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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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- V" v* c. _# R& M: s% J7 t$ T4 l4 WBBC评出100大英国文学名著$ L" d0 ~8 P& D7 x: C7 x" Z. Q3 s
http://www.bbc.com/culture/story ... test-british-novels
/ p: Y, g' g& k F: j; P6 d惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。2 F- X2 @- }/ `- x- E
' m) r% b( f! i1 \8 Z g100. The Code of the Woosters (PG Wodehouse, 1938)
$ @1 H9 M" v( ?* g6 |2 G99. There but for the (Ali Smith, 2011)
, d# d( Y# S3 ~98. Under the Volcano (Malcolm Lowry,1947)
' W* R9 m; g' a) O97. The Chronicles of Narnia (CS Lewis, 1949-1954)
, m+ S7 Y e( @; _! W96. Memoirs of a Survivor (Doris Lessing, 1974)# E5 w0 g7 p; ~. v7 E( ]
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
% z- a8 _3 |" g1 u* @+ s$ f! @) @& Z94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
* [6 Y! w2 b4 L1 [) R- h# A93. Lord of the Flies (William Golding, 1954)6 O( q3 P; `% S0 v; c
92. Cold Comfort Farm (Stella Gibbons, 1932)
3 M$ j" f0 `3 b+ U% y* I+ ]( v @91. The Forsyte Saga (John Galsworthy, 1922)
' y5 q, |* l: j5 J8 h8 V* d% w90. The Woman in White (Wilkie Collins, 1859)8 f9 f2 T" ]8 A# A9 I1 H' R
89. The Horse’s Mouth (Joyce Cary, 1944)9 |2 N, T% E5 j/ O3 g( j; S! x
88. The Death of the Heart (Elizabeth Bowen, 1938)" m' Y' i5 r k: ^; y
87. The Old Wives’ Tale (Arnold Bennett,1908)
+ s2 u8 }# i5 Z* h- I4 s9 T* C86. A Legacy (Sybille Bedford, 1956)7 z7 d! p0 G& Y- [9 |" c
85. Regeneration Trilogy (Pat Barker, 1991-1995)" W' [" S0 o4 y! k
84. Scoop (Evelyn Waugh, 1938)% l4 h( Z* ?/ q7 l7 O" x- X+ `
83. Barchester Towers (Anthony Trollope, 1857)
7 q& X: G, b: Y2 y; f5 ^2 Q82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
9 v {5 k: E8 C0 \- m81. The Jewel in the Crown (Paul Scott, 1966)
3 n7 `; N7 i/ B: p. v80. Excellent Women (Barbara Pym, 1952)
/ ?( @8 d/ _. D79. His Dark Materials (Philip Pullman, 1995-2000)5 p1 Y3 s4 i. X8 y
78. A House for Mr Biswas (VS Naipaul, 1961)
D( K/ f- r% ^$ l2 S77. Of Human Bondage (W Somerset Maugham, 1915), [% H5 n6 e h s# J
76. Small Island (Andrea Levy, 2004)% H' E7 M ]$ @
75. Women in Love (DH Lawrence, 1920)
; y' M6 f7 o! z/ y) T, F# h: U( d ]% \74. The Mayor of Casterbridge (Thomas Hardy, 1886)* o4 G# B% o2 i5 O, m
73. The Blue Flower (Penelope Fitzgerald, 1995)& ~3 c# a# Y3 w; o
72. The Heart of the Matter (Graham Greene, 1948)
; Z& n) ~$ N' I8 B! g( |) Y: j2 d71. Old Filth (Jane Gardam, 2004)0 l c/ L, t6 i0 U" C! T
70. Daniel Deronda (George Eliot, 1876)& q( F! c+ |- s1 v2 p! L
69. Nostromo (Joseph Conrad, 1904). U) w/ a9 g& p% ~
68. A Clockwork Orange (Anthony Burgess, 1962)
/ f3 |3 n0 [) e" |2 u0 e67. Crash (JG Ballard 1973)
4 S5 B) n q5 W T$ x7 ?. ^5 H66. Sense and Sensibility (Jane Austen, 1811)
/ V( g& t, E0 l& h7 V8 ?65. Orlando (Virginia Woolf, 1928)1 c/ g. @. N4 b# G
64. The Way We Live Now (Anthony Trollope, 1875)
/ @/ q2 c: G1 b: N' _6 }, o/ ~63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)* g6 c8 J& @2 m2 ^; V6 D
62. Animal Farm (George Orwell, 1945)
1 w' {4 e4 {/ c3 u4 T7 c61. The Sea, The Sea (Iris Murdoch, 1978)
) S. s+ }- h" ^! b" V3 Q4 e60. Sons and Lovers (DH Lawrence, 1913)% f$ S7 y* W, a" ?$ C% p# |
59. The Line of Beauty (Alan Hollinghurst, 2004)2 D2 ~/ d" [/ T; T' N
58. Loving (Henry Green, 1945)
1 V. R2 p" Y& S/ Q! T, {- g57. Parade’s End (Ford Madox Ford, 1924-1928)' n/ z( o# z5 E# F- g
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
1 N: H+ \1 W$ k: P |' m# s+ J55. Gulliver’s Travels (Jonathan Swift, 1726)
0 g6 f; M2 {1 Q54. NW (Zadie Smith, 2012)
3 u+ U4 K; z4 G+ K3 L53. Wide Sargasso Sea (Jean Rhys, 1966)
- @% F, h* K! {: }4 v52. New Grub Street (George Gissing, 1891)8 J( ]- w2 G: z- j! L* H% |
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)" [, ^: R4 M! G6 W" I
50. A Passage to India (EM Forster, 1924)9 e; V% ^+ Y3 n8 z0 g
49. Possession (AS Byatt, 1990)$ @+ m0 u( L9 D- k
48. Lucky Jim (Kingsley Amis, 1954) ^: u" f- K& K8 f2 H3 C# i
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
6 E% v8 _# O# O1 j8 q& w& l46. Midnight’s Children (Salman Rushdie, 1981)
1 s$ h, _" M: k1 c$ ]% O45. The Little Stranger (Sarah Waters, 2009)
" G0 t( i4 R5 q6 w0 e44. Wolf Hall (Hilary Mantel, 2009)
! T: @* i' e M9 w( C+ ]43. The Swimming Pool Library (Alan Hollinghurst, 1988)
" p2 F; [: Y! [( r7 h8 m- }8 Q8 G42. Brighton Rock (Graham Greene, 1938)# G$ x: r: o+ m. E9 p- @
41. Dombey and Son (Charles Dickens, 1848)3 C9 \1 J3 w; C6 D
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
/ Z: L- }/ j2 S* }* K* x. P# Q39. The Sense of an Ending (Julian Barnes, 2011)
+ a! W4 m- f0 l2 L) K" M38. The Passion (Jeanette Winterson, 1987)
* m B/ F4 ?) G( k. ^37. Decline and Fall (Evelyn Waugh, 1928): V+ V+ |& k! L- z9 E4 a& [
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 {5 d M \5 G' C
35. Remainder (Tom McCarthy, 2005)
( o# Y* x2 Y4 R. c: b& [: L34. Never Let Me Go (Kazuo Ishiguro, 2005)7 C* H' I9 i5 u$ J6 m; R
33. The Wind in the Willows (Kenneth Grahame, 1908)
) t# t& ?1 k* w @) y4 l: q' x7 F32. A Room with a View (EM Forster, 1908)$ Z! G; G) ]# B+ O$ {: V9 h
31. The End of the Affair (Graham Greene, 1951). r& F ]% E/ R( W; O
30. Moll Flanders (Daniel Defoe, 1722)
' ?8 J, n; B% e% Y% L% C1 ]9 t( p6 x29. Brick Lane (Monica Ali, 2003)- ]5 ]5 h, |; N6 w+ q" e
28. Villette (Charlotte Brontë, 1853)
; l- O; M3 Q/ G9 p27. Robinson Crusoe (Daniel Defoe, 1719)3 [; a; [" \- y7 ~$ M9 B+ n1 S
26. The Lord of the Rings (JRR Tolkien, 1954)
7 J" ?8 `& q/ S25. White Teeth (Zadie Smith, 2000)8 L1 w3 ~) x- W# a3 i6 Z
24. The Golden Notebook (Doris Lessing, 1962)
/ {1 ?& G# k! o23. Jude the Obscure (Thomas Hardy, 1895)
5 X, c# c$ M& c0 z) H! ~/ U# g7 N3 p22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
1 w8 y1 G0 M" r( ^21. Heart of Darkness (Joseph Conrad, 1899)0 s" o( Z3 Q, i7 D, w- Y
20. Persuasion (Jane Austen, 1817)
2 r# c4 _4 l; W9 Y( J19. Emma (Jane Austen, 1815)
% i$ M! E) J' y4 T' o# ]8 h7 Y0 H$ }18. Remains of the Day (Kazuo Ishiguro, 1989)4 v0 `. X0 Y. m0 M2 F3 R3 a- b
17. Howards End (EM Forster, 1910)7 j$ D# Z: {# e& d, ]& S
16. The Waves (Virginia Woolf, 1931)
7 W0 t! u; {, ]. g1 v15. Atonement (Ian McEwan, 2001)- Q* \+ Y1 o- Z5 S
14. Clarissa (Samuel Richardson,1748)2 u+ N3 Y$ U& A* d) k$ Z$ Z
13. The Good Soldier (Ford Madox Ford, 1915)( g! J( v- ]2 k+ H S' L' z
12. Nineteen Eighty-Four (George Orwell, 1949); h( w4 w3 W/ w G1 Q
11. Pride and Prejudice (Jane Austen, 1813), C y+ ~- X. `, F. A) e% b' K
10. Vanity Fair (William Makepeace Thackeray, 1848)$ J# x) Y" F$ Q( F7 \
9. Frankenstein (Mary Shelley, 1818)$ n8 m3 g, Q+ {) W
8. David Copperfield (Charles Dickens, 1850)
- Q) V; d+ S1 r) W4 | w7. Wuthering Heights (Emily Brontë, 1847)
% D- m C* ^$ d: w+ s6. Bleak House (Charles Dickens, 1853)
J' z: f1 {; i% t% ^ V+ l" o5. Jane Eyre (Charlotte Brontë, 1847)
& r) n3 r( o- M+ h( \2 J3 W" T2 b0 p4. Great Expectations (Charles Dickens, 1861)
. @5 W8 v& A$ a/ l8 h5 [3. Mrs. Dalloway (Virginia Woolf, 1925)8 @; l: R" J, O) M; Y
2. To the Lighthouse (Virginia Woolf, 1927)' h- g" P/ X8 g, H4 x& v' L; F+ a
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 q. a+ t. X2 f2 G( S% j
* N' d7 j2 q, B7 C$ w: ]1 A呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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