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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著5 V# n9 g# }, F: w9 {
http://www.bbc.com/culture/story ... test-british-novels
0 Q$ A# [5 W1 O惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。0 F- ~/ _8 }7 ^: b
) \) E( E! ^3 i. {1 Q1 X1 ~100. The Code of the Woosters (PG Wodehouse, 1938)
: J% e7 ]/ T. l' L9 r99. There but for the (Ali Smith, 2011)- S2 @3 i- d1 L# T9 S7 D* h( x
98. Under the Volcano (Malcolm Lowry,1947)
( y1 g( b9 r* e; h97. The Chronicles of Narnia (CS Lewis, 1949-1954)! L- G" q# q; |4 L0 o& a
96. Memoirs of a Survivor (Doris Lessing, 1974)5 S) u3 y5 L8 K6 n' p
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
# a( {. N0 d) d# D( Q* F8 T94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
. l X: ]4 L% Y5 z( [0 G9 n93. Lord of the Flies (William Golding, 1954)
+ i# j- I+ b3 E* K4 i0 K* G92. Cold Comfort Farm (Stella Gibbons, 1932)2 ?8 j- h* a @ Q8 J
91. The Forsyte Saga (John Galsworthy, 1922)' x3 z% N# z; ~0 P1 e8 \" C3 w
90. The Woman in White (Wilkie Collins, 1859)! m r' Y1 f l4 W* b4 B4 ~" J
89. The Horse’s Mouth (Joyce Cary, 1944)- a3 A: H( C! }9 W9 S* U9 o8 S
88. The Death of the Heart (Elizabeth Bowen, 1938); Y1 t, L+ ?$ ^$ w
87. The Old Wives’ Tale (Arnold Bennett,1908)
, s9 x% \, L3 M( C3 Q8 f, x86. A Legacy (Sybille Bedford, 1956)1 E4 m4 G& y! E$ l% M
85. Regeneration Trilogy (Pat Barker, 1991-1995)
2 B3 J, k f: z; i84. Scoop (Evelyn Waugh, 1938)& C$ [- d2 B4 S
83. Barchester Towers (Anthony Trollope, 1857)
. N# U& i4 v% d/ i8 n82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
( i3 o$ J) M8 g# _81. The Jewel in the Crown (Paul Scott, 1966)
+ ^# h1 k/ O9 N6 H) x2 f80. Excellent Women (Barbara Pym, 1952)6 ~: E0 M/ _ N; G6 r, j
79. His Dark Materials (Philip Pullman, 1995-2000)
7 t* ^. I: T, B/ u1 e78. A House for Mr Biswas (VS Naipaul, 1961)6 _' H% |0 x p& J
77. Of Human Bondage (W Somerset Maugham, 1915)5 @: w" \: Y3 L0 @1 H
76. Small Island (Andrea Levy, 2004)
# r; A/ |2 y" M75. Women in Love (DH Lawrence, 1920)
6 }8 B; h/ ~% c! ~! l+ H8 b" q, _74. The Mayor of Casterbridge (Thomas Hardy, 1886)
8 K5 D; f) B; G5 o$ d& h) E73. The Blue Flower (Penelope Fitzgerald, 1995)
4 O/ n/ K: _6 j5 H! }9 n' I72. The Heart of the Matter (Graham Greene, 1948)
& [' M: R: I5 h) \+ M S8 x5 t9 d71. Old Filth (Jane Gardam, 2004)& t- d2 C, ?8 m' X# B, c# ?* }
70. Daniel Deronda (George Eliot, 1876); {2 C# U1 s: `
69. Nostromo (Joseph Conrad, 1904)5 W6 j0 w9 I5 W6 [ S9 @
68. A Clockwork Orange (Anthony Burgess, 1962)0 N7 _1 K/ q! Z1 a
67. Crash (JG Ballard 1973)
+ ^3 l+ I2 [/ j- _, @& }( K* L66. Sense and Sensibility (Jane Austen, 1811)
' P: b- k% v3 \! I7 U! q# p65. Orlando (Virginia Woolf, 1928)
7 [+ n6 {- ~, Z# W; p64. The Way We Live Now (Anthony Trollope, 1875)
7 B' U9 C; u7 N+ r4 j9 W2 v! h63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
3 r; _' d% C' z& K' a* v1 K62. Animal Farm (George Orwell, 1945)
4 K% y; s. h* d' z* U61. The Sea, The Sea (Iris Murdoch, 1978) C) d# S" J1 C& H* H3 e
60. Sons and Lovers (DH Lawrence, 1913), o9 t; B9 @7 D6 b: a2 \& q% z
59. The Line of Beauty (Alan Hollinghurst, 2004)3 A% N8 F6 c, v4 n- }' ~; a# D
58. Loving (Henry Green, 1945)
4 M6 _% Y' y Z57. Parade’s End (Ford Madox Ford, 1924-1928)
- _( G0 {. D$ K8 |7 g' a56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)4 t2 i1 y. X7 }; |' B. u/ G7 c
55. Gulliver’s Travels (Jonathan Swift, 1726)5 P+ M7 K* b9 R' Y
54. NW (Zadie Smith, 2012)
& S) ]8 ^( S! A8 P53. Wide Sargasso Sea (Jean Rhys, 1966)3 n1 O$ V8 T, s
52. New Grub Street (George Gissing, 1891)
- \# d. I$ S2 \$ z1 M6 U) W51. Tess of the d’Urbervilles (Thomas Hardy, 1891); C1 @' h* W8 M+ q; l0 s. b
50. A Passage to India (EM Forster, 1924)
( @) z& d/ I3 `0 g# q' @49. Possession (AS Byatt, 1990)% x- ?# N" ]% U9 [+ I, m9 L
48. Lucky Jim (Kingsley Amis, 1954)
4 V. K5 Y, I. G, ?: b9 E/ K47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
6 h, K) [7 ~" z# Q# `7 F, ]2 f# e46. Midnight’s Children (Salman Rushdie, 1981)
& k9 k! @4 r* H; z( i/ G7 E0 z$ P. b7 e45. The Little Stranger (Sarah Waters, 2009)
1 M$ g; T, U) }, A5 {* ]/ d* M44. Wolf Hall (Hilary Mantel, 2009)5 N4 P; Y7 @$ S8 k1 x( f) Y* O0 \
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
9 u* }+ f: }. B0 l42. Brighton Rock (Graham Greene, 1938)' H9 g8 t! j" g; i
41. Dombey and Son (Charles Dickens, 1848)
6 _( X+ @& n; o3 F8 k40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
# ~/ X& n, T6 k, e1 D, r" Y+ R39. The Sense of an Ending (Julian Barnes, 2011)
; A7 c' ~' }% M/ D) l38. The Passion (Jeanette Winterson, 1987)0 t `; m3 z- h6 `8 v: s
37. Decline and Fall (Evelyn Waugh, 1928)4 s9 n" f+ s$ ^* B y
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
: U3 L, n( n* L9 B& H6 Q% v35. Remainder (Tom McCarthy, 2005)
- B5 `4 `4 s+ N3 d' a' S34. Never Let Me Go (Kazuo Ishiguro, 2005)
+ v7 H$ c3 ~3 N; C0 h33. The Wind in the Willows (Kenneth Grahame, 1908). D; X) n2 G; I6 |& H2 L6 s
32. A Room with a View (EM Forster, 1908)8 w P8 V" c, q2 Y6 U* v
31. The End of the Affair (Graham Greene, 1951)5 p; ]1 |$ S. D5 a
30. Moll Flanders (Daniel Defoe, 1722)
) f* U J1 \% Y6 n0 T29. Brick Lane (Monica Ali, 2003)1 I) [- W" J: \7 X1 s4 w! d
28. Villette (Charlotte Brontë, 1853)
1 x+ X- }/ m7 L( t2 u3 `27. Robinson Crusoe (Daniel Defoe, 1719)/ ~# \- u! ^% k
26. The Lord of the Rings (JRR Tolkien, 1954)
4 h; r1 S2 M8 V" m1 e25. White Teeth (Zadie Smith, 2000)
) o) j; [& H, [0 _9 i2 ~24. The Golden Notebook (Doris Lessing, 1962)1 w9 h3 g, A* k9 d0 }" I$ \
23. Jude the Obscure (Thomas Hardy, 1895)& D# n# g9 E: I) q
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)2 x( T: C. O+ {7 x, O- {
21. Heart of Darkness (Joseph Conrad, 1899)
$ N' _- N/ m v20. Persuasion (Jane Austen, 1817)
4 O0 t9 \3 e# E9 U19. Emma (Jane Austen, 1815)" C! {5 p0 `! I! y
18. Remains of the Day (Kazuo Ishiguro, 1989)% q. j) ^4 g4 L. D+ m! m: Y
17. Howards End (EM Forster, 1910)# v8 l% T! K* w
16. The Waves (Virginia Woolf, 1931)
+ b2 R7 P+ Y1 J1 `$ J7 W8 B15. Atonement (Ian McEwan, 2001)2 }/ Z+ G! s* w ^+ f) ?
14. Clarissa (Samuel Richardson,1748)
0 q8 _; v9 a. {) l+ \* ?# n13. The Good Soldier (Ford Madox Ford, 1915)* d6 o; u6 Z; J6 |6 ]" O
12. Nineteen Eighty-Four (George Orwell, 1949)
% f% ^. i( ?; V" w4 U# F11. Pride and Prejudice (Jane Austen, 1813), `: I5 e" T4 K L1 g
10. Vanity Fair (William Makepeace Thackeray, 1848)" [) ]$ k4 D; R# Q+ x8 R
9. Frankenstein (Mary Shelley, 1818). j" K' g" j" e
8. David Copperfield (Charles Dickens, 1850)1 s4 Q) e& L3 C- b8 L
7. Wuthering Heights (Emily Brontë, 1847)
& B5 w0 f# C& v; I9 w6. Bleak House (Charles Dickens, 1853)
, L( G# X# R! K W+ k5. Jane Eyre (Charlotte Brontë, 1847)
# n' d5 A. F) D9 h4. Great Expectations (Charles Dickens, 1861)4 E5 e4 I; ^5 F2 }
3. Mrs. Dalloway (Virginia Woolf, 1925)
" R- @: `. Y7 G x2. To the Lighthouse (Virginia Woolf, 1927)
; P9 p; q0 U d1. Middlemarch (George Eliot, 1874)3 V- @! p5 V% D, z
* g, d7 R% ^% x( I前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。5 r5 D0 a! ?$ _7 M
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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