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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 4 V% }. f' [; [, |1 `, e
, L7 B8 Q# r) `2 I' k5 bBBC评出100大英国文学名著
R: D: F+ h' ^; t! g& `4 whttp://www.bbc.com/culture/story ... test-british-novels: e5 t$ R: t( F$ ]) t
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* v/ T, i, S9 I. H/ i: ^: L4 B. W. i
2 S7 D5 z0 L) b100. The Code of the Woosters (PG Wodehouse, 1938)
& [3 g$ r' ?+ a) T9 ?99. There but for the (Ali Smith, 2011)
, f( W8 Q* S+ Y; z0 {0 J98. Under the Volcano (Malcolm Lowry,1947)
( e _, a$ Z# g& p0 z" P/ |97. The Chronicles of Narnia (CS Lewis, 1949-1954)8 f2 N3 T- @3 H" h# J% \; E
96. Memoirs of a Survivor (Doris Lessing, 1974)& S" \; R4 l) R# j# k) l* X9 R
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
( [1 X( i5 D O% }6 @" \2 D0 J94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)( m/ v& K% [) P4 W
93. Lord of the Flies (William Golding, 1954)
1 ]. M; S" U( T( ?92. Cold Comfort Farm (Stella Gibbons, 1932)8 T2 _1 A1 r/ J* y7 ^; r0 o1 ?
91. The Forsyte Saga (John Galsworthy, 1922)
/ a7 m% @$ G) C90. The Woman in White (Wilkie Collins, 1859)0 ], N& Z, L) f5 a) W
89. The Horse’s Mouth (Joyce Cary, 1944)0 v. r- K# k/ q" f. B9 k. [7 c
88. The Death of the Heart (Elizabeth Bowen, 1938)# O; i7 g7 C$ e3 h2 A$ u
87. The Old Wives’ Tale (Arnold Bennett,1908)
2 Q1 {" u; ~- H; _% K86. A Legacy (Sybille Bedford, 1956)
7 c; V7 l+ Q1 \% X9 r V5 d85. Regeneration Trilogy (Pat Barker, 1991-1995), l; e4 ~2 X# W0 X* Y1 n
84. Scoop (Evelyn Waugh, 1938): g3 K0 P, H# b' D2 p
83. Barchester Towers (Anthony Trollope, 1857)/ Y' I- O* y) s+ A* j% Y
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012). ?; P+ g/ ?$ _- x3 w
81. The Jewel in the Crown (Paul Scott, 1966)
. L; ~* i& u8 |2 o9 k1 r80. Excellent Women (Barbara Pym, 1952)
% f2 @6 F5 s O( [& p79. His Dark Materials (Philip Pullman, 1995-2000)% }; Z+ c$ m0 ^8 }' X9 Z2 G$ k1 T
78. A House for Mr Biswas (VS Naipaul, 1961)
5 q$ {! W8 ?1 B( G0 V" { X7 Z77. Of Human Bondage (W Somerset Maugham, 1915)' Y+ [& H; I! n0 B$ j5 d0 s
76. Small Island (Andrea Levy, 2004)
7 y& I6 z/ U* v! B( W$ T% A+ Z75. Women in Love (DH Lawrence, 1920)' U! q+ Y$ [1 W: K) d
74. The Mayor of Casterbridge (Thomas Hardy, 1886) r, S! H0 }; \& h. j, r
73. The Blue Flower (Penelope Fitzgerald, 1995): S# z% v S9 D8 O2 s5 k
72. The Heart of the Matter (Graham Greene, 1948)4 G ?9 W V7 `5 W. A2 Q
71. Old Filth (Jane Gardam, 2004)
" N S& k; T% ~. I$ L- l, [- j: A$ w70. Daniel Deronda (George Eliot, 1876)
0 X' ]3 f3 D8 g/ |$ c69. Nostromo (Joseph Conrad, 1904)7 L$ y$ V2 ~2 S1 \6 d
68. A Clockwork Orange (Anthony Burgess, 1962)
/ Q' w# y1 |& f0 T+ t67. Crash (JG Ballard 1973)/ B, a! G7 Z$ C6 U. j; J
66. Sense and Sensibility (Jane Austen, 1811)
Q& v9 d. g# {1 _6 f65. Orlando (Virginia Woolf, 1928)
7 \; t! h, Z* D6 D$ W64. The Way We Live Now (Anthony Trollope, 1875)1 Z" D3 m3 X1 _' I: \9 Y' N/ B
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
# Y8 W3 l5 K# q1 Z) [+ t62. Animal Farm (George Orwell, 1945)
! T% f% s, `% q61. The Sea, The Sea (Iris Murdoch, 1978)9 O0 i( U8 O9 O( n6 F- p/ W* W
60. Sons and Lovers (DH Lawrence, 1913)# a& k* Y6 A% O/ ^* z" A% A/ `
59. The Line of Beauty (Alan Hollinghurst, 2004)8 i+ \2 T* [ |$ H8 c" ]
58. Loving (Henry Green, 1945)
' J8 r; D+ E" F. N4 O, Z# b57. Parade’s End (Ford Madox Ford, 1924-1928)
7 v w+ b! I' l# g% q56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)6 d% F$ e) Q. k& o# A
55. Gulliver’s Travels (Jonathan Swift, 1726)# g/ b- R, }2 s/ M+ A. h# I: F
54. NW (Zadie Smith, 2012)
) t9 I, b9 `0 N: w7 G53. Wide Sargasso Sea (Jean Rhys, 1966)
* _0 t$ N1 z* n, e52. New Grub Street (George Gissing, 1891)4 \$ S ]' D; c
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
2 R# F+ s: Y! O% r l50. A Passage to India (EM Forster, 1924)5 R% L; _$ U( S9 S+ d; o" z# q
49. Possession (AS Byatt, 1990)! }2 D4 n4 z9 X6 L$ c9 ~# p
48. Lucky Jim (Kingsley Amis, 1954)
/ b- l' w# ~$ _: |* d47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
; D z4 K$ d6 t% W! n- e46. Midnight’s Children (Salman Rushdie, 1981): [3 \9 b I: z" K( Z7 a
45. The Little Stranger (Sarah Waters, 2009)* B" ? G1 d$ k5 P1 V
44. Wolf Hall (Hilary Mantel, 2009)2 q F5 Z4 ]+ N6 {
43. The Swimming Pool Library (Alan Hollinghurst, 1988)1 A, P7 Q1 [8 K- \# M
42. Brighton Rock (Graham Greene, 1938)
8 ^3 F/ O \3 ~5 b" U6 B" i41. Dombey and Son (Charles Dickens, 1848)
- b% f) v6 Z) |' |. q: q: E40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)5 l. O1 r$ Q% J; R
39. The Sense of an Ending (Julian Barnes, 2011)
# Y g8 ~/ q" b+ H, b6 o+ b; m38. The Passion (Jeanette Winterson, 1987)
( k1 K! o9 z3 w9 R/ t5 X* m f37. Decline and Fall (Evelyn Waugh, 1928)) D0 U: ?6 r" E9 F) ^& D
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
4 {" k2 E _" H8 y35. Remainder (Tom McCarthy, 2005) B! ]( v+ q, Z4 E3 @
34. Never Let Me Go (Kazuo Ishiguro, 2005)) }% k6 w8 ~% n4 z
33. The Wind in the Willows (Kenneth Grahame, 1908)9 c. Y: i# A/ f7 Y* u8 p, O
32. A Room with a View (EM Forster, 1908)0 y) e! q; R8 O7 U4 \1 c7 }" W
31. The End of the Affair (Graham Greene, 1951)
. q1 e D$ z1 M; [6 }% W30. Moll Flanders (Daniel Defoe, 1722)9 |) Z( h; e# f3 O
29. Brick Lane (Monica Ali, 2003)
8 y+ }- f# L" E/ F9 ~# y7 M28. Villette (Charlotte Brontë, 1853)2 @$ B2 J1 a3 s& H( A
27. Robinson Crusoe (Daniel Defoe, 1719)& h5 f* @% z6 Q7 \" Z
26. The Lord of the Rings (JRR Tolkien, 1954)
5 P% P. E$ s/ _9 ?/ W: ^25. White Teeth (Zadie Smith, 2000)0 r8 n5 U2 N5 {* V2 {
24. The Golden Notebook (Doris Lessing, 1962)2 B& O2 e/ t2 [# Z( |# _. Q9 u
23. Jude the Obscure (Thomas Hardy, 1895)
; B8 _7 H1 k' g; O. t4 L8 `5 _22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
1 E& p! X+ x' f21. Heart of Darkness (Joseph Conrad, 1899) ^5 {; l& I$ \! w3 M
20. Persuasion (Jane Austen, 1817)
1 \" c6 {) o; L h! W19. Emma (Jane Austen, 1815)
" K* z5 C, g0 I18. Remains of the Day (Kazuo Ishiguro, 1989)
9 j: Q5 y# |: R5 i17. Howards End (EM Forster, 1910)
7 ~7 i3 a2 H2 s$ A1 l' |16. The Waves (Virginia Woolf, 1931)7 j8 a# U$ f% B4 ?- m& N
15. Atonement (Ian McEwan, 2001)" W& s+ M: v* y; q% R
14. Clarissa (Samuel Richardson,1748)2 i/ f+ I# w x! n. i0 S, w
13. The Good Soldier (Ford Madox Ford, 1915)
1 W7 d5 a/ ]: m' `12. Nineteen Eighty-Four (George Orwell, 1949). n2 m& m1 h, b9 Q: _2 S
11. Pride and Prejudice (Jane Austen, 1813)9 ^8 s3 U5 r0 i) T
10. Vanity Fair (William Makepeace Thackeray, 1848)
+ T6 A& R1 h# M9. Frankenstein (Mary Shelley, 1818)
; n( k/ V6 U# o s6 K, U5 o Z8. David Copperfield (Charles Dickens, 1850)7 }9 O7 B9 L% h: I& l/ V: ?: D# O
7. Wuthering Heights (Emily Brontë, 1847)
) {* t8 [# v5 p' X. E6. Bleak House (Charles Dickens, 1853)) N8 s3 I/ I0 }9 k
5. Jane Eyre (Charlotte Brontë, 1847)
$ J; g8 B( ] e% p' F* p. Z4. Great Expectations (Charles Dickens, 1861); U6 c$ k/ s2 u! G
3. Mrs. Dalloway (Virginia Woolf, 1925)* r5 K* k+ a+ V- |; s5 L$ c
2. To the Lighthouse (Virginia Woolf, 1927)
; S' c, W3 q Y4 r8 k: [% E+ D* J6 _1. Middlemarch (George Eliot, 1874)
% t! [1 @1 G; m. b& I% [# ~9 A* ?9 N) z+ T0 c
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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^! F6 s, `) G& ^3 D呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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