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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 $ k+ f# v" h8 L9 D
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BBC评出100大英国文学名著
% t. ^) \& S& r8 Ihttp://www.bbc.com/culture/story ... test-british-novels& v, C" ?# M" V, q( u' |# e$ ~
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。& }% f! V( Z: E# Z. P' Y1 K! W# `
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100. The Code of the Woosters (PG Wodehouse, 1938)" g5 R5 R! F* a6 Z% Y& N u q
99. There but for the (Ali Smith, 2011)& J% D- ~$ W8 M; k
98. Under the Volcano (Malcolm Lowry,1947). V# S7 A( h; p& s; x3 B
97. The Chronicles of Narnia (CS Lewis, 1949-1954); u- D' C( o3 @8 g8 Q
96. Memoirs of a Survivor (Doris Lessing, 1974)% z2 l% ]# p7 ^9 D% r
95. The Buddha of Suburbia (Hanif Kureishi, 1990)* e" N5 d# D: g7 w% |
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
& [' x8 |% R7 l: u( C8 B! J% V O93. Lord of the Flies (William Golding, 1954)
1 v+ B! j' |) k92. Cold Comfort Farm (Stella Gibbons, 1932)& q0 N# E# y& w/ {
91. The Forsyte Saga (John Galsworthy, 1922)* O1 x* X$ W6 P# t# H% q: @
90. The Woman in White (Wilkie Collins, 1859)
* E/ \0 K- z; ?- u89. The Horse’s Mouth (Joyce Cary, 1944)" T' n. F" m$ n1 S7 r0 X; M
88. The Death of the Heart (Elizabeth Bowen, 1938)$ i6 a' e: a, g6 P* ?
87. The Old Wives’ Tale (Arnold Bennett,1908)
1 N& I) i! V* F2 Q" y86. A Legacy (Sybille Bedford, 1956)
6 h* I6 Q# Q. V# W85. Regeneration Trilogy (Pat Barker, 1991-1995)
" `5 s% W: i- }1 a84. Scoop (Evelyn Waugh, 1938)1 h7 N4 e% l, t5 r. P* h
83. Barchester Towers (Anthony Trollope, 1857)
6 K7 D8 y6 S8 v; @82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
1 T: x* S: d' I7 B- w5 U81. The Jewel in the Crown (Paul Scott, 1966)( ^0 x3 d9 K( v1 n1 Z& @
80. Excellent Women (Barbara Pym, 1952)
0 z" _4 `/ j+ _ R79. His Dark Materials (Philip Pullman, 1995-2000)+ E2 A$ @7 X7 f4 Z# z2 d
78. A House for Mr Biswas (VS Naipaul, 1961)8 S) ^' _) O; S* \
77. Of Human Bondage (W Somerset Maugham, 1915)- T/ v$ y) J" V+ c' e
76. Small Island (Andrea Levy, 2004)
& v* k& I4 {! g5 l75. Women in Love (DH Lawrence, 1920)2 {6 U/ w `' V0 x w; L
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
3 j; p) a0 w- G S% j73. The Blue Flower (Penelope Fitzgerald, 1995)4 }' B& |- |; o2 s
72. The Heart of the Matter (Graham Greene, 1948)
- w. {6 \) q* d: ^71. Old Filth (Jane Gardam, 2004)/ C( i7 O! K% _& H1 r# L: R
70. Daniel Deronda (George Eliot, 1876)) ?8 g- R6 q9 F7 m |
69. Nostromo (Joseph Conrad, 1904)0 N# N! ^' c' V# [" t% I
68. A Clockwork Orange (Anthony Burgess, 1962)3 Y+ H5 l; K/ [- b U( P. S; ?
67. Crash (JG Ballard 1973)" M* \: ?6 h% Z" m
66. Sense and Sensibility (Jane Austen, 1811)
9 h! z. E$ B; r$ L65. Orlando (Virginia Woolf, 1928)
$ f, q8 }4 `3 r% _, j; w a9 z64. The Way We Live Now (Anthony Trollope, 1875)% U! r; N: M( C( \' }: ]# D' w3 l
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
4 v8 s" f$ [0 P3 J8 l8 o; e62. Animal Farm (George Orwell, 1945)0 ?) ~6 O) o7 V$ N( q8 b, @
61. The Sea, The Sea (Iris Murdoch, 1978)
" y$ }0 {2 r1 O# m/ x/ A60. Sons and Lovers (DH Lawrence, 1913)6 G- j: G3 e$ W# Z
59. The Line of Beauty (Alan Hollinghurst, 2004)! C* B6 |- _4 u, G" [) f
58. Loving (Henry Green, 1945). O' B3 Q" K% \
57. Parade’s End (Ford Madox Ford, 1924-1928)% e) N. _& T7 ?6 \
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)# d) F2 B( `- J6 Q; T8 F) o
55. Gulliver’s Travels (Jonathan Swift, 1726)' l: {$ _8 N* I4 [9 R
54. NW (Zadie Smith, 2012)
- O3 a5 L3 ]2 C% p7 [53. Wide Sargasso Sea (Jean Rhys, 1966)
* _0 `" {! D: }) U6 j* B& t# F: R52. New Grub Street (George Gissing, 1891)
* e: v% X. d$ P; a* ? q51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
1 E% i7 ^* m( a | |50. A Passage to India (EM Forster, 1924): x* R) c3 Q9 h8 ?; F
49. Possession (AS Byatt, 1990)' Y5 q: ^0 _# s9 Q) C' ~! w. J0 z
48. Lucky Jim (Kingsley Amis, 1954); `: J& O9 u7 O. @" Q" }
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
1 ^/ t. d& q' o6 E6 a46. Midnight’s Children (Salman Rushdie, 1981)
+ A6 R$ F/ u a, H45. The Little Stranger (Sarah Waters, 2009)
! i/ Z2 m, S8 r! O& L44. Wolf Hall (Hilary Mantel, 2009)
. {1 h ], E! }% m; [/ f% r4 G$ P43. The Swimming Pool Library (Alan Hollinghurst, 1988)) j" W5 {& F* J! A! Z
42. Brighton Rock (Graham Greene, 1938)2 ^# |2 K& i' X1 Z
41. Dombey and Son (Charles Dickens, 1848)
; y- L: h4 O$ n9 V% D$ x% i% A40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)8 m1 F8 k% H5 ~$ C& f- M
39. The Sense of an Ending (Julian Barnes, 2011)
. o% c8 V2 @8 i p5 b: n* \& r8 r38. The Passion (Jeanette Winterson, 1987)
/ }: u. ^, }4 e0 u37. Decline and Fall (Evelyn Waugh, 1928), g) C H' b: v C) L
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
/ X% ^8 t( ?5 P4 H' u8 d. D( @; V35. Remainder (Tom McCarthy, 2005)
8 G2 _9 x( [6 T6 O34. Never Let Me Go (Kazuo Ishiguro, 2005)# ~2 H; l% u q( [2 b
33. The Wind in the Willows (Kenneth Grahame, 1908)1 N. I& k- @! {, u
32. A Room with a View (EM Forster, 1908)
9 I1 u& X' V1 B |) W; M31. The End of the Affair (Graham Greene, 1951)
% Y- O; g; ]- y30. Moll Flanders (Daniel Defoe, 1722)
" K1 a5 a& e1 c, u" V# U# u. a29. Brick Lane (Monica Ali, 2003)3 A1 Z+ L7 A8 a5 ]# q' C
28. Villette (Charlotte Brontë, 1853)3 q. m. s; c# E6 L
27. Robinson Crusoe (Daniel Defoe, 1719)
4 L5 ~/ X0 x3 `+ P+ b26. The Lord of the Rings (JRR Tolkien, 1954)2 s( N' d. j$ m, J( g
25. White Teeth (Zadie Smith, 2000)$ X6 c3 x1 b+ ~- N E+ L5 [3 S2 `
24. The Golden Notebook (Doris Lessing, 1962)
9 {9 [; _0 n) h: r C7 i23. Jude the Obscure (Thomas Hardy, 1895) @8 J; U- z7 d h+ W+ y. _; b
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)& }6 N L# o0 I+ b0 v7 @5 r
21. Heart of Darkness (Joseph Conrad, 1899)& l4 e& T3 ?3 p
20. Persuasion (Jane Austen, 1817)! \! o% ?# {% ]0 ~5 l) d
19. Emma (Jane Austen, 1815)
: F0 Y0 [- w3 U6 v3 c2 {9 I1 J$ K18. Remains of the Day (Kazuo Ishiguro, 1989)
* I# Z& D: T& Y. m9 d17. Howards End (EM Forster, 1910)
: ^- o1 O6 \( W& T& d16. The Waves (Virginia Woolf, 1931)
' v& P* d% `: D8 X/ Y# |7 E S( X15. Atonement (Ian McEwan, 2001)
3 p6 C6 Y. q ~# k( \" l14. Clarissa (Samuel Richardson,1748)8 C1 g" o% f( B8 m' R, G* ~
13. The Good Soldier (Ford Madox Ford, 1915)0 g: Z0 q2 }- ]: }6 d$ F
12. Nineteen Eighty-Four (George Orwell, 1949)
6 w( o4 d, a6 n# M" U11. Pride and Prejudice (Jane Austen, 1813)
2 |3 e3 y, o3 S4 n) l10. Vanity Fair (William Makepeace Thackeray, 1848)
, d. X# t/ @0 b3 }9 I9. Frankenstein (Mary Shelley, 1818)
0 {. h' ~, a2 z' q! }0 W8. David Copperfield (Charles Dickens, 1850)
1 x/ u, {- _& p m7. Wuthering Heights (Emily Brontë, 1847)
' [9 u/ I0 l2 a& N# l. x6. Bleak House (Charles Dickens, 1853)2 C5 ^- ]8 u0 t
5. Jane Eyre (Charlotte Brontë, 1847). o& j! x6 i4 _& L8 W
4. Great Expectations (Charles Dickens, 1861)
* o& {1 R" t/ i3. Mrs. Dalloway (Virginia Woolf, 1925)
+ R5 b" p1 x2 b x Q+ S! R) X2. To the Lighthouse (Virginia Woolf, 1927)- C9 b) p$ l" {. ]4 c% v
1. Middlemarch (George Eliot, 1874)
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. f0 X+ H' d1 l8 w2 b. L" {; p前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。1 \3 L, I3 S% g. w( H+ T% y
; }% p" D7 p! Q# T* n1 z- x, Q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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