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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 # Q0 Z/ l$ f. [& [, d
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BBC评出100大英国文学名著
U% X9 i) w: r/ Hhttp://www.bbc.com/culture/story ... test-british-novels- i2 X3 q$ r1 s1 q. L
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。5 ~* p7 w1 m x# e4 ^
" z! D0 M: |1 R/ r$ p( q$ K) C7 x1 Q100. The Code of the Woosters (PG Wodehouse, 1938)/ ~; L- ?% ]- z5 k% P/ o$ v+ [- i. y
99. There but for the (Ali Smith, 2011)
5 `+ J5 p2 z- F' P, v- \! U98. Under the Volcano (Malcolm Lowry,1947)
5 }# q, D) T( g# p0 p* X97. The Chronicles of Narnia (CS Lewis, 1949-1954)1 a3 T' a& A4 r
96. Memoirs of a Survivor (Doris Lessing, 1974)
8 m; Y/ |8 Z4 Z* Q6 c9 H F4 z95. The Buddha of Suburbia (Hanif Kureishi, 1990)
1 Y. K1 X- y" ~ |4 I% Y% J* O94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)& E% o# J0 F- Y3 K1 U6 _
93. Lord of the Flies (William Golding, 1954)* U* j/ |' ?( y5 x3 r. E" c# B3 Z
92. Cold Comfort Farm (Stella Gibbons, 1932)4 W/ b: m4 K% W9 w8 D
91. The Forsyte Saga (John Galsworthy, 1922)
3 h7 {$ }* E" Q90. The Woman in White (Wilkie Collins, 1859)
& W( t3 X8 u% u. M. f; W89. The Horse’s Mouth (Joyce Cary, 1944)
1 Z, _1 G$ u) t! E: |88. The Death of the Heart (Elizabeth Bowen, 1938)
- z6 \+ ?- O4 q: l( W87. The Old Wives’ Tale (Arnold Bennett,1908)
4 R, h( Q3 k/ N! X86. A Legacy (Sybille Bedford, 1956)
) v4 x) H7 l( X6 g/ h85. Regeneration Trilogy (Pat Barker, 1991-1995)
" T* R$ y- u7 [: X ^/ @9 k84. Scoop (Evelyn Waugh, 1938)
9 j- u( l# I9 K$ \9 z! g83. Barchester Towers (Anthony Trollope, 1857)
: I0 d9 W- j3 }8 u; _9 V82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)3 v3 V8 A5 I+ F. f0 @! E" A
81. The Jewel in the Crown (Paul Scott, 1966)0 H. @5 v0 W4 o+ r" Z
80. Excellent Women (Barbara Pym, 1952): w& I3 Z& j0 N$ l
79. His Dark Materials (Philip Pullman, 1995-2000)
! K8 Y: a5 ?% Q# ? y5 c! t1 P78. A House for Mr Biswas (VS Naipaul, 1961); ?7 ?7 y( b7 E, {5 z
77. Of Human Bondage (W Somerset Maugham, 1915)0 E$ J$ u) ]/ d
76. Small Island (Andrea Levy, 2004)
. e1 f' z b9 \ k8 R) @75. Women in Love (DH Lawrence, 1920)/ H: v7 o0 z9 J
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
$ }/ y+ n4 O( q( Q73. The Blue Flower (Penelope Fitzgerald, 1995) K# l# c9 H5 p& P
72. The Heart of the Matter (Graham Greene, 1948)
3 a6 ~2 b- C9 f1 X9 K- C6 {/ {71. Old Filth (Jane Gardam, 2004)
7 F5 K# u3 K9 a! t: d70. Daniel Deronda (George Eliot, 1876)' R% b3 j- Y$ }5 s* \: K7 M
69. Nostromo (Joseph Conrad, 1904)
5 J) S G; d8 G7 c2 {" h68. A Clockwork Orange (Anthony Burgess, 1962)
# O/ o9 S, X: J- z67. Crash (JG Ballard 1973)
/ A2 _4 e: L: r4 I+ {7 E66. Sense and Sensibility (Jane Austen, 1811)
; I) p7 m0 E- h1 B65. Orlando (Virginia Woolf, 1928)( A8 Q* ?+ H3 ?1 d: ?& {
64. The Way We Live Now (Anthony Trollope, 1875)
2 O# g: J8 A( N, x$ f* O5 Z63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
' o4 W; V3 }, h8 y. v+ n62. Animal Farm (George Orwell, 1945)
! U+ Z+ Z. S: a1 c- U2 W$ i4 w: k61. The Sea, The Sea (Iris Murdoch, 1978)7 Q2 n. R' { Y% `
60. Sons and Lovers (DH Lawrence, 1913)
D+ h! j- |0 M7 K1 b9 } X59. The Line of Beauty (Alan Hollinghurst, 2004)
% X, m) s' e; |* [58. Loving (Henry Green, 1945)7 L* F" {; q t4 O
57. Parade’s End (Ford Madox Ford, 1924-1928)6 C5 @, y0 A( f) g# |( W0 ?( `
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)( v2 y: F$ Z: c6 |) R( Y
55. Gulliver’s Travels (Jonathan Swift, 1726) x$ M% ~8 Z8 ~$ \; E
54. NW (Zadie Smith, 2012)6 B4 {4 D, ]$ v+ r" G+ \0 H
53. Wide Sargasso Sea (Jean Rhys, 1966)
. l* [' S3 j0 y: ~. t; w$ E52. New Grub Street (George Gissing, 1891)
; Z( ?" a& O0 U* o$ E* K% `51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' x$ s& m. @" W. q
50. A Passage to India (EM Forster, 1924)
( I5 S @' s8 t L2 s @) B49. Possession (AS Byatt, 1990)
$ i3 K5 H5 H" d: [48. Lucky Jim (Kingsley Amis, 1954)
1 C0 p: c+ P4 F47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 `( b2 n7 q0 V6 {1 L( N! e) |! C
46. Midnight’s Children (Salman Rushdie, 1981). r7 F0 h# f' g+ `
45. The Little Stranger (Sarah Waters, 2009)4 O; d5 _2 ~% `% f7 d6 g$ u
44. Wolf Hall (Hilary Mantel, 2009)8 W6 L( B8 }& H9 l2 }
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 w+ T" w5 d& s: \42. Brighton Rock (Graham Greene, 1938)% U7 k% {9 w6 |' ]; h5 E
41. Dombey and Son (Charles Dickens, 1848)
* F; i+ y( r; F r40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)' d* F5 u3 j, m2 u
39. The Sense of an Ending (Julian Barnes, 2011)
! r% n& v- F) o9 Q+ L5 \38. The Passion (Jeanette Winterson, 1987)0 Z5 i9 v) N- P5 k# J+ z1 l6 i
37. Decline and Fall (Evelyn Waugh, 1928)
' ~' q' T6 E: B36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
+ ~2 N9 b3 D# W6 C$ r35. Remainder (Tom McCarthy, 2005)
9 [: b t1 Z5 h" d9 Y" C34. Never Let Me Go (Kazuo Ishiguro, 2005)5 `5 L0 c! h- V
33. The Wind in the Willows (Kenneth Grahame, 1908)
/ w2 j$ G, X- v32. A Room with a View (EM Forster, 1908)5 w( s' f& h5 K$ M5 x2 R3 n9 [- \
31. The End of the Affair (Graham Greene, 1951)& E9 M8 h4 {% L( E
30. Moll Flanders (Daniel Defoe, 1722): Y0 k8 t+ T2 t9 D
29. Brick Lane (Monica Ali, 2003)- M& p' `5 s( ~; F' t
28. Villette (Charlotte Brontë, 1853)- {+ W/ y, R7 N/ U& M4 d
27. Robinson Crusoe (Daniel Defoe, 1719)
' d& ]2 p/ R6 _, [$ i' W26. The Lord of the Rings (JRR Tolkien, 1954)
$ [* \* v2 D. S25. White Teeth (Zadie Smith, 2000)
\ p, H U9 O1 N4 @& W" O! ?24. The Golden Notebook (Doris Lessing, 1962)
* b2 J; Q" A* _8 q3 ]23. Jude the Obscure (Thomas Hardy, 1895)
6 [5 q. q( t% E* v22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)6 r$ V4 J( u6 y, C& n# y" X
21. Heart of Darkness (Joseph Conrad, 1899)
, @* I; | k" n; F+ }9 P" \20. Persuasion (Jane Austen, 1817)( T* z$ ^3 i9 O1 c7 F
19. Emma (Jane Austen, 1815)' Q( s$ K/ J$ J$ o2 L4 f
18. Remains of the Day (Kazuo Ishiguro, 1989)
" i9 H" X. l; i" U3 X17. Howards End (EM Forster, 1910)
- Q* j( i& I( _3 v/ R# D16. The Waves (Virginia Woolf, 1931)
- j( W+ E; t. p q8 k2 B! d U4 O15. Atonement (Ian McEwan, 2001)
; ?; |3 T6 G+ P% y2 V$ m3 n: S4 D) m# f* m14. Clarissa (Samuel Richardson,1748)) K/ p9 c- j p& v4 O7 \$ z, K( A
13. The Good Soldier (Ford Madox Ford, 1915) W$ w w; h+ P
12. Nineteen Eighty-Four (George Orwell, 1949)
2 y' O2 y: n4 d- ?6 _7 B$ \+ S11. Pride and Prejudice (Jane Austen, 1813)
4 `" [. X/ P* n: [10. Vanity Fair (William Makepeace Thackeray, 1848)! U* ^. D" @8 p8 \0 Y% f% ^+ L
9. Frankenstein (Mary Shelley, 1818)
; |, K# @1 }0 e p, u8. David Copperfield (Charles Dickens, 1850)8 H* W3 _9 K# c9 r9 ?0 B( i
7. Wuthering Heights (Emily Brontë, 1847)
" Y2 {0 \8 D* d0 _8 Q, d; I6. Bleak House (Charles Dickens, 1853)0 t; K- i i `5 @2 F. x6 h
5. Jane Eyre (Charlotte Brontë, 1847)
( W. I' o9 @4 b. v6 B1 M: b! T& Y; C! a4. Great Expectations (Charles Dickens, 1861)
; |1 r( b' ]# j( X& u* K3. Mrs. Dalloway (Virginia Woolf, 1925)' d5 F0 `: S6 e1 z0 b' _
2. To the Lighthouse (Virginia Woolf, 1927)
( u& I% g: R$ |) J! c/ N$ z1. Middlemarch (George Eliot, 1874)
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; y( w/ x/ N4 c' R0 q2 U; [/ e前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ R, D) G% l4 i
( O" O' R k1 c( v呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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