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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 S! W* X; R; T
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BBC评出100大英国文学名著
# h. X) I9 Y6 Q* P0 s) m6 whttp://www.bbc.com/culture/story ... test-british-novels
+ A! _% M/ H* W惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。" t( T5 O2 c7 H U: i" v7 Z
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100. The Code of the Woosters (PG Wodehouse, 1938)
8 }& e0 e7 r- L3 L0 p! e" w/ m99. There but for the (Ali Smith, 2011) S7 d2 ?! c- `. u& b8 }; n
98. Under the Volcano (Malcolm Lowry,1947)
) J- }5 R9 Q# }- i6 o Q97. The Chronicles of Narnia (CS Lewis, 1949-1954)
, n9 P; V8 b; e3 ^9 J96. Memoirs of a Survivor (Doris Lessing, 1974)' u4 J7 q7 M6 n0 q% S2 D4 ?
95. The Buddha of Suburbia (Hanif Kureishi, 1990)9 L, v8 W& x. E, Z+ X: p) w
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)1 X' Z, u- d4 a. q0 A/ \0 S B# l. m
93. Lord of the Flies (William Golding, 1954)7 I5 C: I4 n6 O/ \$ [5 A! [3 s F
92. Cold Comfort Farm (Stella Gibbons, 1932)7 |4 Y; a' p# W- R; _
91. The Forsyte Saga (John Galsworthy, 1922)
: A: ]) k( l1 Q: d/ r90. The Woman in White (Wilkie Collins, 1859)7 g( C2 r2 o1 Y# `0 {8 I
89. The Horse’s Mouth (Joyce Cary, 1944)% Z" N. V% O7 g; V3 V* K+ F
88. The Death of the Heart (Elizabeth Bowen, 1938)
2 y1 J2 \3 D, z7 k, Z' `. L87. The Old Wives’ Tale (Arnold Bennett,1908)
6 _6 A9 r# Z @- J0 z86. A Legacy (Sybille Bedford, 1956)
* {1 R* r( K" m: @* f) @85. Regeneration Trilogy (Pat Barker, 1991-1995)( T D p' T/ d0 \. I
84. Scoop (Evelyn Waugh, 1938)
+ p% @( R7 @* f3 p83. Barchester Towers (Anthony Trollope, 1857)
0 W' _* Q$ k, Z1 M82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012); p( Z& R- q1 m( \ g4 E( C. k, l
81. The Jewel in the Crown (Paul Scott, 1966)
) \, l9 m: _3 f& `3 L' U/ X4 V80. Excellent Women (Barbara Pym, 1952)
5 z# A+ r. F Y2 @8 ~79. His Dark Materials (Philip Pullman, 1995-2000)
$ Z0 k; @( p+ y- L1 v78. A House for Mr Biswas (VS Naipaul, 1961)
* N- l8 x6 a' t9 X77. Of Human Bondage (W Somerset Maugham, 1915); a9 J: o, T7 s- T
76. Small Island (Andrea Levy, 2004)
8 Z+ {. Q$ d/ U: G" z1 h75. Women in Love (DH Lawrence, 1920)9 Y6 }$ a4 h5 z5 h3 i
74. The Mayor of Casterbridge (Thomas Hardy, 1886)& V& c; @2 g- ~
73. The Blue Flower (Penelope Fitzgerald, 1995)+ T+ L$ q8 V" z! E0 m
72. The Heart of the Matter (Graham Greene, 1948)4 P) B' G! Z3 `1 j/ J
71. Old Filth (Jane Gardam, 2004)* d7 I! _, s5 Y# V* u
70. Daniel Deronda (George Eliot, 1876)
% S) \5 c! b; q8 Y$ v69. Nostromo (Joseph Conrad, 1904)! `* \* H# O4 S9 ~/ l: \
68. A Clockwork Orange (Anthony Burgess, 1962)
; a( f& i+ n- A7 W4 N6 ~. Y# o67. Crash (JG Ballard 1973)9 W5 I! g6 g* o
66. Sense and Sensibility (Jane Austen, 1811)
" }, Y% Y& D0 l65. Orlando (Virginia Woolf, 1928)
* i2 g4 Y( Z* m+ t: c64. The Way We Live Now (Anthony Trollope, 1875)
5 s9 P9 C% G% j1 p/ F* b+ L% A63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
# p' A" a! y# d2 f9 ?6 i1 ^62. Animal Farm (George Orwell, 1945)
x. ~: O( }' {5 W9 P2 J. g; g61. The Sea, The Sea (Iris Murdoch, 1978)
* W) H) ^( Z+ \% G60. Sons and Lovers (DH Lawrence, 1913)
" i- r }1 p! f& l: ^59. The Line of Beauty (Alan Hollinghurst, 2004)* i5 Y7 H2 I- o/ s. [
58. Loving (Henry Green, 1945); w9 V+ B8 h) j- X Z% \! a
57. Parade’s End (Ford Madox Ford, 1924-1928)
5 m' V \' \% n( L$ \0 t+ T8 `. {& N4 q56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
/ X) u8 l& P! k: y, g; P* L55. Gulliver’s Travels (Jonathan Swift, 1726)
4 k7 g6 V; Z n* C- |- ]1 g# x54. NW (Zadie Smith, 2012)( c- O# }/ ~6 M \0 \
53. Wide Sargasso Sea (Jean Rhys, 1966)% t3 P- C X6 ?/ S, H
52. New Grub Street (George Gissing, 1891)
' r; p0 l0 q' H' f, b _* v( }51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
/ X" E2 E! j9 D* O' g* U; P50. A Passage to India (EM Forster, 1924)
" ^$ }5 ?9 h' ]7 q9 f# [49. Possession (AS Byatt, 1990)
+ v( X3 [1 \2 u" U- o; M48. Lucky Jim (Kingsley Amis, 1954)8 ^. M/ C8 Z% g) P3 |8 p( b1 Z
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), V" g2 V7 s G+ t/ b# k+ z$ ^
46. Midnight’s Children (Salman Rushdie, 1981)# P. e8 |" ?9 y+ i2 Q
45. The Little Stranger (Sarah Waters, 2009)3 l- \) J9 s5 B/ S$ h
44. Wolf Hall (Hilary Mantel, 2009)
" ?: X; p, @) F$ v* F3 K% s43. The Swimming Pool Library (Alan Hollinghurst, 1988)
+ R/ W. n- H' y4 N ~9 `42. Brighton Rock (Graham Greene, 1938)
" ^) |" ?7 p2 J' D( _6 F4 @41. Dombey and Son (Charles Dickens, 1848)
2 N$ M* X* B: E$ |) U40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
% Z. E( p) q+ n; g& F39. The Sense of an Ending (Julian Barnes, 2011)
2 q& Z4 B: r- f& j: n; z38. The Passion (Jeanette Winterson, 1987)
2 d0 A5 X: T) k/ b( O37. Decline and Fall (Evelyn Waugh, 1928)) N: m6 z: Y0 O; B
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
6 ?6 Q2 N* C, a35. Remainder (Tom McCarthy, 2005)
* C% Q( P/ l( A7 B& @34. Never Let Me Go (Kazuo Ishiguro, 2005)
# s8 C! N! Y1 Z8 ?( R" @1 U33. The Wind in the Willows (Kenneth Grahame, 1908) c, W9 f, y" l6 Q; f7 H
32. A Room with a View (EM Forster, 1908)
+ M" m7 O& e8 [$ z. Y31. The End of the Affair (Graham Greene, 1951)
1 x. a- X( g" ~# c3 I30. Moll Flanders (Daniel Defoe, 1722) i+ w1 C' W! [8 i J! U2 ^
29. Brick Lane (Monica Ali, 2003)' k0 ]6 \, V. N
28. Villette (Charlotte Brontë, 1853)( c+ e9 C+ J, s
27. Robinson Crusoe (Daniel Defoe, 1719)# [' _: d8 Z7 Y
26. The Lord of the Rings (JRR Tolkien, 1954)
. W* @+ L& f6 s2 A4 ~, O- q- L25. White Teeth (Zadie Smith, 2000)
9 J# p/ h0 Z- x H: [! b24. The Golden Notebook (Doris Lessing, 1962)% ^/ |- l; y% R0 G" L2 h
23. Jude the Obscure (Thomas Hardy, 1895); O( B! w. T Y9 z/ M
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)! @/ M9 i5 @# m$ V, G% R
21. Heart of Darkness (Joseph Conrad, 1899)5 }5 @9 a% d: b
20. Persuasion (Jane Austen, 1817)
9 |( v; w. V& {7 }/ z8 B) M, F4 H19. Emma (Jane Austen, 1815)
" u. i9 t: V2 [' V& ~- V( c7 C6 O18. Remains of the Day (Kazuo Ishiguro, 1989)5 c5 _5 j1 a/ c# w1 h! v* @
17. Howards End (EM Forster, 1910)
4 G4 y0 r0 v" W: U: L16. The Waves (Virginia Woolf, 1931)" t, A; Y1 ~" P: _4 L3 t8 | N
15. Atonement (Ian McEwan, 2001)
% ?6 `, t$ ^- [+ g! B9 l14. Clarissa (Samuel Richardson,1748)
0 |* r8 `1 `; ?5 o( o j: @13. The Good Soldier (Ford Madox Ford, 1915)
1 D' h6 X' T3 G5 r" O( n12. Nineteen Eighty-Four (George Orwell, 1949): d1 @# s5 R5 n# I2 K, K. u
11. Pride and Prejudice (Jane Austen, 1813)8 o7 X6 X% s5 ~
10. Vanity Fair (William Makepeace Thackeray, 1848)/ A$ a9 i6 a$ |, n' c
9. Frankenstein (Mary Shelley, 1818)- O8 J$ y) g) ~' H }1 e* H
8. David Copperfield (Charles Dickens, 1850)
. d" Q4 `4 A* i" k6 r7. Wuthering Heights (Emily Brontë, 1847)
7 O( d" J/ d5 q: A1 p/ |) l' }% X6. Bleak House (Charles Dickens, 1853)' w, V1 |+ i2 t" K/ e) \! t
5. Jane Eyre (Charlotte Brontë, 1847); c( K8 y7 ^0 r. j+ K
4. Great Expectations (Charles Dickens, 1861)
% Z8 j* z) G# x1 E2 d3. Mrs. Dalloway (Virginia Woolf, 1925)$ P' C) b. _4 g' N0 l _ S
2. To the Lighthouse (Virginia Woolf, 1927)
8 x! Q( k' t- L" H* R5 a1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。$ B; L# B$ w [
( P3 F' E. D7 o* s呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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