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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; D [8 s) O/ W J+ n
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BBC评出100大英国文学名著6 E, U# O2 q" P3 C$ T$ P+ [
http://www.bbc.com/culture/story ... test-british-novels
0 n8 }( ^1 [2 l1 q5 f惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)7 j( c/ v: Z$ L7 }/ W" g' g
99. There but for the (Ali Smith, 2011)( p/ g8 M: X. U: n$ {
98. Under the Volcano (Malcolm Lowry,1947)8 w4 E- P% {" l/ D) _0 ~
97. The Chronicles of Narnia (CS Lewis, 1949-1954)8 T) O9 N5 d# U
96. Memoirs of a Survivor (Doris Lessing, 1974)( N6 Z& {6 e8 P$ \/ @
95. The Buddha of Suburbia (Hanif Kureishi, 1990)5 n, ?/ p3 e& b9 t0 y9 N$ ~4 t
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
; S: _9 C( ]; F93. Lord of the Flies (William Golding, 1954)* U. p2 y. y8 F9 n- e% D3 g0 D
92. Cold Comfort Farm (Stella Gibbons, 1932); W: v' ^& E. y1 h- ~" O# b
91. The Forsyte Saga (John Galsworthy, 1922): B) V( z' H9 F) `. b/ u1 q
90. The Woman in White (Wilkie Collins, 1859)
) c/ C2 w( p, u+ v) l0 P89. The Horse’s Mouth (Joyce Cary, 1944)
- H' z% m# G4 E. Y6 x* b$ ?. U. A% b8 R88. The Death of the Heart (Elizabeth Bowen, 1938)
+ Q0 ?# j% p" f4 F1 {( B87. The Old Wives’ Tale (Arnold Bennett,1908)
7 |+ S& P# i7 P: r: T/ ~- b6 n86. A Legacy (Sybille Bedford, 1956); C# c1 H$ C7 f
85. Regeneration Trilogy (Pat Barker, 1991-1995)' m M0 A' q$ d# l6 _$ w
84. Scoop (Evelyn Waugh, 1938)5 J# _/ l/ s Y! J
83. Barchester Towers (Anthony Trollope, 1857)
" U) _! n# ^; g3 B- O82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
& Y6 D0 m' p( I1 q" S81. The Jewel in the Crown (Paul Scott, 1966)& L) s% n5 M1 [3 E
80. Excellent Women (Barbara Pym, 1952)
" g- L" e3 ~' _" u# T e2 H( g2 A79. His Dark Materials (Philip Pullman, 1995-2000)& N- O0 x6 C! S! p
78. A House for Mr Biswas (VS Naipaul, 1961)3 [/ z6 V# \* \+ s5 N
77. Of Human Bondage (W Somerset Maugham, 1915)
! L( C$ M v( B% y4 n76. Small Island (Andrea Levy, 2004)
" _9 i+ a. s9 Q! N75. Women in Love (DH Lawrence, 1920)
' o' k" F% i" k; C/ s) E+ P' W74. The Mayor of Casterbridge (Thomas Hardy, 1886)# n2 v7 Q9 V4 m* v, d; T
73. The Blue Flower (Penelope Fitzgerald, 1995)
" d9 `$ c- w& q) S6 Q2 }72. The Heart of the Matter (Graham Greene, 1948)" P& g# _) E X: H# l4 G6 `4 c
71. Old Filth (Jane Gardam, 2004)
! ^ m( i S/ [# I5 G70. Daniel Deronda (George Eliot, 1876)7 u; n# t1 G) h* n6 j# ^
69. Nostromo (Joseph Conrad, 1904): v: z. _( ]- G8 Z% H3 u' v" X
68. A Clockwork Orange (Anthony Burgess, 1962)
+ e$ J3 g6 R% B1 o1 ]67. Crash (JG Ballard 1973)8 @* b# X/ s2 G+ A7 x) r
66. Sense and Sensibility (Jane Austen, 1811)1 q! U) I; ^9 H3 \( l* L8 @6 `( }
65. Orlando (Virginia Woolf, 1928)
; |3 }5 n0 |4 q: Q* L64. The Way We Live Now (Anthony Trollope, 1875)
% ?) @/ w) v4 G' v: g$ r, F+ `% _6 F63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
5 d& j* O5 S2 k$ @ q; F5 m* b; \62. Animal Farm (George Orwell, 1945)5 [8 _1 D: q7 w: ^
61. The Sea, The Sea (Iris Murdoch, 1978); Q3 y# c6 ^+ [' K# u) m) o& X
60. Sons and Lovers (DH Lawrence, 1913)2 v9 J- L% e2 T5 d( \+ e
59. The Line of Beauty (Alan Hollinghurst, 2004)
$ o7 M3 I) @7 `58. Loving (Henry Green, 1945)
% `& A2 ^5 c K J0 z) X/ ^57. Parade’s End (Ford Madox Ford, 1924-1928); m/ ]% j# p6 n/ N! [
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)8 B9 \+ P+ m- j* ~
55. Gulliver’s Travels (Jonathan Swift, 1726)
# a8 X7 w' x d6 r7 X54. NW (Zadie Smith, 2012)
% q7 E5 }$ J# q }/ l53. Wide Sargasso Sea (Jean Rhys, 1966)4 V* L+ a$ }/ g' T& p, H
52. New Grub Street (George Gissing, 1891)8 h( w. ]1 b6 G) F% i) B
51. Tess of the d’Urbervilles (Thomas Hardy, 1891) U1 f: r8 g6 Z
50. A Passage to India (EM Forster, 1924)3 T8 T W- g1 L2 \% t- X5 N4 D
49. Possession (AS Byatt, 1990)" g4 o4 N% N; r
48. Lucky Jim (Kingsley Amis, 1954)
: w* n9 m3 b' Q" x8 x47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
' F, h3 I8 b4 c" |; f46. Midnight’s Children (Salman Rushdie, 1981)
$ |/ V; h6 }2 y) g45. The Little Stranger (Sarah Waters, 2009)# w, l+ j% I& W7 @6 C% v7 q
44. Wolf Hall (Hilary Mantel, 2009)
, |$ I, w# S- g7 A) U3 o* W, `43. The Swimming Pool Library (Alan Hollinghurst, 1988)
7 K" T6 M* e) s) X8 v( p u42. Brighton Rock (Graham Greene, 1938)
0 [6 _) l. { M' [5 O z% H. t. _41. Dombey and Son (Charles Dickens, 1848)) s. X% c" Q4 R. z6 M
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 j+ j- Y4 F* E, H0 p. {39. The Sense of an Ending (Julian Barnes, 2011): m; D2 a7 Z8 W4 W
38. The Passion (Jeanette Winterson, 1987) W2 M4 r( G4 s
37. Decline and Fall (Evelyn Waugh, 1928)
5 r+ g' n2 T0 V36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
: g' Q, `% r. U. m) {; }35. Remainder (Tom McCarthy, 2005)
4 P3 q( O6 w- t/ ^34. Never Let Me Go (Kazuo Ishiguro, 2005)* b# }3 D9 r# S# J- u
33. The Wind in the Willows (Kenneth Grahame, 1908)! g) U# U- H0 A$ L( {2 a
32. A Room with a View (EM Forster, 1908)
/ e. K0 v7 @1 E! s2 T31. The End of the Affair (Graham Greene, 1951)7 o$ u2 x; h0 h, M; B, h+ |% A
30. Moll Flanders (Daniel Defoe, 1722)% c, a: G* N W% s8 `1 H; ]" F
29. Brick Lane (Monica Ali, 2003)/ y% q3 G3 S. g8 R/ e
28. Villette (Charlotte Brontë, 1853)
( f( l4 `9 q; R2 X% d$ F, k, ^27. Robinson Crusoe (Daniel Defoe, 1719). [- y J. o1 _% L8 i% x x5 j
26. The Lord of the Rings (JRR Tolkien, 1954)
* ~( {( B1 ~+ ~4 s9 R) C; b3 P25. White Teeth (Zadie Smith, 2000)
6 { U) \! c8 X7 i0 U6 T. ^24. The Golden Notebook (Doris Lessing, 1962)
D5 ~2 N) c% k7 J23. Jude the Obscure (Thomas Hardy, 1895)
: |7 {& ^, H5 ?' V22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
/ a! u$ G8 q, `7 ^6 V5 W) i3 p21. Heart of Darkness (Joseph Conrad, 1899)
( I6 ]; a: Y# T8 m7 I8 e" t/ J20. Persuasion (Jane Austen, 1817)4 d: x) L) r# D
19. Emma (Jane Austen, 1815)' U& X) H5 r4 j- m0 e1 Q4 s5 P
18. Remains of the Day (Kazuo Ishiguro, 1989)( f, g& q8 V: k4 N( Y8 C3 h
17. Howards End (EM Forster, 1910)
) G m: O, s3 U+ c- ~8 {16. The Waves (Virginia Woolf, 1931)& k: O- {" D! B/ ]6 p# J4 t7 C
15. Atonement (Ian McEwan, 2001)$ c3 M0 o: G& H" V
14. Clarissa (Samuel Richardson,1748)
8 _2 j* L7 Y" I6 q. S1 m- L13. The Good Soldier (Ford Madox Ford, 1915)8 R4 S6 M% i3 n+ Q N
12. Nineteen Eighty-Four (George Orwell, 1949)
$ L2 O0 t" O( E% a. w3 H$ h2 H11. Pride and Prejudice (Jane Austen, 1813)2 D# x+ N" v/ v
10. Vanity Fair (William Makepeace Thackeray, 1848)
( a$ j* j$ G# Y% {! |) K9. Frankenstein (Mary Shelley, 1818), r+ ]% K( h6 B% I r0 J. \4 z
8. David Copperfield (Charles Dickens, 1850)' c d) k! g6 y' Y. X$ B
7. Wuthering Heights (Emily Brontë, 1847)1 V7 J5 V5 a" Z9 r0 s
6. Bleak House (Charles Dickens, 1853)
4 d4 B$ T% X. H, ?/ Y' i5. Jane Eyre (Charlotte Brontë, 1847)4 f& c* O: v- a% g. J! k+ M, f
4. Great Expectations (Charles Dickens, 1861)
/ m1 c$ @3 s( G p0 [7 u" Z" i3. Mrs. Dalloway (Virginia Woolf, 1925)
) b. Y" g0 d2 H X* m2. To the Lighthouse (Virginia Woolf, 1927)
+ k! Z, M% n5 u3 P+ d" V- p5 p1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。5 I) V; g1 A, Y
* A4 Y; V! T9 Q$ Y" E呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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