|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
' {: X% B( r+ h6 ~* ?" v0 M2 ~" v4 z' @
BBC评出100大英国文学名著4 q b% \7 y: ^
http://www.bbc.com/culture/story ... test-british-novels0 [, ^; ?# S; j* X z6 ~6 `$ n& A5 G
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。0 } C i6 ^ z: Y: E9 ]3 _$ Y& s0 h
! c; D/ N! E. ^100. The Code of the Woosters (PG Wodehouse, 1938)3 C3 C5 ^/ ~$ K& c s
99. There but for the (Ali Smith, 2011)
) P- F6 h% j: w* t+ p4 ` _98. Under the Volcano (Malcolm Lowry,1947)1 @& S- E' h8 x/ w* C7 x) Q
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
" ?0 p: ` i7 }4 N" A( R96. Memoirs of a Survivor (Doris Lessing, 1974)
8 J% h" P) v& ? B7 y. ^2 O! f+ _: C1 I95. The Buddha of Suburbia (Hanif Kureishi, 1990)9 ?; s% t" J7 W1 M; _2 v7 X
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
- T; }: G _) ^9 c* _% q93. Lord of the Flies (William Golding, 1954)9 W7 E! X7 j7 N* A- S
92. Cold Comfort Farm (Stella Gibbons, 1932)
& f$ [# ]# ]; {5 v7 E7 O91. The Forsyte Saga (John Galsworthy, 1922)
$ D! Y% s9 {/ l& b- o$ w, q90. The Woman in White (Wilkie Collins, 1859)
1 F- D# y$ O9 I0 Q; q% D89. The Horse’s Mouth (Joyce Cary, 1944)
2 K6 Y2 D* L ]) G88. The Death of the Heart (Elizabeth Bowen, 1938)
! x/ ] e! a% J1 l/ X' N1 }5 V7 a9 u87. The Old Wives’ Tale (Arnold Bennett,1908)
, P4 P5 U* G! B3 e% F- x" p# y86. A Legacy (Sybille Bedford, 1956)0 u1 H: H0 V9 ~: a
85. Regeneration Trilogy (Pat Barker, 1991-1995)
$ V3 e2 O5 ?1 [3 x( w, F7 K84. Scoop (Evelyn Waugh, 1938)
X0 w g/ o6 d4 {- V- U83. Barchester Towers (Anthony Trollope, 1857)
' `- I7 ?) ]- u82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)7 n1 N3 j! Q. Q
81. The Jewel in the Crown (Paul Scott, 1966)" j: w# W6 d% i7 M2 ^0 n
80. Excellent Women (Barbara Pym, 1952)
8 h0 Y4 T' G2 |! n79. His Dark Materials (Philip Pullman, 1995-2000)
! b. a1 ]6 R6 x" q, L: `& x78. A House for Mr Biswas (VS Naipaul, 1961). M# W8 t. E/ G
77. Of Human Bondage (W Somerset Maugham, 1915)
8 S. t2 `6 x" y7 U- B76. Small Island (Andrea Levy, 2004)
( z: s- G0 d5 D+ f( n _75. Women in Love (DH Lawrence, 1920)
7 { u) k6 n, N3 q5 t" i. q3 C74. The Mayor of Casterbridge (Thomas Hardy, 1886)
: \& R3 N: U+ z! a; D' ]; L& K73. The Blue Flower (Penelope Fitzgerald, 1995)
+ m5 W/ l0 m' W7 T9 d72. The Heart of the Matter (Graham Greene, 1948)
0 s/ j5 p% |. D# @, \3 ^71. Old Filth (Jane Gardam, 2004)
+ h" P+ o5 G3 r3 _" [* ~70. Daniel Deronda (George Eliot, 1876)- `* [' l( ]8 ?7 f/ v2 q
69. Nostromo (Joseph Conrad, 1904)
b4 Q$ L6 l$ m68. A Clockwork Orange (Anthony Burgess, 1962)' B4 G6 `. E, m; F% F! l
67. Crash (JG Ballard 1973)4 U0 O; Y$ A# K ?4 U: |& `. l
66. Sense and Sensibility (Jane Austen, 1811)
3 e3 K4 @) X4 _$ F/ r4 @, m6 G65. Orlando (Virginia Woolf, 1928)2 L: Z6 K( g8 z
64. The Way We Live Now (Anthony Trollope, 1875)8 R( x1 t8 g( }5 L* R; D
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)! q G! b( O W& q
62. Animal Farm (George Orwell, 1945)
/ w2 g' i9 b0 H% R61. The Sea, The Sea (Iris Murdoch, 1978)
v' C' g) a# I3 @0 @. p7 g60. Sons and Lovers (DH Lawrence, 1913). \3 p- a' h, O) w* A2 q
59. The Line of Beauty (Alan Hollinghurst, 2004)
! t. M/ r3 g# k" F58. Loving (Henry Green, 1945): y& U9 ]1 e' ^. D& F6 e8 ^
57. Parade’s End (Ford Madox Ford, 1924-1928)
1 a- D/ `7 o+ q- O5 J: Y. d56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
; e* T G+ v1 |55. Gulliver’s Travels (Jonathan Swift, 1726)$ C5 z2 x3 Y; g3 U
54. NW (Zadie Smith, 2012)
; \8 [$ u, a7 d' p. l53. Wide Sargasso Sea (Jean Rhys, 1966)
+ @. p" B& V# f* a& H# k52. New Grub Street (George Gissing, 1891)+ o/ \# s( ~( p5 Q* z* p
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
6 }/ S/ T" V @50. A Passage to India (EM Forster, 1924)
, w. s3 a$ `1 }9 U" ~+ q, q49. Possession (AS Byatt, 1990)
, F1 v" m4 C! L48. Lucky Jim (Kingsley Amis, 1954)
9 f- b2 g: P! Q9 y& b6 ?! A5 L47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
0 {+ D: Z* X# O3 P46. Midnight’s Children (Salman Rushdie, 1981)
/ H- z i- ?/ v& b# y) n: Q' @45. The Little Stranger (Sarah Waters, 2009)- Y. A" G: z) V0 k( w) S5 _+ o$ J& V
44. Wolf Hall (Hilary Mantel, 2009)2 `* ~* m) _5 @+ [. Q( Q1 \7 K; ?+ f
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
$ p: d! p. @4 v2 E42. Brighton Rock (Graham Greene, 1938)
! b R5 s$ \* w' U8 b41. Dombey and Son (Charles Dickens, 1848)
2 e% P4 p7 [- I! t8 i40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
7 q( t; ^. ^- y39. The Sense of an Ending (Julian Barnes, 2011)
: ?" c( u! v; B. T S4 {+ L* ?38. The Passion (Jeanette Winterson, 1987)6 o- }- k8 G, g9 U
37. Decline and Fall (Evelyn Waugh, 1928)3 z, G W7 M. k! S& P3 ]0 j
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. z8 a+ k1 }# }2 p1 @# I6 }% b3 b35. Remainder (Tom McCarthy, 2005)
/ w% D* ~! K) y, a5 P34. Never Let Me Go (Kazuo Ishiguro, 2005)0 E" T% P5 _' x8 h: m
33. The Wind in the Willows (Kenneth Grahame, 1908), y- K: p/ r1 t9 h3 o) d' O) m# C
32. A Room with a View (EM Forster, 1908)" C* \* `3 w0 o8 K
31. The End of the Affair (Graham Greene, 1951)8 I9 ^2 x9 z5 b" g
30. Moll Flanders (Daniel Defoe, 1722)
* D+ t3 e3 c E4 F2 ?29. Brick Lane (Monica Ali, 2003)7 p( T0 D6 p( X4 `, ]2 T6 y
28. Villette (Charlotte Brontë, 1853)8 y8 f: @& A' m1 ^& ^4 v0 W
27. Robinson Crusoe (Daniel Defoe, 1719)
, H0 s- h" D, R( _3 f4 E( a7 V26. The Lord of the Rings (JRR Tolkien, 1954)( ^/ S/ g* Q$ K$ X% B, k- j5 ]
25. White Teeth (Zadie Smith, 2000), }: e8 }2 q9 g0 W# D3 ]
24. The Golden Notebook (Doris Lessing, 1962), Y1 b5 d3 n. q s% A* R0 [! p
23. Jude the Obscure (Thomas Hardy, 1895)
" c" W! v8 \7 e0 s* m }22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
( b- q% n7 N* L. @, g2 `1 d6 k21. Heart of Darkness (Joseph Conrad, 1899)
& Q6 p' B# m$ G# `20. Persuasion (Jane Austen, 1817)
5 X( u/ T- p E+ v6 P8 e" ~19. Emma (Jane Austen, 1815)
w; _6 P% z& c4 c: E* K18. Remains of the Day (Kazuo Ishiguro, 1989)
; P' n5 t8 w* A, f) X17. Howards End (EM Forster, 1910)" W+ |: o/ e5 j9 q& E8 s
16. The Waves (Virginia Woolf, 1931)
2 O# {) h. _$ H; E15. Atonement (Ian McEwan, 2001)0 z4 _+ q7 p1 i# g
14. Clarissa (Samuel Richardson,1748)
- g9 b ?+ Y U& v7 D6 K13. The Good Soldier (Ford Madox Ford, 1915) F; t# k+ Z, }
12. Nineteen Eighty-Four (George Orwell, 1949)
) T7 m- t7 @2 s. k# R1 ?) B: @4 j11. Pride and Prejudice (Jane Austen, 1813)5 K3 F+ V3 u" n9 U" W
10. Vanity Fair (William Makepeace Thackeray, 1848), Y/ G$ r. h( ^0 e' k. B' H
9. Frankenstein (Mary Shelley, 1818)
2 G* I4 ?& x: O2 e; B2 _8. David Copperfield (Charles Dickens, 1850), ]; @1 E% A, s4 n- Y$ t
7. Wuthering Heights (Emily Brontë, 1847)
( P: j' R9 T+ X! C& _6. Bleak House (Charles Dickens, 1853)
3 z" a; N+ w/ L+ Y+ j1 J+ |& l5. Jane Eyre (Charlotte Brontë, 1847)
/ ~( ~% I+ n. g5 U: V4. Great Expectations (Charles Dickens, 1861)
) h8 b' e9 K6 q% D3. Mrs. Dalloway (Virginia Woolf, 1925)8 k! i& t! @! k' c! Z
2. To the Lighthouse (Virginia Woolf, 1927)' A, U F- s8 R7 }4 d. b
1. Middlemarch (George Eliot, 1874)8 n/ a7 x8 ^& w1 k+ ^+ w
$ A) w9 c& a1 }( r! ~
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。2 J9 J& N/ T1 y: Y g! M1 P/ g2 P
5 a9 T7 L0 L: I呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
. X. M6 }, W7 L8 h
