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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
) d) T8 i; F8 Y7 U& A. G' ohttp://www.bbc.com/culture/story ... test-british-novels
' P- K3 P- H) _* T, K. E- s惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)( {$ x& U; |, ~# Z8 d& M$ `
99. There but for the (Ali Smith, 2011)
0 \* {# T5 Q" J8 z9 }1 {8 w98. Under the Volcano (Malcolm Lowry,1947)
: @7 F9 X2 \ s: d. Y/ T) y5 o ^. u97. The Chronicles of Narnia (CS Lewis, 1949-1954): [; X6 O' c; ?. w) I
96. Memoirs of a Survivor (Doris Lessing, 1974)
. O% F. u. E4 m/ ^95. The Buddha of Suburbia (Hanif Kureishi, 1990)
5 v+ ~- c2 [% A* i( G/ g z+ _) {: |/ R94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)* _8 s9 n6 X, `/ z+ D+ t) Y! a0 S0 }7 f
93. Lord of the Flies (William Golding, 1954)* e! f( b" t; {- Y
92. Cold Comfort Farm (Stella Gibbons, 1932)& D+ a! L1 Z' f; y! I5 H
91. The Forsyte Saga (John Galsworthy, 1922)
$ ?- }7 Q9 o8 x& X90. The Woman in White (Wilkie Collins, 1859)
4 d* e3 N; |+ K5 t( P8 M+ a3 F$ D3 c89. The Horse’s Mouth (Joyce Cary, 1944)7 P3 q) d3 ~8 ~( G2 i
88. The Death of the Heart (Elizabeth Bowen, 1938)
% F' Q5 s' `+ W {3 z3 i87. The Old Wives’ Tale (Arnold Bennett,1908)0 O3 c) j, U% p4 H" g
86. A Legacy (Sybille Bedford, 1956)
6 Z$ q1 n& ?9 Z8 V85. Regeneration Trilogy (Pat Barker, 1991-1995)
9 V8 a6 [* `1 T6 A/ S u8 N7 l84. Scoop (Evelyn Waugh, 1938)' _7 }& R" r9 Y
83. Barchester Towers (Anthony Trollope, 1857)# v- K2 @+ i' A; E+ ^* s
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
8 T" g T. Y2 F S) F v4 E' v1 {9 w81. The Jewel in the Crown (Paul Scott, 1966)% W8 \2 P+ Q5 G1 a% Z1 x, K1 D3 Q
80. Excellent Women (Barbara Pym, 1952)+ J/ A1 h2 ]6 i# j6 ]; W( m2 G
79. His Dark Materials (Philip Pullman, 1995-2000)% U: u" a4 w+ L3 d* c, {
78. A House for Mr Biswas (VS Naipaul, 1961)
2 v S) @! @! ?; j! v77. Of Human Bondage (W Somerset Maugham, 1915)9 k! N$ ? F7 Y0 w" O3 g0 r9 v
76. Small Island (Andrea Levy, 2004)" C; k2 g H6 g; e& d4 J
75. Women in Love (DH Lawrence, 1920)
# J8 j5 z! q& l74. The Mayor of Casterbridge (Thomas Hardy, 1886): u7 r* I/ }5 ]4 h4 p8 V
73. The Blue Flower (Penelope Fitzgerald, 1995)
* w8 q6 m/ Q3 [: ?/ N72. The Heart of the Matter (Graham Greene, 1948)
E3 a2 x& W E, L5 z! d71. Old Filth (Jane Gardam, 2004)
( D9 B9 K2 V3 k6 l: e* U70. Daniel Deronda (George Eliot, 1876)
' M* J% V' m9 \6 N69. Nostromo (Joseph Conrad, 1904)
" I9 ^# o0 \2 O1 ]4 w4 ]" H68. A Clockwork Orange (Anthony Burgess, 1962)
4 t7 i+ x) V( G; _4 k" i% E1 D2 R3 O67. Crash (JG Ballard 1973)% S# p$ |0 ^% y' e
66. Sense and Sensibility (Jane Austen, 1811)
4 O+ u) y0 |- n) l" P, `, B65. Orlando (Virginia Woolf, 1928): c2 @( P- d3 a: Z; \5 `/ Y2 P( W
64. The Way We Live Now (Anthony Trollope, 1875)2 Q9 h& }5 Z$ G7 w1 }: K4 E: ~
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)) \( N M2 ^' o o& L4 y7 \
62. Animal Farm (George Orwell, 1945)/ Y8 O& \! w2 {! X5 g
61. The Sea, The Sea (Iris Murdoch, 1978)* u# y9 z# ^+ u, G/ X8 G
60. Sons and Lovers (DH Lawrence, 1913)2 B! t2 B5 T: r0 k9 _; w
59. The Line of Beauty (Alan Hollinghurst, 2004)
2 Q( j- L- j1 h58. Loving (Henry Green, 1945)
$ d5 u- Q; `* h" o# j1 D; ]57. Parade’s End (Ford Madox Ford, 1924-1928)9 h9 X0 [; V' J/ }8 P) A5 }' c( j' K
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
" `( U7 u5 }. l& N+ K55. Gulliver’s Travels (Jonathan Swift, 1726)
5 U6 I4 P+ X) t9 N$ v54. NW (Zadie Smith, 2012)5 D3 ~; _4 V4 j; I% X
53. Wide Sargasso Sea (Jean Rhys, 1966) z7 V( P, w& l* z* u
52. New Grub Street (George Gissing, 1891)
7 i4 v5 J6 v. K# u& j0 Y; _51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
8 K2 W) s' @ n ]( }2 T50. A Passage to India (EM Forster, 1924)
% B3 q9 u: g0 k% n; i) X49. Possession (AS Byatt, 1990)
8 r$ C8 \3 c, B- a ~& U48. Lucky Jim (Kingsley Amis, 1954)
! m8 B3 j. G$ r5 A0 D9 F6 ^" Q5 b, j47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
8 D: Z; f# _; r& X46. Midnight’s Children (Salman Rushdie, 1981)
" H; z- N' f; m" e; {4 m45. The Little Stranger (Sarah Waters, 2009)" m. @7 D+ N4 ?
44. Wolf Hall (Hilary Mantel, 2009)
3 Q% z' \8 t7 f$ \" A& a43. The Swimming Pool Library (Alan Hollinghurst, 1988). s. S( t3 A/ t& i [! U
42. Brighton Rock (Graham Greene, 1938)7 v- K2 D u3 _. T
41. Dombey and Son (Charles Dickens, 1848)
- w7 F" y# R$ Y/ B. `4 ~ h4 g40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)2 D4 P# k# e5 W9 F" ?9 c
39. The Sense of an Ending (Julian Barnes, 2011)
$ [7 j2 S! y' ?( ^/ S1 j$ n* [! r38. The Passion (Jeanette Winterson, 1987)
: f% G- \# s7 d; w% {3 d9 p, _: C37. Decline and Fall (Evelyn Waugh, 1928)
" [( N- D8 U% r3 O$ K36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. Y6 i% g8 M8 Y1 E; W& J' z+ {% p35. Remainder (Tom McCarthy, 2005)% E' J4 s/ v& @7 `0 ?" U& q. W. m
34. Never Let Me Go (Kazuo Ishiguro, 2005)
3 N) n* V# g+ A- _# Z( K33. The Wind in the Willows (Kenneth Grahame, 1908)
' Z" N; F! X( t* F, s32. A Room with a View (EM Forster, 1908)& y" u1 R! M- W: v5 ? m
31. The End of the Affair (Graham Greene, 1951)- B3 Z4 I( { X8 t( E' B
30. Moll Flanders (Daniel Defoe, 1722)4 L- O# f% c; @3 V4 p6 Y
29. Brick Lane (Monica Ali, 2003)
9 u# ?0 ]2 [+ C% F& [1 c28. Villette (Charlotte Brontë, 1853)
. j3 H/ F6 W: \) S9 [9 {* l27. Robinson Crusoe (Daniel Defoe, 1719)) m, q) e) N: z. U* x/ N7 R& J/ C
26. The Lord of the Rings (JRR Tolkien, 1954)
5 i. j% M2 K& y' U8 ~25. White Teeth (Zadie Smith, 2000)
0 x1 ]/ U& J* l/ k24. The Golden Notebook (Doris Lessing, 1962)
% o8 F/ k1 H5 G5 r, o& ~23. Jude the Obscure (Thomas Hardy, 1895)
. @! B" ?+ o/ d6 h& l22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
# Q @) F/ `8 w* `21. Heart of Darkness (Joseph Conrad, 1899)
2 K' x; m; J# t1 o" O: D1 t( _20. Persuasion (Jane Austen, 1817)
$ @) F( Z- m; l19. Emma (Jane Austen, 1815)& |) k, h* w6 M7 c+ P/ F
18. Remains of the Day (Kazuo Ishiguro, 1989)
+ ?& h! }6 `# {' I7 k8 d4 ?17. Howards End (EM Forster, 1910)
& I) T% Z/ c, p6 C/ Q16. The Waves (Virginia Woolf, 1931)1 }" r. Z8 R% T( Q( z
15. Atonement (Ian McEwan, 2001)
& W, U4 N6 H7 b$ M1 V14. Clarissa (Samuel Richardson,1748)% h8 b* ]; q- }
13. The Good Soldier (Ford Madox Ford, 1915); Z& c: I! m- K& `1 b
12. Nineteen Eighty-Four (George Orwell, 1949)
5 d/ [) t: s) k. F11. Pride and Prejudice (Jane Austen, 1813); u1 L4 P. J1 ]8 A; W
10. Vanity Fair (William Makepeace Thackeray, 1848)
1 B' S$ z' q) A, L( r/ Z9. Frankenstein (Mary Shelley, 1818)) L. ~- Z; r; N2 B+ }
8. David Copperfield (Charles Dickens, 1850)
9 r2 M/ t- ]8 J" [7. Wuthering Heights (Emily Brontë, 1847)$ ?& s* y4 o0 f/ u( J
6. Bleak House (Charles Dickens, 1853)" C. \. F% q2 {* ?5 z/ x5 D! U
5. Jane Eyre (Charlotte Brontë, 1847)
1 E4 P$ p N N+ Y" \4. Great Expectations (Charles Dickens, 1861)
) x F4 w& B. h& G3. Mrs. Dalloway (Virginia Woolf, 1925) k& M; M6 d' P G
2. To the Lighthouse (Virginia Woolf, 1927)# G' j$ P+ ^( `- Z
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。( w5 O2 W+ n- k( ?
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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