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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 1 x. A' l5 M3 q5 j9 N2 z
4 W4 U9 T- B" d( XBBC评出100大英国文学名著
" @# x8 c1 s6 D ~/ p. m8 ohttp://www.bbc.com/culture/story ... test-british-novels! P* l9 k4 o% U1 B$ D B0 M- z
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。" w9 f8 F, Z+ H3 ]/ m
, p; B0 p7 V3 x6 u8 p! o( E100. The Code of the Woosters (PG Wodehouse, 1938)- X( r# h6 h; J% Q3 e/ A2 }
99. There but for the (Ali Smith, 2011)
/ z6 t8 y0 Q. j1 F( _98. Under the Volcano (Malcolm Lowry,1947)
/ P9 \! `# t7 N/ t/ G7 j! Q97. The Chronicles of Narnia (CS Lewis, 1949-1954)
3 M7 i. n/ |. h# Y/ Y2 d) |; P96. Memoirs of a Survivor (Doris Lessing, 1974)
+ O. `5 M3 m; w0 J0 g' v95. The Buddha of Suburbia (Hanif Kureishi, 1990)
" C) G% w- R: ^* s, ]& t! m: D, r7 r94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)' C8 B3 G$ }& g: W* K# l% O
93. Lord of the Flies (William Golding, 1954)
4 ^' b% }4 c% l/ s8 x' e92. Cold Comfort Farm (Stella Gibbons, 1932)" q, A% C/ {% j( v' J# P5 b
91. The Forsyte Saga (John Galsworthy, 1922)
+ G, ]! C# S6 W6 h3 t. T5 m% \90. The Woman in White (Wilkie Collins, 1859)
" D n( x, q. [6 b5 @; s0 Y89. The Horse’s Mouth (Joyce Cary, 1944)* J6 I! {- y& l% f
88. The Death of the Heart (Elizabeth Bowen, 1938)
2 d* F2 L$ U* C. b1 y87. The Old Wives’ Tale (Arnold Bennett,1908)
" a/ f& j. a) |4 T$ s x86. A Legacy (Sybille Bedford, 1956)# i) b! U2 Z' y6 I& M( a9 Q4 I! B+ l
85. Regeneration Trilogy (Pat Barker, 1991-1995)
* B9 W% m) B3 Q7 Y9 r6 T84. Scoop (Evelyn Waugh, 1938)
: ?' [; j% B8 B83. Barchester Towers (Anthony Trollope, 1857)
0 Y2 {' l t+ b+ }1 C82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)' ]- s! [6 c( {+ M' r. N" \, \
81. The Jewel in the Crown (Paul Scott, 1966)
0 a/ J0 @+ N* \80. Excellent Women (Barbara Pym, 1952)
9 @# F0 p9 ?+ v# T$ E+ B* ] o79. His Dark Materials (Philip Pullman, 1995-2000)
( G& ]) j* J2 f I78. A House for Mr Biswas (VS Naipaul, 1961)0 q; ~- B: H9 e3 U6 [. c
77. Of Human Bondage (W Somerset Maugham, 1915)' d2 D6 C5 g$ I0 `
76. Small Island (Andrea Levy, 2004)
/ V" _- f- z, ?: @75. Women in Love (DH Lawrence, 1920)
% u6 R" f8 g0 s! a/ J74. The Mayor of Casterbridge (Thomas Hardy, 1886)/ i7 i* x4 s! B
73. The Blue Flower (Penelope Fitzgerald, 1995)
$ W6 Z7 W2 M6 H R. V: S72. The Heart of the Matter (Graham Greene, 1948): O, F7 K7 M ~" K" s
71. Old Filth (Jane Gardam, 2004)2 d- ]" \/ x' l& s3 O# ^3 j" i
70. Daniel Deronda (George Eliot, 1876)
; [" A* @$ t7 O" A* a# c69. Nostromo (Joseph Conrad, 1904)
, o7 X1 h0 |5 Y5 h" e6 r" q68. A Clockwork Orange (Anthony Burgess, 1962)
* L! G- p b0 ~7 ~9 Q% K# ^67. Crash (JG Ballard 1973)
5 U" s/ d% b# p! l) c6 L, v# A66. Sense and Sensibility (Jane Austen, 1811)
: y8 c+ A6 ~0 u! U D+ ^$ P65. Orlando (Virginia Woolf, 1928)
7 w$ |: ~9 |" \) J64. The Way We Live Now (Anthony Trollope, 1875)# @! K! o/ N0 g
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
s q j3 Y( [6 c) J62. Animal Farm (George Orwell, 1945)/ m0 O5 V7 ^( }$ e' d6 q& p6 D
61. The Sea, The Sea (Iris Murdoch, 1978)
7 E8 f6 A3 F2 M60. Sons and Lovers (DH Lawrence, 1913)
+ G, ~: |' ?& ~- G' I; X/ Q6 @9 i% z59. The Line of Beauty (Alan Hollinghurst, 2004)2 D# K; C& t/ Q) |
58. Loving (Henry Green, 1945)% [' f! h$ @* m; J, u! b
57. Parade’s End (Ford Madox Ford, 1924-1928)8 [2 ], r C, Q n) t
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)# f+ J5 s Z6 F1 z1 _, q
55. Gulliver’s Travels (Jonathan Swift, 1726)
+ y. ]( t+ ^9 D% X* Q( L6 C54. NW (Zadie Smith, 2012)
8 K! s, V2 F2 _53. Wide Sargasso Sea (Jean Rhys, 1966)
! U1 C+ e6 D: W% G52. New Grub Street (George Gissing, 1891)! F/ b( M. P2 O4 e/ v e8 ^6 L
51. Tess of the d’Urbervilles (Thomas Hardy, 1891). M* c4 E$ g* x! x( Z8 r
50. A Passage to India (EM Forster, 1924)" o% S: a3 }4 y% b' Z% ~* ^
49. Possession (AS Byatt, 1990)
+ F" F3 \1 E: b3 V1 O48. Lucky Jim (Kingsley Amis, 1954)
6 M- U& _: Y8 k. X: [ }+ H X. P47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
+ t j& Q2 w1 U. |/ `46. Midnight’s Children (Salman Rushdie, 1981)' F2 d' d0 [' H. |
45. The Little Stranger (Sarah Waters, 2009)
- Q# ]! E: b* I9 U: Q7 U& w44. Wolf Hall (Hilary Mantel, 2009)
4 ~+ a4 _1 B. C2 ?6 V3 }! H; z43. The Swimming Pool Library (Alan Hollinghurst, 1988)& k. Z' F0 z. G2 p# Q. @
42. Brighton Rock (Graham Greene, 1938)* X8 k+ C2 c) S2 V6 @0 ]6 A
41. Dombey and Son (Charles Dickens, 1848)1 R) e: h5 {& s- f! c M& M5 m
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
7 B0 N0 Y2 E9 i* `: B+ @39. The Sense of an Ending (Julian Barnes, 2011)
2 h! o( H/ ?5 j/ V38. The Passion (Jeanette Winterson, 1987), {/ r5 A3 \0 w, s1 N) ^4 d7 B
37. Decline and Fall (Evelyn Waugh, 1928)
/ [, e6 b2 t5 p" U; Q( _% b2 T36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
+ n q. `, t- e$ H/ G) c6 v+ _ d; @35. Remainder (Tom McCarthy, 2005)
9 I; n2 _' B5 V8 b8 v8 ^1 d2 H34. Never Let Me Go (Kazuo Ishiguro, 2005)
- f$ `' |9 `/ L! K8 C33. The Wind in the Willows (Kenneth Grahame, 1908)# x5 Y) ?8 r! _4 {% ^( o( C2 U7 \8 w3 B
32. A Room with a View (EM Forster, 1908)
$ N8 G& @% _% O" ?7 G/ B" y31. The End of the Affair (Graham Greene, 1951)8 }6 `! ~$ a# V' h* |' U; z
30. Moll Flanders (Daniel Defoe, 1722)$ q3 H6 y! ?* _; B( h- H5 U
29. Brick Lane (Monica Ali, 2003)9 P* x3 a% r P6 L3 ]
28. Villette (Charlotte Brontë, 1853)
" q# Y/ M; O0 W. E27. Robinson Crusoe (Daniel Defoe, 1719)' h( ]! K7 m' z" ] p- e. F
26. The Lord of the Rings (JRR Tolkien, 1954); p' o: U, J$ x1 Q9 l, u
25. White Teeth (Zadie Smith, 2000)
- L9 i# b4 a& c# U( R }/ n24. The Golden Notebook (Doris Lessing, 1962)
( L1 ^: i; E# ~23. Jude the Obscure (Thomas Hardy, 1895)/ Z g' U# `, i5 s1 P) {, \! _
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
6 G. x0 ^8 n. O21. Heart of Darkness (Joseph Conrad, 1899)
# c2 x- r- F% m z20. Persuasion (Jane Austen, 1817)& l/ W* W8 j4 c7 h8 V* }
19. Emma (Jane Austen, 1815)
# z" g6 q( q, s* _18. Remains of the Day (Kazuo Ishiguro, 1989)+ {+ ?2 O# [, `( Z9 K. C( p+ H H" B
17. Howards End (EM Forster, 1910): H' ^1 q7 F, h3 c4 J+ Y
16. The Waves (Virginia Woolf, 1931)0 i4 E" }! U+ L) _1 c
15. Atonement (Ian McEwan, 2001)
* `: s: M' G7 i( e7 R14. Clarissa (Samuel Richardson,1748)1 O3 s- d6 v3 n4 _
13. The Good Soldier (Ford Madox Ford, 1915)
2 ]4 b* j- V; n6 r! {9 u" c$ ^! N12. Nineteen Eighty-Four (George Orwell, 1949)
+ h( f! t3 D: t6 v7 M2 _. i11. Pride and Prejudice (Jane Austen, 1813)
. D6 l. l( _8 S3 v10. Vanity Fair (William Makepeace Thackeray, 1848)' e" `3 @5 P* c5 d$ ^/ @1 M
9. Frankenstein (Mary Shelley, 1818)6 \7 S) i4 x& Y& q/ a0 Q
8. David Copperfield (Charles Dickens, 1850)
" l' p9 {' Z3 _! p/ y0 E- z" `4 q b7. Wuthering Heights (Emily Brontë, 1847)& m4 F4 Z9 H/ j
6. Bleak House (Charles Dickens, 1853)
' o1 a+ a$ j$ {* ]% Z5. Jane Eyre (Charlotte Brontë, 1847)) r" H8 a+ M& @7 G g/ @
4. Great Expectations (Charles Dickens, 1861)
|+ N) t( C2 Y) a) x3. Mrs. Dalloway (Virginia Woolf, 1925); \( r7 _7 z% Y. D- d8 g
2. To the Lighthouse (Virginia Woolf, 1927)$ j6 H, Y9 D; U6 v6 ]# N
1. Middlemarch (George Eliot, 1874)& e9 o+ K3 w7 g; G( i0 ?
4 o# z! _' i+ y$ g) [! i
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。0 |* T% p# Y8 T" `+ n% o0 m
: ~0 p, O! Q8 d1 w6 v呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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