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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ! w! g& w* u) N8 ]" g5 |) D
* g! ~' H: |( ~$ P1 \BBC评出100大英国文学名著9 j; W8 x! V4 O8 z/ l. M) e
http://www.bbc.com/culture/story ... test-british-novels! |+ L2 H k7 h+ R6 a0 I! \
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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/ J0 v- v) x# W- I& o. ~100. The Code of the Woosters (PG Wodehouse, 1938)
$ Z3 V4 s# Y1 S99. There but for the (Ali Smith, 2011)
& Q h! x6 S4 B+ q) Z" c% v( h98. Under the Volcano (Malcolm Lowry,1947)
$ P; l1 y# d: i4 J97. The Chronicles of Narnia (CS Lewis, 1949-1954)5 A' u' y) i4 T, Q4 ?9 k: c4 ^" z7 b
96. Memoirs of a Survivor (Doris Lessing, 1974)
( X& L( J9 d4 B, }0 V95. The Buddha of Suburbia (Hanif Kureishi, 1990)
& x% x+ k9 j! ~% O; u94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
+ {+ ]( V u+ h! T% j* A, x$ Y93. Lord of the Flies (William Golding, 1954)
' j' A# o+ ~& ~* J% _! F92. Cold Comfort Farm (Stella Gibbons, 1932)
1 G8 t0 q: g' u+ }! U91. The Forsyte Saga (John Galsworthy, 1922)
; f4 m& U }& O7 z) P5 s90. The Woman in White (Wilkie Collins, 1859) D9 ^) M6 j7 V" M
89. The Horse’s Mouth (Joyce Cary, 1944)
! v0 e( O' ?! Q; ?2 ?3 r! r4 D88. The Death of the Heart (Elizabeth Bowen, 1938)
6 v, \) L- V$ X( {6 j. Z3 o' N+ s6 Q87. The Old Wives’ Tale (Arnold Bennett,1908)
# D0 ~) e+ D( I$ |* l/ _* ~' j/ f86. A Legacy (Sybille Bedford, 1956)% X3 o$ q2 ^! f. Q6 J, i2 z+ M
85. Regeneration Trilogy (Pat Barker, 1991-1995)
! T5 I9 ` j, K) i84. Scoop (Evelyn Waugh, 1938)
Y2 w" l% l V) @83. Barchester Towers (Anthony Trollope, 1857)
: Y2 V# `/ m! M, j, q82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" E$ D( A: p8 F5 p/ w
81. The Jewel in the Crown (Paul Scott, 1966)
; c* s8 O, b; C1 R+ v5 G80. Excellent Women (Barbara Pym, 1952)& w$ @) d( r1 x# ^
79. His Dark Materials (Philip Pullman, 1995-2000)* A& ~0 N7 M' ^' H6 Q
78. A House for Mr Biswas (VS Naipaul, 1961)
6 Z5 y, D; j+ J K# j77. Of Human Bondage (W Somerset Maugham, 1915)
5 d. n1 T5 U8 Q, j8 X8 a" g3 e5 ]8 p, t76. Small Island (Andrea Levy, 2004)
4 u/ l2 a/ z0 U9 A' B& x" m9 C75. Women in Love (DH Lawrence, 1920)* j" x7 M. D" V! T
74. The Mayor of Casterbridge (Thomas Hardy, 1886)- g5 a* I. I/ n5 ?( ^
73. The Blue Flower (Penelope Fitzgerald, 1995)1 i$ l# t3 {# ?0 V n
72. The Heart of the Matter (Graham Greene, 1948)
$ u3 `9 r' {- B71. Old Filth (Jane Gardam, 2004)
8 L0 C, V# P7 M- b4 p70. Daniel Deronda (George Eliot, 1876)9 q) X) P! x& n$ l' Z, a
69. Nostromo (Joseph Conrad, 1904)5 ]4 [6 G+ F w/ n7 A# f# }
68. A Clockwork Orange (Anthony Burgess, 1962)3 Z! J) M1 ^* {1 A" L$ t9 d8 L
67. Crash (JG Ballard 1973)$ |; n! u4 W* P1 ?
66. Sense and Sensibility (Jane Austen, 1811)2 L! Q e9 T' ~4 W
65. Orlando (Virginia Woolf, 1928)
4 p! H" ^& B2 P" `! K' P64. The Way We Live Now (Anthony Trollope, 1875)
2 w" X! U" _3 X9 R4 u, {* V63. The Prime of Miss Jean Brodie (Muriel Spark, 1961). M" y/ I3 P% x, S' K1 @
62. Animal Farm (George Orwell, 1945)9 k" `* g1 k8 P
61. The Sea, The Sea (Iris Murdoch, 1978)% q& I/ E: S6 c8 b1 _# L
60. Sons and Lovers (DH Lawrence, 1913)" Z6 ?5 n8 l5 f7 f8 K6 [
59. The Line of Beauty (Alan Hollinghurst, 2004)
5 x; Z' j4 e+ r1 P58. Loving (Henry Green, 1945)) Q4 L: F. c$ f, c; T6 [: T8 W! ^0 W5 ?! v
57. Parade’s End (Ford Madox Ford, 1924-1928)
' A: {; X4 M. h56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
5 h c2 o4 \& u" |# X55. Gulliver’s Travels (Jonathan Swift, 1726)3 ?9 k# n! o; d" M6 A
54. NW (Zadie Smith, 2012)
5 d4 r8 {. s. e+ q1 \8 {53. Wide Sargasso Sea (Jean Rhys, 1966)
' U) r( C; L; ~9 Y; C' U5 p) L52. New Grub Street (George Gissing, 1891)
3 s! b4 Q7 a) K6 i W; c51. Tess of the d’Urbervilles (Thomas Hardy, 1891)$ ~- d1 y; p3 }. T
50. A Passage to India (EM Forster, 1924)# `3 h5 A% I: {* x4 b, }
49. Possession (AS Byatt, 1990)1 }! F/ L+ I( Z6 Z
48. Lucky Jim (Kingsley Amis, 1954)
9 \4 |5 y, S; ?: l$ O3 P8 y2 e5 i. T47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)! e! u, Z2 N4 U9 \
46. Midnight’s Children (Salman Rushdie, 1981)
5 k- c9 \4 I- O% r45. The Little Stranger (Sarah Waters, 2009)
" ?. n' {3 n5 u7 T44. Wolf Hall (Hilary Mantel, 2009)# G' ]/ c j4 a" _% I( j
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
5 U3 |+ \1 r+ `( [42. Brighton Rock (Graham Greene, 1938)
* |- r4 J0 G3 }, I$ l( o41. Dombey and Son (Charles Dickens, 1848)) _1 s/ k2 W$ C7 k. G1 P
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)5 N0 n" {( ?' n% p8 ~
39. The Sense of an Ending (Julian Barnes, 2011)
, X0 K+ ]* i' _38. The Passion (Jeanette Winterson, 1987)
8 w) O) R( e$ _$ B' j37. Decline and Fall (Evelyn Waugh, 1928); L D! |6 f( P+ U9 M" A
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ G, k% s: M" n; B+ `& n2 P8 \2 L35. Remainder (Tom McCarthy, 2005)2 o& Y6 K8 S3 L' b9 U5 A4 Y* l- r8 t
34. Never Let Me Go (Kazuo Ishiguro, 2005)
/ o1 c7 z. ]- E/ A33. The Wind in the Willows (Kenneth Grahame, 1908)
- q8 D5 w) g$ o5 P8 {32. A Room with a View (EM Forster, 1908)% r& n/ D# a v0 _7 n" G' N
31. The End of the Affair (Graham Greene, 1951)+ F7 M. h) C, d+ D9 o( j
30. Moll Flanders (Daniel Defoe, 1722)
: D7 [% C) o# I3 s29. Brick Lane (Monica Ali, 2003)3 Y" [0 |7 X8 w
28. Villette (Charlotte Brontë, 1853)
+ f! L9 z( c3 j% C" e27. Robinson Crusoe (Daniel Defoe, 1719)! Y* c V# q8 A) `4 g; s: c, F
26. The Lord of the Rings (JRR Tolkien, 1954)
6 U1 z: Y) i6 l6 }, s25. White Teeth (Zadie Smith, 2000)
8 p4 r3 W0 ]* r3 S8 [% a; Q24. The Golden Notebook (Doris Lessing, 1962)
# i2 B- S) z3 D) U! u; [23. Jude the Obscure (Thomas Hardy, 1895)
0 h# f/ F; N, ^/ I22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
, T( d p2 ], R21. Heart of Darkness (Joseph Conrad, 1899); z4 G G8 Q4 ^7 E
20. Persuasion (Jane Austen, 1817)
4 w% h5 {% e; B: H) d* A19. Emma (Jane Austen, 1815)
' Y' J- W$ ` a! I6 Q18. Remains of the Day (Kazuo Ishiguro, 1989)4 s$ E& E A( C. f6 X
17. Howards End (EM Forster, 1910)
+ k2 ^& W9 j/ a1 \9 D, H16. The Waves (Virginia Woolf, 1931)' i8 v* {+ t8 I. g9 ]. p
15. Atonement (Ian McEwan, 2001)
) R) z/ y0 ?6 E z14. Clarissa (Samuel Richardson,1748)
' C$ U) T E& G1 j' K; ]13. The Good Soldier (Ford Madox Ford, 1915)* h) T' m% j! S0 q* V
12. Nineteen Eighty-Four (George Orwell, 1949)
5 s/ J4 U- R2 b; ~" ]4 `, m. o11. Pride and Prejudice (Jane Austen, 1813)
6 U/ M: c) A7 ^/ v7 g# V10. Vanity Fair (William Makepeace Thackeray, 1848)
9 N$ O+ c; \: h h9 O6 ?% f+ ?9. Frankenstein (Mary Shelley, 1818). o0 n9 B& |: f/ s" |
8. David Copperfield (Charles Dickens, 1850)
, r1 d; \/ v# D+ A1 e7. Wuthering Heights (Emily Brontë, 1847)6 u7 j$ v- ^$ g: P: U/ x
6. Bleak House (Charles Dickens, 1853)
( G' p8 Y' u7 h5. Jane Eyre (Charlotte Brontë, 1847)! K# \7 @ R1 F
4. Great Expectations (Charles Dickens, 1861)* R, g* }' ?6 k. N7 a
3. Mrs. Dalloway (Virginia Woolf, 1925)
4 f% ?# E' A. C5 M- }2. To the Lighthouse (Virginia Woolf, 1927)" [) q" Q6 O. q( N' Z6 f
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。% a# P) i' [) B" q
/ q# ~7 n- m6 q, z% b. u" U& ?; y呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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