" C3 ^) U; a4 c
2. To the Lighthouse (Virginia Woolf, 1927)
$ h# q4 m u: h/ u- H2 j5 I; e1. Middlemarch (George Eliot, 1874)
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% S6 |& W8 C" x. H" l前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! T1 M, W; q7 E& V2 V3 H7 N! O7 {
9 c: G+ |7 B1 C0 p; x. X8 f呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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