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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 9 M; ?) Q& g, b! N* E! w
7 W. [7 U3 N4 T7 qBBC评出100大英国文学名著* F; m8 I! j, g
http://www.bbc.com/culture/story ... test-british-novels; e6 O- c- I0 ~- y/ V
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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% ?* d2 ^4 J+ q6 K$ s100. The Code of the Woosters (PG Wodehouse, 1938)+ j- z. {/ N" A8 k: c7 o7 k/ z* }2 z8 h4 m2 k
99. There but for the (Ali Smith, 2011) ~3 y$ Y/ A) Y% G) @
98. Under the Volcano (Malcolm Lowry,1947) o7 T5 j: g& n3 J) D
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
4 v( S; s* l+ x& o; U7 p8 ]96. Memoirs of a Survivor (Doris Lessing, 1974), [( W9 Y" m3 F& D$ N
95. The Buddha of Suburbia (Hanif Kureishi, 1990)& A9 f% f+ V8 m& E
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); D. F; P( q: S
93. Lord of the Flies (William Golding, 1954)
% S+ F" m/ E: E: G92. Cold Comfort Farm (Stella Gibbons, 1932)
- F7 T% e$ Q4 C7 R* }91. The Forsyte Saga (John Galsworthy, 1922)$ m3 q9 O2 b* g
90. The Woman in White (Wilkie Collins, 1859)9 H; ~, H/ X3 p, J
89. The Horse’s Mouth (Joyce Cary, 1944)
% M7 X: h9 k3 C* j4 `! i88. The Death of the Heart (Elizabeth Bowen, 1938) c, z5 V2 G9 `' V( D: H3 I. `
87. The Old Wives’ Tale (Arnold Bennett,1908)3 {" L& v9 Z% l* |7 A' _+ B/ j$ r
86. A Legacy (Sybille Bedford, 1956)/ k" G) d5 B' \6 H# Q: m
85. Regeneration Trilogy (Pat Barker, 1991-1995)
/ E9 H& A( Y2 a& O* B8 s4 D84. Scoop (Evelyn Waugh, 1938)& v2 I: D; l& q& p0 d3 d" V
83. Barchester Towers (Anthony Trollope, 1857)" p3 ?! t9 E7 W2 T* O
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)# y" D7 P7 j2 h, `9 E
81. The Jewel in the Crown (Paul Scott, 1966)- q) ^/ d) Y* O7 y9 w+ w
80. Excellent Women (Barbara Pym, 1952)+ _$ m1 ?) S' R6 U9 d
79. His Dark Materials (Philip Pullman, 1995-2000)
* e: q- H- G8 `& }5 d* @78. A House for Mr Biswas (VS Naipaul, 1961)6 ^* T) X4 K& p9 e9 ]2 T- [# X
77. Of Human Bondage (W Somerset Maugham, 1915)/ A: H% A7 }- t' B1 C; h' ^
76. Small Island (Andrea Levy, 2004)6 B2 s6 e+ d b) q+ w G
75. Women in Love (DH Lawrence, 1920)
, S- G" L# @' v74. The Mayor of Casterbridge (Thomas Hardy, 1886)+ u, [9 D5 o# |$ c' a3 Y0 {
73. The Blue Flower (Penelope Fitzgerald, 1995)
4 M& |. ~6 y, ]- K72. The Heart of the Matter (Graham Greene, 1948)
9 |3 H6 C$ x4 l71. Old Filth (Jane Gardam, 2004): @2 I k1 H% e5 w7 a+ T
70. Daniel Deronda (George Eliot, 1876)
% L4 |* y8 C! J2 l/ L69. Nostromo (Joseph Conrad, 1904)
3 `3 }5 w, K; T& Y68. A Clockwork Orange (Anthony Burgess, 1962)
/ @9 s$ Q% c# N$ G! M67. Crash (JG Ballard 1973)
! L1 q) r+ Y7 Z& `" S; w$ H* n66. Sense and Sensibility (Jane Austen, 1811)' ]2 ]; j, g7 L+ H* u, z: w% `
65. Orlando (Virginia Woolf, 1928)( e5 ?7 Q2 \$ ^, |( W) M( y
64. The Way We Live Now (Anthony Trollope, 1875)
- ] e# P7 D" R% b" ^/ n' e4 t3 v63. The Prime of Miss Jean Brodie (Muriel Spark, 1961); ]; B: D& O" a) d1 m( F3 x* K
62. Animal Farm (George Orwell, 1945)' J& L" S: b: e* V3 _' W8 W/ L
61. The Sea, The Sea (Iris Murdoch, 1978)
/ m: `9 |2 @4 Q( c& t1 k60. Sons and Lovers (DH Lawrence, 1913)
0 A) z7 R+ \' p" q7 f& g4 N59. The Line of Beauty (Alan Hollinghurst, 2004)% Z F$ d. j( b9 ~/ w
58. Loving (Henry Green, 1945)0 u+ M8 d$ ?/ T. |# {
57. Parade’s End (Ford Madox Ford, 1924-1928)' [" d5 ^; ?) n4 K; T3 v
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
& x1 k2 u1 w( [% X" _6 S, Q: ] J55. Gulliver’s Travels (Jonathan Swift, 1726)
8 Z( J' d' v/ V9 o w54. NW (Zadie Smith, 2012)
* I6 c8 Z+ C( }9 N, D* D: X53. Wide Sargasso Sea (Jean Rhys, 1966)5 `$ ]! Z% v, ?5 ]8 B
52. New Grub Street (George Gissing, 1891): g: B3 n0 E/ n
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)4 |& L" _1 ?4 }9 P1 a, o
50. A Passage to India (EM Forster, 1924). }# F- q6 r& v% E7 ]% i
49. Possession (AS Byatt, 1990)
7 T1 V( E0 o$ y7 [48. Lucky Jim (Kingsley Amis, 1954)+ D/ ~+ f& V5 e) f: J- v! w" R
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)3 \8 f8 ~$ M: C& t( M" J
46. Midnight’s Children (Salman Rushdie, 1981)
! ~8 u, [( G* }+ ?; f. q' y45. The Little Stranger (Sarah Waters, 2009)5 W& j) i' Y8 _6 |+ j, O
44. Wolf Hall (Hilary Mantel, 2009)3 S5 u! Q3 J8 _; y6 ^$ a
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
+ \. ]; ^4 v* t( y8 |& D+ S42. Brighton Rock (Graham Greene, 1938)$ g4 N$ X% \! B8 a7 Y! e3 J
41. Dombey and Son (Charles Dickens, 1848)
! M4 s% T8 h4 a" n+ i. q& j40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" V) r, y3 S& k+ u! t! ~
39. The Sense of an Ending (Julian Barnes, 2011)% i- r+ [3 z" W! b7 `
38. The Passion (Jeanette Winterson, 1987), C2 Q$ V- w7 ]- z2 T; v
37. Decline and Fall (Evelyn Waugh, 1928)
% S! P* k7 H3 \& a8 C36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
i- E+ o% i) S9 R4 n) v1 D35. Remainder (Tom McCarthy, 2005)
: R% W# k* V" c8 m: _5 G34. Never Let Me Go (Kazuo Ishiguro, 2005)
. l, d. ]- t) _% T. o4 U1 Z5 V& l. B33. The Wind in the Willows (Kenneth Grahame, 1908)
5 E8 _4 r- K, @7 w- A32. A Room with a View (EM Forster, 1908)
1 B% W( y% ?( Y5 s8 R& ?) V31. The End of the Affair (Graham Greene, 1951). k: T2 D0 p: a( p
30. Moll Flanders (Daniel Defoe, 1722)$ C; t1 y' Q: o
29. Brick Lane (Monica Ali, 2003)- | g( z% S: ]. r6 T& ~
28. Villette (Charlotte Brontë, 1853). E$ B H8 c& E- q8 L' i
27. Robinson Crusoe (Daniel Defoe, 1719)* S% h4 c4 W8 R/ T) j2 x2 o, _8 N
26. The Lord of the Rings (JRR Tolkien, 1954)
; L6 l9 s/ {& v25. White Teeth (Zadie Smith, 2000)
% n5 [9 a( [7 F6 h! G' @ ~" B24. The Golden Notebook (Doris Lessing, 1962)
; q' A% K- | [+ i3 _" ]( h5 @23. Jude the Obscure (Thomas Hardy, 1895)+ ?% Y% v7 k; m
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
6 j6 B1 S: u+ ^3 \6 u6 Z21. Heart of Darkness (Joseph Conrad, 1899)8 b0 G3 c/ N$ ^( A
20. Persuasion (Jane Austen, 1817)4 w) m+ ]! Q4 X# u$ \- f
19. Emma (Jane Austen, 1815)$ n& i# F3 a8 {
18. Remains of the Day (Kazuo Ishiguro, 1989)4 Y g/ B! U" ?6 a. d
17. Howards End (EM Forster, 1910)
) e+ ?& l' ~9 J* e# P( T: t16. The Waves (Virginia Woolf, 1931)
" ~9 e% ?0 \& y; o15. Atonement (Ian McEwan, 2001)
) i- J* @) V! n6 K2 y14. Clarissa (Samuel Richardson,1748)1 d' L! }, M5 p5 q
13. The Good Soldier (Ford Madox Ford, 1915)
8 ?) R# D+ W5 U0 Y8 n: g' u5 S/ S12. Nineteen Eighty-Four (George Orwell, 1949)
$ E$ m( _ Q. W7 N" H% ]11. Pride and Prejudice (Jane Austen, 1813)
+ B- h6 {% |3 U& t9 Q10. Vanity Fair (William Makepeace Thackeray, 1848), _( n [# Z# P9 J% p# }5 ~
9. Frankenstein (Mary Shelley, 1818); a0 G& a. P8 C) v9 m
8. David Copperfield (Charles Dickens, 1850)
1 Q8 u. w% [- K6 P# R7. Wuthering Heights (Emily Brontë, 1847)
; x/ e" `# Z5 G' k- P0 R( z/ z6. Bleak House (Charles Dickens, 1853)
3 y) F1 h9 o1 X( V7 } {5. Jane Eyre (Charlotte Brontë, 1847)$ ]# O4 g1 O. s7 `' f
4. Great Expectations (Charles Dickens, 1861)0 y# h/ a9 x; m5 v3 ?# l
3. Mrs. Dalloway (Virginia Woolf, 1925)
+ s+ \- [8 S% ]9 `% y0 B2. To the Lighthouse (Virginia Woolf, 1927)1 ?, |. v- E; [9 E
1. Middlemarch (George Eliot, 1874)
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5 ]% t7 b3 i* ~6 i9 o5 q6 b前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 h* W Y5 u% t5 Y
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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