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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; O# h5 j7 N2 r5 ^' \7 X4 ]# F
; A1 \3 L5 G" \7 \" p& }BBC评出100大英国文学名著
2 \6 q$ t# |! { _http://www.bbc.com/culture/story ... test-british-novels* c2 I0 w) _1 C% H8 u* ?3 Z
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。: \5 Q* x2 e. R* V v0 t3 g
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100. The Code of the Woosters (PG Wodehouse, 1938)
, c- g( X( O* u% L5 w2 a$ ^1 d99. There but for the (Ali Smith, 2011)
, G% u" e, ?8 ~98. Under the Volcano (Malcolm Lowry,1947)
- B7 s" b$ U; s. Q" ~' t/ C8 z97. The Chronicles of Narnia (CS Lewis, 1949-1954)
2 X, b2 ]& ~$ G/ P/ l: c; k96. Memoirs of a Survivor (Doris Lessing, 1974)/ w% e8 e1 |1 E9 X
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
2 L9 q' B* a+ S2 H5 r8 ]94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)4 p) K, [7 f4 S' a
93. Lord of the Flies (William Golding, 1954)* N$ f; C/ k9 E: _8 s6 u I% X
92. Cold Comfort Farm (Stella Gibbons, 1932)+ Q1 i# `. v8 V R; F
91. The Forsyte Saga (John Galsworthy, 1922)
* b' A n5 ^- i! C) q90. The Woman in White (Wilkie Collins, 1859)
$ {; Y' `! u! x% e3 S! C89. The Horse’s Mouth (Joyce Cary, 1944)( G+ r" s& B3 r5 u* X- t' N2 U" l0 C. x
88. The Death of the Heart (Elizabeth Bowen, 1938)
; B: ^! D Y; Y% [4 D) G8 q! P87. The Old Wives’ Tale (Arnold Bennett,1908)0 i( Y% S, z8 W1 S
86. A Legacy (Sybille Bedford, 1956)$ s: L* w/ f- h, c( C- k' w8 {9 G
85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 s: k+ y- F3 e5 I+ M" G0 [84. Scoop (Evelyn Waugh, 1938); J" m' i3 T9 @ s8 p, @
83. Barchester Towers (Anthony Trollope, 1857)" Y) _, ~ E( ?, ^8 k; j. f
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)0 `0 \6 v* O4 X
81. The Jewel in the Crown (Paul Scott, 1966)
4 I* c1 {: ^( b/ Q8 k. H. c80. Excellent Women (Barbara Pym, 1952)
& K! X6 Z9 S" ^' B79. His Dark Materials (Philip Pullman, 1995-2000)# M0 T& M7 V. H; `; I; Y* T6 I
78. A House for Mr Biswas (VS Naipaul, 1961): c" w* H) n# z- c! n( t+ X
77. Of Human Bondage (W Somerset Maugham, 1915); H; k" D% X1 J& i7 L9 D
76. Small Island (Andrea Levy, 2004)/ U. _! D* r5 F n8 E! H/ C
75. Women in Love (DH Lawrence, 1920)7 T; d( ]; H Q4 |$ r4 T
74. The Mayor of Casterbridge (Thomas Hardy, 1886)7 ?! J6 d7 G8 o6 G6 M0 U
73. The Blue Flower (Penelope Fitzgerald, 1995)
1 |) _4 B1 I# f Q; F) h7 G: T" ?72. The Heart of the Matter (Graham Greene, 1948)
- c' H9 P( T- A- ^) G/ O$ ~7 |71. Old Filth (Jane Gardam, 2004)# X9 S' R4 ]$ g+ b; p
70. Daniel Deronda (George Eliot, 1876)
2 @6 o7 e) x9 a; y; m b69. Nostromo (Joseph Conrad, 1904), S% d8 J1 \5 C1 |
68. A Clockwork Orange (Anthony Burgess, 1962)
+ N) `$ l3 O. s67. Crash (JG Ballard 1973)
! e9 x# d4 S4 ~1 t66. Sense and Sensibility (Jane Austen, 1811)
2 K3 ~9 L' N) A9 ]9 M: _2 M% j65. Orlando (Virginia Woolf, 1928)# s7 k* S% J/ q, s' _4 s
64. The Way We Live Now (Anthony Trollope, 1875)
' N0 p$ Y `( Q0 H63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)% ]2 v! S/ V8 i( F& l- A" W& d
62. Animal Farm (George Orwell, 1945)$ J% l5 I! [; f* H; I+ ?) R& e
61. The Sea, The Sea (Iris Murdoch, 1978)
, z j) s& J- E8 n2 P60. Sons and Lovers (DH Lawrence, 1913)
8 P8 p# ]3 o; Y ]( Z4 G59. The Line of Beauty (Alan Hollinghurst, 2004) K& M+ W+ G. m* x
58. Loving (Henry Green, 1945)
U- k( y9 r; B, v. j. {57. Parade’s End (Ford Madox Ford, 1924-1928)
) c) Z( y5 O9 U) V/ b56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
: Q; T, G5 w" F55. Gulliver’s Travels (Jonathan Swift, 1726)
* a4 [" F0 K/ |: ~/ @- ?54. NW (Zadie Smith, 2012). @8 f8 U0 q ~9 }
53. Wide Sargasso Sea (Jean Rhys, 1966)
- d: E, p+ P* Z52. New Grub Street (George Gissing, 1891)
' `! o5 ~$ L1 Y* ~9 M1 ~% {: a( u51. Tess of the d’Urbervilles (Thomas Hardy, 1891)/ m/ S( b, ]+ E8 y$ p4 ^0 W" j
50. A Passage to India (EM Forster, 1924)
. a' }, \/ y6 c5 ~0 @6 w/ ~5 O49. Possession (AS Byatt, 1990)4 ]/ a8 r. k; x* m3 A9 Z- T& X: P
48. Lucky Jim (Kingsley Amis, 1954)
9 v% y. I2 K: ?* d47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
$ ~, z% r @% S46. Midnight’s Children (Salman Rushdie, 1981)0 S7 l* C7 \, S L! U; J! ] J2 f
45. The Little Stranger (Sarah Waters, 2009)
8 v, V( n' L' A- j Q6 T44. Wolf Hall (Hilary Mantel, 2009)
0 p) ^$ E# O2 q' _7 o0 t43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- u; r* y5 D: ^: U) s! E42. Brighton Rock (Graham Greene, 1938)0 W7 C; q. m" V+ ?9 O! q
41. Dombey and Son (Charles Dickens, 1848)6 Y4 R2 g) a& `! H+ f, h
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" `: }* p5 d7 H, x5 u+ P! L
39. The Sense of an Ending (Julian Barnes, 2011)# U. A% M3 ?9 l$ ^1 ?, u, E
38. The Passion (Jeanette Winterson, 1987)
8 S3 o0 ?7 i, K' h37. Decline and Fall (Evelyn Waugh, 1928), n5 J6 a( x$ G6 W1 e$ g
36. A Dance to the Music of Time (Anthony Powell, 1951-1975): P5 P: |$ r9 r2 S
35. Remainder (Tom McCarthy, 2005)1 e+ u# H$ ]9 n
34. Never Let Me Go (Kazuo Ishiguro, 2005)
5 j6 p) V/ ?7 ^3 {/ F$ I33. The Wind in the Willows (Kenneth Grahame, 1908) @1 q; q; J# W# Q# R
32. A Room with a View (EM Forster, 1908)
# J9 C; c' O2 e- m: O4 h; G7 `31. The End of the Affair (Graham Greene, 1951)
& f1 j% n0 `4 d. } n30. Moll Flanders (Daniel Defoe, 1722)
4 b9 L1 C2 D9 }) o$ v' W, k29. Brick Lane (Monica Ali, 2003)4 B/ H6 ]# |* \" b# v$ M6 M
28. Villette (Charlotte Brontë, 1853)2 E8 M2 W9 k% V! B
27. Robinson Crusoe (Daniel Defoe, 1719)8 a% B# [1 d0 X
26. The Lord of the Rings (JRR Tolkien, 1954)+ v% w* j7 D4 U- J
25. White Teeth (Zadie Smith, 2000). y' u1 S8 q3 w$ A' E+ z P6 F
24. The Golden Notebook (Doris Lessing, 1962)
2 E, O- Z+ d8 l5 W e! Q23. Jude the Obscure (Thomas Hardy, 1895)7 C3 o# ^/ L: W6 Z) q Q( k+ R
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)6 q8 c( T% i0 a4 F$ `1 ]
21. Heart of Darkness (Joseph Conrad, 1899)
+ Z; \ j# p f8 U8 Q1 c20. Persuasion (Jane Austen, 1817)
2 I' q" |' Q+ L# A3 [" G19. Emma (Jane Austen, 1815)
5 C/ A) V9 W5 [7 l18. Remains of the Day (Kazuo Ishiguro, 1989). ?, k/ H$ Q% t
17. Howards End (EM Forster, 1910)
; L4 r% v. d0 r! w: D6 N1 w F `16. The Waves (Virginia Woolf, 1931)
1 U: H; G2 L) `5 ^) X& M15. Atonement (Ian McEwan, 2001)
/ y1 I5 i o1 d( q' B14. Clarissa (Samuel Richardson,1748)
6 o7 k4 J. u0 j$ F13. The Good Soldier (Ford Madox Ford, 1915)
& z# X+ H; o3 ]/ {* l5 G o12. Nineteen Eighty-Four (George Orwell, 1949); }" y- a! T% H0 s+ G/ H1 ~
11. Pride and Prejudice (Jane Austen, 1813)
8 h4 @& n5 I2 b; v10. Vanity Fair (William Makepeace Thackeray, 1848) S. L* ~5 W& u2 j: {$ N
9. Frankenstein (Mary Shelley, 1818)) ?: R* K) c" S6 ~0 e
8. David Copperfield (Charles Dickens, 1850)
4 k" y( z$ R7 e7. Wuthering Heights (Emily Brontë, 1847)7 @) c+ F( t+ c; ^6 C" ~3 k3 k
6. Bleak House (Charles Dickens, 1853)$ r' G* h- {- R7 ^2 ~& z+ P$ X
5. Jane Eyre (Charlotte Brontë, 1847)/ s9 {* }9 Q% o/ P3 }2 X$ g. ?" B! }
4. Great Expectations (Charles Dickens, 1861) ]' ^5 B+ x- w G
3. Mrs. Dalloway (Virginia Woolf, 1925)* n. e, G% ]! {6 T+ e- O
2. To the Lighthouse (Virginia Woolf, 1927). W! ^2 H; f! r+ b' p
1. Middlemarch (George Eliot, 1874)/ l/ B- r9 k: ?0 K+ V5 ]) N
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。5 I; q+ K# ]( x7 H. x
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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