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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 % [! c7 U) o& f+ h9 _# ?
% f$ F3 I5 T7 |( UBBC评出100大英国文学名著4 z; p9 | s+ U' i$ f" i0 h
http://www.bbc.com/culture/story ... test-british-novels7 m/ `& U' p a$ B' y. U" B: m0 c
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)2 a( h, Q: g( Z! n3 u( F8 S$ I$ B
99. There but for the (Ali Smith, 2011); P3 b- {* H6 E4 c
98. Under the Volcano (Malcolm Lowry,1947)* i2 r! H, |4 `1 F6 N# P. }' A
97. The Chronicles of Narnia (CS Lewis, 1949-1954), G5 s; Z/ i) P* Q+ Z, T
96. Memoirs of a Survivor (Doris Lessing, 1974)
# q+ C" {" @4 {% `5 B- u' Z8 ?95. The Buddha of Suburbia (Hanif Kureishi, 1990): D' {9 C |: {- g/ A6 N% f
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
z, d& {7 [( G _+ x# }- T9 i93. Lord of the Flies (William Golding, 1954)- Y' b" R# R2 n+ I+ t$ x F
92. Cold Comfort Farm (Stella Gibbons, 1932)
+ p& i" W+ R8 S9 A1 W; |( F% ?91. The Forsyte Saga (John Galsworthy, 1922)
[* L3 e, V5 _90. The Woman in White (Wilkie Collins, 1859) @$ k* O8 g2 G
89. The Horse’s Mouth (Joyce Cary, 1944)) r* j+ H `- Q2 i; i9 x1 H) G
88. The Death of the Heart (Elizabeth Bowen, 1938)" ~" ~' ?% {, L& F
87. The Old Wives’ Tale (Arnold Bennett,1908)
% D. C) n) {, h) S86. A Legacy (Sybille Bedford, 1956)
) `. X- p4 h1 j8 q4 _85. Regeneration Trilogy (Pat Barker, 1991-1995)" z/ y, ~. y; p
84. Scoop (Evelyn Waugh, 1938)' }% U9 L! Z& w# F ]' ^1 n) S
83. Barchester Towers (Anthony Trollope, 1857)
. }3 `0 q) S7 a6 p82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
9 }2 F/ q% I1 _; f* A# R" t81. The Jewel in the Crown (Paul Scott, 1966), X2 M7 \& p* K9 o, a2 |. d1 r2 W
80. Excellent Women (Barbara Pym, 1952)
8 q4 y, N) F" U3 ` n& _$ O4 h79. His Dark Materials (Philip Pullman, 1995-2000)
/ E0 z' q" p' T0 e78. A House for Mr Biswas (VS Naipaul, 1961)
$ P- Q1 V1 A6 B1 J! ]) J1 L3 }77. Of Human Bondage (W Somerset Maugham, 1915)
4 r6 z% C' @. d* B76. Small Island (Andrea Levy, 2004)
: m3 K4 G5 l5 f4 |75. Women in Love (DH Lawrence, 1920); q/ z5 o% R; y: \$ n/ X
74. The Mayor of Casterbridge (Thomas Hardy, 1886): U4 a5 V& p, L& O
73. The Blue Flower (Penelope Fitzgerald, 1995)
' m/ V% I4 O8 g( X8 A72. The Heart of the Matter (Graham Greene, 1948)
4 Y6 m* p- B: N1 ]1 z, w71. Old Filth (Jane Gardam, 2004)! q R. T( l+ r1 D9 ~8 o: T
70. Daniel Deronda (George Eliot, 1876)
' P% v: L$ j+ O' ~5 q) F1 ^69. Nostromo (Joseph Conrad, 1904)
x: z: j+ ~/ W9 @+ Q8 a68. A Clockwork Orange (Anthony Burgess, 1962)
& k' x* S: q4 W. `! D% c& ^67. Crash (JG Ballard 1973)
1 w. k: D L* j4 { u8 l66. Sense and Sensibility (Jane Austen, 1811)" ? Y- Z1 e4 ^
65. Orlando (Virginia Woolf, 1928)# s8 s6 M' T/ O
64. The Way We Live Now (Anthony Trollope, 1875)
a( I {2 U. x+ K9 ^63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
. c1 J$ k; b% P) m( p3 c4 M/ E62. Animal Farm (George Orwell, 1945)$ V. x: B% Y- l
61. The Sea, The Sea (Iris Murdoch, 1978): U/ z R+ l4 G: L& w# r
60. Sons and Lovers (DH Lawrence, 1913), w* S( |9 ^/ [# e E( Y/ ~/ ~
59. The Line of Beauty (Alan Hollinghurst, 2004)5 c% ?3 ]# p, l4 R% Q
58. Loving (Henry Green, 1945)0 r. b2 O0 n7 @, `$ S. `
57. Parade’s End (Ford Madox Ford, 1924-1928)
4 q3 `* c& w, u7 x56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985) B* G% x2 X+ h5 _. S
55. Gulliver’s Travels (Jonathan Swift, 1726)* d' T( l$ |9 v( I0 G
54. NW (Zadie Smith, 2012)3 y% X7 M: ?- G/ H) W
53. Wide Sargasso Sea (Jean Rhys, 1966)- v0 |* G2 B/ }( r3 F ^
52. New Grub Street (George Gissing, 1891)* q; D; z5 E( f$ p+ I' k: l$ G* U
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
& C8 I# o+ n% [2 b) {50. A Passage to India (EM Forster, 1924)
2 ^6 [5 J# G! q. D49. Possession (AS Byatt, 1990); E) e8 y) [8 H1 g6 z7 i: |. K/ k5 w
48. Lucky Jim (Kingsley Amis, 1954)2 u0 j$ I' |6 s6 Q. T( |: U/ A
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), V& p! d$ ~8 J$ E/ q
46. Midnight’s Children (Salman Rushdie, 1981)
& f8 X6 Y- _1 ]( A( R# \( n45. The Little Stranger (Sarah Waters, 2009)
6 ]' z' O7 y( s; a* ^/ H44. Wolf Hall (Hilary Mantel, 2009)
! P5 I8 }4 ^& G0 u7 k43. The Swimming Pool Library (Alan Hollinghurst, 1988)
1 F% i" {% ~& |' G1 J" a42. Brighton Rock (Graham Greene, 1938)
% c& o+ A- O; B( u% }6 k41. Dombey and Son (Charles Dickens, 1848)
+ l3 `& V4 t0 U, q1 w40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 {& v% L- f5 B) C, l5 Z$ s39. The Sense of an Ending (Julian Barnes, 2011)7 a1 c) B. w0 o0 U
38. The Passion (Jeanette Winterson, 1987)
& w1 c1 r% v6 G37. Decline and Fall (Evelyn Waugh, 1928)
0 L$ |* f4 I( [9 x' l( O36. A Dance to the Music of Time (Anthony Powell, 1951-1975), C; ]! c2 m( N! ~8 i6 G9 C8 B
35. Remainder (Tom McCarthy, 2005)' D$ x5 n& o" j$ i" w
34. Never Let Me Go (Kazuo Ishiguro, 2005)1 D" i3 L2 X% [+ \5 b; P
33. The Wind in the Willows (Kenneth Grahame, 1908)
, H$ n8 `& x2 @% a* s7 I! a32. A Room with a View (EM Forster, 1908)# G2 s1 _# N1 Q8 l. R* N& H/ P
31. The End of the Affair (Graham Greene, 1951)
- [! ?4 }& n- }4 v9 {5 S' e+ j30. Moll Flanders (Daniel Defoe, 1722)5 p) T! B% o! w% A, c
29. Brick Lane (Monica Ali, 2003)
" t* I9 k2 _7 a' p5 }( o0 d28. Villette (Charlotte Brontë, 1853)
8 l! F ?: a6 G# z27. Robinson Crusoe (Daniel Defoe, 1719)
- v' _. w* h9 T# G* E% c6 q4 c26. The Lord of the Rings (JRR Tolkien, 1954)
Z# e* g8 d2 L# f1 l; M5 Y25. White Teeth (Zadie Smith, 2000)
8 e8 n6 L: `# W$ Q. V" W% A( I24. The Golden Notebook (Doris Lessing, 1962)
2 y9 ^$ Y' k& G+ D1 M& n23. Jude the Obscure (Thomas Hardy, 1895): `- J8 M6 V, H( k4 _
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)+ o0 d$ H8 Y9 s4 ?) [0 {$ d: w
21. Heart of Darkness (Joseph Conrad, 1899)
% t! o/ M* P( S. S1 f0 b20. Persuasion (Jane Austen, 1817)
7 ?7 R! a4 @' l" [ w19. Emma (Jane Austen, 1815)- F$ l* o( r3 _% n8 |5 W
18. Remains of the Day (Kazuo Ishiguro, 1989)
! W- I% e7 C9 M. }% d+ ?4 T17. Howards End (EM Forster, 1910)9 _% b. {' y A6 ?
16. The Waves (Virginia Woolf, 1931)
/ j% J& _8 q$ Y. [/ y1 F6 Z15. Atonement (Ian McEwan, 2001)7 y- [1 x6 \, J! `
14. Clarissa (Samuel Richardson,1748)
+ x2 A& D. k. L5 R/ D- w2 _7 c13. The Good Soldier (Ford Madox Ford, 1915)
T- c! w7 |) z9 C- k12. Nineteen Eighty-Four (George Orwell, 1949)8 d" g6 M* }# |# T6 l
11. Pride and Prejudice (Jane Austen, 1813)
- `, q% I7 _ j10. Vanity Fair (William Makepeace Thackeray, 1848)
# H9 c, s9 i4 ~" [; H M' z9. Frankenstein (Mary Shelley, 1818)
9 u: a7 U7 y q& q# Z- ?: ` m3 F8. David Copperfield (Charles Dickens, 1850)
0 Z; y, u. s+ X; L7. Wuthering Heights (Emily Brontë, 1847)
; L2 _. v1 ]/ P# [1 q' _7 i0 [& |6. Bleak House (Charles Dickens, 1853)' n F Z1 Q! u$ Z
5. Jane Eyre (Charlotte Brontë, 1847)" Q% x3 }' B7 I0 t4 H
4. Great Expectations (Charles Dickens, 1861)5 k" B) i, f f9 X" R* e
3. Mrs. Dalloway (Virginia Woolf, 1925)
: w1 u; g' a( @" }2. To the Lighthouse (Virginia Woolf, 1927)
' f/ g3 P9 b- _8 a! y* p2 e1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。) t9 t7 h6 U/ n% c7 N
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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