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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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$ y( Z( D- D2 `! y% ^3 o9 C" VBBC评出100大英国文学名著* l. O$ V/ Q' q; w5 h z5 l' l
http://www.bbc.com/culture/story ... test-british-novels
; ?" ?% ~- g6 d, D1 H惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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3 F! o$ C! M/ e# i T100. The Code of the Woosters (PG Wodehouse, 1938)5 c1 q. j8 X) ]2 ?( {* v
99. There but for the (Ali Smith, 2011)2 ~" f' z b0 V$ D# T. r* m) q3 ?
98. Under the Volcano (Malcolm Lowry,1947): B" P& Q4 Y# Y& D& T+ f9 B
97. The Chronicles of Narnia (CS Lewis, 1949-1954)' { Y5 A7 R& a4 i9 x
96. Memoirs of a Survivor (Doris Lessing, 1974)
# A! U2 \" \& y V* S# Y" C3 d95. The Buddha of Suburbia (Hanif Kureishi, 1990)
1 U, I, {( t# ]94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)+ k2 E9 M4 T9 h# \6 C
93. Lord of the Flies (William Golding, 1954)
5 ^- L: l3 o* \. {3 x* V/ |; R92. Cold Comfort Farm (Stella Gibbons, 1932)
7 Z9 K6 u! C: V0 Z" N91. The Forsyte Saga (John Galsworthy, 1922) u U& [! d/ t- L9 U! U1 [
90. The Woman in White (Wilkie Collins, 1859): H, ^4 {0 I/ o/ ]' x$ G
89. The Horse’s Mouth (Joyce Cary, 1944)
! s: d2 Y- y' n, l: X1 v8 Y* ~88. The Death of the Heart (Elizabeth Bowen, 1938)6 D9 d9 z' N) L6 N5 m
87. The Old Wives’ Tale (Arnold Bennett,1908)
4 Z2 E; i% N, _- o0 [! ^86. A Legacy (Sybille Bedford, 1956)
9 K% N' a; \% J: Z o3 z85. Regeneration Trilogy (Pat Barker, 1991-1995)
+ Q3 _1 \: {- F7 \+ D, H, {84. Scoop (Evelyn Waugh, 1938)
/ T" U- ^# \0 [7 `83. Barchester Towers (Anthony Trollope, 1857)
% }7 {2 ^) x! P' v4 a82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)5 ]- O: s8 i/ N0 s3 F
81. The Jewel in the Crown (Paul Scott, 1966)
* g* Y1 D9 r0 v80. Excellent Women (Barbara Pym, 1952)" `+ R. o, [4 f+ W' Y- K1 P
79. His Dark Materials (Philip Pullman, 1995-2000)- R" O S0 J& L* H9 r
78. A House for Mr Biswas (VS Naipaul, 1961)
& r# {. P* h6 j& }3 w) H77. Of Human Bondage (W Somerset Maugham, 1915)' I* y/ }' L. F3 k/ c5 ~
76. Small Island (Andrea Levy, 2004)% T, x% B0 P+ R; _2 o
75. Women in Love (DH Lawrence, 1920)' a8 l' ^# V1 v
74. The Mayor of Casterbridge (Thomas Hardy, 1886)3 {& U, J, F! [, @) k9 R
73. The Blue Flower (Penelope Fitzgerald, 1995)
. q9 ^& X6 U- f$ l6 x+ t, e* l72. The Heart of the Matter (Graham Greene, 1948)) k+ V# F% I% s8 p* j# k
71. Old Filth (Jane Gardam, 2004)5 `0 y$ T) P0 U! }) R+ {& P5 p, f, D2 N
70. Daniel Deronda (George Eliot, 1876)
. }# e& H) X! l# l69. Nostromo (Joseph Conrad, 1904)
) [/ P3 G& \% h5 n; G% [* _! O68. A Clockwork Orange (Anthony Burgess, 1962)6 {3 b9 [9 b% G7 s; u- H0 ]& Y
67. Crash (JG Ballard 1973)
6 z7 h( H) o7 e' ?6 N/ i66. Sense and Sensibility (Jane Austen, 1811)! \4 O0 |4 E' o0 a; ?- e
65. Orlando (Virginia Woolf, 1928)8 U- D; m! [* p$ u4 O9 ^/ F
64. The Way We Live Now (Anthony Trollope, 1875)+ l% S- | E% {* K) C2 m
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
H" v5 v; t& i0 [9 w- z0 O; l62. Animal Farm (George Orwell, 1945)
* l. `! `: }; e" Z! [8 ~* k61. The Sea, The Sea (Iris Murdoch, 1978)
8 y6 e$ S" V! u: ^60. Sons and Lovers (DH Lawrence, 1913); I/ F, P- Q, N4 C& K
59. The Line of Beauty (Alan Hollinghurst, 2004)* z d) |* T. c) U0 L
58. Loving (Henry Green, 1945)/ j/ h4 s4 G0 z+ A1 F
57. Parade’s End (Ford Madox Ford, 1924-1928)
1 ^/ a0 q& M* S) q; t1 c6 b' _56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)- W! E( D+ r; ^0 G% T& p( d
55. Gulliver’s Travels (Jonathan Swift, 1726)
8 q; w2 Y/ t* y( o1 `54. NW (Zadie Smith, 2012)
6 h; p8 g0 F2 s- I# ?6 }; Y53. Wide Sargasso Sea (Jean Rhys, 1966)
+ d5 I7 G! d, m' o; H4 p* d: C/ K52. New Grub Street (George Gissing, 1891). d D$ c2 H% T: ^0 @5 x. C. T9 d. N
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
2 i5 [8 B$ q8 ~( D50. A Passage to India (EM Forster, 1924)
0 S. d' a7 ]: N# ^49. Possession (AS Byatt, 1990)
/ d. n8 d; n( _* ^" ~6 C( u1 p48. Lucky Jim (Kingsley Amis, 1954)5 A( Z) b7 V. r# p; Q R7 z
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
, ^) n9 ^ m6 r+ T46. Midnight’s Children (Salman Rushdie, 1981)- V& t, Z# x! `( I) p
45. The Little Stranger (Sarah Waters, 2009)
7 r6 @* d' ?. Q* A( a8 M44. Wolf Hall (Hilary Mantel, 2009)
5 Y9 b/ k! B: ]9 W43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 Y9 w3 m O: r* z# U) }42. Brighton Rock (Graham Greene, 1938)3 G1 }" G) f# J" N+ Z2 o
41. Dombey and Son (Charles Dickens, 1848)
2 q- I; v i; g( I' a40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
7 z. k2 R: R+ D8 @8 d+ _# f% f39. The Sense of an Ending (Julian Barnes, 2011)" M! n/ h7 Z" D* u9 L
38. The Passion (Jeanette Winterson, 1987)
8 M( h3 @, A. @37. Decline and Fall (Evelyn Waugh, 1928)
" c' U7 s! l L6 U: _36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
% R1 X" w$ W9 K4 _7 L! f35. Remainder (Tom McCarthy, 2005)' W; M1 O7 x0 |" l* F# ?% A+ S5 _- P
34. Never Let Me Go (Kazuo Ishiguro, 2005)
3 Q: d- |1 W/ k7 H/ B33. The Wind in the Willows (Kenneth Grahame, 1908)1 H4 ~3 h* {- J: `- l2 _9 S# R9 f7 M
32. A Room with a View (EM Forster, 1908). N1 p& E7 N! D, E1 f/ q/ i- H
31. The End of the Affair (Graham Greene, 1951)
! ~' k8 o* [$ j3 d! K& b$ `! Q- C30. Moll Flanders (Daniel Defoe, 1722)
, {1 c' l/ w$ W- W! a% e29. Brick Lane (Monica Ali, 2003)5 Y* n5 T/ D2 z. K+ N" P' s" Y: s C( R
28. Villette (Charlotte Brontë, 1853): m% }' w, A3 `* ?" e# `
27. Robinson Crusoe (Daniel Defoe, 1719)
" V+ E' O% U0 i, o- p26. The Lord of the Rings (JRR Tolkien, 1954)
9 t: ~, ]: Q+ ~# o25. White Teeth (Zadie Smith, 2000)
s0 J: }4 u4 j24. The Golden Notebook (Doris Lessing, 1962)! @+ T* U; F" D- H8 r; o" c
23. Jude the Obscure (Thomas Hardy, 1895)
( E3 o6 u' D1 D5 _. d7 [( C8 I( Q6 n22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)' g5 w+ R0 S* b" @$ Y/ S5 k8 F* k
21. Heart of Darkness (Joseph Conrad, 1899)
0 M$ d7 H8 i* F* a5 K! k20. Persuasion (Jane Austen, 1817)& T3 j+ o. B5 Q( o. h
19. Emma (Jane Austen, 1815)5 _! i. k# u1 Q5 s8 f3 W
18. Remains of the Day (Kazuo Ishiguro, 1989)
C, y |9 ^4 ]! n% T1 i& H17. Howards End (EM Forster, 1910). ^; p; S6 c% Q `' l
16. The Waves (Virginia Woolf, 1931)
, U: M" R1 Q7 g% _. c2 `3 q15. Atonement (Ian McEwan, 2001)
% f% D# [ [7 O3 A14. Clarissa (Samuel Richardson,1748)/ L$ y! ]! {6 r+ }3 f0 J5 X
13. The Good Soldier (Ford Madox Ford, 1915)
, Y, C& ^; j( ~) k4 \- W% R12. Nineteen Eighty-Four (George Orwell, 1949)
) W/ ?9 t0 B4 g$ b) q8 _& E0 o5 ~11. Pride and Prejudice (Jane Austen, 1813)) j! a9 N7 l8 Q. g$ F6 ^
10. Vanity Fair (William Makepeace Thackeray, 1848)( v* I S3 [4 ]7 G; L
9. Frankenstein (Mary Shelley, 1818)
* h, D: |! Q% S& i* N# V+ o; e3 _8. David Copperfield (Charles Dickens, 1850)
# T4 G& m: x3 ^5 \$ c5 |7. Wuthering Heights (Emily Brontë, 1847)
% i' ?( u4 T6 O6. Bleak House (Charles Dickens, 1853)
( g4 g1 p5 h6 V. Z5. Jane Eyre (Charlotte Brontë, 1847)8 {: }3 ?2 \( P6 X3 O) ?' ?7 q9 Y8 [
4. Great Expectations (Charles Dickens, 1861)
+ Y6 c( v: Q |2 U2 J# A- @4 h+ ^3. Mrs. Dalloway (Virginia Woolf, 1925)
. q4 j1 V2 x9 s4 [ k' N! [2. To the Lighthouse (Virginia Woolf, 1927)
( m. }" Z4 m# I! J$ r' @+ X1. Middlemarch (George Eliot, 1874)
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- Z3 _. ]5 B$ [. h前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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* S0 r( ?# | t7 ]; X9 O呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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