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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 " C0 m& ?5 b5 P" f0 h& z& B m
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BBC评出100大英国文学名著2 h! l1 d7 a9 l) [9 B# c+ y- M
http://www.bbc.com/culture/story ... test-british-novels
& m m5 { o3 ]1 A8 `/ G5 d惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。! O! u6 x5 p0 E7 d0 D- _1 t
' V& s0 l6 @5 m: K1 ]; f; F* p100. The Code of the Woosters (PG Wodehouse, 1938)2 F7 M/ L3 D! N E/ ? G# |" {
99. There but for the (Ali Smith, 2011)
* X. d5 }# D. L1 T' ~0 O8 S98. Under the Volcano (Malcolm Lowry,1947)7 Z% D( s0 K! V! g, w9 i3 k
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
; I1 b9 L7 q4 r7 U$ z96. Memoirs of a Survivor (Doris Lessing, 1974)5 k% x, W# b" h8 M7 N, l9 z
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
- |: f5 q4 }( `( r! c$ @/ F6 v94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 n- F7 k5 ]8 ~6 a; O
93. Lord of the Flies (William Golding, 1954)1 l) [3 H- A, `' p8 T
92. Cold Comfort Farm (Stella Gibbons, 1932)/ u2 M/ ?7 w; A( u; ]
91. The Forsyte Saga (John Galsworthy, 1922)
& J, d: c' ^' y3 Q" @, L! `90. The Woman in White (Wilkie Collins, 1859)
) m8 x+ |3 R6 D# [+ Z! C( {89. The Horse’s Mouth (Joyce Cary, 1944) E4 A2 S6 ~3 L5 w+ o
88. The Death of the Heart (Elizabeth Bowen, 1938)
4 @8 P' ]! S! p% F S87. The Old Wives’ Tale (Arnold Bennett,1908)8 a: Z5 R9 C/ Z: E) p
86. A Legacy (Sybille Bedford, 1956)
; X* g; I! j, |* G4 s85. Regeneration Trilogy (Pat Barker, 1991-1995)+ {" ^' m$ y* f0 M8 r" L
84. Scoop (Evelyn Waugh, 1938)
$ Q+ L+ k5 e. Q4 t83. Barchester Towers (Anthony Trollope, 1857)' [! N7 ]8 C5 n9 h ^
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)$ R' \- y# h' c
81. The Jewel in the Crown (Paul Scott, 1966)) l! g6 b! _7 q8 s$ {/ M
80. Excellent Women (Barbara Pym, 1952), P4 o9 d) r1 \. P! X/ N
79. His Dark Materials (Philip Pullman, 1995-2000)
- g- I8 b& i# C6 O* L78. A House for Mr Biswas (VS Naipaul, 1961)3 I" N- W- t0 K0 b
77. Of Human Bondage (W Somerset Maugham, 1915)
2 R6 y8 A8 W9 f* `+ t76. Small Island (Andrea Levy, 2004): s& n8 M! j9 W# c& O
75. Women in Love (DH Lawrence, 1920)
" Z0 f! n S5 j' g6 K' I7 D74. The Mayor of Casterbridge (Thomas Hardy, 1886)
6 P3 _1 L0 e& K; A2 b. k73. The Blue Flower (Penelope Fitzgerald, 1995)
# P: f7 ]+ n2 c; B! ^" g9 V3 K7 {72. The Heart of the Matter (Graham Greene, 1948)9 x- F2 m" d) Q) H
71. Old Filth (Jane Gardam, 2004)
a% _$ Q0 ~8 o* t. q6 S70. Daniel Deronda (George Eliot, 1876)
, f4 v$ }; N4 [% t2 e69. Nostromo (Joseph Conrad, 1904)
, Z6 Q9 h' o, I68. A Clockwork Orange (Anthony Burgess, 1962)
5 A4 e8 n( `7 d& W: |67. Crash (JG Ballard 1973)
* B- x# Z" A! A% O4 c2 H6 D' _66. Sense and Sensibility (Jane Austen, 1811)1 W$ D. O9 N0 y5 F4 M/ Z) U3 y, B
65. Orlando (Virginia Woolf, 1928)- i* k" v. K/ C/ _: Q
64. The Way We Live Now (Anthony Trollope, 1875)4 b' {. G |3 s: H# R3 z& n. \
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
- E; z. w$ K7 X4 F/ i62. Animal Farm (George Orwell, 1945)
" B4 O# {* |/ O) b61. The Sea, The Sea (Iris Murdoch, 1978)
+ \ C/ G0 U4 o( p: R% J60. Sons and Lovers (DH Lawrence, 1913), y5 d; X% ]" J+ p/ o, l! C& ^
59. The Line of Beauty (Alan Hollinghurst, 2004)+ \$ M% I* U7 p, M# L* t; X
58. Loving (Henry Green, 1945)
, N/ G7 O& x w' }+ @+ I" T8 ~57. Parade’s End (Ford Madox Ford, 1924-1928): u7 J% j- W$ m7 G
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
9 y$ H& D5 `$ m& ~- }% `6 j55. Gulliver’s Travels (Jonathan Swift, 1726)
/ M! F+ k# m/ b' }- C* N- B54. NW (Zadie Smith, 2012)/ b) K" ]/ x" P8 C2 V
53. Wide Sargasso Sea (Jean Rhys, 1966)) k4 z* T/ ^) m) I8 W
52. New Grub Street (George Gissing, 1891) {( O/ N. w& B5 E, k* ^
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
3 p. i \. m, V n. D" m50. A Passage to India (EM Forster, 1924)2 E4 N3 O$ {/ ]$ m% s
49. Possession (AS Byatt, 1990): K7 g+ o! i; l) w a9 U, N ]
48. Lucky Jim (Kingsley Amis, 1954)
8 d+ |* ~* ^* U2 _& G47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
6 l. S8 U7 M/ C2 i2 k46. Midnight’s Children (Salman Rushdie, 1981)
4 u& q0 ^9 f4 s! ~. L* t45. The Little Stranger (Sarah Waters, 2009)
' ]/ W: w* Y% Y u3 l, l% Z44. Wolf Hall (Hilary Mantel, 2009)
7 v+ l1 B# M8 V0 K1 Q3 t) {( P43. The Swimming Pool Library (Alan Hollinghurst, 1988)
9 b% H+ o5 B9 w$ p/ R, q. I42. Brighton Rock (Graham Greene, 1938)7 n8 F3 Q6 o# U9 A, ^. R6 ^. J/ u
41. Dombey and Son (Charles Dickens, 1848)
5 ?* d$ E2 v. d) I t40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
7 e! e7 A; ]& [39. The Sense of an Ending (Julian Barnes, 2011)6 \/ O& I% ?9 E$ h( o% d( C/ {
38. The Passion (Jeanette Winterson, 1987)
) `( F4 C8 w0 H4 R2 k37. Decline and Fall (Evelyn Waugh, 1928)
, F- ^8 z& Q% t# `; G r36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
1 U3 w) W( M) C35. Remainder (Tom McCarthy, 2005)
+ `- O8 `( K# v X/ w: s34. Never Let Me Go (Kazuo Ishiguro, 2005)
+ x6 e! J4 v$ \33. The Wind in the Willows (Kenneth Grahame, 1908)! b7 o1 y) r% e# x% t- A! Z
32. A Room with a View (EM Forster, 1908): P6 `* E6 c% W5 E0 ~1 H4 ^1 g/ \) d5 Z9 f
31. The End of the Affair (Graham Greene, 1951)) I$ C6 `0 A9 L" e
30. Moll Flanders (Daniel Defoe, 1722)6 N; r# \2 A: `2 B% t; D+ T( h
29. Brick Lane (Monica Ali, 2003)
' @" c% a# R! {, N28. Villette (Charlotte Brontë, 1853)) y6 r" l$ ~6 D& k& R& k
27. Robinson Crusoe (Daniel Defoe, 1719); M$ P8 J! }7 u1 F% Z
26. The Lord of the Rings (JRR Tolkien, 1954)6 J Z. Z6 H, c+ b
25. White Teeth (Zadie Smith, 2000)7 ^2 X" k: g ?9 [
24. The Golden Notebook (Doris Lessing, 1962): b/ d1 s( p7 [! V; E( K
23. Jude the Obscure (Thomas Hardy, 1895) R5 \; O/ H+ g% m- A7 A$ {$ q
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
% ^ L# |7 N4 M" ~, K4 s+ D21. Heart of Darkness (Joseph Conrad, 1899)7 m) p" G/ Y- R4 K9 F% S1 x* v# `
20. Persuasion (Jane Austen, 1817)# H% `6 ]9 b" z; w
19. Emma (Jane Austen, 1815)
1 r% x j- B9 S$ y18. Remains of the Day (Kazuo Ishiguro, 1989)
, ^+ Z3 o; y! H$ n2 A# E17. Howards End (EM Forster, 1910)
! [) o3 T n6 q, y- ^) z# K0 N8 u" v16. The Waves (Virginia Woolf, 1931)1 c7 c0 c6 c& s2 U
15. Atonement (Ian McEwan, 2001)
; |# @: g6 S# c" P7 } i14. Clarissa (Samuel Richardson,1748)7 s! {6 G1 z* @" b
13. The Good Soldier (Ford Madox Ford, 1915)
! V L; V0 j; |& K' t! g: Y12. Nineteen Eighty-Four (George Orwell, 1949)
& L/ Z' J9 g* C! I5 L9 h' K11. Pride and Prejudice (Jane Austen, 1813)
# W0 x7 ]1 r: i* U6 ~1 m1 }: X10. Vanity Fair (William Makepeace Thackeray, 1848)3 W, H1 S; L! b# Y8 S
9. Frankenstein (Mary Shelley, 1818)
& q# u% I3 k5 p$ t! b {8. David Copperfield (Charles Dickens, 1850)
- i4 S$ }/ x5 _; |2 h0 b$ ?7. Wuthering Heights (Emily Brontë, 1847)
" w' Z+ h5 Z+ ?5 T. Y7 z6. Bleak House (Charles Dickens, 1853)
$ o7 i! K0 x: g- @* \, s5. Jane Eyre (Charlotte Brontë, 1847)
4 p* H# I; b* y- L5 K2 P4. Great Expectations (Charles Dickens, 1861)3 }9 A2 ^7 n* e6 m
3. Mrs. Dalloway (Virginia Woolf, 1925)
* b, R' `& w( S( U2. To the Lighthouse (Virginia Woolf, 1927)# R! G$ x# e+ g# _* q. m
1. Middlemarch (George Eliot, 1874), q$ y# ^% C3 S1 ^ f. ^& z
H$ ^9 \: ]+ S; h+ S7 v9 l6 u; }前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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8 k2 N$ f6 a$ o7 Y4 t( g3 ^) h4 T呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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