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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 G9 z* t+ N4 |7 d' [
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BBC评出100大英国文学名著% u" {, C/ }- ?7 L" v) B
http://www.bbc.com/culture/story ... test-british-novels
7 s$ r$ G# e# w; P0 Z2 z0 Q5 A惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。" _3 ]5 g+ q- N; r8 k9 `
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100. The Code of the Woosters (PG Wodehouse, 1938)7 X) Q9 A7 o- t' Y
99. There but for the (Ali Smith, 2011)
1 T# s) X+ R* I5 J98. Under the Volcano (Malcolm Lowry,1947)% u/ M; Q( s/ k3 h) P3 l8 `- R
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
4 U! ^, V. K6 G0 ?7 a9 T96. Memoirs of a Survivor (Doris Lessing, 1974)
8 F1 F" w' t& v9 r; Y9 w95. The Buddha of Suburbia (Hanif Kureishi, 1990)
. [6 ^$ |. f, n3 g+ Z7 U94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)% d3 I+ e% t; [& [7 o! S( M- I+ Z
93. Lord of the Flies (William Golding, 1954)5 ^. n" A$ g1 J) Z9 y* U6 V \
92. Cold Comfort Farm (Stella Gibbons, 1932)
X8 B# p: e, ]& |1 Z5 M% w91. The Forsyte Saga (John Galsworthy, 1922)( Z8 h; m7 y. J" z% y$ d" a
90. The Woman in White (Wilkie Collins, 1859)
( H: |8 S; F0 q( L+ ]89. The Horse’s Mouth (Joyce Cary, 1944)
% j* ^" }! U, p1 \0 j0 Y! g88. The Death of the Heart (Elizabeth Bowen, 1938)
$ i* A9 C- |; u6 j87. The Old Wives’ Tale (Arnold Bennett,1908)
; o6 H" r' F# p' g2 Q86. A Legacy (Sybille Bedford, 1956)& a/ C( G8 L: n/ k$ T
85. Regeneration Trilogy (Pat Barker, 1991-1995)
; H0 [. d3 H) v) Y+ {) |84. Scoop (Evelyn Waugh, 1938)5 y3 o0 \+ t7 s& }7 n8 u+ j
83. Barchester Towers (Anthony Trollope, 1857)" D3 @6 s0 R, E' O# p4 m
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
* p" t0 Z1 I- K. Y9 N M: \' ]% C81. The Jewel in the Crown (Paul Scott, 1966)' y3 g; Z7 u4 k9 p3 g H
80. Excellent Women (Barbara Pym, 1952)* q8 T! v2 U# {
79. His Dark Materials (Philip Pullman, 1995-2000)
3 x$ ^7 C1 y3 G78. A House for Mr Biswas (VS Naipaul, 1961)5 C% B0 ?1 N& l' T6 v
77. Of Human Bondage (W Somerset Maugham, 1915): D# f+ B: b. S7 i6 k. Y
76. Small Island (Andrea Levy, 2004)
8 n9 b; G8 i a# r* U+ u75. Women in Love (DH Lawrence, 1920)
/ V& U- j" ?! p3 w74. The Mayor of Casterbridge (Thomas Hardy, 1886)# E3 g* x5 i. i' P2 J7 p1 E
73. The Blue Flower (Penelope Fitzgerald, 1995)
/ x) a6 x/ r0 H6 o8 n, r4 ~72. The Heart of the Matter (Graham Greene, 1948)6 q% P. J: @' a
71. Old Filth (Jane Gardam, 2004)' y' x! Y: O* y$ R
70. Daniel Deronda (George Eliot, 1876)$ v4 r% Y, ^1 L' J) d, S* Y& O1 k
69. Nostromo (Joseph Conrad, 1904)
2 L0 y* M; L/ |& s68. A Clockwork Orange (Anthony Burgess, 1962)1 w- ?7 C. P f
67. Crash (JG Ballard 1973); {" ~6 d: V; t8 T) I
66. Sense and Sensibility (Jane Austen, 1811)
) n2 ~ L+ O* L- t b9 f65. Orlando (Virginia Woolf, 1928)
7 P, p' A6 k* N64. The Way We Live Now (Anthony Trollope, 1875)/ G( I7 Z% h1 W( g
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)) |( E c7 f, b
62. Animal Farm (George Orwell, 1945)
' L( m N; C( Q% M: }0 \" C61. The Sea, The Sea (Iris Murdoch, 1978)7 R5 e; ]5 S8 }/ t* I( r' V; X
60. Sons and Lovers (DH Lawrence, 1913)- V( I- O3 p5 l6 \ ]
59. The Line of Beauty (Alan Hollinghurst, 2004)1 }- s/ ?+ r$ R* J6 _
58. Loving (Henry Green, 1945)% l' p( F! S. ]8 b
57. Parade’s End (Ford Madox Ford, 1924-1928)5 [$ S0 c- |- r _- B
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 B, H2 N) `# n" z7 B: c
55. Gulliver’s Travels (Jonathan Swift, 1726)* ]( X4 o" o9 v( D a2 @& @% S
54. NW (Zadie Smith, 2012)
% D2 j2 w' V2 u( A! f53. Wide Sargasso Sea (Jean Rhys, 1966)
' e1 r; s! A3 ~( v3 B* s8 r52. New Grub Street (George Gissing, 1891)
. I% F, u# I2 [51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
4 E- L( ]+ D8 [" V50. A Passage to India (EM Forster, 1924)* b- k' a+ |6 ^ ]
49. Possession (AS Byatt, 1990)( y, n' I r3 t' B
48. Lucky Jim (Kingsley Amis, 1954)
4 e$ a5 u4 B2 Q' q4 Z, y47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
- l5 a7 C' n9 ?46. Midnight’s Children (Salman Rushdie, 1981)! C Y" e9 R# [2 F, p9 J1 {
45. The Little Stranger (Sarah Waters, 2009)- S. X0 j! Q j2 Y
44. Wolf Hall (Hilary Mantel, 2009)
. H2 a0 |. `$ S8 c- u43. The Swimming Pool Library (Alan Hollinghurst, 1988)
, H3 \6 X e8 B: \+ O0 k/ I42. Brighton Rock (Graham Greene, 1938)
' V! F) \. N- ?41. Dombey and Son (Charles Dickens, 1848)
; c' }( E+ z9 B4 l40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
" g/ z* x3 K3 R* r39. The Sense of an Ending (Julian Barnes, 2011)
6 k3 y# X2 ^2 P38. The Passion (Jeanette Winterson, 1987)
4 O1 P9 a* @& n3 x37. Decline and Fall (Evelyn Waugh, 1928)
6 j3 j' }# t1 Q$ B8 w/ [ H36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. e& F& {' x0 B# _35. Remainder (Tom McCarthy, 2005) v+ i( U$ q. H* D9 S% l
34. Never Let Me Go (Kazuo Ishiguro, 2005)
: }0 e( ]( Q" ^4 j3 U33. The Wind in the Willows (Kenneth Grahame, 1908)
) ]& d8 s, Q5 m32. A Room with a View (EM Forster, 1908)
: f% _ Q- C l31. The End of the Affair (Graham Greene, 1951)
( Q% s4 \ B+ g30. Moll Flanders (Daniel Defoe, 1722)
1 V9 m6 M; K8 j# Z29. Brick Lane (Monica Ali, 2003)
/ y# a' r# r1 Z/ z* Z K0 l28. Villette (Charlotte Brontë, 1853)) l S$ ?9 M9 B ?0 y7 q
27. Robinson Crusoe (Daniel Defoe, 1719)
, e( E) ]+ I. Z! y, \1 e W3 g26. The Lord of the Rings (JRR Tolkien, 1954)
& N" r- I) H* Q1 H& G2 l. z25. White Teeth (Zadie Smith, 2000)7 d" i X( _. ?& U' z4 d
24. The Golden Notebook (Doris Lessing, 1962)( E( O- P# W, H% S
23. Jude the Obscure (Thomas Hardy, 1895)4 W. w4 z0 g; [; M4 ^, N
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
5 V& b" n; n5 i+ g) v2 x+ L# _5 I7 G21. Heart of Darkness (Joseph Conrad, 1899)
. `0 G; K; o _) _20. Persuasion (Jane Austen, 1817)
/ b4 t1 \- g$ O0 t0 O1 n19. Emma (Jane Austen, 1815)
0 D- Q7 }, S" v* f; ~# T9 t) ~18. Remains of the Day (Kazuo Ishiguro, 1989)! i: [( Z2 J1 z/ q3 @
17. Howards End (EM Forster, 1910)7 _8 X# J% {+ c
16. The Waves (Virginia Woolf, 1931)5 u0 ]) Z& {; y& Q L0 g
15. Atonement (Ian McEwan, 2001)6 |2 ?9 @+ b1 f1 q
14. Clarissa (Samuel Richardson,1748) C( \' `" X6 @9 u0 B
13. The Good Soldier (Ford Madox Ford, 1915); Q! R7 j8 o! n/ V9 I `# U% z0 y
12. Nineteen Eighty-Four (George Orwell, 1949)
# A# g) _1 f# w$ G11. Pride and Prejudice (Jane Austen, 1813)9 F/ v1 s2 a& m4 Y7 z) y: ?0 W
10. Vanity Fair (William Makepeace Thackeray, 1848)
A1 A5 x' q `0 U2 l7 p; ?+ h9. Frankenstein (Mary Shelley, 1818)
S& l$ c# t( n5 U8. David Copperfield (Charles Dickens, 1850)
$ K v+ O0 F! g- T- G7 G7. Wuthering Heights (Emily Brontë, 1847)
/ M' o# E7 T+ {: d6. Bleak House (Charles Dickens, 1853)# m. q# h5 w1 D8 R, l
5. Jane Eyre (Charlotte Brontë, 1847)6 w, S) c4 h" z) J
4. Great Expectations (Charles Dickens, 1861)
9 A, K/ h4 c% `, }: G/ g. G# C3. Mrs. Dalloway (Virginia Woolf, 1925)
5 i$ x9 o" F4 _! O M+ t8 Y! X7 m' v2. To the Lighthouse (Virginia Woolf, 1927)' p% {2 X% K9 g1 V$ b
1. Middlemarch (George Eliot, 1874)& W2 u1 |" f" {- j1 K( ?
7 C# M2 l3 `9 D% j Z( V/ P8 W/ S前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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