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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 + v2 D6 }" e& ~9 a2 h5 {+ _
d# w) l2 {% C+ M- s6 wBBC评出100大英国文学名著
+ @: x; F$ N5 [! Xhttp://www.bbc.com/culture/story ... test-british-novels
: L! g4 g1 W: j6 e8 e惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。4 l( a/ W U X3 r
& ^! a2 y# R6 C2 c100. The Code of the Woosters (PG Wodehouse, 1938)
' C1 o: K, r& a- V9 ~99. There but for the (Ali Smith, 2011)! C" D8 y3 E6 m3 O9 d. d3 i
98. Under the Volcano (Malcolm Lowry,1947)
# f9 N4 x5 h5 b. L97. The Chronicles of Narnia (CS Lewis, 1949-1954)/ [) R# O; n* ], [, ^
96. Memoirs of a Survivor (Doris Lessing, 1974)
6 p8 d7 I7 j4 }# \95. The Buddha of Suburbia (Hanif Kureishi, 1990). l9 ^8 {5 y% T9 m1 T# ?7 o
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)" A9 G4 N; t% P
93. Lord of the Flies (William Golding, 1954)
5 e" f* q9 z/ G/ f# t9 M$ \92. Cold Comfort Farm (Stella Gibbons, 1932)! P4 h) x- v7 Z9 r$ T, W! v7 r6 E
91. The Forsyte Saga (John Galsworthy, 1922)! F) K8 v, w- m5 Y" n
90. The Woman in White (Wilkie Collins, 1859)( x* ~- F3 K* i0 l; z! x
89. The Horse’s Mouth (Joyce Cary, 1944)
. D3 h0 a" k, \/ F88. The Death of the Heart (Elizabeth Bowen, 1938); I' W* I+ n6 Y3 w
87. The Old Wives’ Tale (Arnold Bennett,1908)4 _4 X/ F/ ~$ U- b* Z
86. A Legacy (Sybille Bedford, 1956)
& b% V7 `! }& h% u85. Regeneration Trilogy (Pat Barker, 1991-1995)$ o; @2 M! K# ]/ x0 S# z0 Y+ g
84. Scoop (Evelyn Waugh, 1938)" E' }3 b+ ?6 q2 W+ r( t
83. Barchester Towers (Anthony Trollope, 1857)
' G1 h; W6 o! {( L' [82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
$ H. t6 w9 e, S$ F5 c8 n81. The Jewel in the Crown (Paul Scott, 1966)
2 l( K( w; Z. X7 p: ^% K3 M80. Excellent Women (Barbara Pym, 1952)
: R1 r5 v; F5 R* w) k% v5 _/ n79. His Dark Materials (Philip Pullman, 1995-2000)
: E( ^! O% e$ _; \78. A House for Mr Biswas (VS Naipaul, 1961)
3 R& A. X/ L1 Z% M9 ~77. Of Human Bondage (W Somerset Maugham, 1915)
" \) W+ N p- Z& `0 H76. Small Island (Andrea Levy, 2004)
; v ]% D- J7 M75. Women in Love (DH Lawrence, 1920)
/ @3 H p4 `: p& W0 e e2 y2 l74. The Mayor of Casterbridge (Thomas Hardy, 1886)
$ E3 |5 |2 b+ l* Y) k; o4 W73. The Blue Flower (Penelope Fitzgerald, 1995)
0 e% o; @4 ~, `/ F2 a3 R' N72. The Heart of the Matter (Graham Greene, 1948)
# @% |* u7 |; i+ ^' [71. Old Filth (Jane Gardam, 2004)" z- d" v/ }5 T7 K+ k7 N/ W
70. Daniel Deronda (George Eliot, 1876)
2 D: c) ]3 r* K( ?6 V3 R0 J69. Nostromo (Joseph Conrad, 1904)
2 @" ?- c+ V8 U68. A Clockwork Orange (Anthony Burgess, 1962)
2 S8 P, |0 V0 L( N$ j+ S67. Crash (JG Ballard 1973)
& h. x, K8 d- x! X5 \; B$ }& H* c) O/ h66. Sense and Sensibility (Jane Austen, 1811)
. ? l) [" h2 B65. Orlando (Virginia Woolf, 1928)
# P$ N( s6 S: L, ]64. The Way We Live Now (Anthony Trollope, 1875)
& L8 `! p A2 n" z! e8 t63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
X: V& d, s, T6 I, a% k$ d62. Animal Farm (George Orwell, 1945): [1 H) w, U- Q! |
61. The Sea, The Sea (Iris Murdoch, 1978)
6 u6 m# ~0 T/ L. s2 P' C% u2 m60. Sons and Lovers (DH Lawrence, 1913) G9 \! E- C3 N) ~6 z# x* o z
59. The Line of Beauty (Alan Hollinghurst, 2004)
" X; C0 |( d9 M* D I- F- |: P58. Loving (Henry Green, 1945) A) b9 y$ i' G5 D+ T9 e
57. Parade’s End (Ford Madox Ford, 1924-1928)
8 u; k2 t @9 ^9 }& Y56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
, h/ T% X8 W6 [+ |% z55. Gulliver’s Travels (Jonathan Swift, 1726)
, ?0 @1 g% o+ Q% G4 m; h54. NW (Zadie Smith, 2012)
! j* v. Y, Y4 v# y' c53. Wide Sargasso Sea (Jean Rhys, 1966)
8 ]% \6 ^3 f8 ^4 H% e52. New Grub Street (George Gissing, 1891). E- W* K& B" }; k
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)+ n( A- |, Q- o
50. A Passage to India (EM Forster, 1924)2 d+ a3 L" T; h; q
49. Possession (AS Byatt, 1990)
- B {$ z5 ]$ b/ |$ N$ O/ g48. Lucky Jim (Kingsley Amis, 1954)
4 R8 \8 f: ?; Y7 x& Q! A47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)# u N9 l# U* W& h2 c" d; c& r
46. Midnight’s Children (Salman Rushdie, 1981)
9 @6 q) A) l. B! {6 \ N45. The Little Stranger (Sarah Waters, 2009)2 k9 r8 D% r! y
44. Wolf Hall (Hilary Mantel, 2009); T% p2 x2 l# V. y" U) l; L& i# F
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- t# P/ B' _9 y4 j5 D42. Brighton Rock (Graham Greene, 1938)/ o( d5 W/ [- g, W1 `
41. Dombey and Son (Charles Dickens, 1848)
9 ^) h- @* G- L7 N40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 t# m0 ` b7 M) T39. The Sense of an Ending (Julian Barnes, 2011)6 N/ Z* D$ {, L3 z8 A
38. The Passion (Jeanette Winterson, 1987)
8 E- U" R9 v, \8 j37. Decline and Fall (Evelyn Waugh, 1928)" G6 q! T) o* A1 e8 S j
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
, Y, j d) K' v# o2 k& B35. Remainder (Tom McCarthy, 2005)* k8 o' Y5 V; j
34. Never Let Me Go (Kazuo Ishiguro, 2005)5 ]* i, R: T- W0 m/ g2 T6 Y
33. The Wind in the Willows (Kenneth Grahame, 1908)6 ^2 G7 `6 W$ ~9 [
32. A Room with a View (EM Forster, 1908)
* n+ n5 y/ @8 ?# |$ L# Y31. The End of the Affair (Graham Greene, 1951): M d" o" `6 \. G$ Q$ x% I& q
30. Moll Flanders (Daniel Defoe, 1722)6 w _- O: I, b( J- M& E1 X0 e
29. Brick Lane (Monica Ali, 2003). q2 |! S. m/ E0 T% A# L
28. Villette (Charlotte Brontë, 1853)
5 G* [; i3 R, A L7 k& F2 c) H, V. Y27. Robinson Crusoe (Daniel Defoe, 1719)
4 f1 `( z, U3 K# }" y' |% U26. The Lord of the Rings (JRR Tolkien, 1954)# a% |6 T% t, S, r0 y' U( ?9 ^: a$ j
25. White Teeth (Zadie Smith, 2000)
+ @3 W2 x9 I' J7 p! L9 D24. The Golden Notebook (Doris Lessing, 1962)( b5 B7 K9 U _) ]2 Y- M% `, z
23. Jude the Obscure (Thomas Hardy, 1895)! M( k5 J+ ~; K# E
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749), T. `& ?) v. I! X1 m4 C7 n
21. Heart of Darkness (Joseph Conrad, 1899)7 \; I# G* A4 F0 c" E
20. Persuasion (Jane Austen, 1817)
1 C" d+ V) c: i4 w: M19. Emma (Jane Austen, 1815)
$ N0 h3 U3 Z0 R; v6 d2 L" i18. Remains of the Day (Kazuo Ishiguro, 1989)
+ @! e8 m# H: ^8 L, b1 I' ~17. Howards End (EM Forster, 1910)
$ M& @8 R0 T$ R% x! Z16. The Waves (Virginia Woolf, 1931)
9 H5 R3 z- q: b. i3 `6 H15. Atonement (Ian McEwan, 2001)5 @& M; y/ B6 t H8 o9 f5 g
14. Clarissa (Samuel Richardson,1748): o# j8 i% V9 |! o7 M! }
13. The Good Soldier (Ford Madox Ford, 1915)
& z$ M& p5 G& m6 p: Z. v12. Nineteen Eighty-Four (George Orwell, 1949)
2 a* {) y# [3 q( U) X; \ l11. Pride and Prejudice (Jane Austen, 1813): b [2 `6 B" g- q4 A) L
10. Vanity Fair (William Makepeace Thackeray, 1848)) m& }+ k0 ~1 K9 L' h' `
9. Frankenstein (Mary Shelley, 1818)
7 N1 @+ c4 `2 H) B1 \7 X: T8. David Copperfield (Charles Dickens, 1850)
) t* |# b* l3 M- {+ n7. Wuthering Heights (Emily Brontë, 1847)7 @) C7 ]' ?, O
6. Bleak House (Charles Dickens, 1853)/ A) s0 Z; _, y3 v+ u
5. Jane Eyre (Charlotte Brontë, 1847)2 @* r& ?0 l7 X+ N
4. Great Expectations (Charles Dickens, 1861)6 }) n' [& P6 g# K( q J; t
3. Mrs. Dalloway (Virginia Woolf, 1925)3 P9 T: N, m$ @: s! z/ |
2. To the Lighthouse (Virginia Woolf, 1927)/ t9 {3 X8 ]3 D$ O! T g
1. Middlemarch (George Eliot, 1874)2 a) v o R( k: n& a# ~/ x
7 x3 d7 g% r' c8 Q6 ~% Z前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ Z# z: D+ T* a5 d7 x$ b; c
* }8 w! O6 M) s t* N' b7 o# X5 \呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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