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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 & x! q( F# m$ R6 ?2 S1 L9 M. d3 ^
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BBC评出100大英国文学名著 Y7 O4 K2 g( r# x2 `0 @
http://www.bbc.com/culture/story ... test-british-novels" t0 o$ r! O$ S+ u- W
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 u2 D5 S& d' A: W" N, E# s
( y3 ]& a @/ k l4 {100. The Code of the Woosters (PG Wodehouse, 1938)( b, N# x. l) n- p% D! b, f
99. There but for the (Ali Smith, 2011). |2 I% o6 B& B# y2 k+ x) O
98. Under the Volcano (Malcolm Lowry,1947)
7 p' S3 T" \* }# {; y3 f97. The Chronicles of Narnia (CS Lewis, 1949-1954)* I' r& q6 ]" }# o" o) p% P
96. Memoirs of a Survivor (Doris Lessing, 1974)1 L0 U& F A- `6 o0 N8 E
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
" p* y& S+ i# X2 q" }94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)/ z' m5 ]6 _2 M
93. Lord of the Flies (William Golding, 1954), ~. P* c3 M. d f: c
92. Cold Comfort Farm (Stella Gibbons, 1932)( U( b# \& V+ i9 k7 S2 M3 d |
91. The Forsyte Saga (John Galsworthy, 1922)
' }" w% ^; K9 j8 }% N# o90. The Woman in White (Wilkie Collins, 1859)
! j6 q' i) r. t9 p/ Q$ G89. The Horse’s Mouth (Joyce Cary, 1944)
3 j3 U% s9 H9 g88. The Death of the Heart (Elizabeth Bowen, 1938)
5 Y6 A ^/ W: F2 @$ O! |; f* w87. The Old Wives’ Tale (Arnold Bennett,1908)
6 G' P4 z, i) E& _" g86. A Legacy (Sybille Bedford, 1956)$ W+ J! b, \6 ]7 B' o
85. Regeneration Trilogy (Pat Barker, 1991-1995)' r8 u6 ]* g% w' J0 _% i
84. Scoop (Evelyn Waugh, 1938)
$ H3 e, D' ?% s; @- A8 T83. Barchester Towers (Anthony Trollope, 1857)
) G! W* a* d, A5 g# [( I; C82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)6 l I H/ F+ S
81. The Jewel in the Crown (Paul Scott, 1966)
, @$ D! E6 J) `+ m80. Excellent Women (Barbara Pym, 1952)/ S. D/ \/ y, _. ?1 C
79. His Dark Materials (Philip Pullman, 1995-2000), s0 i' \, @& w
78. A House for Mr Biswas (VS Naipaul, 1961)/ P; J# J0 g! x9 f/ n) V
77. Of Human Bondage (W Somerset Maugham, 1915)
4 |2 g% E' x) N6 b3 |76. Small Island (Andrea Levy, 2004)
5 ]) ^! T( ?9 F) D2 ]- {75. Women in Love (DH Lawrence, 1920)
( c5 [9 o1 _0 Y+ T, c9 o3 S* f74. The Mayor of Casterbridge (Thomas Hardy, 1886)
* R4 p' \9 A# ?( L3 [73. The Blue Flower (Penelope Fitzgerald, 1995)+ S, H$ v( [- A6 K8 ?9 \2 {
72. The Heart of the Matter (Graham Greene, 1948); s( Q! M) t) }0 k7 G/ V0 r4 H, A$ ^4 B
71. Old Filth (Jane Gardam, 2004)- G. U! A8 f3 |/ w3 p* g8 k
70. Daniel Deronda (George Eliot, 1876)
$ r) k4 d; B6 ], Q/ T" g' y$ _! i3 }69. Nostromo (Joseph Conrad, 1904)
& i4 x+ u) w6 U' c- G& F8 X# d68. A Clockwork Orange (Anthony Burgess, 1962)
1 d2 f- z( {. w+ B- ^! l67. Crash (JG Ballard 1973)# @) K# Q* G" q6 y+ d; X, M! X: \
66. Sense and Sensibility (Jane Austen, 1811). p B% t. Y5 W6 D# W# Z$ F2 I( G
65. Orlando (Virginia Woolf, 1928)
. ?% v8 h# F9 o# c: G0 h64. The Way We Live Now (Anthony Trollope, 1875)1 h: Q$ x; j/ v( O( C' D
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)" s3 c( U; Q& I9 o- Q
62. Animal Farm (George Orwell, 1945)9 C& `9 z' b0 ~$ `
61. The Sea, The Sea (Iris Murdoch, 1978)
2 r A, `/ V2 v4 n60. Sons and Lovers (DH Lawrence, 1913)
) {0 G7 I( |- w8 d6 ^! w59. The Line of Beauty (Alan Hollinghurst, 2004)
- I, J7 l# O, d4 x0 R/ D58. Loving (Henry Green, 1945)" O" k' l$ I. I% P
57. Parade’s End (Ford Madox Ford, 1924-1928)- H- V/ |) _+ v8 x0 p
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)% D: [0 R" t9 g8 D
55. Gulliver’s Travels (Jonathan Swift, 1726)
1 ]$ v7 V* f% w1 O2 m6 Y54. NW (Zadie Smith, 2012)# u) D1 k4 _6 e& ^4 k
53. Wide Sargasso Sea (Jean Rhys, 1966)/ z8 ]& h7 `- {. j% e/ x$ E
52. New Grub Street (George Gissing, 1891)% p9 n }. z+ u3 d! F9 k) w4 B
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)4 [- ^5 x4 q/ {: D/ \
50. A Passage to India (EM Forster, 1924)
w9 x$ I) G/ L! \49. Possession (AS Byatt, 1990)
) V) Z3 k) y; j" ]% U9 P48. Lucky Jim (Kingsley Amis, 1954)
: N! U. Z! Z ]/ c9 r4 H3 B47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759); D; N. t% y$ ^. l
46. Midnight’s Children (Salman Rushdie, 1981)
. Z @* L$ v% T- M5 {0 T& B45. The Little Stranger (Sarah Waters, 2009)* f3 |! r) d# J3 m: E$ d
44. Wolf Hall (Hilary Mantel, 2009)
8 {. G+ `) M. F( L43. The Swimming Pool Library (Alan Hollinghurst, 1988): E$ ~0 T A% l: g/ G: e
42. Brighton Rock (Graham Greene, 1938)
- S* v3 D' U( b+ p* R. [41. Dombey and Son (Charles Dickens, 1848)
# V/ D% n! ?* q40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)2 q' U2 D# t! `1 o) p: i
39. The Sense of an Ending (Julian Barnes, 2011)
8 E. F4 r. R! r, |38. The Passion (Jeanette Winterson, 1987), B' A: m7 r1 `: O+ b3 S& R
37. Decline and Fall (Evelyn Waugh, 1928)
% Z7 f" Q8 c0 I. ]# Y36. A Dance to the Music of Time (Anthony Powell, 1951-1975)* c; [: \' O: K+ E
35. Remainder (Tom McCarthy, 2005)- ]6 ]0 h/ E3 n& g
34. Never Let Me Go (Kazuo Ishiguro, 2005)5 k6 Z, g" p5 L5 p6 J3 }' h% F6 o
33. The Wind in the Willows (Kenneth Grahame, 1908)- S, O/ \3 E! f7 S8 I& \
32. A Room with a View (EM Forster, 1908)- I! E/ \3 H- D7 M0 G7 \) C/ b
31. The End of the Affair (Graham Greene, 1951)% N: z7 `( k8 _( B% H, p
30. Moll Flanders (Daniel Defoe, 1722)9 q0 k; F( A2 J2 D" g9 {) O7 ?
29. Brick Lane (Monica Ali, 2003): e K* H( U' w3 ^" u4 t" K3 i% A9 ?
28. Villette (Charlotte Brontë, 1853)' x6 u6 A1 R; H* \
27. Robinson Crusoe (Daniel Defoe, 1719)
, ]$ O. T I" n- M- @0 A0 r26. The Lord of the Rings (JRR Tolkien, 1954)0 Y5 R- q. _- b. a" d6 q
25. White Teeth (Zadie Smith, 2000)
" ^1 R0 Z2 G" H8 U24. The Golden Notebook (Doris Lessing, 1962)
$ H J2 `2 L" B% M; R9 G- W23. Jude the Obscure (Thomas Hardy, 1895), i% X" K- W, \2 ^$ N
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
& D3 P& U% p4 g4 a21. Heart of Darkness (Joseph Conrad, 1899)6 ]) [4 J: r5 A' q: R
20. Persuasion (Jane Austen, 1817)1 z u K) Q8 a
19. Emma (Jane Austen, 1815)3 R* i k) j- s7 ~
18. Remains of the Day (Kazuo Ishiguro, 1989)$ B& c, d( P$ A% ]3 U: k
17. Howards End (EM Forster, 1910)4 {7 R& S: `% l% O! o. Y: z( @
16. The Waves (Virginia Woolf, 1931)2 J) Q3 f8 Q) u E+ [- I( \
15. Atonement (Ian McEwan, 2001)# m, s Z* F! k
14. Clarissa (Samuel Richardson,1748)1 ] A p, T, C6 L( ?( |
13. The Good Soldier (Ford Madox Ford, 1915). o! V2 U5 l* l+ l7 M
12. Nineteen Eighty-Four (George Orwell, 1949)
. `. J3 x/ }5 y11. Pride and Prejudice (Jane Austen, 1813)1 I! g! G& e# N) F$ M( ?: ~
10. Vanity Fair (William Makepeace Thackeray, 1848)
9 {1 H% ]0 s* a$ [/ f9. Frankenstein (Mary Shelley, 1818)
5 l* y. y) K& }9 {; H! ]" F2 \+ e8. David Copperfield (Charles Dickens, 1850)7 z$ [0 C/ M* {5 V
7. Wuthering Heights (Emily Brontë, 1847)( L. v: d, t |6 s' ~$ W
6. Bleak House (Charles Dickens, 1853)
3 A1 i: J/ `5 {. H( L2 U# E5. Jane Eyre (Charlotte Brontë, 1847)
; g! Z* W" _$ L' o4. Great Expectations (Charles Dickens, 1861)
3 z" u( g; {5 i/ p/ j3 N3. Mrs. Dalloway (Virginia Woolf, 1925)! D4 |& s8 h! F# i* q
2. To the Lighthouse (Virginia Woolf, 1927)8 L' V5 _2 v6 z
1. Middlemarch (George Eliot, 1874)4 ]- S7 ~6 A4 K5 }$ d
% ], S1 H5 d# M3 B% H7 k5 B- D前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。% U2 P1 Q4 M, ]8 v
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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