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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著8 D& T5 ?2 J6 z6 P
http://www.bbc.com/culture/story ... test-british-novels) Y% Z; z# C& V' p
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* L+ B: t/ x* L+ C9 ?0 k
; Y# `, c8 N) l2 J% n/ G8 X. k100. The Code of the Woosters (PG Wodehouse, 1938)
4 a0 W! E; s& M99. There but for the (Ali Smith, 2011)& `9 U; c2 p M) y
98. Under the Volcano (Malcolm Lowry,1947)
: `% D/ p0 Z" _97. The Chronicles of Narnia (CS Lewis, 1949-1954)6 ?3 O' c l- E+ I/ q }
96. Memoirs of a Survivor (Doris Lessing, 1974): W5 R0 I3 m; \& M, ?1 y) j
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
' i' S: X1 g, n- t6 K94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); L+ Z* g# H2 Q% H6 K! ?
93. Lord of the Flies (William Golding, 1954)/ `) \2 r& ^1 _% x- o
92. Cold Comfort Farm (Stella Gibbons, 1932)( x* O5 i' T1 `& [. P
91. The Forsyte Saga (John Galsworthy, 1922)% M; V' }3 n, n: l, O, W6 T
90. The Woman in White (Wilkie Collins, 1859)* U& x. G6 `0 q" L# M0 }
89. The Horse’s Mouth (Joyce Cary, 1944)0 \. a0 e. E; n, s
88. The Death of the Heart (Elizabeth Bowen, 1938)# r" a0 y8 K" U$ ?2 i1 Y' y. u# m
87. The Old Wives’ Tale (Arnold Bennett,1908)8 B j5 c2 ^) v) A* T( @. E3 @ w8 D
86. A Legacy (Sybille Bedford, 1956)
% D6 A% B* W( h85. Regeneration Trilogy (Pat Barker, 1991-1995)
4 O' c5 a5 {/ l/ x3 X0 f84. Scoop (Evelyn Waugh, 1938)2 ^1 e, U+ X4 e3 V" q, K4 n
83. Barchester Towers (Anthony Trollope, 1857)
" C) y; e5 D: G& J82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012) F1 Y+ Z& j& o2 ?5 z i4 }! f6 x P
81. The Jewel in the Crown (Paul Scott, 1966)
! e8 ] m8 {/ f9 {) G' J" X2 o80. Excellent Women (Barbara Pym, 1952)6 C8 g2 \' X7 e* }7 w; ]
79. His Dark Materials (Philip Pullman, 1995-2000)/ u+ Z3 J4 r1 ^ f
78. A House for Mr Biswas (VS Naipaul, 1961)
! W( b! W& }, F M1 E77. Of Human Bondage (W Somerset Maugham, 1915)* \3 s, V: m) Z# m
76. Small Island (Andrea Levy, 2004)6 h9 o) t$ }; K. N) |$ Z- a+ v
75. Women in Love (DH Lawrence, 1920)
* a, ]" S4 |9 [3 ]74. The Mayor of Casterbridge (Thomas Hardy, 1886)
$ i% L$ M Q6 ]9 E) x9 E I0 N0 c- x73. The Blue Flower (Penelope Fitzgerald, 1995)( R! O/ G3 o1 m4 L4 p. l' w5 d
72. The Heart of the Matter (Graham Greene, 1948)% w( W0 n$ f6 {" a
71. Old Filth (Jane Gardam, 2004)
3 ]- w S$ r7 x( u4 `70. Daniel Deronda (George Eliot, 1876)
( E2 W. ^( D, z; j4 l8 A8 m' h4 @69. Nostromo (Joseph Conrad, 1904)2 d3 K; I e+ U ]- r
68. A Clockwork Orange (Anthony Burgess, 1962)
5 W% \0 y, O& c/ q7 s67. Crash (JG Ballard 1973)- r7 T3 S) q4 D
66. Sense and Sensibility (Jane Austen, 1811)2 [: | v% C2 M2 p S$ r
65. Orlando (Virginia Woolf, 1928)
/ d. X7 S% ^' e! N64. The Way We Live Now (Anthony Trollope, 1875)
) V7 \: m8 w, ] O63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)( \# O) L1 V, b% a- {+ R" K1 n* }9 Y
62. Animal Farm (George Orwell, 1945)
! g% G q. B, [/ `! C9 b& g- o61. The Sea, The Sea (Iris Murdoch, 1978)
2 P s6 q) ^: a$ k+ \+ |2 X5 Z# u, F60. Sons and Lovers (DH Lawrence, 1913)
9 W! k- u; }7 R1 B1 m$ l59. The Line of Beauty (Alan Hollinghurst, 2004)
& D# J, {" j8 m P: N6 O58. Loving (Henry Green, 1945)
+ S! c- M! p3 z7 `) Z57. Parade’s End (Ford Madox Ford, 1924-1928)
V# v3 u' _# j: `& q56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)8 g5 x! d' Y* z' S, G+ G) c
55. Gulliver’s Travels (Jonathan Swift, 1726)5 u. N0 p l- _ F" C9 Y* |
54. NW (Zadie Smith, 2012)0 Y$ T: | h1 V
53. Wide Sargasso Sea (Jean Rhys, 1966)
. [& a* V& H1 P4 z+ \52. New Grub Street (George Gissing, 1891)
/ m, U4 s) X* K" x: z51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
: O9 H, [7 e/ v: p50. A Passage to India (EM Forster, 1924)
& ?5 {# h+ m& p7 D2 ~" [9 F8 r49. Possession (AS Byatt, 1990)
; ^0 m4 j% L. ^2 Y/ r+ p+ _48. Lucky Jim (Kingsley Amis, 1954)" o6 L% S. S: U" z A& @/ |1 e
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)+ k- [' P N' l: F, r; I
46. Midnight’s Children (Salman Rushdie, 1981)1 [4 n6 i, \ z9 j* F2 ~
45. The Little Stranger (Sarah Waters, 2009)1 B# I l1 ~+ @* i2 W3 }+ Y
44. Wolf Hall (Hilary Mantel, 2009)
; ?" t& S9 U( t8 g9 Y43. The Swimming Pool Library (Alan Hollinghurst, 1988)
8 ?( B2 t1 N, s, q0 o42. Brighton Rock (Graham Greene, 1938)
0 |) j0 J" ? R! y, z4 [41. Dombey and Son (Charles Dickens, 1848)
l$ Z" ^4 }8 [! L40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
. y7 M3 w5 E; T% x+ k9 W$ U/ X39. The Sense of an Ending (Julian Barnes, 2011)5 f1 n d6 F' N" Q. q
38. The Passion (Jeanette Winterson, 1987)8 Q" c( @; C0 N5 _/ r0 }
37. Decline and Fall (Evelyn Waugh, 1928)6 m$ `4 Z+ E) R2 }6 @7 ^/ u* @
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)" @7 e' {( `5 Q1 q3 t w
35. Remainder (Tom McCarthy, 2005)/ C* F, Y6 [+ u2 B9 h" v/ l# W
34. Never Let Me Go (Kazuo Ishiguro, 2005)
U$ P' \( Y2 H" h0 \33. The Wind in the Willows (Kenneth Grahame, 1908) G- q+ ~) \8 v" T# e4 s
32. A Room with a View (EM Forster, 1908)9 F; m4 e" N& p! T2 _4 L
31. The End of the Affair (Graham Greene, 1951)5 a& ]2 v- _4 `# z! D) E& V
30. Moll Flanders (Daniel Defoe, 1722)+ ]- u$ C# s1 ?/ p7 `
29. Brick Lane (Monica Ali, 2003)2 L4 d \) l v$ P3 \3 I
28. Villette (Charlotte Brontë, 1853)
8 l0 z. z1 C" a% L1 ?6 Q27. Robinson Crusoe (Daniel Defoe, 1719)
; U9 e. ?" e7 ~8 ?9 |! V3 E26. The Lord of the Rings (JRR Tolkien, 1954)
! o$ p0 `# E) r- g6 T0 c25. White Teeth (Zadie Smith, 2000)$ s9 R2 p2 ^9 Q' I- N1 v
24. The Golden Notebook (Doris Lessing, 1962)
$ n) l. ?/ E, W6 Q23. Jude the Obscure (Thomas Hardy, 1895)
5 [3 n& o% L" A" ?) ^22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)1 r/ R' ]. I" A
21. Heart of Darkness (Joseph Conrad, 1899)2 u# J5 M6 B# v7 `2 U
20. Persuasion (Jane Austen, 1817)
- w$ n( \; K% A19. Emma (Jane Austen, 1815)- }6 T6 H* Q2 Y+ k9 q( B
18. Remains of the Day (Kazuo Ishiguro, 1989)7 Y! }. i9 C( o
17. Howards End (EM Forster, 1910)9 X0 B, g! k, n; C7 i
16. The Waves (Virginia Woolf, 1931)4 |" P' ^* W* W0 F! ?1 E& y7 n
15. Atonement (Ian McEwan, 2001)
% l; o; H* A! }3 b7 _6 t: V14. Clarissa (Samuel Richardson,1748) K f# X o: J L
13. The Good Soldier (Ford Madox Ford, 1915)
8 A; P$ @ X$ ^7 E& ]: U& ^( u12. Nineteen Eighty-Four (George Orwell, 1949)
- x" |. |: C! ]! D, L8 d5 X, ]11. Pride and Prejudice (Jane Austen, 1813)
! P9 H3 ]: Y% ~5 g) ?10. Vanity Fair (William Makepeace Thackeray, 1848)! _) `* V9 d! a$ |! B
9. Frankenstein (Mary Shelley, 1818)
' r4 @; [, ^* ]3 L% [* P8. David Copperfield (Charles Dickens, 1850) i) n! h1 { Z5 d( T- }. p3 N8 c
7. Wuthering Heights (Emily Brontë, 1847)% z5 }- L: c3 o# o6 k0 B- f( h# w$ V( T
6. Bleak House (Charles Dickens, 1853)# s5 t2 L M* \% V9 `
5. Jane Eyre (Charlotte Brontë, 1847); a; Z( p5 g0 _1 Z* e0 a
4. Great Expectations (Charles Dickens, 1861)
3 {1 L, c; f! j; A ?) |3. Mrs. Dalloway (Virginia Woolf, 1925)- T8 h0 ?# \0 }* ~
2. To the Lighthouse (Virginia Woolf, 1927)
$ O! }+ d3 r4 a1 y: X( Y. h1. Middlemarch (George Eliot, 1874)
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& y# }: Y6 Y3 k1 L前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。1 {7 A( K- u. F1 f, l0 p% q
$ D! |0 l- }, @9 j3 ^呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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