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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
! [& i7 Z2 D5 t) @0 r! O; Ghttp://www.bbc.com/culture/story ... test-british-novels
0 C9 x3 M( W' N: U* r g惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)& x( [8 Z9 r, @: X
99. There but for the (Ali Smith, 2011)
+ M( [3 Q" c, A5 v8 u% m/ ^98. Under the Volcano (Malcolm Lowry,1947)1 ?8 G" q( g0 `& S' e" t1 w
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
; [3 a8 j) s* ^8 \$ H2 a: b96. Memoirs of a Survivor (Doris Lessing, 1974)4 x1 I: m9 K; }: s1 P5 J
95. The Buddha of Suburbia (Hanif Kureishi, 1990)4 V& V5 Y W7 Q$ u) x
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
V s0 O. Y# @/ H& D; M93. Lord of the Flies (William Golding, 1954)7 G3 \* y: t* _$ E/ {/ `, U
92. Cold Comfort Farm (Stella Gibbons, 1932)
. t/ ^1 p! O# l$ C91. The Forsyte Saga (John Galsworthy, 1922)
- V+ ` D z( E6 K" z) s. o1 U7 {90. The Woman in White (Wilkie Collins, 1859)4 X& @6 r& C. V, o1 }8 P |
89. The Horse’s Mouth (Joyce Cary, 1944)
" V) Q) V( y8 S X88. The Death of the Heart (Elizabeth Bowen, 1938)1 u* | ~0 K F' E* t0 Y3 v4 m8 z
87. The Old Wives’ Tale (Arnold Bennett,1908)
: y. q. D3 R3 `, R86. A Legacy (Sybille Bedford, 1956)
# T/ Y2 u5 p: W85. Regeneration Trilogy (Pat Barker, 1991-1995): r6 J- T% x8 M/ L; ~# ?
84. Scoop (Evelyn Waugh, 1938)/ Z( e( s' n$ u1 v3 W
83. Barchester Towers (Anthony Trollope, 1857)
1 f$ i/ K2 _" L& d82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
! M0 o+ ^+ m. ^0 l2 \81. The Jewel in the Crown (Paul Scott, 1966)9 \, `: A6 I! Y& ^1 Y# k
80. Excellent Women (Barbara Pym, 1952)
7 `) ^ b9 l7 S. l% g79. His Dark Materials (Philip Pullman, 1995-2000)
" Y+ p8 n1 r; l# i/ H5 {6 y78. A House for Mr Biswas (VS Naipaul, 1961)
' B- H& H) g4 m7 n7 i7 d) x {77. Of Human Bondage (W Somerset Maugham, 1915)8 J ^) }; G0 n5 ? Q
76. Small Island (Andrea Levy, 2004)5 o6 @9 K) O6 o+ x) V
75. Women in Love (DH Lawrence, 1920)
" _$ D: [2 B0 g5 x9 O. n" `& f74. The Mayor of Casterbridge (Thomas Hardy, 1886)# p4 F, I# Q, M" U
73. The Blue Flower (Penelope Fitzgerald, 1995)
" j0 F% n* O7 `$ ?5 `72. The Heart of the Matter (Graham Greene, 1948)3 P0 R. q& y: w1 ]
71. Old Filth (Jane Gardam, 2004)
$ I- d4 k' ?' w( [( c% Y2 Y3 C, ?2 d" y70. Daniel Deronda (George Eliot, 1876)
9 K: Q4 N! F: A6 _9 o69. Nostromo (Joseph Conrad, 1904)
6 Q, `. V3 | E! v5 V: g5 D68. A Clockwork Orange (Anthony Burgess, 1962)
7 Z7 H2 ^; `1 \7 d4 `' k67. Crash (JG Ballard 1973)+ n$ S, f. C6 |
66. Sense and Sensibility (Jane Austen, 1811)
& ~$ l2 g4 L0 y, A2 U* S% k65. Orlando (Virginia Woolf, 1928)
+ F% E# Q0 d3 ^+ Z) z Q64. The Way We Live Now (Anthony Trollope, 1875)7 e. _% K' n r7 x' Q
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
2 {; m( U- u) t3 W62. Animal Farm (George Orwell, 1945)4 \! K: | ? K) Y9 t+ a; F
61. The Sea, The Sea (Iris Murdoch, 1978)
; e4 C, J9 n2 C+ Y( x60. Sons and Lovers (DH Lawrence, 1913)
2 a3 ?7 Q8 N4 U( Z& r" R; D0 ~* f59. The Line of Beauty (Alan Hollinghurst, 2004)
6 T) `3 f' \9 y/ y1 z1 C$ S58. Loving (Henry Green, 1945)
7 H5 D( L4 U+ v+ O3 @ m57. Parade’s End (Ford Madox Ford, 1924-1928)
9 B O: r7 U2 B* Q' G# c56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)2 R+ ^, Q6 K3 X, K. ?( o
55. Gulliver’s Travels (Jonathan Swift, 1726), b- P# A' ]' h7 q$ _/ O
54. NW (Zadie Smith, 2012)
$ d8 l, ?, b1 T( L53. Wide Sargasso Sea (Jean Rhys, 1966)
. J% L3 N7 X2 K: w6 A2 W& f52. New Grub Street (George Gissing, 1891)9 p1 C/ I0 D; E5 T7 L
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
# Z4 h ^# B/ L' K50. A Passage to India (EM Forster, 1924)1 H; I6 B! `9 l, C. {# r) j1 r% E
49. Possession (AS Byatt, 1990)
4 c: g2 s, B$ M# M48. Lucky Jim (Kingsley Amis, 1954)7 L. L2 s& T" ^( q& X6 G3 {. ?
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
, h) ^8 h- K1 M+ D46. Midnight’s Children (Salman Rushdie, 1981)# ?5 M/ H3 b# r2 [* l2 a7 B0 r p
45. The Little Stranger (Sarah Waters, 2009)- n# C' Q. O. z' w3 h: R# f
44. Wolf Hall (Hilary Mantel, 2009)
+ e5 \: o( @* E( L n+ K% A3 H; N0 `( B43. The Swimming Pool Library (Alan Hollinghurst, 1988)
" H! }2 @+ h: Y) h9 m2 P3 j. ?2 ? R42. Brighton Rock (Graham Greene, 1938), ]" v5 w }$ M
41. Dombey and Son (Charles Dickens, 1848)
' Q5 D4 F" w/ l0 {40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
( S' b9 F8 Q `" v9 ]7 r) |39. The Sense of an Ending (Julian Barnes, 2011)( z4 J# R4 `$ u" L& P& H; R0 K
38. The Passion (Jeanette Winterson, 1987)
Y; n. c/ q: D5 V( T37. Decline and Fall (Evelyn Waugh, 1928) P8 u/ a9 L: k. g8 O, l6 a B: d
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)3 Q5 Y: n: y8 T" ]
35. Remainder (Tom McCarthy, 2005)
* _) E6 A V4 X k T: R) p# I' H34. Never Let Me Go (Kazuo Ishiguro, 2005)4 L _; |# B s8 a$ P
33. The Wind in the Willows (Kenneth Grahame, 1908)3 c# e) Y/ V( E9 }# j6 W: Q
32. A Room with a View (EM Forster, 1908)( u5 K6 q: H+ U" B" c' y3 S% Y' i
31. The End of the Affair (Graham Greene, 1951)
9 B2 I& N* C# V, O30. Moll Flanders (Daniel Defoe, 1722)# r0 G% d: E. r# Y( {1 n! [
29. Brick Lane (Monica Ali, 2003)
3 K, Y; m* K: F2 y- [# ~% q28. Villette (Charlotte Brontë, 1853)% u ~/ T3 p" v8 M9 M3 \
27. Robinson Crusoe (Daniel Defoe, 1719)/ M# E) @' i3 L7 x
26. The Lord of the Rings (JRR Tolkien, 1954)
6 ~# V1 t, q7 u, Q0 R) I6 M- E3 n/ v25. White Teeth (Zadie Smith, 2000)- ^# Z/ y! t! T7 b w2 n) T
24. The Golden Notebook (Doris Lessing, 1962)3 _: l" w7 k% L1 [" R4 Y6 j
23. Jude the Obscure (Thomas Hardy, 1895)
! [% ]. T- [. ^( z22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)3 ~: Q/ _$ v7 g: u
21. Heart of Darkness (Joseph Conrad, 1899)
! J( X( z1 q: Y1 D20. Persuasion (Jane Austen, 1817)- }3 U2 j5 }# p( Y
19. Emma (Jane Austen, 1815)* {* S/ [# _& _5 E+ |3 X+ Y7 `! g
18. Remains of the Day (Kazuo Ishiguro, 1989)
" \, R: r2 \* l7 I3 j& b) J/ F17. Howards End (EM Forster, 1910)
% W# m: Q4 U7 X9 u, z16. The Waves (Virginia Woolf, 1931)
3 W4 i K1 I5 s* a- _1 P* j; x15. Atonement (Ian McEwan, 2001)6 ~1 k& \2 S5 [7 p0 r% T9 A
14. Clarissa (Samuel Richardson,1748)* g% g# x8 l1 M! H% k. \
13. The Good Soldier (Ford Madox Ford, 1915)4 q5 ~' S3 z5 B
12. Nineteen Eighty-Four (George Orwell, 1949)
' n/ |% B% P# ?$ w11. Pride and Prejudice (Jane Austen, 1813)
* Y* A2 Y, x/ J4 K: P1 l5 A$ {10. Vanity Fair (William Makepeace Thackeray, 1848); X0 k( M0 M7 j; o
9. Frankenstein (Mary Shelley, 1818)
$ L5 U1 o9 W( O% u( x5 s8. David Copperfield (Charles Dickens, 1850); z/ \6 i( e6 h: b% V
7. Wuthering Heights (Emily Brontë, 1847)6 I' K6 e" \6 H6 v
6. Bleak House (Charles Dickens, 1853)
7 ^' M* P- E) [3 r- a3 z* I4 t+ ?5. Jane Eyre (Charlotte Brontë, 1847)
# k8 e& p- Z* `2 l; ~4. Great Expectations (Charles Dickens, 1861)
" ?8 N9 s. i" C1 I- ]; a6 V# {( I" c3. Mrs. Dalloway (Virginia Woolf, 1925)/ J0 Z" d* `; l8 j/ }
2. To the Lighthouse (Virginia Woolf, 1927)
" C4 L* B$ m8 p; }6 f1. Middlemarch (George Eliot, 1874)/ M+ N! `! x! c
0 U$ b, f, I" t; ~
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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