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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 - ]; R+ p+ i2 y8 T- k: e- d
/ b$ A7 b9 N1 a- N' L" \BBC评出100大英国文学名著6 g" R- w: w6 I: ~. ~: k$ G
http://www.bbc.com/culture/story ... test-british-novels
& |/ n7 U6 `* G3 r0 d. H6 j惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。' L- x# s7 n& e
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100. The Code of the Woosters (PG Wodehouse, 1938)
/ p& b! j9 A! W3 s" C99. There but for the (Ali Smith, 2011)# ]; q6 d; d: f4 \0 q7 ^6 z9 L! z
98. Under the Volcano (Malcolm Lowry,1947)
. J; x; m4 ^3 U$ U/ K# C- f1 Z+ w97. The Chronicles of Narnia (CS Lewis, 1949-1954)" @$ ~3 I; w+ g$ N
96. Memoirs of a Survivor (Doris Lessing, 1974)
0 X/ M4 v( t/ X7 [5 ?# C+ N% I/ O95. The Buddha of Suburbia (Hanif Kureishi, 1990)
o. v# Z. t: r( d2 P94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)7 `3 g4 i# e! f% n# z6 E$ q. f
93. Lord of the Flies (William Golding, 1954)
# A3 q2 v' T! t& X4 a92. Cold Comfort Farm (Stella Gibbons, 1932)4 n: D9 }! f$ V7 u: X
91. The Forsyte Saga (John Galsworthy, 1922)
8 y1 d1 d0 @) O90. The Woman in White (Wilkie Collins, 1859)
, U, I* R5 D7 O# m89. The Horse’s Mouth (Joyce Cary, 1944)
* A9 u, Q: |% _# M Y3 a3 X88. The Death of the Heart (Elizabeth Bowen, 1938)2 q0 X( d/ _1 u8 M3 S1 e6 x
87. The Old Wives’ Tale (Arnold Bennett,1908)! f! g6 e( \4 Q8 n7 S+ P
86. A Legacy (Sybille Bedford, 1956)3 s N9 h; @7 A( r, m! v
85. Regeneration Trilogy (Pat Barker, 1991-1995)
! O7 {; G. {) |5 N# z: b84. Scoop (Evelyn Waugh, 1938)
: u! k- `. w: d7 R! H1 @83. Barchester Towers (Anthony Trollope, 1857)
. B9 e$ _- f. |# p7 Z0 r$ [* c82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
7 \9 a! e0 G J- r+ U) F. |% A81. The Jewel in the Crown (Paul Scott, 1966)4 h9 }% b0 I8 ?+ I
80. Excellent Women (Barbara Pym, 1952)' X, t) }( ]/ [5 r6 q: t
79. His Dark Materials (Philip Pullman, 1995-2000)" e8 }- H* I9 m, h
78. A House for Mr Biswas (VS Naipaul, 1961)
0 O* _2 y. J9 }; d$ D3 B77. Of Human Bondage (W Somerset Maugham, 1915)
" o) x- W6 O5 A) \, h, d( V76. Small Island (Andrea Levy, 2004)& Y1 f, C) o: p/ Y# T
75. Women in Love (DH Lawrence, 1920)
9 D' A5 I0 H7 L$ Q74. The Mayor of Casterbridge (Thomas Hardy, 1886)' V6 Y! h, f" d0 w1 m, b
73. The Blue Flower (Penelope Fitzgerald, 1995)
v D, q& p8 _9 n" f72. The Heart of the Matter (Graham Greene, 1948)4 c F! s A# I$ ^. Q5 i
71. Old Filth (Jane Gardam, 2004)0 K3 x0 P) I% |& o- r* s
70. Daniel Deronda (George Eliot, 1876)/ R, [$ O# b- \. n* i
69. Nostromo (Joseph Conrad, 1904)
# O: o1 O2 o6 D7 W8 j68. A Clockwork Orange (Anthony Burgess, 1962)0 _# z* T; }6 }. U- z
67. Crash (JG Ballard 1973)
; F9 Q/ W% t0 ^0 W4 y66. Sense and Sensibility (Jane Austen, 1811)5 b/ ~' V6 P" T: I' [0 `" L% G. q
65. Orlando (Virginia Woolf, 1928)
$ Q' e6 F1 @. M7 [6 y2 a64. The Way We Live Now (Anthony Trollope, 1875)" z/ }4 ]+ N/ d6 a, \
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
# P! z' ?- k! r4 \, S; _( @; y62. Animal Farm (George Orwell, 1945)
3 ?( M K1 i2 h4 ]7 l0 M) H61. The Sea, The Sea (Iris Murdoch, 1978)2 M& P) o- L1 T" f
60. Sons and Lovers (DH Lawrence, 1913)
- Z7 k, y* m- S59. The Line of Beauty (Alan Hollinghurst, 2004)
% M6 N8 t7 f2 T3 C; D" N58. Loving (Henry Green, 1945)5 O8 ~& _+ G5 V `' P, J1 f
57. Parade’s End (Ford Madox Ford, 1924-1928)
* f4 ]& i, f- C/ R56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
3 u' P. m/ x) M7 S3 N55. Gulliver’s Travels (Jonathan Swift, 1726)2 r7 D& K7 R2 n
54. NW (Zadie Smith, 2012)
. j3 _. n" N. @) U+ E, E: l$ E- t53. Wide Sargasso Sea (Jean Rhys, 1966)( n, Y' N% l6 P- ~" E$ w- b
52. New Grub Street (George Gissing, 1891)
% M1 i# n v2 ?: N ^51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
5 m% x7 f; `- o3 y50. A Passage to India (EM Forster, 1924)
: v! R! r4 p6 c+ q49. Possession (AS Byatt, 1990)
5 H- H. c0 w: |+ k* E( v48. Lucky Jim (Kingsley Amis, 1954). |; C6 b4 [" T+ }9 r) Q: J0 T. M0 x
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)( w8 c7 W J8 }9 |
46. Midnight’s Children (Salman Rushdie, 1981)
$ {3 F1 ]) Z* S$ h7 X$ F& K45. The Little Stranger (Sarah Waters, 2009)3 M; E8 U6 { v$ d1 T. v& O
44. Wolf Hall (Hilary Mantel, 2009)
" r, X( k4 S8 A$ `* T43. The Swimming Pool Library (Alan Hollinghurst, 1988)# z' v5 c6 o; h, [# S" P
42. Brighton Rock (Graham Greene, 1938)4 W' Q f5 W- C; x" a9 Z
41. Dombey and Son (Charles Dickens, 1848), Q' W: z; n: |4 ]3 C
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)/ e9 A# e$ P1 `3 Q7 T1 ]6 o
39. The Sense of an Ending (Julian Barnes, 2011)
6 \* \' C( e5 n; \$ F38. The Passion (Jeanette Winterson, 1987)
|* @# d- p: Z0 \37. Decline and Fall (Evelyn Waugh, 1928)
+ A* b2 G1 m6 T- R8 `8 ~" o36. A Dance to the Music of Time (Anthony Powell, 1951-1975). |& |( c" l- L8 g W# ^
35. Remainder (Tom McCarthy, 2005)0 C9 h5 L) Y2 s; U( [* h
34. Never Let Me Go (Kazuo Ishiguro, 2005)) k) Y3 A+ V- U# I& ?/ E
33. The Wind in the Willows (Kenneth Grahame, 1908); u; h# S ?9 w" S" P% Q5 d
32. A Room with a View (EM Forster, 1908)7 ~& I/ [+ o, ` s
31. The End of the Affair (Graham Greene, 1951)9 n0 J* G! p7 X2 C3 c- b' r
30. Moll Flanders (Daniel Defoe, 1722)
+ H, L$ R, u3 S V29. Brick Lane (Monica Ali, 2003) F: ^6 |! K/ ]1 S
28. Villette (Charlotte Brontë, 1853), B6 k n# G* O- c+ r6 c6 k3 }
27. Robinson Crusoe (Daniel Defoe, 1719)
/ ? ^" |3 X y c' w' E. A' K: t26. The Lord of the Rings (JRR Tolkien, 1954)
* H7 @6 l+ }5 Z0 t/ [25. White Teeth (Zadie Smith, 2000)# }- ]- Z- P" x& C I/ v1 x6 J
24. The Golden Notebook (Doris Lessing, 1962)
( D' t0 ^# f$ H; \% K& K23. Jude the Obscure (Thomas Hardy, 1895)( e# j1 Z6 R1 x1 f
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)' l) h) k- @: ~; f! \; J
21. Heart of Darkness (Joseph Conrad, 1899)
) M6 d! Y7 ?2 B3 D20. Persuasion (Jane Austen, 1817)
) } M* d; ]4 o* N _7 n2 g6 c19. Emma (Jane Austen, 1815)3 l2 b) w" I. _6 N
18. Remains of the Day (Kazuo Ishiguro, 1989)
3 J0 m! g! D9 o* k: V% F5 x17. Howards End (EM Forster, 1910)
~4 G* R+ F1 ~" K9 u* X6 F0 N! K16. The Waves (Virginia Woolf, 1931)
9 e5 ?0 V& U& m0 O15. Atonement (Ian McEwan, 2001)% P% ?: H5 U" {1 X: D5 C% _: \
14. Clarissa (Samuel Richardson,1748)
% B2 X) s7 ^: L8 ] j13. The Good Soldier (Ford Madox Ford, 1915)
* t, g- ~2 A/ a6 d12. Nineteen Eighty-Four (George Orwell, 1949)0 Q# G2 R c: f
11. Pride and Prejudice (Jane Austen, 1813)* D, {9 B5 h" K1 C/ M( ~, A
10. Vanity Fair (William Makepeace Thackeray, 1848)' b2 W9 m: [3 x9 d8 v- c
9. Frankenstein (Mary Shelley, 1818)0 @/ D \/ c9 u. e `
8. David Copperfield (Charles Dickens, 1850)2 e& j/ x9 J+ j6 q6 g) |2 @! o
7. Wuthering Heights (Emily Brontë, 1847)
4 E7 ?9 j6 u3 e( I$ H. f* _ m6. Bleak House (Charles Dickens, 1853)
3 O$ p# R/ b& T9 w/ r/ ?* C7 V& ]5. Jane Eyre (Charlotte Brontë, 1847)% x8 O; d! Q" M# `1 b; E O
4. Great Expectations (Charles Dickens, 1861). o. j! B/ r. o" _% P+ G
3. Mrs. Dalloway (Virginia Woolf, 1925)
; E4 }, p) h9 d4 U3 c, ?2. To the Lighthouse (Virginia Woolf, 1927)
% I, o T3 C* G3 [/ ^1. Middlemarch (George Eliot, 1874)3 E( s' \2 ]7 R& R9 ]/ |
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
& w1 k- u L4 A+ y8 ^( b6 o# a5 p
7 c- Z, [6 g% Q% f% `呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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