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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; @5 f9 F q* t+ K+ C( [. ?( O
* f7 Z t# Z9 B& zBBC评出100大英国文学名著, j# p2 r! E3 I6 H/ X2 X
http://www.bbc.com/culture/story ... test-british-novels! B( J; y' o J' C+ G
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)! p" d# x9 o; E; L- J* m
99. There but for the (Ali Smith, 2011) J$ |; O' B& u- X, d/ L- G
98. Under the Volcano (Malcolm Lowry,1947)1 E7 v* N7 H) Y" {; L
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
6 x- [! P6 c7 E% r# `% B) @9 ^96. Memoirs of a Survivor (Doris Lessing, 1974)2 H. V2 w# e/ e, n# C1 F" L
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
, `! n3 s: ]! U2 B94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
9 q& e0 T: E! Y93. Lord of the Flies (William Golding, 1954)
* c9 Y8 v4 a$ J5 d g: S92. Cold Comfort Farm (Stella Gibbons, 1932)
) ?9 I2 f V. c. h( c, L( _+ m& w; _3 t91. The Forsyte Saga (John Galsworthy, 1922)2 q- x1 M) f! K6 ^) C# T" i
90. The Woman in White (Wilkie Collins, 1859). k1 t1 h0 N- W! {7 g
89. The Horse’s Mouth (Joyce Cary, 1944)
% J9 I. t5 Z3 @- {' H88. The Death of the Heart (Elizabeth Bowen, 1938)
6 `. K' f# b1 p87. The Old Wives’ Tale (Arnold Bennett,1908)
+ W/ J( S. P( J. z4 Y86. A Legacy (Sybille Bedford, 1956)
e& [- n8 h q/ F7 U3 ]. C85. Regeneration Trilogy (Pat Barker, 1991-1995)' c N5 \$ r2 l7 b2 H3 g# g/ K
84. Scoop (Evelyn Waugh, 1938)
z m$ s! N* P& O+ K: g83. Barchester Towers (Anthony Trollope, 1857) g- B3 ^) W8 n( L4 p
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)) D i* L. r# t; D
81. The Jewel in the Crown (Paul Scott, 1966)
9 j" V7 I, Q5 g* K' r* T, t0 K8 t80. Excellent Women (Barbara Pym, 1952)
* t, e; S- H. A7 J# R' a79. His Dark Materials (Philip Pullman, 1995-2000)
' @* _7 ^1 e# V7 U( d* `78. A House for Mr Biswas (VS Naipaul, 1961)0 t9 `5 s2 H6 z3 q
77. Of Human Bondage (W Somerset Maugham, 1915)) f: E" n( {) i* i8 Q2 D
76. Small Island (Andrea Levy, 2004)
; }7 p" a' h1 L0 g3 d4 d5 k2 A- u% i75. Women in Love (DH Lawrence, 1920)% `& {: N9 ?0 u7 d8 F/ ~
74. The Mayor of Casterbridge (Thomas Hardy, 1886)( L" E1 o: r8 H1 P% B7 @' ? K0 D
73. The Blue Flower (Penelope Fitzgerald, 1995)
4 M/ u/ g' e1 N72. The Heart of the Matter (Graham Greene, 1948); r7 j9 @$ Z8 G- Y0 S. Y3 ^& J/ \$ r# K
71. Old Filth (Jane Gardam, 2004)
7 [- j. y- l$ @8 M$ F' F70. Daniel Deronda (George Eliot, 1876)
, t( i- q" v- E& I, g+ V1 x69. Nostromo (Joseph Conrad, 1904)# l' B7 k7 G, G( z
68. A Clockwork Orange (Anthony Burgess, 1962)
& `, B0 A2 i; p+ b8 `67. Crash (JG Ballard 1973)
J5 S; F! e9 I) Q66. Sense and Sensibility (Jane Austen, 1811)
3 a8 L4 H, `, k' t3 p8 {65. Orlando (Virginia Woolf, 1928)6 \3 s, R5 V+ B( E
64. The Way We Live Now (Anthony Trollope, 1875)
. ^- z, Y5 v; b- M+ v63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)0 q7 Z9 A: e2 E3 q7 J5 ?
62. Animal Farm (George Orwell, 1945)' M- i5 Z r7 z- m/ O9 P
61. The Sea, The Sea (Iris Murdoch, 1978) @1 }4 u# j- H: h( @7 S0 q. i% P
60. Sons and Lovers (DH Lawrence, 1913)
; D3 x. c, p$ g3 _4 z! m59. The Line of Beauty (Alan Hollinghurst, 2004)
8 F o9 D% `) I58. Loving (Henry Green, 1945), t1 G& k+ p# `+ l4 W
57. Parade’s End (Ford Madox Ford, 1924-1928)3 n+ W9 ^. f: _" |5 s2 o4 Q
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
# w* H% u7 c% z+ A* y) t2 ~3 e* N8 ?55. Gulliver’s Travels (Jonathan Swift, 1726)4 V- h) |6 E7 s" o* t A
54. NW (Zadie Smith, 2012)# ], m( m! ^3 I9 y& J
53. Wide Sargasso Sea (Jean Rhys, 1966)
$ ?1 Q$ k0 e+ v52. New Grub Street (George Gissing, 1891)
$ k1 i4 H+ g# C4 M4 z3 Y1 W. `51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
l( e) K0 G2 v. d* Y& o50. A Passage to India (EM Forster, 1924)6 r1 f6 f7 U+ F' S0 Q5 |7 ~7 K
49. Possession (AS Byatt, 1990)' C8 [- e! g3 O' h* b' }
48. Lucky Jim (Kingsley Amis, 1954)6 T2 L: `- y: B4 T
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)' o+ A8 @8 D8 b
46. Midnight’s Children (Salman Rushdie, 1981)& H3 Y0 r+ _+ J7 r
45. The Little Stranger (Sarah Waters, 2009)
& J( U- T7 z" W5 J, B) q. Y# \44. Wolf Hall (Hilary Mantel, 2009)
6 f' q/ y% w* H$ i43. The Swimming Pool Library (Alan Hollinghurst, 1988)
2 ~) P. d8 r$ h42. Brighton Rock (Graham Greene, 1938)- v+ ~# o+ y1 |- p2 |. {7 d
41. Dombey and Son (Charles Dickens, 1848)* n- u$ R. u5 D1 J- J
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
% X/ J' l3 W6 C1 U& @7 v) N9 [39. The Sense of an Ending (Julian Barnes, 2011)& P1 b# N! ?2 l/ m4 ?
38. The Passion (Jeanette Winterson, 1987)9 L1 x X7 y. K- b
37. Decline and Fall (Evelyn Waugh, 1928)
2 Z2 \8 _$ h4 O4 C( @$ y# }( H2 f36. A Dance to the Music of Time (Anthony Powell, 1951-1975)- u) W+ ~/ N8 K- w
35. Remainder (Tom McCarthy, 2005)
Y: @. [; J! i2 H. y1 L34. Never Let Me Go (Kazuo Ishiguro, 2005)6 N: @! o4 o3 t* C
33. The Wind in the Willows (Kenneth Grahame, 1908)
" h. h6 @( j/ c/ q5 j32. A Room with a View (EM Forster, 1908)
i% m3 q" M c. `9 o s$ t31. The End of the Affair (Graham Greene, 1951)8 r! \5 f/ j& d8 d8 ?, a. i; n
30. Moll Flanders (Daniel Defoe, 1722)
3 y$ W$ N" A( a& g29. Brick Lane (Monica Ali, 2003)9 t9 I+ c1 J% H# G2 A+ X3 ]
28. Villette (Charlotte Brontë, 1853)
& _8 C1 h! F, @- F0 j27. Robinson Crusoe (Daniel Defoe, 1719)/ f+ n( A5 r- x$ g8 x
26. The Lord of the Rings (JRR Tolkien, 1954)
# r$ [% r/ e1 {* \25. White Teeth (Zadie Smith, 2000)
% X& f9 d0 T: b5 P; H24. The Golden Notebook (Doris Lessing, 1962)
5 `( R& L" \+ P23. Jude the Obscure (Thomas Hardy, 1895)& z* g0 G: l9 u/ d" }/ J
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)4 |% Z, b$ m! t/ h
21. Heart of Darkness (Joseph Conrad, 1899)7 X& _0 K9 x8 }- X$ ^; l
20. Persuasion (Jane Austen, 1817)2 W& f% ^0 P8 O7 l
19. Emma (Jane Austen, 1815)) W7 m" \& c A; H8 _) f3 D
18. Remains of the Day (Kazuo Ishiguro, 1989)* g% Z- q- y7 y& {3 U
17. Howards End (EM Forster, 1910)
+ f1 p" Y; T, Z9 j16. The Waves (Virginia Woolf, 1931)
+ b+ N0 I0 D8 M+ ?+ t" B15. Atonement (Ian McEwan, 2001)# T/ C3 y! X2 I( u
14. Clarissa (Samuel Richardson,1748)9 ^7 D0 _6 {4 K2 F* W
13. The Good Soldier (Ford Madox Ford, 1915)1 B( l5 A- Y3 X4 J5 W
12. Nineteen Eighty-Four (George Orwell, 1949)7 J& Q' {6 I6 m% w: F: b
11. Pride and Prejudice (Jane Austen, 1813)
5 `3 ]. T2 ?4 l10. Vanity Fair (William Makepeace Thackeray, 1848)
/ F6 u3 `3 [ U+ O5 M; } |" T9. Frankenstein (Mary Shelley, 1818)& @5 {7 b8 y0 L6 m
8. David Copperfield (Charles Dickens, 1850)
- S# w5 D2 k0 q0 k" x7. Wuthering Heights (Emily Brontë, 1847)
8 E* t$ [- O: } t4 L6 ]% U6. Bleak House (Charles Dickens, 1853)
4 ]3 \$ E P7 ~" O5 l5. Jane Eyre (Charlotte Brontë, 1847)( G6 q! z; v- H0 M
4. Great Expectations (Charles Dickens, 1861)
1 ?& m6 l+ P |3. Mrs. Dalloway (Virginia Woolf, 1925)
5 |7 d7 |" v2 R; H- ]# Y' O2. To the Lighthouse (Virginia Woolf, 1927)( t( V$ i. |( S; \. n
1. Middlemarch (George Eliot, 1874)! i j; f- s) G$ u
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。2 B4 u+ y" d: Z) E. y
( e% P8 M% U0 s+ Z% R呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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