|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
! z& C6 B0 r9 c6 w/ i* C
0 M" R; p) ^$ C0 aBBC评出100大英国文学名著- p0 y( }% a' Q& X: Z _
http://www.bbc.com/culture/story ... test-british-novels, I3 @" ~/ ]. X/ j: e; V
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
2 {" A- o! j8 p$ C" }7 K* N
. F5 q W8 v1 D% n100. The Code of the Woosters (PG Wodehouse, 1938)
2 U! T5 v) X Z99. There but for the (Ali Smith, 2011)
+ X- |$ r- H1 U* S) E2 o# W98. Under the Volcano (Malcolm Lowry,1947)$ A. K# \( [4 r5 v
97. The Chronicles of Narnia (CS Lewis, 1949-1954); w# w! N7 @- `) r1 ~; w
96. Memoirs of a Survivor (Doris Lessing, 1974)8 n4 }8 e4 }9 T" V& h
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
# ?! A( n: R. G1 d9 o# D+ `94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)' ^7 P. m8 F1 ~) I8 a* t
93. Lord of the Flies (William Golding, 1954)
# D1 q, ^1 m* \0 S3 i92. Cold Comfort Farm (Stella Gibbons, 1932)
/ u( {0 |$ Q/ [( y91. The Forsyte Saga (John Galsworthy, 1922)
1 M8 i! o# H# l90. The Woman in White (Wilkie Collins, 1859)
# V- z& v5 o8 _$ a2 p7 ^) b7 R$ ?89. The Horse’s Mouth (Joyce Cary, 1944)2 h) Z: Q- R& w& m
88. The Death of the Heart (Elizabeth Bowen, 1938) N# I, c8 U7 s' n) S
87. The Old Wives’ Tale (Arnold Bennett,1908)7 y. J' _+ p u+ _0 H- D
86. A Legacy (Sybille Bedford, 1956)
2 z1 c! g8 x7 O$ l, u/ z& }, m85. Regeneration Trilogy (Pat Barker, 1991-1995)
# B: e E8 ~! w: A- I; l- Z8 a84. Scoop (Evelyn Waugh, 1938), F$ v! S! f9 W# X h
83. Barchester Towers (Anthony Trollope, 1857)& V" ~# T7 a L
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
; J0 V6 B& o2 L$ A5 K0 S81. The Jewel in the Crown (Paul Scott, 1966)
) ?* u* V; ]1 |; D80. Excellent Women (Barbara Pym, 1952)# @* M7 c2 n1 [% q5 E
79. His Dark Materials (Philip Pullman, 1995-2000)
) B: _. {9 e+ z+ p: t" C78. A House for Mr Biswas (VS Naipaul, 1961)/ L n6 I. m- ^
77. Of Human Bondage (W Somerset Maugham, 1915)
1 }; D6 f; w# C% c; v76. Small Island (Andrea Levy, 2004)
' U4 b% p' b" a% `75. Women in Love (DH Lawrence, 1920)
7 q* r1 ~" B/ W& d& s74. The Mayor of Casterbridge (Thomas Hardy, 1886)% e; [3 n4 t- V3 U7 H& D
73. The Blue Flower (Penelope Fitzgerald, 1995), S5 E1 e8 S, R: A
72. The Heart of the Matter (Graham Greene, 1948)
3 d- t7 }" E: [ |7 A3 A" @2 v71. Old Filth (Jane Gardam, 2004)& q" h& X& J( Y6 \# U
70. Daniel Deronda (George Eliot, 1876)
; c3 z% ~" ]' z* i0 |69. Nostromo (Joseph Conrad, 1904)
% q5 S0 K# t4 f5 b o68. A Clockwork Orange (Anthony Burgess, 1962)6 O! [* M. f( Z; I
67. Crash (JG Ballard 1973)
7 P, U8 E3 x& Y, ?( {) u) C8 d66. Sense and Sensibility (Jane Austen, 1811)
0 a% Q* x; ~4 B1 y: s h% i65. Orlando (Virginia Woolf, 1928)
6 R/ ~4 n# X1 O" g o64. The Way We Live Now (Anthony Trollope, 1875)0 P& a- {. J7 s. a7 m' `
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)! U( ^& y+ _* f2 J/ [1 K( J
62. Animal Farm (George Orwell, 1945)
$ s4 M% P. C. N61. The Sea, The Sea (Iris Murdoch, 1978)
% Q, j/ q- |- i7 `. `60. Sons and Lovers (DH Lawrence, 1913)8 E- G( {2 p9 `( n. `% A
59. The Line of Beauty (Alan Hollinghurst, 2004)8 u2 j, w' C) U+ B" B) ]8 A- g
58. Loving (Henry Green, 1945)* n$ Q' X+ c& }/ d1 V( u
57. Parade’s End (Ford Madox Ford, 1924-1928)8 ?2 D# l5 G k7 z0 G2 {6 R; F
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
) c, K3 L0 U, ^" [2 M55. Gulliver’s Travels (Jonathan Swift, 1726)
2 J( ?; ^) z& v E" s54. NW (Zadie Smith, 2012)6 G8 g4 N, Y- u, G$ p
53. Wide Sargasso Sea (Jean Rhys, 1966)
# I/ c- @. E: G2 H3 G6 Y1 B52. New Grub Street (George Gissing, 1891)
" `3 Z4 m) s B( n7 t- @51. Tess of the d’Urbervilles (Thomas Hardy, 1891)# h$ S! Y, U6 J+ |5 t- g9 j
50. A Passage to India (EM Forster, 1924)- V! E, a, o) @. {! d, K
49. Possession (AS Byatt, 1990); R% J6 @* [) I7 y. D" K: q
48. Lucky Jim (Kingsley Amis, 1954)
% G6 ~ b& h# j& C47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
& c, y/ f; X* e$ f- u& Y4 [46. Midnight’s Children (Salman Rushdie, 1981)
. e* {3 c1 M' F! E7 D. \1 p45. The Little Stranger (Sarah Waters, 2009)
) a& Z6 Z+ ]) U, z! b& w: L, ^44. Wolf Hall (Hilary Mantel, 2009)
m/ _$ U" k( F& B/ V43. The Swimming Pool Library (Alan Hollinghurst, 1988)
+ ^2 [9 e; b2 n+ T9 V9 v% V42. Brighton Rock (Graham Greene, 1938)
9 k, ~5 V. q- J41. Dombey and Son (Charles Dickens, 1848)
3 Y- \/ j/ B! C1 _6 ^& N40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
9 s% F( b5 n/ a& a, s$ R, s39. The Sense of an Ending (Julian Barnes, 2011)
: X) ]5 f# v) c38. The Passion (Jeanette Winterson, 1987)% p& H7 q( P: C0 K
37. Decline and Fall (Evelyn Waugh, 1928)
; J7 S9 N, ^5 W. @; |36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
& a0 U6 u; c! w35. Remainder (Tom McCarthy, 2005); V2 c( k. Z1 z, A# U
34. Never Let Me Go (Kazuo Ishiguro, 2005)7 S) x3 v) f7 S9 Z/ d5 H3 }
33. The Wind in the Willows (Kenneth Grahame, 1908) @! c" M; _! o- G5 e
32. A Room with a View (EM Forster, 1908)
& W5 W5 K3 p7 k4 d6 `31. The End of the Affair (Graham Greene, 1951)
* k$ B$ v9 N; S: h# g3 m30. Moll Flanders (Daniel Defoe, 1722)) `1 M9 o$ Z( J
29. Brick Lane (Monica Ali, 2003)
: n( B: S4 ]# x; x3 X* M# R28. Villette (Charlotte Brontë, 1853)$ @8 U' M6 Z3 a
27. Robinson Crusoe (Daniel Defoe, 1719)
6 c8 l" E% o& m, g8 w* `) I0 ]26. The Lord of the Rings (JRR Tolkien, 1954)
6 i& K$ ]; h7 J/ s' ^; n25. White Teeth (Zadie Smith, 2000)
/ s8 b& k) S; b- |+ g24. The Golden Notebook (Doris Lessing, 1962). o9 [ M F9 I) f4 k8 _
23. Jude the Obscure (Thomas Hardy, 1895)
3 U" V: l- r0 h22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)1 r/ q' O( h2 F1 `# Z+ l
21. Heart of Darkness (Joseph Conrad, 1899)# T0 l" X7 r: N" V5 h3 Y
20. Persuasion (Jane Austen, 1817)9 C4 H- I5 U4 y/ a7 r/ f( s
19. Emma (Jane Austen, 1815)* g* l. m' l, U6 D+ b
18. Remains of the Day (Kazuo Ishiguro, 1989)
+ D: T& A8 E- G, f% F4 b0 Q17. Howards End (EM Forster, 1910)
7 v) K0 s ~: ~16. The Waves (Virginia Woolf, 1931)
) Y j" t; d2 t4 K, k6 j15. Atonement (Ian McEwan, 2001)% ? g7 S1 s' O) d
14. Clarissa (Samuel Richardson,1748)
" d8 s8 P: X. e( l2 ]7 v13. The Good Soldier (Ford Madox Ford, 1915) n' ?( a2 z- I' q8 W! ~9 {
12. Nineteen Eighty-Four (George Orwell, 1949)5 @6 z+ E' o+ p1 K
11. Pride and Prejudice (Jane Austen, 1813)
# z, e3 [) ~/ x. w P5 l- {) V4 h10. Vanity Fair (William Makepeace Thackeray, 1848)+ @, C) U% _8 O: f* e% I# ]) F
9. Frankenstein (Mary Shelley, 1818)
0 q: d& ]8 d& U2 p# H8. David Copperfield (Charles Dickens, 1850)
1 Q1 w0 E& G5 m. q* i! B6 t) r7. Wuthering Heights (Emily Brontë, 1847)
) |; t5 f8 ~( |6. Bleak House (Charles Dickens, 1853): [+ s( J: K$ x! Q
5. Jane Eyre (Charlotte Brontë, 1847)
: |6 z2 T5 F9 |7 f8 g) V4. Great Expectations (Charles Dickens, 1861)$ Y X. f- G2 K4 t
3. Mrs. Dalloway (Virginia Woolf, 1925)
; T2 Y* r. z1 T3 m2. To the Lighthouse (Virginia Woolf, 1927)
$ R) H1 L4 J& f1. Middlemarch (George Eliot, 1874). u2 b' x" {3 M6 u8 b* l
T, E; t. f7 W* J& j$ t前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。. U8 t8 n0 [" i( v0 \
! W# Y$ @( V0 F呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
7 _( _% |% a+ l% o
