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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著) J* Z7 p$ ]# O) x, [; H
http://www.bbc.com/culture/story ... test-british-novels2 m2 j4 P4 _2 K3 q
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)7 o: g/ D: t' x7 t
99. There but for the (Ali Smith, 2011)
- K# x0 o5 \8 I98. Under the Volcano (Malcolm Lowry,1947)
9 w7 s7 M- N- q+ p97. The Chronicles of Narnia (CS Lewis, 1949-1954)! b3 t9 O9 H4 B. i- Q# J! Y
96. Memoirs of a Survivor (Doris Lessing, 1974)
0 Q( f5 V& T- \, `" n+ o95. The Buddha of Suburbia (Hanif Kureishi, 1990)1 l* h* b1 _8 _2 g! H& ]
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)7 k0 m$ I/ y. f6 H
93. Lord of the Flies (William Golding, 1954)
2 H# ~# @$ ?8 j. U92. Cold Comfort Farm (Stella Gibbons, 1932)& J9 g6 t* h# I6 b, v
91. The Forsyte Saga (John Galsworthy, 1922). ?" ^9 ~( ?9 C) t1 [
90. The Woman in White (Wilkie Collins, 1859)2 q% M2 m8 y" B( ?
89. The Horse’s Mouth (Joyce Cary, 1944)
2 L }. m; b* P+ z# Y88. The Death of the Heart (Elizabeth Bowen, 1938)
( Y$ [" [) t. ~7 m2 Y0 v87. The Old Wives’ Tale (Arnold Bennett,1908). M4 Z1 G0 u! {4 f
86. A Legacy (Sybille Bedford, 1956)
1 J2 d+ e# b! b1 [85. Regeneration Trilogy (Pat Barker, 1991-1995)
; c+ x4 p: A! h0 y* d) q; B84. Scoop (Evelyn Waugh, 1938): Q: U: G) O0 G ]3 u
83. Barchester Towers (Anthony Trollope, 1857)7 z) r! [/ @6 y9 ~) q
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)2 A! s1 C0 |1 s1 }- }: j- @/ j
81. The Jewel in the Crown (Paul Scott, 1966)0 G, P9 t7 `1 W5 y8 K: n
80. Excellent Women (Barbara Pym, 1952)5 K G1 G. G. I
79. His Dark Materials (Philip Pullman, 1995-2000)
N& f4 Z; W8 O* D2 ?5 f& N78. A House for Mr Biswas (VS Naipaul, 1961) T) I! K0 E4 w
77. Of Human Bondage (W Somerset Maugham, 1915)
" N9 |7 }$ W" ?$ a% D2 D76. Small Island (Andrea Levy, 2004)
- I+ r" d$ u' Y; d6 R75. Women in Love (DH Lawrence, 1920), q+ q0 N' |7 P7 I, d" a2 C$ [
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
0 _" f+ v' K- D6 |1 ]73. The Blue Flower (Penelope Fitzgerald, 1995)% F" F& s9 a. e. ^! X* ^2 l
72. The Heart of the Matter (Graham Greene, 1948), v0 b& [8 E( A2 K: v
71. Old Filth (Jane Gardam, 2004)
* Q9 j1 J' M- _$ C# `. Z2 R70. Daniel Deronda (George Eliot, 1876)
: A7 C1 x: i+ A9 P C+ a/ B69. Nostromo (Joseph Conrad, 1904)! b( a3 ]2 w' |$ @- }, ~
68. A Clockwork Orange (Anthony Burgess, 1962)! Q u6 ^1 {/ g7 y$ f
67. Crash (JG Ballard 1973)
# J1 h' I1 U; W66. Sense and Sensibility (Jane Austen, 1811)( j. e; G& V. I: o- L" B. _+ X7 x/ K0 f
65. Orlando (Virginia Woolf, 1928)
0 `8 z# N2 X( H U1 r9 f6 y64. The Way We Live Now (Anthony Trollope, 1875)
; y3 Y( B+ h. ^; B' d63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
. V% {% ]& O5 f. |0 j# R7 I62. Animal Farm (George Orwell, 1945)) D7 a# \. e5 h6 u( B6 O: S# _
61. The Sea, The Sea (Iris Murdoch, 1978)5 n4 t8 { S7 C" @5 Y; M
60. Sons and Lovers (DH Lawrence, 1913)
$ S; {6 K2 C# B3 j3 H+ a( d' n59. The Line of Beauty (Alan Hollinghurst, 2004)' m0 R1 s5 l: S* ~% l8 T
58. Loving (Henry Green, 1945)7 W8 w; J9 x! K5 u) F
57. Parade’s End (Ford Madox Ford, 1924-1928)9 x, o% x: {: f; I
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
' K: I( V6 s, ^$ Y# Y55. Gulliver’s Travels (Jonathan Swift, 1726)0 T, }& U+ j4 Y- ~* W
54. NW (Zadie Smith, 2012)
9 [% g- x( j3 L3 K8 w53. Wide Sargasso Sea (Jean Rhys, 1966) d) a/ V" i& v, J" g" W
52. New Grub Street (George Gissing, 1891). S; c% w4 w) } Y+ `9 g+ r% N
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
/ d/ ?; ^* b- g50. A Passage to India (EM Forster, 1924)
+ `* d; Z7 q8 @/ H" V' W9 l49. Possession (AS Byatt, 1990); F4 f% u* L/ }
48. Lucky Jim (Kingsley Amis, 1954)
) n' A8 G1 N7 p; ]: L$ C47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
& z8 X. H0 ^6 k$ `) u9 e/ a7 D46. Midnight’s Children (Salman Rushdie, 1981)
8 d" F- A1 s; m6 K4 M( v45. The Little Stranger (Sarah Waters, 2009)
0 W' g/ u$ O- G" i2 [! G44. Wolf Hall (Hilary Mantel, 2009)
0 v/ I. Q" F, ]/ N' \8 i- S/ T43. The Swimming Pool Library (Alan Hollinghurst, 1988)
. ~" w5 o. Y' Y1 w, I' u42. Brighton Rock (Graham Greene, 1938)
& k; p1 F' O9 J; Z41. Dombey and Son (Charles Dickens, 1848)
, h" S; }6 y1 \1 A40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)+ m( j8 |, D9 m9 Q4 U/ K8 Q
39. The Sense of an Ending (Julian Barnes, 2011)
7 [* u$ D$ t( V38. The Passion (Jeanette Winterson, 1987)3 l0 R: s- C2 \2 w
37. Decline and Fall (Evelyn Waugh, 1928)- y. y) F3 @0 ]5 V# S
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)3 G* ?. R4 z3 [6 @
35. Remainder (Tom McCarthy, 2005)1 f9 {2 Y) \( @) h; c; O
34. Never Let Me Go (Kazuo Ishiguro, 2005); _- e: n0 o7 J, r4 [" D, z
33. The Wind in the Willows (Kenneth Grahame, 1908)% M/ s) C- f) |% k, k0 L
32. A Room with a View (EM Forster, 1908)
' [. Q' }( C9 v31. The End of the Affair (Graham Greene, 1951)
8 I. X: o; u" }8 J/ U30. Moll Flanders (Daniel Defoe, 1722): [% x% t, d* ~ w- k
29. Brick Lane (Monica Ali, 2003)5 Y% R- y1 j3 W( S$ h: o1 X
28. Villette (Charlotte Brontë, 1853)8 b' p8 }0 B$ O/ w4 V \2 D& e9 y- h
27. Robinson Crusoe (Daniel Defoe, 1719)
7 M7 T1 z, n: q26. The Lord of the Rings (JRR Tolkien, 1954)4 v6 L0 z$ h5 h+ W _
25. White Teeth (Zadie Smith, 2000)
! A0 C. U6 w5 M9 w+ Q$ m: k24. The Golden Notebook (Doris Lessing, 1962)# N: i9 \$ [1 Z# P! E; x
23. Jude the Obscure (Thomas Hardy, 1895)2 c; Y! {& J& n1 k$ \% @
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
& r+ D! c' j) |* t& Z/ |% n5 V% z$ d/ ~21. Heart of Darkness (Joseph Conrad, 1899)3 P# A0 O. v0 x0 _' [. r
20. Persuasion (Jane Austen, 1817)
: F7 l$ x5 ~( x0 Z/ m4 J$ j6 t3 l+ w19. Emma (Jane Austen, 1815)! Z3 E1 k$ z* M2 W
18. Remains of the Day (Kazuo Ishiguro, 1989)# W/ j! B2 t. J! H3 _4 r
17. Howards End (EM Forster, 1910)
4 `, h8 I- s" }3 E8 y16. The Waves (Virginia Woolf, 1931)5 q2 S& p! e! a$ o# j
15. Atonement (Ian McEwan, 2001)
; l8 U. r0 s7 _# K14. Clarissa (Samuel Richardson,1748)) v0 c% b" F+ A# u6 [5 z! H# _
13. The Good Soldier (Ford Madox Ford, 1915)! i7 S! l( K/ g8 M& L n
12. Nineteen Eighty-Four (George Orwell, 1949)! t0 b5 a* m( m5 k* _# n8 `
11. Pride and Prejudice (Jane Austen, 1813)
! T! ~/ O, F( h" @$ M# r- Z10. Vanity Fair (William Makepeace Thackeray, 1848)
$ n; T6 `- H, c1 x* R9 K$ T, y9. Frankenstein (Mary Shelley, 1818)
# b8 y- }+ E9 a6 K/ l! z) H0 L7 ]8. David Copperfield (Charles Dickens, 1850)
: n7 R$ j# a0 ]: O0 v# p/ z7. Wuthering Heights (Emily Brontë, 1847)
, q) K; k# @' E0 X6. Bleak House (Charles Dickens, 1853)' k+ i8 q& z: a( d, L! T( x
5. Jane Eyre (Charlotte Brontë, 1847)2 g# T* {7 b- I5 ^
4. Great Expectations (Charles Dickens, 1861)* D0 B# W, g1 c! z8 @
3. Mrs. Dalloway (Virginia Woolf, 1925). @" R% Y7 F* V
2. To the Lighthouse (Virginia Woolf, 1927)
3 r/ d! Q8 J9 u5 Q! b1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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