|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
5 h8 S( W7 Y4 J8 R( \* |6 P5 O0 J- I: X+ C8 v; u D6 a" }
BBC评出100大英国文学名著
5 Z. e$ `4 R8 E, V' G. i% d# Hhttp://www.bbc.com/culture/story ... test-british-novels' P9 |% B( ?0 Y) ~' Y! {
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。) P$ _+ M! l8 p+ ~
7 X7 P" E1 m! u; c
100. The Code of the Woosters (PG Wodehouse, 1938)
2 i' K, k1 L, z1 N99. There but for the (Ali Smith, 2011)
( o4 ~- Z N9 O, U7 C/ C1 J V98. Under the Volcano (Malcolm Lowry,1947) w4 j! a8 J3 C# g+ F
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
' p& ?) Q) e9 B; D96. Memoirs of a Survivor (Doris Lessing, 1974); e* E; [, S/ g/ g/ e) _
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
* i) ?) y8 k i$ K4 ^+ g1 l6 R94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
* c; S4 W: z9 ~+ g1 n; t$ \93. Lord of the Flies (William Golding, 1954)
; v* z* r# n4 l9 O5 g92. Cold Comfort Farm (Stella Gibbons, 1932)
! X, y6 [5 F, ?. f1 I7 I# Y91. The Forsyte Saga (John Galsworthy, 1922), N- O9 U; l7 s' ?5 |( U
90. The Woman in White (Wilkie Collins, 1859)5 F" Z+ N' h* k/ E
89. The Horse’s Mouth (Joyce Cary, 1944): M1 a6 {: F) g" a% j1 i
88. The Death of the Heart (Elizabeth Bowen, 1938)
2 r- J) R$ |; t7 Q87. The Old Wives’ Tale (Arnold Bennett,1908)
$ @2 \( v2 Z9 X# N86. A Legacy (Sybille Bedford, 1956)
9 S/ m4 Q) F6 m* U' y' P) p. _85. Regeneration Trilogy (Pat Barker, 1991-1995)4 F$ ?: Y, o, @# B6 c# e' D2 L# A+ @
84. Scoop (Evelyn Waugh, 1938)
) r7 U/ s8 t5 S2 H83. Barchester Towers (Anthony Trollope, 1857)9 U3 J; ]: m) w$ a8 k
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
. b6 M) }. J1 N9 a2 P81. The Jewel in the Crown (Paul Scott, 1966)3 S# X ~. g# k& J% K0 K
80. Excellent Women (Barbara Pym, 1952)4 a; Q4 g" N; D1 d ^5 J
79. His Dark Materials (Philip Pullman, 1995-2000)
v. A+ d! f5 q C2 W; e& \9 U78. A House for Mr Biswas (VS Naipaul, 1961)* x9 ~* Y# b! a$ p; T
77. Of Human Bondage (W Somerset Maugham, 1915)7 N; |5 ~! W, b
76. Small Island (Andrea Levy, 2004)
1 a! S+ }% s, [, T75. Women in Love (DH Lawrence, 1920)
* Q1 Q) P$ J1 P2 g/ S3 K* U74. The Mayor of Casterbridge (Thomas Hardy, 1886)* b) P/ Y! [/ N, y- d0 G6 B; Q
73. The Blue Flower (Penelope Fitzgerald, 1995)! Z7 I$ `- x" S; e3 w
72. The Heart of the Matter (Graham Greene, 1948)2 `& }9 @* ^5 V8 S! K
71. Old Filth (Jane Gardam, 2004)
8 A7 r, E% F. A! Y; T" q* i7 x70. Daniel Deronda (George Eliot, 1876)
* q6 \1 N, ]# v69. Nostromo (Joseph Conrad, 1904)
( |6 x; M# T; U- V9 [5 H5 F68. A Clockwork Orange (Anthony Burgess, 1962)
" s2 L$ q1 w2 z% x" v: Q8 C67. Crash (JG Ballard 1973)
* `1 t$ x I- ]* N66. Sense and Sensibility (Jane Austen, 1811)
& O& U: C8 V$ c0 l+ m; j65. Orlando (Virginia Woolf, 1928)
6 Z9 x* w( R# P3 d# h64. The Way We Live Now (Anthony Trollope, 1875)- V/ A4 _$ w/ Y+ T
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961): Q3 R- [; A3 Z/ s
62. Animal Farm (George Orwell, 1945)
& |/ z: b L+ W5 v61. The Sea, The Sea (Iris Murdoch, 1978)
0 A `! E- |" `1 ~2 j6 y60. Sons and Lovers (DH Lawrence, 1913)% d' Z4 D2 s8 Z
59. The Line of Beauty (Alan Hollinghurst, 2004). S. o! M& w. u, Y9 O0 C
58. Loving (Henry Green, 1945) P' B2 e6 k, ]- b- g
57. Parade’s End (Ford Madox Ford, 1924-1928)
9 ~. `7 P* o: M. }) {56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
8 q, A$ n1 n* Z2 x55. Gulliver’s Travels (Jonathan Swift, 1726)' j. g) p: {! d! ~8 U9 X/ W
54. NW (Zadie Smith, 2012)) o- M! Q% [# G
53. Wide Sargasso Sea (Jean Rhys, 1966)
2 R9 A8 W9 F$ J, v8 g: p3 B1 n52. New Grub Street (George Gissing, 1891)1 A% s$ P: i* W3 w* j& g% V+ z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
0 ~* J8 X6 @( u3 v" f7 A50. A Passage to India (EM Forster, 1924)
6 J% r& y' ^. m4 o* ^: {) W49. Possession (AS Byatt, 1990)' @1 g Y* f& e. M3 V F
48. Lucky Jim (Kingsley Amis, 1954)
; |2 Y8 ?! S/ ~' j' [47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)" p h+ v0 d) P, `$ d
46. Midnight’s Children (Salman Rushdie, 1981)
3 `8 n. S, X& f6 o4 |% j8 Z45. The Little Stranger (Sarah Waters, 2009)
- l8 z, k( ^0 Z$ ^4 O44. Wolf Hall (Hilary Mantel, 2009)6 a; ?# C$ N* [. c! v
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
! O8 S9 E B! A( O3 |42. Brighton Rock (Graham Greene, 1938)* g$ h- Y1 z2 @ }9 L6 e! K
41. Dombey and Son (Charles Dickens, 1848)
! m' b1 A) A% ?' ~$ c4 V40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
Y' `; l7 h6 d* d5 U5 J0 {. e6 T3 Y39. The Sense of an Ending (Julian Barnes, 2011)+ e# F" s! W# i8 \$ N
38. The Passion (Jeanette Winterson, 1987)/ G0 I1 ~0 a0 }# g* F7 Q) f" h
37. Decline and Fall (Evelyn Waugh, 1928)
1 o) d1 f7 `6 I6 [0 j) D$ b36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
( f5 F9 k. t* H% h% \; Z3 I1 Q! ]35. Remainder (Tom McCarthy, 2005)% q8 |2 P7 F/ u l5 G
34. Never Let Me Go (Kazuo Ishiguro, 2005)
3 j3 E" l5 r; L; |% A. w33. The Wind in the Willows (Kenneth Grahame, 1908)
6 N% k T: z3 |& L32. A Room with a View (EM Forster, 1908)
3 {2 v! v: }( _. i$ B* N0 ]31. The End of the Affair (Graham Greene, 1951)! d* R O% I6 k; r& ^/ t6 t
30. Moll Flanders (Daniel Defoe, 1722)- z3 F+ e0 X! X/ G
29. Brick Lane (Monica Ali, 2003)" G* n A% B; Q" X9 z! G. L# j
28. Villette (Charlotte Brontë, 1853)+ p# a$ R6 }) ^
27. Robinson Crusoe (Daniel Defoe, 1719)
7 A3 j/ T1 |( X( r7 N* G26. The Lord of the Rings (JRR Tolkien, 1954). m) C3 ~. J8 N( y( e, n. w# C: s
25. White Teeth (Zadie Smith, 2000) f9 b5 N3 |+ ~
24. The Golden Notebook (Doris Lessing, 1962)
0 i' N' |* W* p# I! M23. Jude the Obscure (Thomas Hardy, 1895)
& F: E- J8 J) u, Y# Y! j1 D22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
4 [. W' i& |4 F; V% p) N p21. Heart of Darkness (Joseph Conrad, 1899)5 y) w" `2 z* n8 O! D% Y
20. Persuasion (Jane Austen, 1817)7 Q$ T$ g& W* U% ?
19. Emma (Jane Austen, 1815)& K* C) d2 H) I, ~! P! X+ z
18. Remains of the Day (Kazuo Ishiguro, 1989). S' o% p) _- W4 Z$ ]+ z$ P
17. Howards End (EM Forster, 1910). U* w9 A/ d: k
16. The Waves (Virginia Woolf, 1931)
! H- A/ B; x5 Q) ]15. Atonement (Ian McEwan, 2001)3 i: C) ~% t N/ y: P& ?$ `
14. Clarissa (Samuel Richardson,1748)* a( a& z2 ?0 o/ ]
13. The Good Soldier (Ford Madox Ford, 1915)
; T% s& R* U" [4 P h12. Nineteen Eighty-Four (George Orwell, 1949)
2 r& _4 `3 \0 m. h3 [6 Z11. Pride and Prejudice (Jane Austen, 1813)! c, @) w, N5 I# s' s
10. Vanity Fair (William Makepeace Thackeray, 1848)
5 i- C; [0 F. c, b5 G9. Frankenstein (Mary Shelley, 1818)
7 K( r5 X) H5 k2 F6 H3 b8. David Copperfield (Charles Dickens, 1850)9 j2 a! i& y8 w+ ~) u
7. Wuthering Heights (Emily Brontë, 1847)! [; ~+ S: ^6 f+ k" [0 }) I
6. Bleak House (Charles Dickens, 1853)
3 y* G! g, W; _; D1 Y, A5. Jane Eyre (Charlotte Brontë, 1847)
J+ j- j+ M8 p( @$ @' p( C/ |4. Great Expectations (Charles Dickens, 1861)% i5 k1 h% f' [5 M$ s. m4 H' J
3. Mrs. Dalloway (Virginia Woolf, 1925)0 P Q1 I% Q M% p
2. To the Lighthouse (Virginia Woolf, 1927)2 u1 {" e" v2 O% g3 G/ V' T
1. Middlemarch (George Eliot, 1874); b; ?: N3 f8 O$ {; l7 g
O7 @" E; W q" ]
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
' x5 D6 f8 K) Z# d- r4 j* h( m2 ~3 G5 y% h. J% }# y2 F
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
0 O5 a+ i' d$ N! W- E! O% F
