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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 & y% h# W( i! u* u
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BBC评出100大英国文学名著) W7 T' j/ h" {- O( |
http://www.bbc.com/culture/story ... test-british-novels! W2 N" Z6 b# q8 H7 V% h
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。) p% t a- k0 ]+ f1 {" Q: p) f
; J% k) K7 N8 c100. The Code of the Woosters (PG Wodehouse, 1938)
; P2 u: K, Q; R% \0 V99. There but for the (Ali Smith, 2011)
$ h, q3 e- c6 P+ D5 K98. Under the Volcano (Malcolm Lowry,1947)
& m5 A, f. R- Z# H1 b97. The Chronicles of Narnia (CS Lewis, 1949-1954)! e" x! r8 H, O3 W
96. Memoirs of a Survivor (Doris Lessing, 1974)( @/ A# G: C) s: q) z. A% v) m
95. The Buddha of Suburbia (Hanif Kureishi, 1990)5 B1 k: V( x1 V" I
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)& I" S4 F6 V) I7 s' P, K
93. Lord of the Flies (William Golding, 1954)4 l3 {5 S. ]& x' H4 t- D
92. Cold Comfort Farm (Stella Gibbons, 1932)" Q7 E) n0 B! P1 W
91. The Forsyte Saga (John Galsworthy, 1922) F, N4 h$ T( v" w
90. The Woman in White (Wilkie Collins, 1859) X6 j; O* S& K
89. The Horse’s Mouth (Joyce Cary, 1944)+ a6 |$ C" C5 X# v5 L; _
88. The Death of the Heart (Elizabeth Bowen, 1938)
9 e; P S9 N Z/ m: B( z6 ?87. The Old Wives’ Tale (Arnold Bennett,1908)
2 L9 i# D* S6 s; K2 b. A6 C S1 q4 @& J7 \0 G86. A Legacy (Sybille Bedford, 1956)4 Y+ d8 ?( i- Y: i
85. Regeneration Trilogy (Pat Barker, 1991-1995)
" J, d1 l# }/ D$ N4 g$ j* Q# u84. Scoop (Evelyn Waugh, 1938). ?% Y' J1 D4 @4 y4 W1 G
83. Barchester Towers (Anthony Trollope, 1857)0 M$ D' o, e+ ]% K7 j. k
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
. l: k+ K0 f3 Z5 w7 b" z$ u* s81. The Jewel in the Crown (Paul Scott, 1966)
- }( u9 _, Q- Z1 `. R* h80. Excellent Women (Barbara Pym, 1952)' O' E+ o* H; E
79. His Dark Materials (Philip Pullman, 1995-2000)
: x4 f3 q8 K& p% b/ Y3 j: ^78. A House for Mr Biswas (VS Naipaul, 1961)9 @( x; Z \- v5 ]% \8 i
77. Of Human Bondage (W Somerset Maugham, 1915)" { B2 _: w7 m) \; ^4 {8 m
76. Small Island (Andrea Levy, 2004)
) } H7 `" w: W& G75. Women in Love (DH Lawrence, 1920)
6 z4 `: `3 M9 A' M74. The Mayor of Casterbridge (Thomas Hardy, 1886)
. ~6 g! @7 d: }0 P; ?3 f73. The Blue Flower (Penelope Fitzgerald, 1995)
, p$ E. @: \7 T, F0 h5 h72. The Heart of the Matter (Graham Greene, 1948)
3 V8 W: R: }9 N$ W1 M( P! a; |71. Old Filth (Jane Gardam, 2004)
. n$ R. s9 x6 z3 H7 H. X' ^+ }70. Daniel Deronda (George Eliot, 1876)
' ?" }! X b3 _! }; K J. S69. Nostromo (Joseph Conrad, 1904)
9 Y" D; K# z3 ?/ z: D8 _+ r; w68. A Clockwork Orange (Anthony Burgess, 1962)4 m' _: z$ A% X* y- y/ ?1 P0 [0 ^
67. Crash (JG Ballard 1973)8 ]: d/ _! I0 Q2 c3 r
66. Sense and Sensibility (Jane Austen, 1811) u1 A- w2 H! R5 Y% Q
65. Orlando (Virginia Woolf, 1928)
0 G7 h. r% O- h% q4 N- \64. The Way We Live Now (Anthony Trollope, 1875)
; D3 w$ w% q+ d1 t4 V1 G% R63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
+ ^/ U+ R# w3 p5 {# }9 s62. Animal Farm (George Orwell, 1945)7 J% E* ?& k2 F& Z( p }
61. The Sea, The Sea (Iris Murdoch, 1978)
$ a' }7 ^0 C; H* R$ W5 n- e' p60. Sons and Lovers (DH Lawrence, 1913)- A' J* d* n, H) n$ H l; W
59. The Line of Beauty (Alan Hollinghurst, 2004)
, H$ p9 a/ Z4 {, |58. Loving (Henry Green, 1945)
' g$ p. h5 D; J3 s57. Parade’s End (Ford Madox Ford, 1924-1928)$ X( f7 _, ]4 g# B8 G4 I3 N) x) z
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
# M+ O; I; j1 W. U0 N: B55. Gulliver’s Travels (Jonathan Swift, 1726)
: ]0 x0 n. P: o D& E8 q9 F54. NW (Zadie Smith, 2012)
& p0 f- w0 i/ j7 t$ ?7 b! [53. Wide Sargasso Sea (Jean Rhys, 1966)' D( W A D9 d5 U
52. New Grub Street (George Gissing, 1891)" B( E7 D9 o% i
51. Tess of the d’Urbervilles (Thomas Hardy, 1891). M9 X* r/ v8 o+ w9 @8 U( v! `
50. A Passage to India (EM Forster, 1924)
. A) g1 t. {. U) ~' N49. Possession (AS Byatt, 1990)
, ]( U8 S9 M7 |48. Lucky Jim (Kingsley Amis, 1954): Z7 V' z- l* D" b
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
. L+ {9 _7 f: G5 ~! Y9 [# ?! X46. Midnight’s Children (Salman Rushdie, 1981)
: l# C+ h- q2 f; s( o45. The Little Stranger (Sarah Waters, 2009)
: T6 @; y8 s6 W/ N& F9 A5 y: W44. Wolf Hall (Hilary Mantel, 2009)
3 ~0 _# e1 q6 }. ?1 G m/ a& y! Z. l+ K8 k43. The Swimming Pool Library (Alan Hollinghurst, 1988)4 Z( W9 L: h+ q
42. Brighton Rock (Graham Greene, 1938)0 |- _, k+ f' T
41. Dombey and Son (Charles Dickens, 1848). j6 G4 U. d# s
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)* _$ A- |9 U/ O
39. The Sense of an Ending (Julian Barnes, 2011)& H, e) a9 n& ~2 Z
38. The Passion (Jeanette Winterson, 1987)
0 D }$ ^; m4 ?' Q9 Z5 ` l3 t37. Decline and Fall (Evelyn Waugh, 1928)! P) G# L" f! h
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
, ^3 W7 D) a% @& R35. Remainder (Tom McCarthy, 2005)+ o2 Y0 }" i7 M v9 E' T
34. Never Let Me Go (Kazuo Ishiguro, 2005)
8 g9 j7 O2 l- s33. The Wind in the Willows (Kenneth Grahame, 1908)& }9 l2 ~! S! P5 B; d
32. A Room with a View (EM Forster, 1908)9 q. G9 l% W% [9 t3 c. i
31. The End of the Affair (Graham Greene, 1951)
9 u) D7 F' V% H; E30. Moll Flanders (Daniel Defoe, 1722). m( @: t: \ K6 N1 L
29. Brick Lane (Monica Ali, 2003)
( B. b! C+ w, g& O( j; T28. Villette (Charlotte Brontë, 1853)* ]/ l7 L/ R/ }: h$ C# G) N
27. Robinson Crusoe (Daniel Defoe, 1719)- y$ f% S9 a# i8 L) @* B; j0 j
26. The Lord of the Rings (JRR Tolkien, 1954)! F' f% k& f& A/ s- H- a
25. White Teeth (Zadie Smith, 2000)4 y4 z6 f9 H+ ~- i9 X! z: ?
24. The Golden Notebook (Doris Lessing, 1962)
; B% I/ a* @" |9 _3 ]( g: P7 U23. Jude the Obscure (Thomas Hardy, 1895)
; W* o4 w6 y0 q* \% N/ _22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
5 Y$ w! }6 ^0 Z& d; d& O21. Heart of Darkness (Joseph Conrad, 1899)7 y# u% E; j" }3 _4 M2 f
20. Persuasion (Jane Austen, 1817)! V( l7 V0 r0 L3 a! a M+ ]
19. Emma (Jane Austen, 1815)$ k6 N2 S9 X2 Y0 g- ?3 h5 m
18. Remains of the Day (Kazuo Ishiguro, 1989)
% r" x! w8 @, o( v4 u9 ]' w. H17. Howards End (EM Forster, 1910)
0 T: U. j2 H' }8 d8 L16. The Waves (Virginia Woolf, 1931)
# x% o! ^; ^% J: K; ]$ g0 ? A# |15. Atonement (Ian McEwan, 2001)
1 d8 I9 m2 M L1 ~+ g) u; K14. Clarissa (Samuel Richardson,1748)3 j/ ~% m, {9 E. Y+ Y& a
13. The Good Soldier (Ford Madox Ford, 1915)- y; \! v" C! l) U4 F4 ` X
12. Nineteen Eighty-Four (George Orwell, 1949)9 i0 P5 F: P! f T
11. Pride and Prejudice (Jane Austen, 1813)
% U3 j3 @1 o2 i" i10. Vanity Fair (William Makepeace Thackeray, 1848)
( q* e7 R7 b2 v$ a9. Frankenstein (Mary Shelley, 1818); g/ {) L/ C2 L+ |, R
8. David Copperfield (Charles Dickens, 1850)2 l" f+ Z; h8 F$ j' r
7. Wuthering Heights (Emily Brontë, 1847)
8 M- q5 C | E4 n# t8 X- ~( s6. Bleak House (Charles Dickens, 1853)' G. ]7 E- G9 v8 H
5. Jane Eyre (Charlotte Brontë, 1847), P% c2 T H k
4. Great Expectations (Charles Dickens, 1861). f3 a& K+ u, R% P% |/ |( k
3. Mrs. Dalloway (Virginia Woolf, 1925)
, o4 Z2 ^: i! s- B' q; W* S/ M8 I2. To the Lighthouse (Virginia Woolf, 1927)9 C6 K- T2 E0 P+ z* X
1. Middlemarch (George Eliot, 1874)( J5 T% E0 i' Q
' W# X. X. v8 Q, S8 v! }前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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% q/ b7 ^! T: Q( ? u/ v呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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