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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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) X8 G5 z: w/ m3 F- D- QBBC评出100大英国文学名著
Q x p4 ^; s% D# w6 Shttp://www.bbc.com/culture/story ... test-british-novels
) T0 B- [" D7 l$ W惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。: I+ @: A0 Y" J$ K$ P# s! n B
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100. The Code of the Woosters (PG Wodehouse, 1938); F. y6 a; P# A! r) F- a( W& W4 b
99. There but for the (Ali Smith, 2011)
6 ?1 P# n; [5 q98. Under the Volcano (Malcolm Lowry,1947)- v+ U4 j" \. I! ?
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
! K1 R) c2 T# B# v$ R l96. Memoirs of a Survivor (Doris Lessing, 1974)* k( Y$ I, K/ A t9 u: c) ^4 x
95. The Buddha of Suburbia (Hanif Kureishi, 1990)9 L z f2 A$ k* [! l
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)# x& s- L0 T! P, p
93. Lord of the Flies (William Golding, 1954)
l# E# U7 C9 J6 s9 i3 c: C1 `; B. e92. Cold Comfort Farm (Stella Gibbons, 1932)
: l* X' y" D" F* K# {0 Q7 G' B5 T0 v2 Y91. The Forsyte Saga (John Galsworthy, 1922)8 o) I* S) V) f+ w$ v
90. The Woman in White (Wilkie Collins, 1859)
; }1 T/ P- |! o" I& }$ j5 l9 M89. The Horse’s Mouth (Joyce Cary, 1944)
2 X7 D" L' U( C% L/ @6 C88. The Death of the Heart (Elizabeth Bowen, 1938): \, m: l. L5 a8 J7 ], u$ l
87. The Old Wives’ Tale (Arnold Bennett,1908)% T1 Z% V; @& e9 X& N
86. A Legacy (Sybille Bedford, 1956)& r2 R3 a6 p2 f f5 z
85. Regeneration Trilogy (Pat Barker, 1991-1995)' F6 R0 k- C0 G0 V1 O8 g4 t
84. Scoop (Evelyn Waugh, 1938)
( C5 s( r& a) x83. Barchester Towers (Anthony Trollope, 1857)/ e# Z0 [4 g. N$ f
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)' E/ i0 }# ?0 F( E3 D. E
81. The Jewel in the Crown (Paul Scott, 1966)
. O' U( x# m1 [0 A/ n9 s6 M80. Excellent Women (Barbara Pym, 1952)5 p5 t8 U1 o, s
79. His Dark Materials (Philip Pullman, 1995-2000)
# p5 j5 f6 Y! `4 W2 b# P) {78. A House for Mr Biswas (VS Naipaul, 1961)) h) O8 y' p: A! k
77. Of Human Bondage (W Somerset Maugham, 1915). J8 d2 e# i( i& @* x- B
76. Small Island (Andrea Levy, 2004)9 n9 x, m$ ?; M. d( i: Y4 S; l, n
75. Women in Love (DH Lawrence, 1920)
2 {/ N3 B7 j1 D3 p/ a' k74. The Mayor of Casterbridge (Thomas Hardy, 1886)& }2 s- K# a3 P& [1 r: D! _& X6 M
73. The Blue Flower (Penelope Fitzgerald, 1995)
: E8 _ D, ?. y0 l72. The Heart of the Matter (Graham Greene, 1948)9 t: h V/ x( ] E
71. Old Filth (Jane Gardam, 2004)
: v4 E$ X$ |4 m2 v70. Daniel Deronda (George Eliot, 1876)
$ n1 H" j+ D$ c& y& {69. Nostromo (Joseph Conrad, 1904)
3 m* V# |0 F$ @/ p$ z68. A Clockwork Orange (Anthony Burgess, 1962)
4 Y2 v/ |0 U7 W" e67. Crash (JG Ballard 1973)% q6 h% _" G$ _" o3 O' N
66. Sense and Sensibility (Jane Austen, 1811)' m( B9 L7 f0 y4 d% m
65. Orlando (Virginia Woolf, 1928)
& v( g5 G" t1 z: |2 `! }, A! k# n64. The Way We Live Now (Anthony Trollope, 1875)
! F% Z# L5 o4 _63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
7 B! R4 {! b' w62. Animal Farm (George Orwell, 1945)& Q" i: \; T$ H4 {( g) L
61. The Sea, The Sea (Iris Murdoch, 1978)
" _! p, ^, n2 Z- @) T5 P0 g/ R60. Sons and Lovers (DH Lawrence, 1913)
W2 V- O" N( [ N, j$ n59. The Line of Beauty (Alan Hollinghurst, 2004)9 K! _8 L9 s% C! B# A( c' V# d5 Q
58. Loving (Henry Green, 1945)
& I% O! v j; q57. Parade’s End (Ford Madox Ford, 1924-1928)
. y& ^; ]) z4 ^$ H4 u {56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
; S% S) H8 }/ S6 c8 { c2 p55. Gulliver’s Travels (Jonathan Swift, 1726)
( `9 o5 ]. o9 K0 k$ m+ _54. NW (Zadie Smith, 2012)
- L3 o2 Q- ^/ p3 K, R53. Wide Sargasso Sea (Jean Rhys, 1966)1 S. D# K7 ~. _! x' \
52. New Grub Street (George Gissing, 1891)
' z2 @9 }+ Z# Q1 ]9 g( w51. Tess of the d’Urbervilles (Thomas Hardy, 1891)! U( d9 B6 ~: m7 a
50. A Passage to India (EM Forster, 1924)
. i; i+ A7 x/ p4 h2 `& Q+ D& T49. Possession (AS Byatt, 1990) ~9 Z$ I4 E: A4 B
48. Lucky Jim (Kingsley Amis, 1954)
% n1 M8 s0 n1 ~: v! @4 t; a- a9 ]47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
K; W! Z A0 i# O, a46. Midnight’s Children (Salman Rushdie, 1981)2 S. Y V0 ^, m
45. The Little Stranger (Sarah Waters, 2009)
$ X+ d7 i5 q/ E# e: O3 ~44. Wolf Hall (Hilary Mantel, 2009)
% s% V5 K; m* Q$ G43. The Swimming Pool Library (Alan Hollinghurst, 1988)0 ?9 u. ~" F9 g8 ]3 \
42. Brighton Rock (Graham Greene, 1938)
/ n8 _8 x; a3 C2 m4 F X' v41. Dombey and Son (Charles Dickens, 1848)* ]+ m0 `7 Y4 f, r0 a8 |) y' r
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
+ {1 R! s4 Z r6 w39. The Sense of an Ending (Julian Barnes, 2011)2 P6 i2 C) d& v5 l4 w: e, Q0 H
38. The Passion (Jeanette Winterson, 1987)" i8 d, \# e/ T! p N6 B. F0 ]& y
37. Decline and Fall (Evelyn Waugh, 1928)
/ I3 b. V3 c8 N8 V% [) s. `9 O36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
; w/ g, ~2 O( C$ t0 S) i6 l35. Remainder (Tom McCarthy, 2005)* {2 s N) h8 \) X. K) O
34. Never Let Me Go (Kazuo Ishiguro, 2005)
9 S! k# v- {4 N33. The Wind in the Willows (Kenneth Grahame, 1908)
`9 P/ X0 c7 M) k. g1 O32. A Room with a View (EM Forster, 1908)
$ d! v1 n1 J5 _3 {5 a* {31. The End of the Affair (Graham Greene, 1951)8 m q( q. A7 ^6 s' `
30. Moll Flanders (Daniel Defoe, 1722)
! G/ x! [8 u7 S5 S8 S3 q29. Brick Lane (Monica Ali, 2003)
M( }5 n+ k9 c7 [: f: {28. Villette (Charlotte Brontë, 1853)) S# T9 [6 o1 P; R# n
27. Robinson Crusoe (Daniel Defoe, 1719)- Q8 I& A- D) _" [6 m9 z
26. The Lord of the Rings (JRR Tolkien, 1954)& V2 n; Y& o i( D1 N, @- |
25. White Teeth (Zadie Smith, 2000)2 C" L* m$ g+ o, Y R$ t: n! m
24. The Golden Notebook (Doris Lessing, 1962)
. \; O: ~- H$ Z u5 d+ _4 V7 Y23. Jude the Obscure (Thomas Hardy, 1895)5 W: C5 L: H" f$ l0 H
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
! Z. n* v4 t" a21. Heart of Darkness (Joseph Conrad, 1899)
) O K" m+ t. Y) `6 h* Q" Q20. Persuasion (Jane Austen, 1817)$ B |) x% P! q
19. Emma (Jane Austen, 1815)* Q6 {- E( P9 E. r6 G
18. Remains of the Day (Kazuo Ishiguro, 1989)& ?: T3 M# \+ j8 F7 H5 | X1 e
17. Howards End (EM Forster, 1910)# L1 B; v& O, Q; l8 J- R
16. The Waves (Virginia Woolf, 1931)8 T0 |7 H! u7 H$ G1 b. n% U4 J9 |
15. Atonement (Ian McEwan, 2001)1 Y1 H3 t- J3 }; |2 g3 f
14. Clarissa (Samuel Richardson,1748)
" T# u6 J( M# e13. The Good Soldier (Ford Madox Ford, 1915)
- e- G- B, k6 m12. Nineteen Eighty-Four (George Orwell, 1949)
8 Y% Q; R; N' p11. Pride and Prejudice (Jane Austen, 1813)) I# y! y+ D6 K& P
10. Vanity Fair (William Makepeace Thackeray, 1848)
4 b/ @' a4 | C7 Z3 N6 p+ H* t/ p9. Frankenstein (Mary Shelley, 1818)
: c/ F1 h3 B7 _8. David Copperfield (Charles Dickens, 1850)* t1 g( x# ~ n5 V* t3 c
7. Wuthering Heights (Emily Brontë, 1847)2 M- V& c* ^" A8 H
6. Bleak House (Charles Dickens, 1853)
" M+ V8 D+ C3 k5. Jane Eyre (Charlotte Brontë, 1847)
$ Y# r; z9 k( c; U" c5 L4. Great Expectations (Charles Dickens, 1861)# W( j) w2 o/ ^5 C8 p0 R1 C
3. Mrs. Dalloway (Virginia Woolf, 1925)
% L4 J; P1 C% x/ K' H) v/ J2. To the Lighthouse (Virginia Woolf, 1927)
4 @; L& E/ ^7 q" D1. Middlemarch (George Eliot, 1874)
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. D8 g% Z" d+ m" P( }1 b+ A$ V! Y前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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