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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 + f# w# C* K {6 g
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BBC评出100大英国文学名著+ ~) C3 N3 |# U9 s; b
http://www.bbc.com/culture/story ... test-british-novels) K' K: F! ^; P8 e: s
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
3 w8 V7 J" @+ v6 D/ `% ~; m99. There but for the (Ali Smith, 2011)
: c0 [3 d8 D( t2 x5 u! Z. ~# R# i98. Under the Volcano (Malcolm Lowry,1947)
' I% q$ h7 j! F: p% m. f5 E97. The Chronicles of Narnia (CS Lewis, 1949-1954)! w! k- `0 l6 R1 s; m/ [: a) x
96. Memoirs of a Survivor (Doris Lessing, 1974), B" v G! N2 ]# X
95. The Buddha of Suburbia (Hanif Kureishi, 1990)( W* R$ U' @( \$ I7 `7 D: {7 z
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824), d/ @5 w2 y k2 o: g
93. Lord of the Flies (William Golding, 1954)
* B. _& ?9 h, v& q2 L( }2 W0 d92. Cold Comfort Farm (Stella Gibbons, 1932)# P; m4 J3 Y x! Q8 A
91. The Forsyte Saga (John Galsworthy, 1922)
% y- Q" f* Y" ]! {- P90. The Woman in White (Wilkie Collins, 1859)
( b- Q2 @% w- D( w89. The Horse’s Mouth (Joyce Cary, 1944)' h% Q, I3 c2 s. k9 V
88. The Death of the Heart (Elizabeth Bowen, 1938). c* m! e; Z+ e( v
87. The Old Wives’ Tale (Arnold Bennett,1908)
+ v% l7 T+ T" z86. A Legacy (Sybille Bedford, 1956)
9 y& o1 q$ q7 k/ m/ F: c& }' d85. Regeneration Trilogy (Pat Barker, 1991-1995)4 {2 l, M: V# j+ W ~% ]' {$ W
84. Scoop (Evelyn Waugh, 1938)' h* t2 j# j' t( b" k, n# l' w
83. Barchester Towers (Anthony Trollope, 1857)
9 w/ T' _% B% t4 R0 l6 }82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)7 `5 P; D8 G" c4 r
81. The Jewel in the Crown (Paul Scott, 1966)2 x3 q- Q1 c5 ~! j7 }- g8 h
80. Excellent Women (Barbara Pym, 1952)
, S2 |" q9 u3 D' L( @ j3 b/ m79. His Dark Materials (Philip Pullman, 1995-2000)
/ g( s/ |2 j1 n) U7 ?8 v78. A House for Mr Biswas (VS Naipaul, 1961)& y; a2 \1 Z( W2 I$ V
77. Of Human Bondage (W Somerset Maugham, 1915)# @9 U& B5 N s, k" u
76. Small Island (Andrea Levy, 2004)
( G1 V- F: n& B2 S75. Women in Love (DH Lawrence, 1920). ]8 P& q1 N* C j) ]: o! G
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
, `9 [# S* ^- ~* r0 ~. v' d. n73. The Blue Flower (Penelope Fitzgerald, 1995)
: E! f- _, _6 _1 `# ~72. The Heart of the Matter (Graham Greene, 1948), N( X* M' R( Y/ ?7 }
71. Old Filth (Jane Gardam, 2004)% T/ f( a8 k( R- s2 z! W
70. Daniel Deronda (George Eliot, 1876)
- N% C: z! ^) Q6 O9 l0 K69. Nostromo (Joseph Conrad, 1904)! T+ l6 E; y5 X7 G4 n
68. A Clockwork Orange (Anthony Burgess, 1962)
8 Z8 B; g% Z6 r, h67. Crash (JG Ballard 1973)7 |& u& i0 j8 U2 [
66. Sense and Sensibility (Jane Austen, 1811)
* A* h0 `. c6 U+ n* e& | g65. Orlando (Virginia Woolf, 1928). X% w; F2 z; ]8 @! `! h
64. The Way We Live Now (Anthony Trollope, 1875)
9 A7 _8 e4 J2 O$ i. i63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
4 p6 [. }9 o4 v* D# ^62. Animal Farm (George Orwell, 1945)
+ T/ b& d7 d) m4 G b$ H1 J61. The Sea, The Sea (Iris Murdoch, 1978)" P1 D1 c0 Q# s/ b
60. Sons and Lovers (DH Lawrence, 1913)
/ h/ Y' P$ U, j9 h) F59. The Line of Beauty (Alan Hollinghurst, 2004)
* P$ F& y/ K: t" J! t+ T" ]58. Loving (Henry Green, 1945)5 ^( w' j! K& }: U( k
57. Parade’s End (Ford Madox Ford, 1924-1928), D7 H5 i1 Z# _3 [; W$ B7 n
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
5 J/ z$ j( \6 G* j55. Gulliver’s Travels (Jonathan Swift, 1726)! A8 A7 y7 Y. c5 g) C5 J, G3 d
54. NW (Zadie Smith, 2012)( `$ ~( A2 u; V: y
53. Wide Sargasso Sea (Jean Rhys, 1966)
( Q$ Y: \3 @3 I( a8 _52. New Grub Street (George Gissing, 1891)
/ x: e7 Y; d% W u; }! }51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. z5 k& { \. d/ B: F50. A Passage to India (EM Forster, 1924)* ~& g8 r* E- `
49. Possession (AS Byatt, 1990)
# I) C$ Z0 H" w1 [- f% A: |48. Lucky Jim (Kingsley Amis, 1954)0 E8 h- S$ c- ^. o0 u, r) r% R; g
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759): E) k1 g7 `. ~5 ]4 V
46. Midnight’s Children (Salman Rushdie, 1981)
2 V: t. D5 ^% W, m0 X45. The Little Stranger (Sarah Waters, 2009)
4 Z# [2 a9 I7 Z3 h: i44. Wolf Hall (Hilary Mantel, 2009)
/ v0 @& _5 E. f7 c2 p7 V3 h3 ?43. The Swimming Pool Library (Alan Hollinghurst, 1988)
8 D6 E2 q( a( [5 |& x# V7 U, Y# J42. Brighton Rock (Graham Greene, 1938)7 a. o) ~0 S8 V% L
41. Dombey and Son (Charles Dickens, 1848)
5 W: Q' i8 @& _. b40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)6 J" t9 p8 r" `$ V$ x+ m3 {
39. The Sense of an Ending (Julian Barnes, 2011)
7 f9 ^( B% m3 n/ _4 O. U2 s5 T38. The Passion (Jeanette Winterson, 1987)
; w9 x& P% M7 D) B9 `# [- x37. Decline and Fall (Evelyn Waugh, 1928)) C3 W7 R+ k% {, {
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. C8 u' o. H8 p; ^8 A35. Remainder (Tom McCarthy, 2005)
) `; G) _& n+ q" o! }' u( u34. Never Let Me Go (Kazuo Ishiguro, 2005)
: k* Z& U7 P& T% n* g6 }33. The Wind in the Willows (Kenneth Grahame, 1908)0 g8 [0 }' m# J
32. A Room with a View (EM Forster, 1908)$ P2 a9 e8 [# |( y3 h
31. The End of the Affair (Graham Greene, 1951) k9 G% _# s' @7 _4 o% j
30. Moll Flanders (Daniel Defoe, 1722)
' H+ X1 \. l. s6 ?+ @6 G1 n29. Brick Lane (Monica Ali, 2003)" g: J: n6 y2 Z% L8 D3 b6 e6 P2 X
28. Villette (Charlotte Brontë, 1853)* f/ |, g8 S2 w4 P# n6 U
27. Robinson Crusoe (Daniel Defoe, 1719)- t) V" [2 Y" _
26. The Lord of the Rings (JRR Tolkien, 1954)' ^1 C% M! n7 S& U5 \
25. White Teeth (Zadie Smith, 2000)
0 c" I' h1 ~3 n0 k( @24. The Golden Notebook (Doris Lessing, 1962)7 h' g2 S% {0 ^7 }
23. Jude the Obscure (Thomas Hardy, 1895)
9 M0 I& J6 Q6 i& ?22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)( i! e/ B7 K" ?; i8 W
21. Heart of Darkness (Joseph Conrad, 1899)
+ W- Y* Q$ w! b8 M* I20. Persuasion (Jane Austen, 1817)8 a, [' r4 o X
19. Emma (Jane Austen, 1815)% U6 Y/ R, v) q/ i' n
18. Remains of the Day (Kazuo Ishiguro, 1989)
3 C1 [- ]$ c9 f6 B. G) l# l* ?17. Howards End (EM Forster, 1910)( X0 ^# ^6 m/ C7 E
16. The Waves (Virginia Woolf, 1931)
) P2 d6 U1 {) U" y( s1 L# p) I15. Atonement (Ian McEwan, 2001)! k4 Y( J/ G# G( a' [
14. Clarissa (Samuel Richardson,1748) {, Z3 O7 i0 Q3 m5 O
13. The Good Soldier (Ford Madox Ford, 1915)3 q% s: P3 p1 I9 k$ b
12. Nineteen Eighty-Four (George Orwell, 1949)
9 R( G$ K( ^# [- h2 [- w+ f( F: I11. Pride and Prejudice (Jane Austen, 1813)
0 d1 w" D5 }: o, N+ u10. Vanity Fair (William Makepeace Thackeray, 1848)
: V$ M" O7 c5 [- f, K/ |8 q$ {9. Frankenstein (Mary Shelley, 1818)' E% ~8 _* i3 Y+ U, v5 D5 L# w
8. David Copperfield (Charles Dickens, 1850)6 q% w9 ^! @$ i4 h: R$ g- w$ F+ t
7. Wuthering Heights (Emily Brontë, 1847)
! L5 u. l p Q! X6. Bleak House (Charles Dickens, 1853)
( _- m2 q8 V6 Y- j/ D2 z8 i5. Jane Eyre (Charlotte Brontë, 1847)
: B9 n3 ~* A) h9 o1 k7 x. v4. Great Expectations (Charles Dickens, 1861)! d- }) [' w. M. z
3. Mrs. Dalloway (Virginia Woolf, 1925)% \! t$ n) l4 a/ j6 ]
2. To the Lighthouse (Virginia Woolf, 1927)
3 }. i5 ?3 d( D1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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7 S5 z Z8 t9 T1 J) ]) v呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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