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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 / H: V ^! ^, Q8 L; Z
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BBC评出100大英国文学名著
' u$ ]. ~' y. X! K9 y3 bhttp://www.bbc.com/culture/story ... test-british-novels
- B6 ~+ O( m2 U& a: F- [$ v惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。0 }8 p0 Y8 v- Q1 @1 z
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100. The Code of the Woosters (PG Wodehouse, 1938)
\6 g7 F$ Z' A. B. j. A99. There but for the (Ali Smith, 2011)# n6 c9 d; s0 A* o& U, V# }9 \
98. Under the Volcano (Malcolm Lowry,1947): b+ ^) h& r& `
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
5 d8 [! U- m! ]* p96. Memoirs of a Survivor (Doris Lessing, 1974) h8 C2 e% B' Q& V4 H. f
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
# a' s; c* X8 H4 y7 K94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
: N- o9 K. E3 z8 t4 E! e93. Lord of the Flies (William Golding, 1954)) a5 F5 H4 e' z; h; ?
92. Cold Comfort Farm (Stella Gibbons, 1932), y$ P B% A- V
91. The Forsyte Saga (John Galsworthy, 1922)
: k- I& n! F0 Q' p8 T3 [90. The Woman in White (Wilkie Collins, 1859)
! t$ H# H& C6 E89. The Horse’s Mouth (Joyce Cary, 1944)! u$ ^+ d L2 x! e& j% b
88. The Death of the Heart (Elizabeth Bowen, 1938)
7 |3 s7 Z) O( P: K5 t87. The Old Wives’ Tale (Arnold Bennett,1908)
) C) B3 ^8 Y; p86. A Legacy (Sybille Bedford, 1956)
* S; t$ T" X) O9 K% {85. Regeneration Trilogy (Pat Barker, 1991-1995) G8 N+ e8 \8 [0 K/ P, G
84. Scoop (Evelyn Waugh, 1938)$ b6 f6 r6 n' p
83. Barchester Towers (Anthony Trollope, 1857)
L( n s! f) b82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ x4 g6 i' Y7 X* I& y- U
81. The Jewel in the Crown (Paul Scott, 1966)
/ r }: u) m( l: g' w7 h% R% i80. Excellent Women (Barbara Pym, 1952)
9 I' d; C; k- i% y: G79. His Dark Materials (Philip Pullman, 1995-2000)
4 ]7 v( l# k) S6 p' i78. A House for Mr Biswas (VS Naipaul, 1961)
8 w5 A/ A3 p3 t7 n$ D; ~77. Of Human Bondage (W Somerset Maugham, 1915)
+ y) o% m' T9 B3 m& k76. Small Island (Andrea Levy, 2004)
# L! @. M0 ~% A# S: v7 x9 X75. Women in Love (DH Lawrence, 1920)
* n' w) L' f0 I, R0 o) @3 n74. The Mayor of Casterbridge (Thomas Hardy, 1886)& Y% V [5 j9 w1 k2 M% N2 R
73. The Blue Flower (Penelope Fitzgerald, 1995)0 C4 g( ~! R9 ~ a# V# [
72. The Heart of the Matter (Graham Greene, 1948)
, F: {* l8 I8 N' R/ y71. Old Filth (Jane Gardam, 2004)
0 z0 L5 i5 T. V0 C4 h- P4 }8 f7 o70. Daniel Deronda (George Eliot, 1876)
# g- r, W, a, p6 d( X+ X69. Nostromo (Joseph Conrad, 1904): L; s+ M0 R; ]# Y5 t: d0 U$ U
68. A Clockwork Orange (Anthony Burgess, 1962)& q! m8 g* }1 o# Y
67. Crash (JG Ballard 1973)
( W2 c! k" t" G6 D8 q66. Sense and Sensibility (Jane Austen, 1811)" L2 | \+ r$ l7 O
65. Orlando (Virginia Woolf, 1928); c9 E. ?5 @0 V) k7 B+ P% t
64. The Way We Live Now (Anthony Trollope, 1875)6 S) M& Y7 T: @( @; y4 d; a# I! ]3 M
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
C+ W$ c- F; V62. Animal Farm (George Orwell, 1945)8 Z2 O5 l& G; v
61. The Sea, The Sea (Iris Murdoch, 1978)4 y/ s- [/ L' p/ ]5 j
60. Sons and Lovers (DH Lawrence, 1913)5 T+ V+ } a5 L3 D. A$ ~" q$ @
59. The Line of Beauty (Alan Hollinghurst, 2004)" T4 {0 O6 Z0 |9 j! i8 T
58. Loving (Henry Green, 1945)
$ _0 Y+ J$ t% l. K, V' R7 T57. Parade’s End (Ford Madox Ford, 1924-1928)
* [7 h3 Z3 J) J# z* ^5 W w56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
( `, M7 v3 K+ ~# A9 W2 p55. Gulliver’s Travels (Jonathan Swift, 1726)! q: N2 H7 E- \7 j* ?3 h
54. NW (Zadie Smith, 2012)! P5 V9 F' o% |
53. Wide Sargasso Sea (Jean Rhys, 1966)
( J8 f0 V& h+ W3 j52. New Grub Street (George Gissing, 1891)
# h7 x8 X0 J9 t* t% ?51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
6 f8 L# t' o- O, a- J9 ?50. A Passage to India (EM Forster, 1924)
& G4 U0 E# s0 l" S8 E$ l0 ~49. Possession (AS Byatt, 1990)
8 T J8 d4 [+ E7 I1 `- i48. Lucky Jim (Kingsley Amis, 1954)' }( ~2 O- w" V$ J# l
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
- z7 u3 J. F3 j; g46. Midnight’s Children (Salman Rushdie, 1981)" G+ O0 ^2 z; d8 A
45. The Little Stranger (Sarah Waters, 2009)
Z1 P, a5 |' S7 G/ j- M9 o44. Wolf Hall (Hilary Mantel, 2009)
/ q, |+ X- g5 m5 R1 ]43. The Swimming Pool Library (Alan Hollinghurst, 1988)
3 |: J( d6 x2 `4 S* ^" e0 L, p0 h: ?42. Brighton Rock (Graham Greene, 1938)
2 Y+ L a3 ~5 b7 ^5 e7 y41. Dombey and Son (Charles Dickens, 1848)- i2 p# ^& S7 E! Z
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
/ Z8 ]! _- b$ \: t; V0 T39. The Sense of an Ending (Julian Barnes, 2011)' M: O8 D# e3 X: p6 o% D; c
38. The Passion (Jeanette Winterson, 1987)) y7 N/ {& o ?5 x; [! z" A
37. Decline and Fall (Evelyn Waugh, 1928). s1 v4 T0 z; w) M
36. A Dance to the Music of Time (Anthony Powell, 1951-1975) Z3 E' O: B( ^0 t P7 W+ H
35. Remainder (Tom McCarthy, 2005)
" K, l: J: \( y, D3 {# h2 C34. Never Let Me Go (Kazuo Ishiguro, 2005)' a6 h/ Z% `& _- u) o3 R0 S$ K
33. The Wind in the Willows (Kenneth Grahame, 1908)$ x3 k. U( i T3 @
32. A Room with a View (EM Forster, 1908)2 a- n* T+ A( R3 D1 N' M8 U1 h
31. The End of the Affair (Graham Greene, 1951)
) N! l2 s$ X6 V% e" h6 t) l. N30. Moll Flanders (Daniel Defoe, 1722)
2 m# I- a4 p' l+ K& `" B29. Brick Lane (Monica Ali, 2003). ?9 ^! y8 s* _) t
28. Villette (Charlotte Brontë, 1853)! p& ^$ X d2 h( @
27. Robinson Crusoe (Daniel Defoe, 1719)
( ]8 F4 F# [7 \5 w& _26. The Lord of the Rings (JRR Tolkien, 1954)
3 }& ]: U: g3 j n25. White Teeth (Zadie Smith, 2000)7 j, Y9 [, u5 U' U! i
24. The Golden Notebook (Doris Lessing, 1962)
( y% V4 `/ u2 y23. Jude the Obscure (Thomas Hardy, 1895)
7 R+ e7 n! [2 Y7 a7 j3 X7 J22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
. x( C' N" ~1 L6 h5 H3 H21. Heart of Darkness (Joseph Conrad, 1899)
9 O8 y! P0 @ I: w! _20. Persuasion (Jane Austen, 1817)& r! k; K3 U3 V: d2 g+ q1 k
19. Emma (Jane Austen, 1815)4 j# r6 X; O D5 k' N, x# r
18. Remains of the Day (Kazuo Ishiguro, 1989)& y6 u9 I, S, W4 q( u, i
17. Howards End (EM Forster, 1910)
4 z+ J5 i c! _* |- R16. The Waves (Virginia Woolf, 1931)
" V. U6 w7 Z6 s+ \$ u: j/ _15. Atonement (Ian McEwan, 2001)
# {5 v/ ~! H# t/ T14. Clarissa (Samuel Richardson,1748)
+ d' c! B6 A3 `2 B13. The Good Soldier (Ford Madox Ford, 1915)
0 t' j7 f6 |2 x' K: e/ k1 ?12. Nineteen Eighty-Four (George Orwell, 1949)
m& ~/ e- p- N' M6 F11. Pride and Prejudice (Jane Austen, 1813)8 O! V: p" G" q
10. Vanity Fair (William Makepeace Thackeray, 1848)
. t1 o) v2 f- B1 n8 ^* {9. Frankenstein (Mary Shelley, 1818)1 N" Z% o0 g3 N" X
8. David Copperfield (Charles Dickens, 1850)
5 ?. Q# e' E- P _1 c7. Wuthering Heights (Emily Brontë, 1847)
" ]4 @0 R, j4 r9 a1 g6. Bleak House (Charles Dickens, 1853)# y9 M: a! D) w* K+ C; y" q8 j' y
5. Jane Eyre (Charlotte Brontë, 1847)
1 |6 Z8 U) Y8 ~( T3 j4. Great Expectations (Charles Dickens, 1861)
$ T5 Q1 Q- H$ K) y3. Mrs. Dalloway (Virginia Woolf, 1925)
+ M" Q! P8 E' _# u2. To the Lighthouse (Virginia Woolf, 1927)# @- j2 p% o( A7 ` x
1. Middlemarch (George Eliot, 1874)2 a9 \" |+ M* m: ?0 L* V! ~9 @" V
1 q3 W7 G# {5 B0 ?4 R, L& q( Q前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。
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" L7 Y: y4 P& @! R2 X呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
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