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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ( C" E6 J1 s8 t+ f7 }4 [
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BBC评出100大英国文学名著; E- l; [; z8 b) ~; i
http://www.bbc.com/culture/story ... test-british-novels
5 {8 v, f' K) V1 S惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)# k7 S2 }6 c& }& i" h2 W$ s
99. There but for the (Ali Smith, 2011)# J W& i6 t" Q
98. Under the Volcano (Malcolm Lowry,1947)# p( G. U1 Z: I" ]6 x' i* R! F9 i/ H
97. The Chronicles of Narnia (CS Lewis, 1949-1954)2 r3 d/ [, m. [4 C) e* y
96. Memoirs of a Survivor (Doris Lessing, 1974)$ s6 [+ s* _8 e/ E) H
95. The Buddha of Suburbia (Hanif Kureishi, 1990)$ v4 Y, u' I9 }/ u( |
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)) V0 D9 I" @. N9 W# s5 a; @
93. Lord of the Flies (William Golding, 1954)
% C4 _) x" o! R: g, v3 f' F92. Cold Comfort Farm (Stella Gibbons, 1932)
, q. G/ q R6 ^# Y4 x91. The Forsyte Saga (John Galsworthy, 1922)
' B" }, F% u7 I. s7 L0 f90. The Woman in White (Wilkie Collins, 1859)
$ P6 J( h2 E8 R z" t89. The Horse’s Mouth (Joyce Cary, 1944)
" ] ~% z9 \6 {5 [0 E0 d' F2 S/ W88. The Death of the Heart (Elizabeth Bowen, 1938)
( {; W+ y$ I! N* \. a' ?4 J87. The Old Wives’ Tale (Arnold Bennett,1908)
^4 [5 h/ d8 G2 C86. A Legacy (Sybille Bedford, 1956) E0 K( s) a, l- G H
85. Regeneration Trilogy (Pat Barker, 1991-1995)
' l) ]* h/ C$ s+ Q$ s1 E5 S" [1 L84. Scoop (Evelyn Waugh, 1938)
3 v5 Y3 \: Z2 v" D83. Barchester Towers (Anthony Trollope, 1857)
: Q* O6 y$ ?% ?82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ ~$ d2 V8 O) K1 S7 @' m# x
81. The Jewel in the Crown (Paul Scott, 1966)
& C8 m+ h4 M9 B7 e5 }: n9 Y80. Excellent Women (Barbara Pym, 1952)
3 e; F; z4 n" ?0 ?79. His Dark Materials (Philip Pullman, 1995-2000)7 k. W0 t, q6 @8 e2 g& j3 ~0 U
78. A House for Mr Biswas (VS Naipaul, 1961)8 E4 A3 e/ g/ h% F
77. Of Human Bondage (W Somerset Maugham, 1915)7 j5 P/ _ }& {! B+ \8 g
76. Small Island (Andrea Levy, 2004)8 f5 X# |8 t O! n8 A* x( R: {
75. Women in Love (DH Lawrence, 1920)
& Y) X/ q6 l2 E( E6 R7 ?: H* _3 V4 c74. The Mayor of Casterbridge (Thomas Hardy, 1886)" n5 h2 u9 y# Y+ K
73. The Blue Flower (Penelope Fitzgerald, 1995)
/ B( B/ D2 P& C7 @6 `- _* N& L: e- f72. The Heart of the Matter (Graham Greene, 1948)
) Y; y" e( r4 t4 ~3 o8 W+ Y71. Old Filth (Jane Gardam, 2004)7 ^( T7 ^. c! h. r4 s2 ^
70. Daniel Deronda (George Eliot, 1876) j+ k; O2 P+ m; c$ S* o1 \
69. Nostromo (Joseph Conrad, 1904)1 `3 O# ]- T' p6 |6 l
68. A Clockwork Orange (Anthony Burgess, 1962)
0 P0 H. A7 `, m. Y- B67. Crash (JG Ballard 1973)- D- @8 A. r- U# a3 w8 s
66. Sense and Sensibility (Jane Austen, 1811)$ x7 Q6 I4 }& R9 d8 {5 m- ]
65. Orlando (Virginia Woolf, 1928), f7 {$ A3 U) D1 m
64. The Way We Live Now (Anthony Trollope, 1875)
3 I- Y8 s8 r2 o6 h6 m! P1 _/ w* [63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)( [, Z: J. X* w4 O6 B, m( b
62. Animal Farm (George Orwell, 1945)' u& \( K |0 R; Y7 T
61. The Sea, The Sea (Iris Murdoch, 1978)# z; y# m8 R. e1 e
60. Sons and Lovers (DH Lawrence, 1913)
# F5 l9 r- P3 L: z, Y/ `# A59. The Line of Beauty (Alan Hollinghurst, 2004)
) x& B8 d6 C+ @+ e2 y3 i( E) K58. Loving (Henry Green, 1945)
$ `3 N% U$ \4 A9 L. e& V8 M57. Parade’s End (Ford Madox Ford, 1924-1928): L5 N- ^ J4 ^! c O" D: A6 g. h
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 B: F" n2 \/ ~0 t; M' X
55. Gulliver’s Travels (Jonathan Swift, 1726)0 b8 l$ k o, n- |
54. NW (Zadie Smith, 2012)& R# V4 W/ X" G# a1 P
53. Wide Sargasso Sea (Jean Rhys, 1966)0 P3 n9 g! l' k7 x4 ~
52. New Grub Street (George Gissing, 1891)9 |6 X5 M) {3 h: |
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)1 |1 \' Q! N- O5 u7 x
50. A Passage to India (EM Forster, 1924)
' y" X7 N/ }* J) u( w. d49. Possession (AS Byatt, 1990)
3 S- p+ i( q7 K& T4 c7 G7 {48. Lucky Jim (Kingsley Amis, 1954)$ I% R8 N- I( Y! v0 O$ n
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 A1 _8 h4 R/ L9 }# b- L
46. Midnight’s Children (Salman Rushdie, 1981)
. n) k t+ O' _7 n; k0 ?) M45. The Little Stranger (Sarah Waters, 2009)
% q8 a/ X5 L5 Z! Y$ ]0 B44. Wolf Hall (Hilary Mantel, 2009)& B1 e8 h$ W+ h4 Z) s; q- ?
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
" Z5 V( v+ ?* Y' l w% U42. Brighton Rock (Graham Greene, 1938)! x% ~2 m9 h, f
41. Dombey and Son (Charles Dickens, 1848)
2 H6 h2 }: S) E0 e9 ~6 o7 z7 i40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" W3 U% a: y/ W
39. The Sense of an Ending (Julian Barnes, 2011)
. Q- O% m+ d" m) q0 w38. The Passion (Jeanette Winterson, 1987)
; M: r) @6 t! ^37. Decline and Fall (Evelyn Waugh, 1928)
4 T( V4 ~9 ?* H8 M) G, {/ n36. A Dance to the Music of Time (Anthony Powell, 1951-1975)4 U8 X# z! O6 ~/ z
35. Remainder (Tom McCarthy, 2005)
{4 b2 k+ x" Z1 g, V' t) b! a34. Never Let Me Go (Kazuo Ishiguro, 2005)& ^! |3 r- T% d7 G% P. N9 y+ W
33. The Wind in the Willows (Kenneth Grahame, 1908)
0 _# L" c6 u# L: L2 f2 ~. W32. A Room with a View (EM Forster, 1908)
1 x* h; N; c; t31. The End of the Affair (Graham Greene, 1951)5 \: W) }. J% y: H' D
30. Moll Flanders (Daniel Defoe, 1722)
' J! f. @' V: M. O. J29. Brick Lane (Monica Ali, 2003): c0 I2 X9 E; i
28. Villette (Charlotte Brontë, 1853)8 t3 n7 Z. j( }* u; P6 Y: W$ p7 H* T
27. Robinson Crusoe (Daniel Defoe, 1719)& N; S m/ g$ r+ p9 r
26. The Lord of the Rings (JRR Tolkien, 1954)8 \5 q0 b, w. H7 `$ J. f
25. White Teeth (Zadie Smith, 2000)
]: x& v0 g& Y) D A+ `7 Z* k0 C24. The Golden Notebook (Doris Lessing, 1962)
& C' B/ Q% ?6 F: l/ A8 D3 a23. Jude the Obscure (Thomas Hardy, 1895)0 |5 C, z8 h1 ?% g+ a
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)7 c* v2 Q' c6 C8 U
21. Heart of Darkness (Joseph Conrad, 1899)
# \% N6 v S; L8 a# O f6 C20. Persuasion (Jane Austen, 1817)
" i* ?7 _ h" A- z! g8 F, `) l19. Emma (Jane Austen, 1815)& F/ e1 I8 ]$ B a$ W8 u
18. Remains of the Day (Kazuo Ishiguro, 1989)! S9 w6 [7 R* m8 Y
17. Howards End (EM Forster, 1910)
0 U2 c. U, h8 f- j9 X& d4 G16. The Waves (Virginia Woolf, 1931)7 ]4 r; s0 U: M
15. Atonement (Ian McEwan, 2001)* I0 K* t& _1 m& } j
14. Clarissa (Samuel Richardson,1748)
" ~" d2 [0 {/ E3 ?9 z% Y13. The Good Soldier (Ford Madox Ford, 1915)5 q# S6 T7 w5 y. A8 k) d; I1 z
12. Nineteen Eighty-Four (George Orwell, 1949)
9 {8 K% a4 D; s. A# H. @11. Pride and Prejudice (Jane Austen, 1813)
7 E2 K' O" X% M" y; a) ~10. Vanity Fair (William Makepeace Thackeray, 1848)- g, K6 O. F" v& r( g' y
9. Frankenstein (Mary Shelley, 1818)
. q4 u. W3 n- |5 W! L8. David Copperfield (Charles Dickens, 1850)6 T: V. {% Z5 Z) j7 _4 l
7. Wuthering Heights (Emily Brontë, 1847): A9 L2 A. O w; b" }& h5 x7 b, V
6. Bleak House (Charles Dickens, 1853)
4 ?# p( J1 F( ]( W% X6 l0 v0 D7 F! q5. Jane Eyre (Charlotte Brontë, 1847)
( e1 }0 E1 I$ N2 _# \3 \/ t/ |* Y: X4. Great Expectations (Charles Dickens, 1861)# N$ h7 [# W" @0 u
3. Mrs. Dalloway (Virginia Woolf, 1925). }/ [( P9 ~% [; G
2. To the Lighthouse (Virginia Woolf, 1927)
! g) V4 k1 j! F1. Middlemarch (George Eliot, 1874)+ ]* p) @: c% X* x0 K& y& t
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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