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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著* x7 a ?0 n; c3 G$ d
http://www.bbc.com/culture/story ... test-british-novels
8 E: @6 o h; x& c7 o9 I惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
2 l$ t0 e! X1 G' f5 f( b
& e. @6 h4 k: d# h; S }100. The Code of the Woosters (PG Wodehouse, 1938)
l m1 @: I0 ^; G4 S& |99. There but for the (Ali Smith, 2011)
8 V9 | I! Y' Q) I" J+ y: o7 D98. Under the Volcano (Malcolm Lowry,1947)3 Y [! O& \8 a6 Q' {3 s
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
0 k" [! q: }; T96. Memoirs of a Survivor (Doris Lessing, 1974). O5 t4 }7 i# j+ g! D: S
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
5 t+ R6 J" O# q, l9 p94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)( }( f z1 B% t2 u, h
93. Lord of the Flies (William Golding, 1954)3 ^5 K& x; A, ~. i
92. Cold Comfort Farm (Stella Gibbons, 1932)2 Q; U+ \! K K4 m) `; ]/ L
91. The Forsyte Saga (John Galsworthy, 1922)2 N' v* Z! I/ v7 _3 Q, x2 f$ ~
90. The Woman in White (Wilkie Collins, 1859)
; G* l( N$ L) P7 F( `: C89. The Horse’s Mouth (Joyce Cary, 1944)
5 y" M' e2 ]$ E6 ~88. The Death of the Heart (Elizabeth Bowen, 1938)
% J; n% S* s+ r. a' U! A$ ^87. The Old Wives’ Tale (Arnold Bennett,1908)
/ w% w! O& y2 P1 J3 `" \( O! `86. A Legacy (Sybille Bedford, 1956)
9 ~/ l' v- i7 g$ o$ j- U+ P85. Regeneration Trilogy (Pat Barker, 1991-1995)) Y5 ^( Q8 m5 a: u% v3 s1 R
84. Scoop (Evelyn Waugh, 1938)
) F3 o8 q2 }: J. k+ n83. Barchester Towers (Anthony Trollope, 1857)7 D0 h$ O* c8 V
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ f- j; r6 F: d) @; U9 |
81. The Jewel in the Crown (Paul Scott, 1966)0 i/ F$ U L+ ]& I$ p3 ~
80. Excellent Women (Barbara Pym, 1952)
3 K" K$ V: T+ @0 Z: j: a79. His Dark Materials (Philip Pullman, 1995-2000)
9 ^5 y [2 i Q" l' ]5 [3 c78. A House for Mr Biswas (VS Naipaul, 1961). W1 z ]- @( m$ W! ~; A
77. Of Human Bondage (W Somerset Maugham, 1915)
. G3 d' S' f5 s6 u1 B$ @5 r76. Small Island (Andrea Levy, 2004)
! x7 I* Y/ K7 ~75. Women in Love (DH Lawrence, 1920)1 D5 z+ T& Q: n. B9 k3 n
74. The Mayor of Casterbridge (Thomas Hardy, 1886)/ @5 i- d5 K$ y* E$ U& L0 S" t) Z
73. The Blue Flower (Penelope Fitzgerald, 1995)5 |6 B" R9 [. B# g) o' ~) D
72. The Heart of the Matter (Graham Greene, 1948)
4 s' k, m8 b4 K# `$ T w1 F" G' d71. Old Filth (Jane Gardam, 2004)7 d5 Q7 A1 D) i: }: K; U; e# v
70. Daniel Deronda (George Eliot, 1876)3 E# O; e, I+ h8 n# m+ M' t' n* q/ ~
69. Nostromo (Joseph Conrad, 1904)
6 B" V! Y$ q E- X+ I [9 U68. A Clockwork Orange (Anthony Burgess, 1962)& ?- u$ }3 H, I, e% S$ Y
67. Crash (JG Ballard 1973)
1 @9 h& q% Z6 j+ o! M1 D5 {66. Sense and Sensibility (Jane Austen, 1811)
- C: o% ^# ^5 A65. Orlando (Virginia Woolf, 1928)
/ W& Y( Y7 {- e+ ?64. The Way We Live Now (Anthony Trollope, 1875)
( u9 F6 w/ }4 }% X63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
! X1 L- @$ b% U% k7 B. d62. Animal Farm (George Orwell, 1945), V9 h- ^- @; r0 k7 p
61. The Sea, The Sea (Iris Murdoch, 1978)
, w8 |* c) P. J& a" n' h60. Sons and Lovers (DH Lawrence, 1913)
" t( G) L. A7 g4 O% @59. The Line of Beauty (Alan Hollinghurst, 2004)
2 t4 O$ A j! U58. Loving (Henry Green, 1945), I& \ O: N6 ]
57. Parade’s End (Ford Madox Ford, 1924-1928)0 Y1 N+ L' A: ?4 n) e9 C
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985), E6 b1 K: r0 }: d( n
55. Gulliver’s Travels (Jonathan Swift, 1726)
/ I" t' @, n+ h5 q0 u54. NW (Zadie Smith, 2012). i* z [; ]8 E+ B
53. Wide Sargasso Sea (Jean Rhys, 1966)# @( Q8 x1 A* d: y) D+ b
52. New Grub Street (George Gissing, 1891)
; S! F* f6 e+ G51. Tess of the d’Urbervilles (Thomas Hardy, 1891)% W' w Z$ [4 I# P5 n# }( F. L
50. A Passage to India (EM Forster, 1924)
9 C, c M$ b# q6 a9 a) R. Y5 Q5 ]& K49. Possession (AS Byatt, 1990); Q" }( c. z& D. R! m/ ^ ^3 y
48. Lucky Jim (Kingsley Amis, 1954)* v4 g! f! J% n& v2 q" {% c
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
6 D/ i) b4 ^) u0 @( o+ ]46. Midnight’s Children (Salman Rushdie, 1981), G$ ^3 I2 n- n' u5 |5 C( x2 ?
45. The Little Stranger (Sarah Waters, 2009)+ ~) y& A. O7 n" V. c
44. Wolf Hall (Hilary Mantel, 2009)
. f2 m; f, c, k% T8 H4 _43. The Swimming Pool Library (Alan Hollinghurst, 1988)" }/ \1 `- Z' C" ~0 U& v4 j& s
42. Brighton Rock (Graham Greene, 1938)4 T& r+ u" y+ d( ^2 h- E _
41. Dombey and Son (Charles Dickens, 1848)/ j5 g* `7 b7 x% t8 ?) J* K3 k) q
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)$ O8 D1 M* a! r: H, [3 I8 T
39. The Sense of an Ending (Julian Barnes, 2011)
; n) z' q; o1 a% ]( k- {38. The Passion (Jeanette Winterson, 1987), c+ D; f- p. G+ Y3 [
37. Decline and Fall (Evelyn Waugh, 1928), B/ N& [% W7 ?1 @! V) t5 w
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)/ v0 q0 G X9 }" @* E7 G' ?$ R
35. Remainder (Tom McCarthy, 2005)+ @% P$ f: O* ^. Q
34. Never Let Me Go (Kazuo Ishiguro, 2005)* r% p" B; K( |' v9 z
33. The Wind in the Willows (Kenneth Grahame, 1908)
% [7 E; O6 h0 \: X( W0 J32. A Room with a View (EM Forster, 1908)
( g$ P- q- l' _& ]% {. }31. The End of the Affair (Graham Greene, 1951)" Q7 p- B: v4 i* {! ]8 [! D2 P
30. Moll Flanders (Daniel Defoe, 1722)+ x9 B! Y7 H) O
29. Brick Lane (Monica Ali, 2003)+ \! M' m1 l7 N. F8 T; R
28. Villette (Charlotte Brontë, 1853)2 n* s$ f7 Z8 Z% V' j4 ~ _
27. Robinson Crusoe (Daniel Defoe, 1719)( a" O! v( ~" H/ h0 C: n4 W
26. The Lord of the Rings (JRR Tolkien, 1954)
/ E9 n5 p1 d: z1 }, L$ I25. White Teeth (Zadie Smith, 2000)) z& f, D: R. g# j; N
24. The Golden Notebook (Doris Lessing, 1962): V1 V( U- z+ l/ v
23. Jude the Obscure (Thomas Hardy, 1895): B, I6 k, j! v. B5 `
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
3 t; f) r! N$ j' n21. Heart of Darkness (Joseph Conrad, 1899)& r7 Z) q; ^# ]$ ^
20. Persuasion (Jane Austen, 1817)
0 |7 P' D" v; e& g2 b% t( x7 e19. Emma (Jane Austen, 1815)
2 l" L7 p& u& s; S18. Remains of the Day (Kazuo Ishiguro, 1989)# @2 U9 V# V; d. P
17. Howards End (EM Forster, 1910)
* K n* l% E, j( v16. The Waves (Virginia Woolf, 1931) w# x8 R. |+ t9 m
15. Atonement (Ian McEwan, 2001)
% W& }/ E- U1 D; z) z8 _+ I/ \14. Clarissa (Samuel Richardson,1748)
, o) u/ q5 |+ N# f5 d3 |13. The Good Soldier (Ford Madox Ford, 1915)
2 ~0 V% Y$ Z* y' M2 i: M3 w12. Nineteen Eighty-Four (George Orwell, 1949)
4 G9 [* t9 X! X. k) d11. Pride and Prejudice (Jane Austen, 1813)
2 d' B2 l6 s! G' K3 G- a10. Vanity Fair (William Makepeace Thackeray, 1848)
+ ~# D. q! S- M7 o- Y$ b7 G9. Frankenstein (Mary Shelley, 1818)2 V4 q0 v9 D( v* ]4 a X
8. David Copperfield (Charles Dickens, 1850)/ H3 F+ t- t b/ b( z X- T
7. Wuthering Heights (Emily Brontë, 1847)
* I9 O% I, V- r% |- p; R6. Bleak House (Charles Dickens, 1853)' x5 u8 c% W3 Y8 Z& O# [$ J- Y
5. Jane Eyre (Charlotte Brontë, 1847)* v3 J" n1 V* t
4. Great Expectations (Charles Dickens, 1861)
9 u6 Z$ Q; L. u7 i1 p. u0 U3. Mrs. Dalloway (Virginia Woolf, 1925)
/ j( [7 q' B" X& z2. To the Lighthouse (Virginia Woolf, 1927)! ^" X2 k* k% c2 K: s* }
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。1 o2 V- }, b% H- \+ t: G
8 ^- o8 I" D* H% f% A+ c! F呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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