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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著 Z5 Y; |$ `. d! E+ a
http://www.bbc.com/culture/story ... test-british-novels" K6 y% h8 }6 G
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。5 y3 O' L8 g- k) B7 U& S, y
+ t2 B- W' w( }% P7 }100. The Code of the Woosters (PG Wodehouse, 1938)
/ _; O$ ^ y' b4 a" t7 P" b99. There but for the (Ali Smith, 2011)/ C" ~1 [* f( Z. Z
98. Under the Volcano (Malcolm Lowry,1947). o, A8 B4 j: l H7 E" N
97. The Chronicles of Narnia (CS Lewis, 1949-1954)9 b7 }& B. b+ R( t0 N
96. Memoirs of a Survivor (Doris Lessing, 1974). b0 _; b. F7 ]2 u) R, h* C
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
2 \+ D2 t, w, g& U; x9 P) F8 [& }: l94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
9 E' {2 F' D* n2 l$ ~93. Lord of the Flies (William Golding, 1954) D9 M5 g+ O; y9 L
92. Cold Comfort Farm (Stella Gibbons, 1932)2 b3 x' x t# N1 m
91. The Forsyte Saga (John Galsworthy, 1922)/ g) g% Z/ y" q. a3 c G" ]( K
90. The Woman in White (Wilkie Collins, 1859)1 O! n" U$ g# z2 D
89. The Horse’s Mouth (Joyce Cary, 1944)
' A' |" Z3 F. Y2 x88. The Death of the Heart (Elizabeth Bowen, 1938)8 ]5 [, I9 J& L* u1 e4 ] H
87. The Old Wives’ Tale (Arnold Bennett,1908)2 ~! n Z) B, O0 f
86. A Legacy (Sybille Bedford, 1956)" D% Y4 a0 H% S
85. Regeneration Trilogy (Pat Barker, 1991-1995)4 {4 P8 U* j! ], G* w
84. Scoop (Evelyn Waugh, 1938)5 b3 _' X4 Y4 B* j; U. O+ U$ R
83. Barchester Towers (Anthony Trollope, 1857)3 q. |1 b' E' Q% [
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
. L) \) n H* W( t0 ~81. The Jewel in the Crown (Paul Scott, 1966)8 p6 H" s' |8 S( t
80. Excellent Women (Barbara Pym, 1952)
& f7 [( }8 Q* E6 q) }* o0 }! T79. His Dark Materials (Philip Pullman, 1995-2000) @: H4 c/ I% ~2 l: Q7 M
78. A House for Mr Biswas (VS Naipaul, 1961)
" C2 ]( o" Z1 x% F5 p- E77. Of Human Bondage (W Somerset Maugham, 1915)) o" I6 P; p* `
76. Small Island (Andrea Levy, 2004) b$ H6 N& i+ v* S5 [0 |# H) c
75. Women in Love (DH Lawrence, 1920)
' S! [6 E6 n" j74. The Mayor of Casterbridge (Thomas Hardy, 1886)
) i5 M8 M: k& m( Z! @0 S, J73. The Blue Flower (Penelope Fitzgerald, 1995), ~+ n" {( p* o, ^1 ?
72. The Heart of the Matter (Graham Greene, 1948)0 y5 j( h: P- ?
71. Old Filth (Jane Gardam, 2004)
! g- D1 \! |# [70. Daniel Deronda (George Eliot, 1876)7 G3 t7 D- b! {* ]2 o. f" Z/ i2 W9 Z
69. Nostromo (Joseph Conrad, 1904)& h; e; R, A7 k+ p
68. A Clockwork Orange (Anthony Burgess, 1962)
, W$ P1 q) u3 \% s |; c67. Crash (JG Ballard 1973)
2 r$ w1 ]5 j n66. Sense and Sensibility (Jane Austen, 1811)
* M8 Z: f, B, z+ ` j% `65. Orlando (Virginia Woolf, 1928)
4 \& Q9 A E& O2 G; S( I64. The Way We Live Now (Anthony Trollope, 1875)) t# X. u5 w& z
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961) a; I, M3 v3 M
62. Animal Farm (George Orwell, 1945)
/ Y/ P! b/ S3 v& J) K, o4 H61. The Sea, The Sea (Iris Murdoch, 1978)2 r d4 N& A/ i
60. Sons and Lovers (DH Lawrence, 1913)# c6 Z5 E& k( Q. A7 r
59. The Line of Beauty (Alan Hollinghurst, 2004)
4 q! E" @+ G8 ?, | i; E$ h( ?& [58. Loving (Henry Green, 1945)
# ]! U6 a2 v5 P7 F, B' Q! x57. Parade’s End (Ford Madox Ford, 1924-1928)
- m3 a& W" Y) X% D0 c9 `56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
3 b8 P q/ \: E7 u9 H0 b55. Gulliver’s Travels (Jonathan Swift, 1726)
1 K- y% m8 R6 T, u( d2 X54. NW (Zadie Smith, 2012)
# C8 {4 N% B3 ]6 @7 h# l53. Wide Sargasso Sea (Jean Rhys, 1966), |& V0 Q0 ]$ O1 D$ @7 i
52. New Grub Street (George Gissing, 1891)
. M3 t2 s; ^; k) c51. Tess of the d’Urbervilles (Thomas Hardy, 1891)4 o3 }0 u5 i, A8 m; q. n
50. A Passage to India (EM Forster, 1924)
: M8 O6 F: U1 {" D49. Possession (AS Byatt, 1990). d! O! X$ T' v
48. Lucky Jim (Kingsley Amis, 1954)2 E/ ?# y. A# l9 A+ Z8 E* `! _ n
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), g% w C( B& E1 }
46. Midnight’s Children (Salman Rushdie, 1981)
" l& x2 o( k U45. The Little Stranger (Sarah Waters, 2009)/ g/ G, o- Y( h. ~
44. Wolf Hall (Hilary Mantel, 2009)# [9 B- ~+ Z0 y
43. The Swimming Pool Library (Alan Hollinghurst, 1988) @$ G% s3 ?- h' W7 a
42. Brighton Rock (Graham Greene, 1938)
! A5 H4 [# ^: T9 Z! _3 i41. Dombey and Son (Charles Dickens, 1848)$ }4 @1 K* H @( G$ f+ J
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
- i3 Y. ]8 _) A/ q8 O5 t39. The Sense of an Ending (Julian Barnes, 2011)
8 i) {) V+ q+ U, S3 O, c38. The Passion (Jeanette Winterson, 1987)
/ U# ~2 v6 z {$ g9 W/ X37. Decline and Fall (Evelyn Waugh, 1928)2 M8 b, k" ~; w9 l4 I
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)' W& n. A) U% H) n7 E9 F
35. Remainder (Tom McCarthy, 2005)
9 b* C! { [7 e) d! M34. Never Let Me Go (Kazuo Ishiguro, 2005)
1 ?/ n5 A7 W" y' z5 p0 b3 R33. The Wind in the Willows (Kenneth Grahame, 1908)
* K6 g+ r1 n+ r# t, T l/ r32. A Room with a View (EM Forster, 1908)" F( Q5 B/ ^/ d; } Y5 O
31. The End of the Affair (Graham Greene, 1951), u+ ?' s5 H% I( ?
30. Moll Flanders (Daniel Defoe, 1722)
9 u* }% M5 v/ l5 p# A: t8 l0 |29. Brick Lane (Monica Ali, 2003)- X! y7 K3 ? |0 F! n
28. Villette (Charlotte Brontë, 1853)
r4 S. A- K! a# {$ q& D+ g( `9 Y27. Robinson Crusoe (Daniel Defoe, 1719)
6 h) o( O/ L c26. The Lord of the Rings (JRR Tolkien, 1954)9 [/ B Y. r( Y5 ]- t# z
25. White Teeth (Zadie Smith, 2000)
' Z2 m+ y! v( e% y& t& I$ e' d24. The Golden Notebook (Doris Lessing, 1962)
9 |: L* q; j9 L& G" r+ b; P23. Jude the Obscure (Thomas Hardy, 1895)
4 X' c6 K' \, g7 p0 ~0 d/ }22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)0 e2 P6 L; {7 Q3 e j4 D' P
21. Heart of Darkness (Joseph Conrad, 1899)& v. O S' V; _( U+ ~0 C! J! A* A
20. Persuasion (Jane Austen, 1817)
/ C8 }2 L# J- z- S5 o4 y; S19. Emma (Jane Austen, 1815)$ N% }- j; o+ @8 @
18. Remains of the Day (Kazuo Ishiguro, 1989)4 ^, }, J7 g8 k' n
17. Howards End (EM Forster, 1910)7 ?& y& X3 w/ c3 ^# K3 l
16. The Waves (Virginia Woolf, 1931). g6 j! o0 p& H
15. Atonement (Ian McEwan, 2001)
6 g, F7 I/ i7 d! f* E' F9 B$ U3 S14. Clarissa (Samuel Richardson,1748)
. f2 Q7 g" g5 T& C& Q" x* B5 |13. The Good Soldier (Ford Madox Ford, 1915)0 p) i: |( o. X8 m* `
12. Nineteen Eighty-Four (George Orwell, 1949)
6 |; ?& i% B( o1 r, k: L11. Pride and Prejudice (Jane Austen, 1813)% D. q+ Z) D1 Q% j+ d% ^% X
10. Vanity Fair (William Makepeace Thackeray, 1848). \8 x1 @7 s$ _8 U, Z
9. Frankenstein (Mary Shelley, 1818)
+ M L# j6 ?- M% V& h+ ~8 ?9 |8. David Copperfield (Charles Dickens, 1850)
. C" `1 i7 K$ F; r/ V! v) i7. Wuthering Heights (Emily Brontë, 1847)) p/ {% O% i8 Q, r
6. Bleak House (Charles Dickens, 1853)
0 [& Z0 ]% l7 p1 C6 ~) \" Y: c5. Jane Eyre (Charlotte Brontë, 1847): Q4 E% f) s: r8 X( i
4. Great Expectations (Charles Dickens, 1861)
) X8 F* H5 c. t3. Mrs. Dalloway (Virginia Woolf, 1925)
# P- r' g' r H0 w% O/ F2 B2. To the Lighthouse (Virginia Woolf, 1927)/ P7 c$ s* W( h3 `: {
1. Middlemarch (George Eliot, 1874)* y* V" ~5 T. p+ |! V1 H: j
5 k! f0 v% e1 k6 ]# m/ s/ T0 b前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。; Q: F6 d- v: O1 d' P8 M
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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