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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ( `9 ], g9 t8 p6 m' y" x
& I, ?& z( y. p" s' ?$ lBBC评出100大英国文学名著* p! H) w9 d3 N3 w
http://www.bbc.com/culture/story ... test-british-novels' y5 `, F" C0 F! O# a+ m3 H% e$ Y8 a
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。 g7 E1 H+ @- z1 f7 h
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100. The Code of the Woosters (PG Wodehouse, 1938)
\3 C* `1 _, y99. There but for the (Ali Smith, 2011)0 c1 R P7 P0 W) _1 u) V
98. Under the Volcano (Malcolm Lowry,1947)
) S! ~6 q$ v& y) t6 `+ a _* K97. The Chronicles of Narnia (CS Lewis, 1949-1954)
! X5 S' s5 \ d5 h) J96. Memoirs of a Survivor (Doris Lessing, 1974)) ^$ K. v; ~8 Q
95. The Buddha of Suburbia (Hanif Kureishi, 1990)( C, ~4 |8 e/ o8 d6 t! }' X
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)* Q3 r" O+ Q- p8 B2 H$ P
93. Lord of the Flies (William Golding, 1954)7 q% i' u [. H% |
92. Cold Comfort Farm (Stella Gibbons, 1932)1 y- @! h2 P0 i
91. The Forsyte Saga (John Galsworthy, 1922)
( u5 Q8 W% t( A. j M90. The Woman in White (Wilkie Collins, 1859)' O, X) @+ s2 _/ e% j3 ~7 m
89. The Horse’s Mouth (Joyce Cary, 1944)
2 n9 \/ g1 I% I% T5 ~$ _. @88. The Death of the Heart (Elizabeth Bowen, 1938)1 m" o- r. l7 k6 d
87. The Old Wives’ Tale (Arnold Bennett,1908)1 H4 _5 k+ H2 X
86. A Legacy (Sybille Bedford, 1956)
7 K, N( w8 l/ h, m( M* B% y6 V/ u5 U85. Regeneration Trilogy (Pat Barker, 1991-1995)8 O n @% T' e Y+ f: q
84. Scoop (Evelyn Waugh, 1938)- s9 ]" M& K) y% |
83. Barchester Towers (Anthony Trollope, 1857)
/ `" A# D1 {5 M( `) _" [82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)2 A. U$ m) L- W4 ~* ~* H
81. The Jewel in the Crown (Paul Scott, 1966)
2 Q4 R5 t* [' m0 f( r; i8 u80. Excellent Women (Barbara Pym, 1952)" u( ~% }& o7 H
79. His Dark Materials (Philip Pullman, 1995-2000)5 u! g0 n4 }2 o6 O9 u
78. A House for Mr Biswas (VS Naipaul, 1961)
+ d8 H+ w9 H! ~! T( k( n77. Of Human Bondage (W Somerset Maugham, 1915)8 F( o# g6 m4 C; ~
76. Small Island (Andrea Levy, 2004)/ Q* ]3 Z/ b/ z! ?: F9 J
75. Women in Love (DH Lawrence, 1920)3 F6 R/ Y- l7 h! o
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
8 Y+ S% w7 W: ^' ?, O73. The Blue Flower (Penelope Fitzgerald, 1995)
/ E' Y7 C4 U# _' n. a) }1 H6 y! M" Y% T72. The Heart of the Matter (Graham Greene, 1948)
8 s" k' Q7 y$ W% H3 W+ I71. Old Filth (Jane Gardam, 2004)
0 D* u$ K* S( d70. Daniel Deronda (George Eliot, 1876)3 ^1 Z7 H- ^3 o5 w2 [$ i/ h0 S, h
69. Nostromo (Joseph Conrad, 1904)4 [4 Y4 L- m7 h) C- o0 u5 k
68. A Clockwork Orange (Anthony Burgess, 1962)1 Q- A9 Q! k, H) Z
67. Crash (JG Ballard 1973)
- R: x( [& o1 L [66. Sense and Sensibility (Jane Austen, 1811)& c; v4 O7 b; ?# J1 c0 c) Q
65. Orlando (Virginia Woolf, 1928)
& d& A3 {- `; Y& _- A) ?+ o64. The Way We Live Now (Anthony Trollope, 1875)
0 i2 f9 y: I5 y2 [; _5 l63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)) M9 M) A9 n) s/ }) y
62. Animal Farm (George Orwell, 1945)4 c3 J: F% X4 K8 I2 k
61. The Sea, The Sea (Iris Murdoch, 1978)0 a2 r* r* m z
60. Sons and Lovers (DH Lawrence, 1913)
8 o. u( N7 R4 E6 M' X0 Z2 @59. The Line of Beauty (Alan Hollinghurst, 2004) {! p- V9 i1 Z% x% r3 b+ }
58. Loving (Henry Green, 1945)
3 B. p& v% ], m& Q% ?( }: B57. Parade’s End (Ford Madox Ford, 1924-1928)1 z( M6 L8 E( L5 p' S6 U
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); l8 U! j/ P/ `* p/ ~
55. Gulliver’s Travels (Jonathan Swift, 1726)$ _! F, L7 [( Z; N
54. NW (Zadie Smith, 2012)0 N# e4 `% Z+ T: P+ L0 z" q
53. Wide Sargasso Sea (Jean Rhys, 1966)7 i/ `$ T! a9 a, q# n @) k3 j
52. New Grub Street (George Gissing, 1891), _1 ~& `+ w6 T8 G2 A! O
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)6 Q4 B0 T7 I0 c4 ~
50. A Passage to India (EM Forster, 1924)" k7 M* @" o( h5 l0 q0 V
49. Possession (AS Byatt, 1990)
4 k' e! X2 e3 E: M1 K/ b48. Lucky Jim (Kingsley Amis, 1954)
/ v% q P0 e1 w4 C) f( u! U, T47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)4 K$ h1 U( U. A# ]# H8 v
46. Midnight’s Children (Salman Rushdie, 1981)
5 p/ z! ]4 ?8 B% I45. The Little Stranger (Sarah Waters, 2009)
. E* |9 w+ ?6 \6 n( S- u3 _44. Wolf Hall (Hilary Mantel, 2009)# T8 ^5 G1 x$ [2 D
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
9 N8 R( Y1 {# k/ P42. Brighton Rock (Graham Greene, 1938)
- Y% H! C4 w h8 ~: R, G% O41. Dombey and Son (Charles Dickens, 1848)
* t1 z/ r' Z- a# I( k40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
" I9 U' \2 H1 w; }9 y: _6 A39. The Sense of an Ending (Julian Barnes, 2011)' h0 p6 K" W8 u L( t- r" X
38. The Passion (Jeanette Winterson, 1987)
' D) N0 u% g; m t1 ]+ e37. Decline and Fall (Evelyn Waugh, 1928)1 C3 Y8 A& A1 X2 Y G9 q$ m
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)/ i/ L% d4 c3 k2 c: M3 H7 g" k
35. Remainder (Tom McCarthy, 2005)
3 t2 ?# l$ @2 G5 F8 u3 q" n34. Never Let Me Go (Kazuo Ishiguro, 2005)
% L+ P+ K$ ? C3 V) m33. The Wind in the Willows (Kenneth Grahame, 1908)
|6 E- H8 m7 e1 j32. A Room with a View (EM Forster, 1908)
& \- R1 V% |- K$ v31. The End of the Affair (Graham Greene, 1951)
0 c9 H' u$ B& a( I& c G30. Moll Flanders (Daniel Defoe, 1722)! `5 c) A# p6 k& A5 n* z7 z
29. Brick Lane (Monica Ali, 2003)1 A7 Y9 _6 r% D9 H3 D- D* @, V+ a$ j
28. Villette (Charlotte Brontë, 1853); |0 H8 h9 i/ ^
27. Robinson Crusoe (Daniel Defoe, 1719)+ u# Y4 U; d% D! a. Z( y! ~# j. C
26. The Lord of the Rings (JRR Tolkien, 1954)
/ G& p& t, w, Y6 S; {6 h25. White Teeth (Zadie Smith, 2000)+ O8 F& O I0 ]7 P; u
24. The Golden Notebook (Doris Lessing, 1962)
) v5 e" Q9 @1 e23. Jude the Obscure (Thomas Hardy, 1895)
2 f$ v; j+ L0 M- y+ G22. The History of Tom Jones, a Foundling (Henry Fielding, 1749); q8 ^. k+ y* ^
21. Heart of Darkness (Joseph Conrad, 1899)
) W- e( Q" n+ A1 b: N20. Persuasion (Jane Austen, 1817)6 C9 c0 T4 b: k; V( E7 n) [
19. Emma (Jane Austen, 1815) f4 O3 l5 C( q {' \' } K" }
18. Remains of the Day (Kazuo Ishiguro, 1989)- j* T* J# k4 z8 g J+ Q! N
17. Howards End (EM Forster, 1910)+ k |8 R$ |8 A* r- L, i
16. The Waves (Virginia Woolf, 1931)7 \5 f4 y+ {2 T3 p; M- x3 }9 k3 J
15. Atonement (Ian McEwan, 2001)
5 Z {9 A; [8 y1 w7 a. Y14. Clarissa (Samuel Richardson,1748)
9 q$ n* l) o# A1 S13. The Good Soldier (Ford Madox Ford, 1915)
4 m. d& G, l+ Y4 y0 Z12. Nineteen Eighty-Four (George Orwell, 1949)
. ?! U6 {' X% d- @' g11. Pride and Prejudice (Jane Austen, 1813)
. `, c, z' i$ S5 c" I10. Vanity Fair (William Makepeace Thackeray, 1848)
( e. h/ W) `, x' `9. Frankenstein (Mary Shelley, 1818)
$ G! @+ u& Y, H/ j8 Y$ U8. David Copperfield (Charles Dickens, 1850)% I& G6 J5 {' K9 y- h
7. Wuthering Heights (Emily Brontë, 1847)$ K; D l$ g3 H, d- T
6. Bleak House (Charles Dickens, 1853)
: W% c% V" |. X! L: S7 N+ }7 W1 K5. Jane Eyre (Charlotte Brontë, 1847)
. [ L) g" U" p; D3 w/ }$ a$ s& y" u4. Great Expectations (Charles Dickens, 1861)7 s% z7 K1 v r2 D# p: a, `! M$ z
3. Mrs. Dalloway (Virginia Woolf, 1925)
9 h- M9 c. {3 C- Y6 c: C, |# J2 }2. To the Lighthouse (Virginia Woolf, 1927)# F2 @# }7 l8 `
1. Middlemarch (George Eliot, 1874), L7 a$ P$ m* M3 g3 e: _& F7 ^0 x$ D
) }( u( ?1 \" F+ c, v3 R' H8 v前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。. S0 G B8 E8 n( s; f
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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