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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 # D1 k- I- ?: m$ p$ j/ n
# r0 r5 p9 c+ D) v6 J/ T* tBBC评出100大英国文学名著" H1 g. }! `- x% U# h
http://www.bbc.com/culture/story ... test-british-novels
: ?: J3 E! l9 h0 }8 ^惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。9 _: P( M. {; [( ~; S$ K- _
2 g& c, g; |4 ^4 \5 Q# @9 Q100. The Code of the Woosters (PG Wodehouse, 1938)/ p+ w; P8 [& m* S/ A* Q: F1 e0 S
99. There but for the (Ali Smith, 2011) t6 S6 v- y; b( Y( C) W# a
98. Under the Volcano (Malcolm Lowry,1947)) g, Z8 e# ^. C
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
) P7 B. a& i2 W$ s! z96. Memoirs of a Survivor (Doris Lessing, 1974)0 ?$ Y8 O* w" G; W- m7 X4 T* i1 Z' a
95. The Buddha of Suburbia (Hanif Kureishi, 1990)6 f; c6 R2 \' q7 V) H. }7 X9 o( w% ]
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
, \! H0 S* G; k- T1 [93. Lord of the Flies (William Golding, 1954)
5 Y6 k8 v$ K' X8 Z! M, r; I: `92. Cold Comfort Farm (Stella Gibbons, 1932)7 {. |* T$ O( l8 T, S$ G( D) o
91. The Forsyte Saga (John Galsworthy, 1922)# u; B* M4 c* a4 \% y
90. The Woman in White (Wilkie Collins, 1859)' K+ a8 X/ l$ H; T! Q
89. The Horse’s Mouth (Joyce Cary, 1944)
" F$ _9 u/ }; S' ~88. The Death of the Heart (Elizabeth Bowen, 1938) D' s7 R' K9 X3 l/ `+ |
87. The Old Wives’ Tale (Arnold Bennett,1908)
: |$ y4 N' H- v3 r( |- R86. A Legacy (Sybille Bedford, 1956)
b3 g) y1 J4 H/ v3 Y) K85. Regeneration Trilogy (Pat Barker, 1991-1995)
0 v6 L I- K( U6 D( J z84. Scoop (Evelyn Waugh, 1938)
7 L( c E( X/ [1 X* _83. Barchester Towers (Anthony Trollope, 1857)
. X& g8 G3 F! l0 _; B5 t' {; E* G+ |82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)1 }4 p) A' g& s9 Q! x' [& Y
81. The Jewel in the Crown (Paul Scott, 1966)+ l# l0 H+ ~1 d1 y4 ^
80. Excellent Women (Barbara Pym, 1952)( x5 ]! a6 G. e; |% [0 _
79. His Dark Materials (Philip Pullman, 1995-2000)
' w0 k' w: J! y78. A House for Mr Biswas (VS Naipaul, 1961)0 ?4 M3 ~+ w p
77. Of Human Bondage (W Somerset Maugham, 1915)3 X& l$ J- K1 w% e; e! b
76. Small Island (Andrea Levy, 2004)
, M/ c# |5 U: \$ }, O75. Women in Love (DH Lawrence, 1920)( F9 J0 |2 D# N9 Y6 {1 u
74. The Mayor of Casterbridge (Thomas Hardy, 1886)4 ^3 |! J! ]9 I. c4 X+ x! o! e
73. The Blue Flower (Penelope Fitzgerald, 1995): x# T! f! P+ Y6 z
72. The Heart of the Matter (Graham Greene, 1948)
% S& _, ?+ d- X4 Q: j% ?0 i; Z71. Old Filth (Jane Gardam, 2004)
$ g: ~( J$ @0 ]2 t5 v70. Daniel Deronda (George Eliot, 1876): D9 k# H' h$ H
69. Nostromo (Joseph Conrad, 1904)0 U* r% S& H7 B- n7 R" {
68. A Clockwork Orange (Anthony Burgess, 1962)
' w& | e0 O" Z! i3 C, _6 H% O67. Crash (JG Ballard 1973)$ f$ A3 J( R% ?5 G% W K0 x2 T
66. Sense and Sensibility (Jane Austen, 1811)
2 g! m* k' y6 B- Z3 z1 ?65. Orlando (Virginia Woolf, 1928)( Q6 ?& A- _- ]' h6 \9 d7 B
64. The Way We Live Now (Anthony Trollope, 1875)7 r0 `$ `# T* ~2 J
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
3 L: Q j5 L5 ]* ^62. Animal Farm (George Orwell, 1945)! P. |( K. l+ d1 ~1 Z
61. The Sea, The Sea (Iris Murdoch, 1978)
! E# Y, _4 E( u3 M% |8 w60. Sons and Lovers (DH Lawrence, 1913)
. ` d9 a' s3 e$ P( c59. The Line of Beauty (Alan Hollinghurst, 2004)
* a1 t F! |+ U1 X+ N( w58. Loving (Henry Green, 1945)& q! }; ]9 q% W) x) h
57. Parade’s End (Ford Madox Ford, 1924-1928)
# a( W6 O& F8 _0 h0 n56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)6 c; p) ~6 ~4 v7 u- f3 l7 n, b
55. Gulliver’s Travels (Jonathan Swift, 1726)% G" }; ~+ M/ x$ m+ ]
54. NW (Zadie Smith, 2012)
: k$ g2 C2 W9 N- L2 S% A- {1 H53. Wide Sargasso Sea (Jean Rhys, 1966)6 L( v$ N: \) L! s, r
52. New Grub Street (George Gissing, 1891)
8 f }" i* K( m" K X1 F7 U, s$ h51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
; z& t7 I1 S2 {1 J50. A Passage to India (EM Forster, 1924)% @& K$ d/ |& G
49. Possession (AS Byatt, 1990)) W2 s: J' }9 \
48. Lucky Jim (Kingsley Amis, 1954)( q2 {; f9 ~/ k: Q% M8 w( B
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
) t$ E1 x5 K: G+ C46. Midnight’s Children (Salman Rushdie, 1981)2 o2 g0 u4 I- ?! H" [1 }
45. The Little Stranger (Sarah Waters, 2009)3 D# K) Y& h3 W- _
44. Wolf Hall (Hilary Mantel, 2009)" T& c" e; d, W# b( ~
43. The Swimming Pool Library (Alan Hollinghurst, 1988)+ P5 u1 Z" T) n2 G
42. Brighton Rock (Graham Greene, 1938)' ?% ^/ `% a7 B/ ^4 p
41. Dombey and Son (Charles Dickens, 1848)
, C8 y G$ _; P3 L7 ~+ q( b" K40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865); F _6 r( Y9 n" Q, J
39. The Sense of an Ending (Julian Barnes, 2011)
; e3 k- |5 x1 }: M# @; n38. The Passion (Jeanette Winterson, 1987)0 n+ o9 l. M' n' Y9 @5 v5 E4 ]
37. Decline and Fall (Evelyn Waugh, 1928)
9 d T9 x0 i( u+ t7 d0 T36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
! m4 n+ e$ C" n# N$ W. u, J35. Remainder (Tom McCarthy, 2005)" Z- V& v3 M7 s
34. Never Let Me Go (Kazuo Ishiguro, 2005)
' j# b) Z0 ^5 h2 z33. The Wind in the Willows (Kenneth Grahame, 1908)
! K+ F, w; X0 Q! b% u5 r. l6 b32. A Room with a View (EM Forster, 1908)& `: Z! k4 D1 x) f- P* V; o
31. The End of the Affair (Graham Greene, 1951)2 G9 h& ^0 P5 } I8 q) K3 q1 e
30. Moll Flanders (Daniel Defoe, 1722), G6 }2 U% ?! [ _# j/ D3 _
29. Brick Lane (Monica Ali, 2003)
% J( U" O7 g6 v! i& _( I: R28. Villette (Charlotte Brontë, 1853)
6 [4 ]9 `. p7 N) ]' z+ d27. Robinson Crusoe (Daniel Defoe, 1719)
% T V% ~4 G* M# G1 u26. The Lord of the Rings (JRR Tolkien, 1954)
) h5 ?: s0 k. n/ D, R6 U3 m# C25. White Teeth (Zadie Smith, 2000)
3 ]) @) R" K& h! B24. The Golden Notebook (Doris Lessing, 1962)1 n: V6 I; b$ x6 M2 b* c) _
23. Jude the Obscure (Thomas Hardy, 1895)
5 t& H0 L8 F' g+ Z$ i- m) T W, Y22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)7 x/ ?, ~, f% `; B& \5 N! e
21. Heart of Darkness (Joseph Conrad, 1899), `- {" J r# N# P
20. Persuasion (Jane Austen, 1817)
+ `9 c& ~4 C5 M% F" a19. Emma (Jane Austen, 1815)* I; i( o+ G5 C1 |1 v1 `
18. Remains of the Day (Kazuo Ishiguro, 1989)3 t8 K+ a" q2 C, l2 \- K
17. Howards End (EM Forster, 1910)
0 m( g- T# e2 s4 `; N9 Y* h* r16. The Waves (Virginia Woolf, 1931)
! I4 t1 V$ C7 ?4 |% @3 k( P f15. Atonement (Ian McEwan, 2001)
* v$ P6 s" D8 O) \! ^+ U; s. B5 h14. Clarissa (Samuel Richardson,1748)
. l* ], u3 E- J, W) X13. The Good Soldier (Ford Madox Ford, 1915), z6 ^' H! z) e" r' y+ q
12. Nineteen Eighty-Four (George Orwell, 1949)" j& v) M" u. z( c) Z: L2 J
11. Pride and Prejudice (Jane Austen, 1813)
: I$ S, A0 Q2 u$ y3 {1 \3 D# n10. Vanity Fair (William Makepeace Thackeray, 1848)6 W* e" G- _( K7 |# V
9. Frankenstein (Mary Shelley, 1818). @3 o8 Y" t$ \6 c: X: ~; m2 U8 X
8. David Copperfield (Charles Dickens, 1850)- C, o6 i; Y0 E _! |0 q3 P t
7. Wuthering Heights (Emily Brontë, 1847)$ O; ?7 d/ o5 Y0 I F" _, C
6. Bleak House (Charles Dickens, 1853)
$ e3 w9 z& [, x \; L5. Jane Eyre (Charlotte Brontë, 1847)5 Y3 U' x* f' w! u4 d$ K0 L# N
4. Great Expectations (Charles Dickens, 1861)
$ _. e: p# {7 w& F: h) F' X3. Mrs. Dalloway (Virginia Woolf, 1925)
7 _4 [: @0 y7 F2. To the Lighthouse (Virginia Woolf, 1927); H4 Y0 N. Q1 ?+ T" f A
1. Middlemarch (George Eliot, 1874)$ e5 d0 H; @# j! e9 m; E3 Y0 f
# w B# E# C) V+ f- \' d/ p
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。; B2 `+ h+ _2 o1 r( C
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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