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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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$ j) t7 G, w& X; Q4 m8 lBBC评出100大英国文学名著8 ^# o: V: \1 C7 \
http://www.bbc.com/culture/story ... test-british-novels
9 u4 |* \& F* `惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。5 |& i: ] G5 p
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100. The Code of the Woosters (PG Wodehouse, 1938)/ ?6 `9 K$ ]0 I$ ?4 _
99. There but for the (Ali Smith, 2011)
0 o$ \0 f3 ~- n! @% {$ J98. Under the Volcano (Malcolm Lowry,1947)
' x. [* G* d$ ]( o5 A* X+ w97. The Chronicles of Narnia (CS Lewis, 1949-1954)+ [# U0 {( X- {' [# F+ p$ g. C( Z
96. Memoirs of a Survivor (Doris Lessing, 1974)1 {6 t. o- W6 e' h: n
95. The Buddha of Suburbia (Hanif Kureishi, 1990): h* ?( ?' ^# u6 C: E9 ~
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
$ ~) F9 V3 u- z8 d! S93. Lord of the Flies (William Golding, 1954)
% n) }+ N5 H9 M/ z3 T92. Cold Comfort Farm (Stella Gibbons, 1932)
8 \& Z9 c1 \& x1 o91. The Forsyte Saga (John Galsworthy, 1922)
1 t5 w- s8 y( k& r0 P! y ^90. The Woman in White (Wilkie Collins, 1859)
0 \! c: K% K9 L' t% _89. The Horse’s Mouth (Joyce Cary, 1944)- b7 z; l2 t- q& z. j5 A& W
88. The Death of the Heart (Elizabeth Bowen, 1938)
* K% K% d- C" w a5 N- Z- v87. The Old Wives’ Tale (Arnold Bennett,1908)
. u2 J+ T% h0 y5 F86. A Legacy (Sybille Bedford, 1956)
5 t9 ~- B. a$ @. w85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 c0 Z6 @3 [2 f" u) {84. Scoop (Evelyn Waugh, 1938)
) u2 M! U# K0 Q, Y0 N3 w+ C83. Barchester Towers (Anthony Trollope, 1857)
9 @) z4 k' D- V. j4 [82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
( ^7 x2 n& w: x81. The Jewel in the Crown (Paul Scott, 1966)9 r- z0 K" R3 T4 P; ~. Y! O2 L
80. Excellent Women (Barbara Pym, 1952)- b* {' Z' x, c2 t* W
79. His Dark Materials (Philip Pullman, 1995-2000)+ _ y1 ^$ @) n
78. A House for Mr Biswas (VS Naipaul, 1961)
k* S' h) l3 y/ e77. Of Human Bondage (W Somerset Maugham, 1915)7 L" d, J0 e7 n
76. Small Island (Andrea Levy, 2004)
5 O ]9 L/ A3 }; V7 [) _75. Women in Love (DH Lawrence, 1920)$ U7 {1 ~% C" |$ `0 t+ n( R
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& @- T X$ E6 B# s7 g( I. Z9 z73. The Blue Flower (Penelope Fitzgerald, 1995)9 ^" ]" n5 R5 M. q, h! G6 b
72. The Heart of the Matter (Graham Greene, 1948)" [0 R- {; e3 e$ g; w3 B" Z
71. Old Filth (Jane Gardam, 2004)6 T2 C7 E3 v+ t8 H$ `
70. Daniel Deronda (George Eliot, 1876)$ {# u* O9 o) P, [
69. Nostromo (Joseph Conrad, 1904)$ b# F/ M& @! c
68. A Clockwork Orange (Anthony Burgess, 1962)
- b) d% R2 r4 @5 I5 [. F% c67. Crash (JG Ballard 1973)
& Y' ?& j% x; T6 R66. Sense and Sensibility (Jane Austen, 1811)! \! j# M) G* b; \7 s
65. Orlando (Virginia Woolf, 1928)+ V9 t* B# s* f7 R& p9 X
64. The Way We Live Now (Anthony Trollope, 1875)
" r1 R" X6 T' P63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)9 A+ f; G _0 q s x0 Z
62. Animal Farm (George Orwell, 1945)2 B' Z2 `6 ]' j$ X' W
61. The Sea, The Sea (Iris Murdoch, 1978)( q4 i# }8 h4 M
60. Sons and Lovers (DH Lawrence, 1913)
C# |; o' h9 x: n, X: K* i0 m59. The Line of Beauty (Alan Hollinghurst, 2004)6 t# I% y, A4 T) l/ c
58. Loving (Henry Green, 1945)
1 a' _7 ]. H0 V8 ~5 F/ I- S8 y3 I57. Parade’s End (Ford Madox Ford, 1924-1928)7 O0 ^" a5 Y3 V/ F" I6 ?7 S
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)% R* @' V2 M; ]3 t
55. Gulliver’s Travels (Jonathan Swift, 1726)6 }9 B Z5 \8 I6 M
54. NW (Zadie Smith, 2012)
% R8 s, d- u- U0 t3 g$ N5 m53. Wide Sargasso Sea (Jean Rhys, 1966)
, c" b( _" B8 g, q. }52. New Grub Street (George Gissing, 1891)
+ j9 ]" G, t5 g8 i6 l# b51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
( y! U$ ~6 l) c50. A Passage to India (EM Forster, 1924)4 n5 G4 }0 t: e) s9 U% ^, O3 a
49. Possession (AS Byatt, 1990)+ W9 V& S0 @ A9 G+ N6 z
48. Lucky Jim (Kingsley Amis, 1954)9 l; M! j5 F) ^
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
+ e1 u F7 X' z$ g46. Midnight’s Children (Salman Rushdie, 1981)) W e, N9 j U" b& S8 Z) W
45. The Little Stranger (Sarah Waters, 2009)# K& {- s) U5 H. O3 N/ L
44. Wolf Hall (Hilary Mantel, 2009)
9 o& `! ]* e9 ], `9 G43. The Swimming Pool Library (Alan Hollinghurst, 1988)
7 |% |) E& V+ n1 C42. Brighton Rock (Graham Greene, 1938)
4 l+ p# G" c1 p, `5 j41. Dombey and Son (Charles Dickens, 1848)
) f' V' W, ]: h; v5 R: p" `40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865); m+ w; k3 D0 `& l3 F. j" A2 B
39. The Sense of an Ending (Julian Barnes, 2011)
, T# T& k! T ~' j h5 M38. The Passion (Jeanette Winterson, 1987)( |5 W Y1 I4 d5 R7 X; |1 L
37. Decline and Fall (Evelyn Waugh, 1928)
) S' l+ {: _* k36. A Dance to the Music of Time (Anthony Powell, 1951-1975)5 l3 r% c+ |4 |
35. Remainder (Tom McCarthy, 2005)
2 u k6 J/ G$ w! m: D34. Never Let Me Go (Kazuo Ishiguro, 2005)! `: d1 P, M1 I0 s1 I4 @
33. The Wind in the Willows (Kenneth Grahame, 1908)
1 V/ m" U( H7 r% j0 g; x' {% H# a5 F32. A Room with a View (EM Forster, 1908)0 H5 m" J& X Z4 O% K( ~
31. The End of the Affair (Graham Greene, 1951)
/ P+ c/ p7 ]! B" w, g30. Moll Flanders (Daniel Defoe, 1722)
0 u3 O7 ~( k6 M4 m8 q29. Brick Lane (Monica Ali, 2003)
9 }" F7 G- `$ }. r" T" _28. Villette (Charlotte Brontë, 1853)' P$ A" y) [/ H# J9 e# _5 c2 ?- f
27. Robinson Crusoe (Daniel Defoe, 1719)) ~. O8 m9 r1 x8 d# a
26. The Lord of the Rings (JRR Tolkien, 1954); m9 y3 ~+ ^! a8 Q2 [
25. White Teeth (Zadie Smith, 2000)( e0 l u! ?" ]: b+ K
24. The Golden Notebook (Doris Lessing, 1962)
* g1 V9 ^1 ~% S6 i% [23. Jude the Obscure (Thomas Hardy, 1895)3 Y# `4 t& }, g3 I5 ^ |) _
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)& j% j5 Y/ [4 H t E
21. Heart of Darkness (Joseph Conrad, 1899)
" D$ ~1 S9 \8 ^, N' q7 J20. Persuasion (Jane Austen, 1817)
: z% t* [& F/ t" W8 j0 t |; A: F19. Emma (Jane Austen, 1815)4 c; G4 c) }- X% a3 }( Q7 B; l
18. Remains of the Day (Kazuo Ishiguro, 1989)$ a. M0 P' n7 y) k3 ~& y+ |
17. Howards End (EM Forster, 1910)( v6 [% V2 g3 p* Y8 I
16. The Waves (Virginia Woolf, 1931)
2 e* z+ a' ^* T7 K4 ]8 {% M) t7 l15. Atonement (Ian McEwan, 2001)( e8 l# H/ `" }6 d
14. Clarissa (Samuel Richardson,1748)
2 c4 [$ R- _+ C9 ^5 M13. The Good Soldier (Ford Madox Ford, 1915)
% s0 a. n1 j. u+ q6 T' {+ d12. Nineteen Eighty-Four (George Orwell, 1949)7 T" b0 [( B1 P+ @* [: E3 N
11. Pride and Prejudice (Jane Austen, 1813)2 |6 X0 V" l7 d/ j- H$ @; k
10. Vanity Fair (William Makepeace Thackeray, 1848)
: Z' b1 P$ G1 G9. Frankenstein (Mary Shelley, 1818)5 o- d9 N" z" `# [. V
8. David Copperfield (Charles Dickens, 1850)
0 b2 t- f3 u3 r7. Wuthering Heights (Emily Brontë, 1847)- o. ?/ e9 q1 A) |% X+ P0 }
6. Bleak House (Charles Dickens, 1853)1 i' A3 l. d6 ]; b. K V; \+ N7 J2 Z5 m
5. Jane Eyre (Charlotte Brontë, 1847)3 Z$ }4 ^: H) g4 w/ P$ t4 x* S2 F
4. Great Expectations (Charles Dickens, 1861)) h+ Y# a1 g2 x0 g$ u# {7 q9 \
3. Mrs. Dalloway (Virginia Woolf, 1925)
, o- m/ w: K! |+ B4 e( y$ J2. To the Lighthouse (Virginia Woolf, 1927)6 w5 a0 \2 ?, c9 g. Q) c7 H
1. Middlemarch (George Eliot, 1874)7 p5 C0 V3 M$ ^/ i
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。9 K( E5 U, Z. \- |- w
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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