|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
% w( @( [ y% y, g! R6 a- O* x, M& P2 v
BBC评出100大英国文学名著
9 }( l- H' d+ N; Y: a+ Vhttp://www.bbc.com/culture/story ... test-british-novels
7 {3 A4 t3 S$ H; m惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; w8 u* b* C/ j( q. F
. F7 A& ? o' `: v- ?& Y
100. The Code of the Woosters (PG Wodehouse, 1938)6 `/ ~' \7 k1 N1 G9 b
99. There but for the (Ali Smith, 2011)5 W; |: a- ?: s3 v( y* p! U
98. Under the Volcano (Malcolm Lowry,1947)
/ X# p' Q) ~$ o6 i4 n97. The Chronicles of Narnia (CS Lewis, 1949-1954)/ l+ A0 k3 x! F* F! a- k6 J
96. Memoirs of a Survivor (Doris Lessing, 1974)% Y# w8 A2 Y; t# w4 ?4 ~% ?3 B% X3 X8 i
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
3 l+ C6 ^, e( w$ t94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)+ w" _0 j" T' r2 r1 h4 l) e K" \9 \9 q
93. Lord of the Flies (William Golding, 1954)! E3 C; f# V) O2 ~ F1 q
92. Cold Comfort Farm (Stella Gibbons, 1932)! R7 K$ \) W2 y5 a
91. The Forsyte Saga (John Galsworthy, 1922)
, T7 I. U; r+ f: @3 z& u90. The Woman in White (Wilkie Collins, 1859)
6 V' R+ \) D( ?6 f) x7 @# h& P89. The Horse’s Mouth (Joyce Cary, 1944)
% m' F' y8 @9 S. [7 V5 v88. The Death of the Heart (Elizabeth Bowen, 1938)
* X) o# P0 }. x7 E87. The Old Wives’ Tale (Arnold Bennett,1908); i" U- a0 _4 V6 [" Q) }
86. A Legacy (Sybille Bedford, 1956)& q, [! _; ?# C g) s
85. Regeneration Trilogy (Pat Barker, 1991-1995)
7 c' T; S8 z* S' K$ B) A% K& v84. Scoop (Evelyn Waugh, 1938)( X% h" F6 B8 G7 f% B* b$ c) p
83. Barchester Towers (Anthony Trollope, 1857)4 j4 E f- ^, `! F5 a1 a
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
7 W0 W7 x/ }; v81. The Jewel in the Crown (Paul Scott, 1966)9 x6 B7 Y7 ]9 p: Q( I$ |2 R
80. Excellent Women (Barbara Pym, 1952)
" Q/ P& Q! O' O9 `79. His Dark Materials (Philip Pullman, 1995-2000)
0 E/ U9 Q! V; ^4 ^: ~78. A House for Mr Biswas (VS Naipaul, 1961)% m( y' L+ l/ X% d
77. Of Human Bondage (W Somerset Maugham, 1915)) r$ C5 o: A, P3 l
76. Small Island (Andrea Levy, 2004)
3 n% f' H( Q! j75. Women in Love (DH Lawrence, 1920)
; P# B4 m+ c1 J# {& A74. The Mayor of Casterbridge (Thomas Hardy, 1886)* }% X" R, {: u" @% R( L( {
73. The Blue Flower (Penelope Fitzgerald, 1995)
& Y2 ~" K0 r1 l/ G8 w* j) s72. The Heart of the Matter (Graham Greene, 1948)
+ n9 n3 I& I7 k8 W+ w1 ?& v9 A8 L) C71. Old Filth (Jane Gardam, 2004), i) O7 c4 f( H. Q, d1 G
70. Daniel Deronda (George Eliot, 1876)( u" i. | d- Z7 s
69. Nostromo (Joseph Conrad, 1904)! t0 f8 z, Y# `& K6 r; D5 j5 I5 m
68. A Clockwork Orange (Anthony Burgess, 1962)2 s. `. C0 X6 Y, M/ Q
67. Crash (JG Ballard 1973); d& C0 q: U- n) m
66. Sense and Sensibility (Jane Austen, 1811) C/ I+ Q6 P/ z% `0 E* S
65. Orlando (Virginia Woolf, 1928)
$ ^7 G0 U2 W0 h. W& d64. The Way We Live Now (Anthony Trollope, 1875)
# z* i, p- s0 ]63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)2 J1 w7 G# w3 C+ ?1 B
62. Animal Farm (George Orwell, 1945)
6 t# A: L" H6 |/ K1 Q61. The Sea, The Sea (Iris Murdoch, 1978)0 N& q3 w' I1 {
60. Sons and Lovers (DH Lawrence, 1913)
( N! X: g( W% L4 f9 M# @6 z) X59. The Line of Beauty (Alan Hollinghurst, 2004)- H( B. P$ _4 C9 T
58. Loving (Henry Green, 1945)- v9 l$ x/ L: x* ?" Y# f5 ~% A9 ~
57. Parade’s End (Ford Madox Ford, 1924-1928)8 M: K, H, q- g$ _# N" |* M
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)( s3 D6 M% T5 F( `
55. Gulliver’s Travels (Jonathan Swift, 1726)1 g/ I, `& D* `! g" v; W
54. NW (Zadie Smith, 2012)
3 C% {3 a8 ^* t; t, w! u+ o53. Wide Sargasso Sea (Jean Rhys, 1966)1 n8 A) z/ r. u) R' F6 c4 V# b
52. New Grub Street (George Gissing, 1891)
D* C# H% D( i8 @2 y1 W51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
! r2 O* P' k( o5 H: x% e1 L50. A Passage to India (EM Forster, 1924)
, Q9 C, v1 [$ G0 i P49. Possession (AS Byatt, 1990)3 Z, I0 N P5 c4 Q% `- C/ Z' o
48. Lucky Jim (Kingsley Amis, 1954)
" }8 l0 f! {" \! K' w7 e47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
4 u! x; L& t2 m) n. m e9 ]46. Midnight’s Children (Salman Rushdie, 1981)
1 J+ Y4 N( V' d$ _45. The Little Stranger (Sarah Waters, 2009)
/ h3 Q3 D) E0 \5 ]' R- Y* h44. Wolf Hall (Hilary Mantel, 2009)
! H2 l" a M" Q6 Q4 {$ v$ w3 ?43. The Swimming Pool Library (Alan Hollinghurst, 1988)
8 @/ ^/ f8 {; J1 X' A/ F42. Brighton Rock (Graham Greene, 1938)
; }( d6 x1 |" X$ g41. Dombey and Son (Charles Dickens, 1848)
' V+ w; @ P& O40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
8 b5 c# R1 B3 j+ j( D" S: h39. The Sense of an Ending (Julian Barnes, 2011)
+ g2 r! _" e% X$ R+ F38. The Passion (Jeanette Winterson, 1987)0 F' y, N1 }* T( l+ t2 w7 Y u6 n1 U
37. Decline and Fall (Evelyn Waugh, 1928)
' G( T" m. N( P2 r36. A Dance to the Music of Time (Anthony Powell, 1951-1975)$ f4 ]% e( Y# }4 J. g' W
35. Remainder (Tom McCarthy, 2005)
0 G% b' {8 L; [* E7 e- m7 J34. Never Let Me Go (Kazuo Ishiguro, 2005)
, G" K3 G7 a( {' u$ ^( ~! A33. The Wind in the Willows (Kenneth Grahame, 1908): r* j- s; F! J8 r2 y
32. A Room with a View (EM Forster, 1908)9 E! l8 P' N) t; [- S
31. The End of the Affair (Graham Greene, 1951)
( ~6 J# K, z& H, Y8 b- ^9 D30. Moll Flanders (Daniel Defoe, 1722)
+ k, R0 A: C7 n; H b29. Brick Lane (Monica Ali, 2003); ?0 y* T' P# L7 n% A
28. Villette (Charlotte Brontë, 1853)9 K0 b* \! H6 A$ s& D& N
27. Robinson Crusoe (Daniel Defoe, 1719)$ l1 s! V/ m8 ~3 _0 o
26. The Lord of the Rings (JRR Tolkien, 1954)
/ e" {+ M9 H0 X9 L25. White Teeth (Zadie Smith, 2000)0 P, T; M* W( g4 r: _* H: Y' g D
24. The Golden Notebook (Doris Lessing, 1962); A5 X/ y# m4 H0 T* p0 B
23. Jude the Obscure (Thomas Hardy, 1895)! P8 d" Y* ?& ~
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)+ x1 u2 a& R/ B1 U0 |$ P7 f; z
21. Heart of Darkness (Joseph Conrad, 1899)# m, W" p9 c# u: T+ B
20. Persuasion (Jane Austen, 1817)! r) V' X' W: }& a8 r9 x
19. Emma (Jane Austen, 1815)! D' B2 q, J% j y% P1 H. G6 {
18. Remains of the Day (Kazuo Ishiguro, 1989)
; i! \4 O+ c( u0 R17. Howards End (EM Forster, 1910)
( N. W+ d Y# O+ M8 X& T! w9 W/ \! U16. The Waves (Virginia Woolf, 1931)
" w6 r) C& }2 l% u! w- ^15. Atonement (Ian McEwan, 2001)
! i+ }# _, Q6 }3 Y; \0 ~; `14. Clarissa (Samuel Richardson,1748)
0 u3 m& C: h' C( @7 p1 S13. The Good Soldier (Ford Madox Ford, 1915)
! `! Q9 ~. d8 R! H$ q# S$ w; R9 K12. Nineteen Eighty-Four (George Orwell, 1949)! q; j3 r- j3 |: I$ z
11. Pride and Prejudice (Jane Austen, 1813)% P6 m5 L8 D2 O6 z# s1 ?/ R
10. Vanity Fair (William Makepeace Thackeray, 1848)
: @- B8 R* v, R# N6 K, {, I9. Frankenstein (Mary Shelley, 1818)
1 m }/ N# u& a) R8 l+ y7 F8. David Copperfield (Charles Dickens, 1850)0 V2 ^% k% Z) W i
7. Wuthering Heights (Emily Brontë, 1847)
9 @4 d5 X5 \! w. h! [0 S6. Bleak House (Charles Dickens, 1853)( N. j9 T5 L. ~) E" B& P
5. Jane Eyre (Charlotte Brontë, 1847)3 s. K' _4 h0 m% d4 C/ v
4. Great Expectations (Charles Dickens, 1861)
" K2 j5 H6 @5 x, ]; D3. Mrs. Dalloway (Virginia Woolf, 1925)
+ S! {8 W& q8 z2 ]7 V Q2. To the Lighthouse (Virginia Woolf, 1927)0 F& \7 T7 d0 R
1. Middlemarch (George Eliot, 1874)
. [' z2 P s+ S$ J; m7 s- g& A3 p* v: l$ q/ D) s% C
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
0 \' |3 O1 r4 ]# K* N" M# M
# }3 J& E/ _3 \6 l3 q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
