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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著8 L- |; \9 {3 N7 E# j) H7 S
http://www.bbc.com/culture/story ... test-british-novels
; r/ K3 Q5 r9 \' x' z3 t+ D惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
) }) M) A e$ o) ^) H7 N% ?99. There but for the (Ali Smith, 2011)
1 X1 D8 G, m5 E' Q& k98. Under the Volcano (Malcolm Lowry,1947)
! L# q$ a! |8 [+ b- ]& s97. The Chronicles of Narnia (CS Lewis, 1949-1954)
8 N' e% G. [4 }( @: i7 d* o; ^, }3 U96. Memoirs of a Survivor (Doris Lessing, 1974)
, H2 \3 ~$ Q. ^/ n: M/ I95. The Buddha of Suburbia (Hanif Kureishi, 1990)
% z5 O% \, Y' _# c94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)& q# v+ ]/ F+ S7 p
93. Lord of the Flies (William Golding, 1954)
1 Q2 o0 }; I3 c# M! [! W92. Cold Comfort Farm (Stella Gibbons, 1932)
+ Q) r: F( P2 ^" `4 D91. The Forsyte Saga (John Galsworthy, 1922)
; w0 Z# z! h R90. The Woman in White (Wilkie Collins, 1859)
4 a8 {& r% @, p- M; x; B& |2 N89. The Horse’s Mouth (Joyce Cary, 1944)
5 W) {1 |5 I# |' D6 }+ o88. The Death of the Heart (Elizabeth Bowen, 1938)/ ~4 q. k& f+ Y" R$ l
87. The Old Wives’ Tale (Arnold Bennett,1908)
2 m6 h" I! Y+ m" C3 g86. A Legacy (Sybille Bedford, 1956)& R. X9 v; n2 y: q j
85. Regeneration Trilogy (Pat Barker, 1991-1995)
1 H7 T9 W( p, m; ] X84. Scoop (Evelyn Waugh, 1938)% G) l9 N& \: ^3 W- x' C, I k- {
83. Barchester Towers (Anthony Trollope, 1857)0 a* B) R. P2 Y8 ]" ^% [& b
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)2 ?3 m. f( p2 s* d; k' L$ r3 A
81. The Jewel in the Crown (Paul Scott, 1966)& H0 A& F t, ]. c9 {% k+ }+ Y
80. Excellent Women (Barbara Pym, 1952)4 u% G7 [" j$ u; _2 G
79. His Dark Materials (Philip Pullman, 1995-2000)
( [; g. r& {6 f2 K78. A House for Mr Biswas (VS Naipaul, 1961)
! Y4 x5 ?- B3 L: x( n! x* q77. Of Human Bondage (W Somerset Maugham, 1915)! w. K+ Z, b/ ]
76. Small Island (Andrea Levy, 2004)
+ n. L& r" U) D# U75. Women in Love (DH Lawrence, 1920)
/ p, p" E& l$ U0 u ^74. The Mayor of Casterbridge (Thomas Hardy, 1886): m8 ]8 N8 S. F& u6 d' n" _
73. The Blue Flower (Penelope Fitzgerald, 1995)
: j. C6 i0 n8 T v8 Q4 e9 n72. The Heart of the Matter (Graham Greene, 1948)2 s+ ]( q, [% j8 L
71. Old Filth (Jane Gardam, 2004)3 x" U8 t: u m9 m4 t
70. Daniel Deronda (George Eliot, 1876)
$ C- ~4 L9 Y5 ]3 B; D3 Y69. Nostromo (Joseph Conrad, 1904)
8 ]9 m# ?" a# f( l68. A Clockwork Orange (Anthony Burgess, 1962): ~" C4 _0 F8 t) d; z8 }
67. Crash (JG Ballard 1973)
f( K. [, S: w( Q66. Sense and Sensibility (Jane Austen, 1811)
4 h* x# N0 x! v) B; F- ]4 R" y8 U65. Orlando (Virginia Woolf, 1928)
% t3 l. n2 f7 f0 g0 d64. The Way We Live Now (Anthony Trollope, 1875)9 Q w: g! z6 \: y8 ?1 l5 O
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)# e. n6 T$ L) _$ b9 Z
62. Animal Farm (George Orwell, 1945)0 k0 g( E0 p4 A; i, i6 J
61. The Sea, The Sea (Iris Murdoch, 1978)
" K! b: ^4 i+ _60. Sons and Lovers (DH Lawrence, 1913) P; k+ A. A3 B) t4 u' m
59. The Line of Beauty (Alan Hollinghurst, 2004)8 {) q6 `4 y5 C3 Q
58. Loving (Henry Green, 1945)5 A. f* z% l/ _5 q5 h0 b# B
57. Parade’s End (Ford Madox Ford, 1924-1928)4 \2 g8 W8 H1 [8 i3 v
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); T- Z4 O: [4 I4 e" {0 e6 X
55. Gulliver’s Travels (Jonathan Swift, 1726)
, C$ L+ O9 X8 |* ]) B; y54. NW (Zadie Smith, 2012)
* d, _. k2 t; O53. Wide Sargasso Sea (Jean Rhys, 1966)
& }' m3 W+ O2 L$ V% g# s52. New Grub Street (George Gissing, 1891)! h! @' y! x" h Y( y2 x
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
8 x4 V+ @1 C4 C$ B! q50. A Passage to India (EM Forster, 1924)
# t @% `3 a4 f7 x# r" y) F4 y49. Possession (AS Byatt, 1990)
2 O0 ^* r) [7 W O/ G48. Lucky Jim (Kingsley Amis, 1954)+ z" M' x6 d0 ] b5 L$ h2 B" F. _1 n( q% r
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
0 ^3 P4 ^* T% d, c0 c46. Midnight’s Children (Salman Rushdie, 1981)2 N; b- u% d3 l3 Z! c
45. The Little Stranger (Sarah Waters, 2009)
! S5 ?& f c6 E/ Z V% a44. Wolf Hall (Hilary Mantel, 2009)# Q' B( {" h. Z$ v: ]) ]: \: y
43. The Swimming Pool Library (Alan Hollinghurst, 1988)0 |. Q! R9 C) }7 V) H8 Q
42. Brighton Rock (Graham Greene, 1938)
7 w5 f* b0 V6 z' O( C1 y41. Dombey and Son (Charles Dickens, 1848)
7 S; _+ t% P( z40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)/ o- P6 ~ N9 n" U8 X( p
39. The Sense of an Ending (Julian Barnes, 2011)' R2 ~+ L' q. u, o! J
38. The Passion (Jeanette Winterson, 1987)
5 Y, G9 } t* N- F7 F+ B37. Decline and Fall (Evelyn Waugh, 1928)
8 e- u a7 r( D9 U; a36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
1 Z$ }& w, f+ R: r( e1 R35. Remainder (Tom McCarthy, 2005)7 T" b; a: G3 p6 r3 _0 F" A* C
34. Never Let Me Go (Kazuo Ishiguro, 2005)" }/ z( h. K8 P1 D4 q8 [
33. The Wind in the Willows (Kenneth Grahame, 1908)+ L1 j' @9 \2 N: }2 v {9 R
32. A Room with a View (EM Forster, 1908)# `! P* ^' H+ ~0 R- r8 K
31. The End of the Affair (Graham Greene, 1951)
! X8 \( R- p3 y9 f' J' d30. Moll Flanders (Daniel Defoe, 1722)
5 ]% z% M1 a5 [ s. v29. Brick Lane (Monica Ali, 2003)( R/ W4 M* Z* ?4 U9 h8 \
28. Villette (Charlotte Brontë, 1853)
3 y1 ?0 S# ^; B, ]& F" @27. Robinson Crusoe (Daniel Defoe, 1719)
/ o% f. ^# V' | j3 x26. The Lord of the Rings (JRR Tolkien, 1954)
) D* X% @2 L- Z: B3 Q( r K" {! f25. White Teeth (Zadie Smith, 2000)( `- H. I0 s6 e
24. The Golden Notebook (Doris Lessing, 1962)
) J& y7 e1 V% K0 y23. Jude the Obscure (Thomas Hardy, 1895)! r0 H6 E* ?, Z& w. i
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
7 V b7 N9 u% i+ j+ B9 Y" d9 {21. Heart of Darkness (Joseph Conrad, 1899)1 K( r1 J/ B. x) W
20. Persuasion (Jane Austen, 1817)
* n" e$ y( d( B3 l. ~, K19. Emma (Jane Austen, 1815)7 J, o/ [ k7 R
18. Remains of the Day (Kazuo Ishiguro, 1989)- s( G1 s, Q+ u ?3 e! s2 f. U
17. Howards End (EM Forster, 1910)
* Y$ n! `! m0 O4 I16. The Waves (Virginia Woolf, 1931)
& H+ a: _ D8 x9 e h) G& }! ~15. Atonement (Ian McEwan, 2001)5 l% l5 N* U7 `% Z
14. Clarissa (Samuel Richardson,1748)
% t/ `0 [6 ^* S+ O' [13. The Good Soldier (Ford Madox Ford, 1915)
1 h# C& s/ d, E7 u2 j" n# D; u12. Nineteen Eighty-Four (George Orwell, 1949)
5 |7 v) B5 M) d9 }5 Q2 \) d11. Pride and Prejudice (Jane Austen, 1813)
6 z3 p# r& P5 @6 r10. Vanity Fair (William Makepeace Thackeray, 1848)
! M' ~1 D$ F, s' S9 ?: s) L9. Frankenstein (Mary Shelley, 1818)
. g! W, y9 r" S* r$ D8. David Copperfield (Charles Dickens, 1850)
) k: [) P, c5 O& p7. Wuthering Heights (Emily Brontë, 1847)
% N9 D3 ]8 {" N( a2 Y v6. Bleak House (Charles Dickens, 1853)6 s6 c' u4 k# S
5. Jane Eyre (Charlotte Brontë, 1847)+ k# Y8 m# @5 p) s2 {/ [7 ~) [
4. Great Expectations (Charles Dickens, 1861); L: m- X( s( [
3. Mrs. Dalloway (Virginia Woolf, 1925)
- G! X# r8 w% h. L* g2. To the Lighthouse (Virginia Woolf, 1927)5 I( y+ }: u/ b! b
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ z' ?& n+ F, L$ k# H$ O
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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