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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 3 [6 f; D% ^% A6 f& d' p
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BBC评出100大英国文学名著
* J* k+ K$ f- L8 S8 P/ Lhttp://www.bbc.com/culture/story ... test-british-novels; _" ]5 Q7 f* I [/ U; ^7 q
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。" r6 C% V0 A7 p) x% V
8 ^) W. c9 Y' M5 _/ y4 p/ m, f100. The Code of the Woosters (PG Wodehouse, 1938)
8 r9 U( ?; q( e99. There but for the (Ali Smith, 2011)
4 O6 T7 x# |5 W4 X0 {98. Under the Volcano (Malcolm Lowry,1947)! G5 O/ z& I) y) M; R* Z! H; f
97. The Chronicles of Narnia (CS Lewis, 1949-1954)6 j% ^) D' w5 v" _
96. Memoirs of a Survivor (Doris Lessing, 1974)7 E# @; Q, B# M$ w4 [2 K
95. The Buddha of Suburbia (Hanif Kureishi, 1990)- ~; h2 b1 y3 e2 Z V, K
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)$ f# W8 e8 h6 e! j
93. Lord of the Flies (William Golding, 1954)! d: A3 x8 L0 ?5 r6 `% I! k9 V
92. Cold Comfort Farm (Stella Gibbons, 1932)
/ G( n/ W. w9 O+ _8 Z2 _- T k7 [91. The Forsyte Saga (John Galsworthy, 1922)
" B8 U5 _" \/ F/ O- i& k1 y0 Y6 Z90. The Woman in White (Wilkie Collins, 1859)% |' h1 x3 y8 Q T9 E
89. The Horse’s Mouth (Joyce Cary, 1944)
: n' o7 q; s$ p* f88. The Death of the Heart (Elizabeth Bowen, 1938)
/ y( C4 b& l ~$ v$ P+ V87. The Old Wives’ Tale (Arnold Bennett,1908)
* Y' W8 `) f5 G/ z5 c9 ]3 n86. A Legacy (Sybille Bedford, 1956): e' Y8 D2 _9 j0 D" z! `6 R
85. Regeneration Trilogy (Pat Barker, 1991-1995)3 }! l+ q c1 N1 A. l+ ~
84. Scoop (Evelyn Waugh, 1938)
& c# b7 e$ n9 Q6 H83. Barchester Towers (Anthony Trollope, 1857)
5 \/ b L! W/ Z; h82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ A+ T# B2 C Q% Y5 y
81. The Jewel in the Crown (Paul Scott, 1966)
8 V. l4 U+ v5 f) ]& z8 V80. Excellent Women (Barbara Pym, 1952)
, H: [0 ^, B/ P! o8 ]+ }. A; @3 K79. His Dark Materials (Philip Pullman, 1995-2000)
1 }* ?) I( G5 e- d8 F78. A House for Mr Biswas (VS Naipaul, 1961)
& L" @8 W4 l5 Y/ l77. Of Human Bondage (W Somerset Maugham, 1915): x' `$ _ U+ ^. L% E
76. Small Island (Andrea Levy, 2004)% q! _* J" y) M* S+ d0 T
75. Women in Love (DH Lawrence, 1920)0 ]- X! y) ?8 F3 _
74. The Mayor of Casterbridge (Thomas Hardy, 1886)7 W0 \5 G0 J1 Q! }& I
73. The Blue Flower (Penelope Fitzgerald, 1995)5 G$ E. m! C1 N5 x6 G: C* {
72. The Heart of the Matter (Graham Greene, 1948)
0 Z6 O% _, }0 i- A# b' I* [71. Old Filth (Jane Gardam, 2004)
' v H. }. ]* @" q70. Daniel Deronda (George Eliot, 1876)- W! i$ |3 D* T1 ]- o/ l$ n. F/ B
69. Nostromo (Joseph Conrad, 1904); o! B3 v' U+ w+ A2 v4 b: `
68. A Clockwork Orange (Anthony Burgess, 1962)
3 T, I: ]1 b, r' j67. Crash (JG Ballard 1973)
' O. Z0 \! ?3 p# {0 r66. Sense and Sensibility (Jane Austen, 1811)) i( M" S( F- S1 l0 i. m
65. Orlando (Virginia Woolf, 1928)
5 r1 D/ |% ] i/ V" D7 v9 E2 C64. The Way We Live Now (Anthony Trollope, 1875)% h& i1 l8 p4 t
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)5 g" n, H) G; s, z4 b4 O6 t6 G0 W" [( Q
62. Animal Farm (George Orwell, 1945)
6 m `& j7 x! a: F5 A61. The Sea, The Sea (Iris Murdoch, 1978)
5 E# Z x% P1 {: L' w7 z60. Sons and Lovers (DH Lawrence, 1913)3 ]' y& S6 n5 J2 ]
59. The Line of Beauty (Alan Hollinghurst, 2004)
2 x8 o& h: d6 R8 E- H$ Y$ g58. Loving (Henry Green, 1945)* G% S3 i3 F/ q1 q" \- r
57. Parade’s End (Ford Madox Ford, 1924-1928)
' ~! {' K8 [: k' l- Z56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
1 n7 m4 L: d6 ]% ~/ v5 e' g55. Gulliver’s Travels (Jonathan Swift, 1726)
7 W# `3 a6 \/ A54. NW (Zadie Smith, 2012)
" Y& k! U4 j/ G53. Wide Sargasso Sea (Jean Rhys, 1966)+ `. V- z! r$ e% N M! J
52. New Grub Street (George Gissing, 1891)$ `2 F6 u; ^9 R- C, }' n
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
" |; B: U7 x8 [. P50. A Passage to India (EM Forster, 1924)9 e5 e& k9 N+ @9 Q: q+ b" D" E
49. Possession (AS Byatt, 1990)3 K# \+ q! U" E4 c
48. Lucky Jim (Kingsley Amis, 1954)
: O2 V- O% m. ~- V2 E2 i: U47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
* e$ z* ^) ~& [: `4 w46. Midnight’s Children (Salman Rushdie, 1981)! v8 w3 l& G9 F% O# G
45. The Little Stranger (Sarah Waters, 2009)
; A0 w, h% k$ O N b44. Wolf Hall (Hilary Mantel, 2009)% g) ]+ i5 u* T
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
3 w+ r: \! G9 B; V# c- M42. Brighton Rock (Graham Greene, 1938)6 s4 @! {6 o L0 l- L
41. Dombey and Son (Charles Dickens, 1848)
0 g* D3 x" m; b- I9 ?40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)( T! S' ?% w3 P* \
39. The Sense of an Ending (Julian Barnes, 2011)
! f8 z: \( O6 I- @6 |8 f38. The Passion (Jeanette Winterson, 1987)
+ r% O7 Q7 d9 Z! \3 s$ d5 Z, O( P+ x- L37. Decline and Fall (Evelyn Waugh, 1928)
# l ^# g9 e/ o36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
+ i* L. G0 n( P35. Remainder (Tom McCarthy, 2005)4 m& x! U) g7 `' v% `1 f, d
34. Never Let Me Go (Kazuo Ishiguro, 2005)1 J8 p& o1 h' T% g3 M+ `
33. The Wind in the Willows (Kenneth Grahame, 1908)
, d" S) P; n, t- V3 u$ u32. A Room with a View (EM Forster, 1908)1 {2 @- x, t$ h# b2 [! `
31. The End of the Affair (Graham Greene, 1951); n6 H/ T3 j, f" z$ ^+ m
30. Moll Flanders (Daniel Defoe, 1722)) A: G6 k0 F! S: w0 V
29. Brick Lane (Monica Ali, 2003)
- [% o: s, z$ d$ Q- Z. ]28. Villette (Charlotte Brontë, 1853)! n8 v7 W8 U5 h
27. Robinson Crusoe (Daniel Defoe, 1719)
3 G7 H4 M" p3 t F& C" j26. The Lord of the Rings (JRR Tolkien, 1954)3 n* ^9 e) G( [" [' x6 H5 ^7 ~
25. White Teeth (Zadie Smith, 2000)( Q7 N6 `' O% a
24. The Golden Notebook (Doris Lessing, 1962)
5 r( i: \& ?; w, b4 x9 G; r23. Jude the Obscure (Thomas Hardy, 1895)6 q. k! _$ R8 |+ ^" z! l- ?
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)9 [/ s5 C' G9 W, u4 s
21. Heart of Darkness (Joseph Conrad, 1899)
/ f. @/ w" j ]20. Persuasion (Jane Austen, 1817)) R3 I: g3 b( x! p
19. Emma (Jane Austen, 1815); A- ^* f! I( G0 g6 X) u
18. Remains of the Day (Kazuo Ishiguro, 1989)0 v# ^: z8 E5 w- Z Z2 [
17. Howards End (EM Forster, 1910)
" }* e- t9 s9 C; J) h# O16. The Waves (Virginia Woolf, 1931); y2 C5 y9 Y1 _- n6 D
15. Atonement (Ian McEwan, 2001)
1 f3 U; F" S' U4 @+ K14. Clarissa (Samuel Richardson,1748)
8 R L7 y7 P* P6 m5 V13. The Good Soldier (Ford Madox Ford, 1915)* ?) F# }; R! U& R
12. Nineteen Eighty-Four (George Orwell, 1949)
5 C1 I" Q/ Z) W9 x. Z11. Pride and Prejudice (Jane Austen, 1813)7 C. c, _, H" \9 M" w" ]
10. Vanity Fair (William Makepeace Thackeray, 1848). r- B0 P& Z% V2 n8 P4 l
9. Frankenstein (Mary Shelley, 1818)& B9 o. C& [$ |/ ^; J) t
8. David Copperfield (Charles Dickens, 1850)+ u6 W- D, Y( Q
7. Wuthering Heights (Emily Brontë, 1847)% v- M" Z7 |, X: v- ~4 Q
6. Bleak House (Charles Dickens, 1853)
- V) p3 Z: y6 B- @1 e" ~: Y; |5. Jane Eyre (Charlotte Brontë, 1847)* V4 N2 y' M) Z* |! b k; P! a
4. Great Expectations (Charles Dickens, 1861)
- L- a; x% v3 X) P3. Mrs. Dalloway (Virginia Woolf, 1925)
+ q& _/ U' _$ |. G9 K* {2. To the Lighthouse (Virginia Woolf, 1927)
" q' r- x, K9 ]5 P/ x1. Middlemarch (George Eliot, 1874)) u- l& E; t1 w. b
: Z5 m! }" G6 u: D9 z/ u前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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