|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
7 b6 E/ k& i) A
3 }' G% d% \* u a! C8 s$ }BBC评出100大英国文学名著$ v! V' v8 e2 H: Y. N
http://www.bbc.com/culture/story ... test-british-novels
, C3 l! ~' i# o/ ^$ x7 ^惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。! @0 O+ r9 s8 ^% k1 D: Y
- W4 u0 P, g% O6 h$ L: V" m2 _
100. The Code of the Woosters (PG Wodehouse, 1938)
' {# _; n( X8 v; N L( Z3 n o99. There but for the (Ali Smith, 2011)" A6 L4 b$ Z0 D4 s
98. Under the Volcano (Malcolm Lowry,1947)" F& |( }" }: }% J" A1 e1 u' M
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
6 A6 N: I" Z5 G/ D- S. D G96. Memoirs of a Survivor (Doris Lessing, 1974)0 A# N+ D2 @2 Y. [4 I
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
2 s! A' v s8 M% g, b94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)2 c# {: ] l, g, y4 W3 L0 u3 V8 j
93. Lord of the Flies (William Golding, 1954)
1 i5 ^) |# |) a) _" T& {. U1 r92. Cold Comfort Farm (Stella Gibbons, 1932)4 U8 W; Y/ G; p& K* \" _9 ?: c$ Q
91. The Forsyte Saga (John Galsworthy, 1922)
: m/ f* K9 s" u# K) r/ X# |90. The Woman in White (Wilkie Collins, 1859)$ X5 C9 T/ R8 _; N" ?
89. The Horse’s Mouth (Joyce Cary, 1944)
0 J4 `. I+ l+ A3 M/ e88. The Death of the Heart (Elizabeth Bowen, 1938)3 B7 d- _2 B% g7 \; D
87. The Old Wives’ Tale (Arnold Bennett,1908)
+ q6 ?) P! |5 [+ \* |, l( d% i. _2 o5 j& b/ t86. A Legacy (Sybille Bedford, 1956)3 Y% R: y' V# G- g
85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 A/ \# p1 `. {( Z* A6 `84. Scoop (Evelyn Waugh, 1938)& ?- W4 q7 b& x! z+ W
83. Barchester Towers (Anthony Trollope, 1857)- m/ G* {3 _: p' t9 |3 }
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)9 s" Y# H- s" s; f2 Q- x( T- L
81. The Jewel in the Crown (Paul Scott, 1966)
% c2 K9 G) q. Z% l2 M. W0 |80. Excellent Women (Barbara Pym, 1952)
. w1 I' Z- |, f1 r79. His Dark Materials (Philip Pullman, 1995-2000)6 W; b- a2 X' U( w
78. A House for Mr Biswas (VS Naipaul, 1961)8 l% T, s+ ]+ ?7 E9 s# B
77. Of Human Bondage (W Somerset Maugham, 1915)$ y9 V* G: e6 f% M1 F/ ^
76. Small Island (Andrea Levy, 2004)
2 S% N( l5 T; A8 B( `+ u75. Women in Love (DH Lawrence, 1920)- s$ R8 U" }: j' v# Q. f, a% H+ R4 m( K
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
" Q( }7 ^1 L' G73. The Blue Flower (Penelope Fitzgerald, 1995)
5 v6 u" D3 b Z( d! A72. The Heart of the Matter (Graham Greene, 1948)7 R1 l3 R3 u5 X8 s
71. Old Filth (Jane Gardam, 2004)) }) P, P0 b% n
70. Daniel Deronda (George Eliot, 1876)
% l: V; G) H6 n# h- l69. Nostromo (Joseph Conrad, 1904)
4 d- W' d' {# H# M68. A Clockwork Orange (Anthony Burgess, 1962)
5 g, x9 `) x' l- i8 b6 Y67. Crash (JG Ballard 1973)* V3 {! e3 l3 b, R% T$ |
66. Sense and Sensibility (Jane Austen, 1811)' c3 V8 {* B/ |" m" v
65. Orlando (Virginia Woolf, 1928)6 I+ _; q! y" n) `' }* l I; D& d
64. The Way We Live Now (Anthony Trollope, 1875)
r! R/ s; {& x! ^( d7 Y63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)2 a. y0 ^) D. j) j" q% t
62. Animal Farm (George Orwell, 1945)" m& z9 l7 l3 y( e
61. The Sea, The Sea (Iris Murdoch, 1978)
" Y% K# Z D/ r* z: }$ d. A+ W60. Sons and Lovers (DH Lawrence, 1913) g8 K+ \$ ~: n2 q6 S# g0 h, i
59. The Line of Beauty (Alan Hollinghurst, 2004)
0 P+ N, q8 Y/ x( D) B: o5 |- u6 N58. Loving (Henry Green, 1945)8 Z7 l) {3 _; |5 t# e$ p7 D: |
57. Parade’s End (Ford Madox Ford, 1924-1928)
# _; F4 x0 ~9 }/ _' x* `56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
' j! j7 X5 Q% E, I1 a& `8 m55. Gulliver’s Travels (Jonathan Swift, 1726)/ @2 V$ Y1 p* i) ^% |, s8 T
54. NW (Zadie Smith, 2012)
4 N$ G7 l! [2 m8 Y0 x53. Wide Sargasso Sea (Jean Rhys, 1966): a/ P* ~$ F5 n+ v
52. New Grub Street (George Gissing, 1891)# y6 X0 V& \' R
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)+ B/ Q0 ^' a2 ~* @$ y
50. A Passage to India (EM Forster, 1924)
( b8 W& w C3 }; k2 g- r49. Possession (AS Byatt, 1990)7 H4 R( k( [, R$ `+ e
48. Lucky Jim (Kingsley Amis, 1954)
: h, W* N! N( f5 Z' d' Y- f) H* z. E47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
( B. `& r# d: [46. Midnight’s Children (Salman Rushdie, 1981)
, w, A+ F* B( \, B6 ]# N, I45. The Little Stranger (Sarah Waters, 2009)
0 y. ]8 I% R4 v8 u0 g1 L44. Wolf Hall (Hilary Mantel, 2009) }* |( @7 {/ v* V
43. The Swimming Pool Library (Alan Hollinghurst, 1988)5 J2 h9 b v/ B" r+ C8 A; l$ y
42. Brighton Rock (Graham Greene, 1938)
( a+ Q$ H; Q3 t41. Dombey and Son (Charles Dickens, 1848)
4 U% d! l* F* q$ u40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
) q3 x. g3 Z% C7 L* a. A- o" C39. The Sense of an Ending (Julian Barnes, 2011), L& m* d4 e1 o" s
38. The Passion (Jeanette Winterson, 1987)
* m8 [% u$ x" O$ L: R37. Decline and Fall (Evelyn Waugh, 1928)3 N' O9 `. ^( \, @& i1 ^
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
, n3 W# b/ R8 r2 R8 u& v35. Remainder (Tom McCarthy, 2005)
/ Q- g% m+ P0 J* d S34. Never Let Me Go (Kazuo Ishiguro, 2005)9 T3 Y; O, |6 n0 w" n
33. The Wind in the Willows (Kenneth Grahame, 1908)
" |3 o2 H6 d9 M: U$ C7 [32. A Room with a View (EM Forster, 1908)" g% r) C4 G9 x, n
31. The End of the Affair (Graham Greene, 1951)
- r) o1 c% F7 k; b/ |# h8 N: h! @ C! `30. Moll Flanders (Daniel Defoe, 1722)
8 q, ]# V5 q6 C7 Y3 {# g+ ?6 T. D29. Brick Lane (Monica Ali, 2003)
: u2 Y7 ^/ c8 f) y28. Villette (Charlotte Brontë, 1853)
, {2 D! F- V& E: g+ b27. Robinson Crusoe (Daniel Defoe, 1719)! A9 F! k# F# _6 b' S, y0 ~
26. The Lord of the Rings (JRR Tolkien, 1954)
1 Z5 Z# ?" Z2 x: T25. White Teeth (Zadie Smith, 2000)
1 Q }4 A4 R/ V! E0 ?24. The Golden Notebook (Doris Lessing, 1962)
5 _; a" F/ n7 n; \23. Jude the Obscure (Thomas Hardy, 1895)
# g% ?" B3 g) }22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
( v( v, Q) Y- A0 T* o# o$ `& r+ K21. Heart of Darkness (Joseph Conrad, 1899)1 H/ }. V0 Z; d/ t% t
20. Persuasion (Jane Austen, 1817)- ?$ N3 G+ L, O! R' C
19. Emma (Jane Austen, 1815)
. r8 ~/ g, x. [6 k" ^% \18. Remains of the Day (Kazuo Ishiguro, 1989)
; k1 L1 O/ p) h4 j" Q17. Howards End (EM Forster, 1910)
4 L3 l4 H; N E# \# o) P1 _3 ~' A16. The Waves (Virginia Woolf, 1931)4 {8 T" A: K; Y& ~- L
15. Atonement (Ian McEwan, 2001)% I1 X2 C9 ]9 X4 S5 s# x5 B4 k6 ~
14. Clarissa (Samuel Richardson,1748)
+ N C% d1 y% J7 x13. The Good Soldier (Ford Madox Ford, 1915); d- a; }+ y$ E$ `' x9 M
12. Nineteen Eighty-Four (George Orwell, 1949)
/ v$ t2 Y) M; o8 X6 l- S11. Pride and Prejudice (Jane Austen, 1813); {! h4 }1 t% J4 e9 P7 _ d
10. Vanity Fair (William Makepeace Thackeray, 1848)
r+ E6 z6 ?2 b9. Frankenstein (Mary Shelley, 1818)
% ]( w$ m0 ?" O/ R, a# f: T/ O8. David Copperfield (Charles Dickens, 1850). |) q5 l/ d4 V$ d+ B2 F
7. Wuthering Heights (Emily Brontë, 1847)
, X% H" H5 `# Q9 h. ?3 s7 D6. Bleak House (Charles Dickens, 1853)! T6 Q9 R @) J9 u4 H+ \
5. Jane Eyre (Charlotte Brontë, 1847)
8 O! f. E8 ?1 @4. Great Expectations (Charles Dickens, 1861)
# F& }4 c8 J0 X/ z& B- v3. Mrs. Dalloway (Virginia Woolf, 1925)
7 M1 V5 Y6 a8 }5 z) k; B9 g+ B2. To the Lighthouse (Virginia Woolf, 1927)
" m( M. O4 ?* f- ~1. Middlemarch (George Eliot, 1874)
( d2 o0 v5 i0 h
/ L0 P: X# {4 }前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。5 b. K0 X8 P/ g
1 [1 O0 L/ f" G6 q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
7 x( c* h+ U! d
