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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 \; `! m2 e) w; Z* R
9 F% I2 P+ {3 @BBC评出100大英国文学名著
& q% ^& Q" Z; Z* [1 ?, G/ lhttp://www.bbc.com/culture/story ... test-british-novels
% V7 g/ _) n3 K$ Z惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938) Q3 v+ q1 |6 K. c8 u
99. There but for the (Ali Smith, 2011)* S& f% k, X( Z4 u. K4 u9 V
98. Under the Volcano (Malcolm Lowry,1947)* N9 p& ^ | o
97. The Chronicles of Narnia (CS Lewis, 1949-1954)% J O9 M6 Z0 ]" T& G( _2 n
96. Memoirs of a Survivor (Doris Lessing, 1974)$ A" h5 K' f5 R; s( k* @) G
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
) ` i/ E' s9 q% k* D0 _) Q3 ^2 X94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)6 D& o3 g8 I( k3 v" \6 S1 w
93. Lord of the Flies (William Golding, 1954)9 E/ o* [" Y- d
92. Cold Comfort Farm (Stella Gibbons, 1932)6 v2 Y) i" V7 ?0 q5 A" c/ f) D
91. The Forsyte Saga (John Galsworthy, 1922)* h/ q) n0 U; R3 x; D! {3 y) |
90. The Woman in White (Wilkie Collins, 1859)
( e! K- i. _% ? x% D2 M* y0 [1 m, @89. The Horse’s Mouth (Joyce Cary, 1944)3 w; X( S- L( k8 E3 e
88. The Death of the Heart (Elizabeth Bowen, 1938)! Z+ H' W, i8 e& x6 y
87. The Old Wives’ Tale (Arnold Bennett,1908). m/ U4 ?) U) J9 l3 L
86. A Legacy (Sybille Bedford, 1956)
: l* d% J& ^1 g8 J7 ]4 j! j85. Regeneration Trilogy (Pat Barker, 1991-1995). ~, Q f! P: p+ A8 ~
84. Scoop (Evelyn Waugh, 1938)% F: |/ M/ @/ R4 }& v/ p
83. Barchester Towers (Anthony Trollope, 1857)8 R; \# i) `( O; g' ?8 h& z* G
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
, w5 F- ~% {( K- r81. The Jewel in the Crown (Paul Scott, 1966)
+ U1 i1 u( P6 \5 A3 P80. Excellent Women (Barbara Pym, 1952)5 G* X$ f- [! ?/ n5 W
79. His Dark Materials (Philip Pullman, 1995-2000)
9 \5 T1 h$ @; m78. A House for Mr Biswas (VS Naipaul, 1961)
3 r# Y6 P5 n w7 s$ f77. Of Human Bondage (W Somerset Maugham, 1915)7 |$ k% \0 H6 O& w: b/ I
76. Small Island (Andrea Levy, 2004)
" k" P. M' Z" e75. Women in Love (DH Lawrence, 1920)# ^/ ^ w8 S! u
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
' J: I' B& w4 R. d73. The Blue Flower (Penelope Fitzgerald, 1995)
7 Q7 m6 `0 _1 a# P d1 F1 b72. The Heart of the Matter (Graham Greene, 1948)
: p6 b7 {8 v. | l' x' k6 d71. Old Filth (Jane Gardam, 2004)
* b& A% }7 N( i0 h70. Daniel Deronda (George Eliot, 1876)
8 k J; G; |+ S69. Nostromo (Joseph Conrad, 1904) K% G6 h9 w2 @/ K
68. A Clockwork Orange (Anthony Burgess, 1962)
+ ^! P f' ~0 ^( T0 ^6 r4 i. B5 \$ P67. Crash (JG Ballard 1973)
! p" t* g+ ?& L D; D( s$ Y9 x66. Sense and Sensibility (Jane Austen, 1811)6 g4 R5 g- G! P5 G1 m" K0 X5 ~
65. Orlando (Virginia Woolf, 1928)& Q6 \7 ^9 A5 ]
64. The Way We Live Now (Anthony Trollope, 1875): a; k' @! P' ^! Y6 x
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
7 }% G: d. g- n: p& `* T62. Animal Farm (George Orwell, 1945)! [0 x; [/ b4 H0 D
61. The Sea, The Sea (Iris Murdoch, 1978)
) m2 Q' \6 B# G, |+ ^60. Sons and Lovers (DH Lawrence, 1913)2 Q" x% E* i9 g$ Z* X
59. The Line of Beauty (Alan Hollinghurst, 2004)
7 G2 f( _1 Q! T58. Loving (Henry Green, 1945). s8 ]9 d- K/ q8 D$ J$ K
57. Parade’s End (Ford Madox Ford, 1924-1928)
/ h2 K1 J7 _# |# {' V& b; z56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985): y$ s4 Y: _: `0 |1 e( O& ?2 b
55. Gulliver’s Travels (Jonathan Swift, 1726)
! A3 W3 ?) i- H( a9 A; Z54. NW (Zadie Smith, 2012)
# R0 F2 @" y0 T. s53. Wide Sargasso Sea (Jean Rhys, 1966)1 Z( u5 `* T0 q# O/ {# \' m4 D
52. New Grub Street (George Gissing, 1891)# W* r) S/ C2 [2 h( x
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)5 {# Z% q _8 L, E3 u! n; y
50. A Passage to India (EM Forster, 1924)
+ y/ V' B' ?3 U3 C0 S9 y4 v49. Possession (AS Byatt, 1990)
8 d# @. u% O( N! }7 ^ ~48. Lucky Jim (Kingsley Amis, 1954)
; p2 r- D. Q S& ~47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
" g& a% o0 C8 @- T0 y46. Midnight’s Children (Salman Rushdie, 1981)+ z, i5 b6 t4 R. I1 ?7 a8 m
45. The Little Stranger (Sarah Waters, 2009)
- u5 Z5 m* v3 R4 M6 \- L4 F44. Wolf Hall (Hilary Mantel, 2009)
2 y) b3 z6 u- j, e l% a43. The Swimming Pool Library (Alan Hollinghurst, 1988)* g( L1 a$ ~6 p0 a; f
42. Brighton Rock (Graham Greene, 1938)
6 U* J K, t) k" O5 n41. Dombey and Son (Charles Dickens, 1848)9 P, _# a) r9 U# Q5 w. s
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)* d4 ?' h( s0 M- _' i, C" a' B4 K2 @
39. The Sense of an Ending (Julian Barnes, 2011)% }# A. }2 Q$ Z5 K6 V' R/ T
38. The Passion (Jeanette Winterson, 1987)
N# D& w3 l6 v9 {% G37. Decline and Fall (Evelyn Waugh, 1928)6 R9 }+ M0 a1 p- _) c
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 E2 u* V$ E2 l
35. Remainder (Tom McCarthy, 2005)
4 G% y3 @5 a! P& e+ |7 `' o34. Never Let Me Go (Kazuo Ishiguro, 2005)8 n f! Y5 x6 i
33. The Wind in the Willows (Kenneth Grahame, 1908)
5 @ A$ s" |; _3 ^( Q# b% e32. A Room with a View (EM Forster, 1908)9 v, {" Y& e0 s( d/ Q; Y
31. The End of the Affair (Graham Greene, 1951)
! B+ b% v) ^7 B' _9 p% I30. Moll Flanders (Daniel Defoe, 1722) \7 m7 S' l- ]/ e- r- V) V
29. Brick Lane (Monica Ali, 2003)8 ~! `. q0 O" D' U) e& E
28. Villette (Charlotte Brontë, 1853)5 A- I8 K# y" I& @
27. Robinson Crusoe (Daniel Defoe, 1719)
* s. H5 G& a& o7 O1 w# n26. The Lord of the Rings (JRR Tolkien, 1954)4 w, k5 }7 F8 Z" s8 t
25. White Teeth (Zadie Smith, 2000)$ C. o1 w U E p6 j* D" n
24. The Golden Notebook (Doris Lessing, 1962)
, p. ~6 q( l! B- @) P- c23. Jude the Obscure (Thomas Hardy, 1895)
4 } H8 {: f6 X22. The History of Tom Jones, a Foundling (Henry Fielding, 1749), `6 p' ~0 A/ b0 g' c
21. Heart of Darkness (Joseph Conrad, 1899)
. A3 m- V+ g2 o! V$ C( e c20. Persuasion (Jane Austen, 1817)
2 O) t9 Z9 ]2 T8 s R4 m/ P: g9 ~19. Emma (Jane Austen, 1815)4 n! C+ f# L8 ^6 o) ]' `
18. Remains of the Day (Kazuo Ishiguro, 1989)
% C+ H/ q& u/ X1 s' }3 I! \17. Howards End (EM Forster, 1910)! m3 S( U2 p7 W7 S1 P& w
16. The Waves (Virginia Woolf, 1931)1 C, ~0 ?6 ~0 T9 c* K) e
15. Atonement (Ian McEwan, 2001)* q- t, W3 I" }" ~- c; H
14. Clarissa (Samuel Richardson,1748)
- i/ a0 X2 }/ ] o& _) i13. The Good Soldier (Ford Madox Ford, 1915)3 M3 H- |, }0 E% L
12. Nineteen Eighty-Four (George Orwell, 1949) E4 L7 y9 z7 \5 k1 A: G
11. Pride and Prejudice (Jane Austen, 1813)
0 s0 c/ C4 }6 u7 R1 e10. Vanity Fair (William Makepeace Thackeray, 1848)
8 r4 x( _. t3 e& s; Q/ v9 d3 @& U9. Frankenstein (Mary Shelley, 1818)* ?/ C( R6 x( e7 f: |" J; }, C" w+ Y* ^
8. David Copperfield (Charles Dickens, 1850)6 i1 ]. x! e9 n D0 E( C2 @
7. Wuthering Heights (Emily Brontë, 1847)" `9 U4 h. a, X" l% A3 v
6. Bleak House (Charles Dickens, 1853)
S7 r1 v3 {6 J& f; c& G- e( l5. Jane Eyre (Charlotte Brontë, 1847)
2 ~+ h5 d0 G, a8 G$ F- @4 U4. Great Expectations (Charles Dickens, 1861)" ^. v( H' w- N+ V+ k
3. Mrs. Dalloway (Virginia Woolf, 1925)& ]& n' ?0 n5 }8 S3 v$ A" [; G
2. To the Lighthouse (Virginia Woolf, 1927)
) x! A, g$ d, I- S/ y6 o1. Middlemarch (George Eliot, 1874)$ P% [9 L' u) s% K1 p5 W: r/ _
{; i/ M; j0 {前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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7 ?6 G, y3 R( J& b1 ^! _呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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