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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
4 l; B$ b7 [, D# w2 _http://www.bbc.com/culture/story ... test-british-novels& g; v8 \# S' R) a& C
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。/ E+ ~4 b& K) K5 y3 z
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100. The Code of the Woosters (PG Wodehouse, 1938); G; W& x# M- {$ H# }7 s
99. There but for the (Ali Smith, 2011)
! e) |; J1 l4 E3 U98. Under the Volcano (Malcolm Lowry,1947)6 W( s- `- |( Q& @
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
- [- T# p( o" ~) [96. Memoirs of a Survivor (Doris Lessing, 1974)8 `. U8 u/ i' h; z8 N G
95. The Buddha of Suburbia (Hanif Kureishi, 1990)8 F t. p, j3 h5 z) d3 f6 u
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! | B6 l+ J& c0 J93. Lord of the Flies (William Golding, 1954)$ T* t* q1 k! K4 P& y
92. Cold Comfort Farm (Stella Gibbons, 1932)6 m8 u3 P9 \/ B6 G
91. The Forsyte Saga (John Galsworthy, 1922)
: K& b% D7 V6 S4 t6 q* a90. The Woman in White (Wilkie Collins, 1859)2 V7 J5 u( \4 |9 x$ |
89. The Horse’s Mouth (Joyce Cary, 1944)% o# n; e/ v0 s, s ~1 U
88. The Death of the Heart (Elizabeth Bowen, 1938)
& x/ b2 Q. ^( x87. The Old Wives’ Tale (Arnold Bennett,1908)
% u* R& D) T- c; H7 F4 z) W" } Y86. A Legacy (Sybille Bedford, 1956)
5 @' G8 r1 C& s- W, S& [85. Regeneration Trilogy (Pat Barker, 1991-1995); ?8 _& |+ O# j {3 Q& O
84. Scoop (Evelyn Waugh, 1938)
, W( i" i) p0 ^83. Barchester Towers (Anthony Trollope, 1857)* \5 X3 C9 ?2 J+ `) P
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012). t* F% m- a) u! ^8 t
81. The Jewel in the Crown (Paul Scott, 1966)
2 b3 a0 |8 d1 f( S/ g. Z80. Excellent Women (Barbara Pym, 1952)* T2 S- C4 Z' ^5 Y$ Q7 g
79. His Dark Materials (Philip Pullman, 1995-2000)
& m# M: z2 I! N78. A House for Mr Biswas (VS Naipaul, 1961)4 M: A, T) s7 _9 m. U! p% e2 m; g
77. Of Human Bondage (W Somerset Maugham, 1915)
' u# W7 I- S4 C6 o& s7 X" f76. Small Island (Andrea Levy, 2004)# X, V6 ]1 }! J# M8 z& P
75. Women in Love (DH Lawrence, 1920)% M6 l. T& ~9 I0 u9 P: I$ S
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
; @% V8 R) u s3 _7 j73. The Blue Flower (Penelope Fitzgerald, 1995)
/ Z. r5 ?* O( T' g! u& i" T* }; j72. The Heart of the Matter (Graham Greene, 1948)7 e& i9 a+ s9 U9 }9 o( W: U) j
71. Old Filth (Jane Gardam, 2004)
$ H2 j/ X+ D4 {, F70. Daniel Deronda (George Eliot, 1876)6 z/ k6 a1 s9 \2 }
69. Nostromo (Joseph Conrad, 1904)
! v/ ~3 H9 X. |* C8 `/ \4 S) S68. A Clockwork Orange (Anthony Burgess, 1962)
* s0 h# U! P; \" b7 q; _67. Crash (JG Ballard 1973)5 ]( k1 { R0 s5 [: p
66. Sense and Sensibility (Jane Austen, 1811)- k5 [6 g" M$ d8 j3 T
65. Orlando (Virginia Woolf, 1928)9 p: E) m# @* ], q+ c6 x
64. The Way We Live Now (Anthony Trollope, 1875)6 ]! F5 H% W& ^$ E) F
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)% q4 o8 x1 ?# b) O2 [( a
62. Animal Farm (George Orwell, 1945)1 s% H" S: R, T9 V% O
61. The Sea, The Sea (Iris Murdoch, 1978)% X: y3 t% }1 G
60. Sons and Lovers (DH Lawrence, 1913)
4 K1 k! _) F# W7 L$ G59. The Line of Beauty (Alan Hollinghurst, 2004)
U6 N/ W0 U3 [7 u' ?/ z58. Loving (Henry Green, 1945)$ J& |4 l* W y; U' Z+ d9 r
57. Parade’s End (Ford Madox Ford, 1924-1928)
2 D/ a4 x5 q7 i0 p56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)0 n- E0 k9 R2 [ v4 j9 L% U
55. Gulliver’s Travels (Jonathan Swift, 1726)7 X9 r; W) C7 c2 |# C
54. NW (Zadie Smith, 2012)4 E6 o+ e3 Q$ @9 L
53. Wide Sargasso Sea (Jean Rhys, 1966)
& k/ k# u4 A; M' o# X/ A, i8 I52. New Grub Street (George Gissing, 1891)
; E0 Z! H( O, W* {- ]# X51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
0 i* y$ ]6 [5 x1 P0 k1 R) v50. A Passage to India (EM Forster, 1924)
. R$ I2 d3 V8 c8 N, ]3 @- z; N9 I( F49. Possession (AS Byatt, 1990)
0 U K7 } p' `" F48. Lucky Jim (Kingsley Amis, 1954)
4 o6 k) F9 ?& b47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
- E0 U: F3 ~5 d1 \- f46. Midnight’s Children (Salman Rushdie, 1981)
% B" C3 a* `1 _- q# |) |9 D2 p6 X8 x45. The Little Stranger (Sarah Waters, 2009)
6 i) ]6 r$ T. z8 Y5 n4 \44. Wolf Hall (Hilary Mantel, 2009)7 y; ~" A" q4 h F f2 j2 x3 ?
43. The Swimming Pool Library (Alan Hollinghurst, 1988)$ i; W& e$ R2 |+ m
42. Brighton Rock (Graham Greene, 1938)
+ }6 Q+ Y) v. C ^/ ]% N0 l41. Dombey and Son (Charles Dickens, 1848)
8 ^* [) D# r- B3 b40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)# W l- ]2 n) k: S
39. The Sense of an Ending (Julian Barnes, 2011)
" H8 v/ g4 J4 u8 r5 Y1 D38. The Passion (Jeanette Winterson, 1987)7 r. s7 E Q/ ^
37. Decline and Fall (Evelyn Waugh, 1928)6 H% b, _$ D3 t" d( o, v( p& q
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)1 Y+ j6 ~+ s$ ~! K& n7 ?
35. Remainder (Tom McCarthy, 2005)! G6 A7 [/ w8 f- B# E% @+ X9 b3 E
34. Never Let Me Go (Kazuo Ishiguro, 2005)
/ c9 P# [* Y1 G5 Y, l33. The Wind in the Willows (Kenneth Grahame, 1908)
1 Y4 R" I& s7 ?( M( i32. A Room with a View (EM Forster, 1908)% r, G9 u& o1 d
31. The End of the Affair (Graham Greene, 1951), q/ |! L" Z8 w, J) d/ z! N
30. Moll Flanders (Daniel Defoe, 1722)
2 s+ H! p% @4 Y* t+ Y+ f) u$ Q" L29. Brick Lane (Monica Ali, 2003)# c9 {/ q7 _* ]' Y
28. Villette (Charlotte Brontë, 1853)
1 R- p* n! X7 x) B! w" m# g/ c v27. Robinson Crusoe (Daniel Defoe, 1719)
( G9 @, `# G' n% g# y7 B9 S26. The Lord of the Rings (JRR Tolkien, 1954)
+ n% A) `& h+ B7 }: K# x& P0 G25. White Teeth (Zadie Smith, 2000)
4 }$ Q" ? l1 B6 ^6 N6 o; L6 c24. The Golden Notebook (Doris Lessing, 1962)* F) ]5 b; D( f
23. Jude the Obscure (Thomas Hardy, 1895)( v. M# n4 n5 h6 T P: Q$ H/ w
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
! D8 e5 ]0 t, f; N/ f' W( Y21. Heart of Darkness (Joseph Conrad, 1899)
6 V; j4 O7 I6 J, S: j$ H20. Persuasion (Jane Austen, 1817)! T6 i% g( j5 ?! a5 [, P
19. Emma (Jane Austen, 1815)
4 M! N" p( P9 ^: C9 I; W5 W18. Remains of the Day (Kazuo Ishiguro, 1989)
! M: ?% e* g$ i2 F% V$ h& I17. Howards End (EM Forster, 1910)# a# @; e4 \% Q5 C
16. The Waves (Virginia Woolf, 1931)1 ^0 r4 P7 j) q1 ^# Q& W4 h
15. Atonement (Ian McEwan, 2001)
6 }- ~- ?3 b" Y6 G14. Clarissa (Samuel Richardson,1748)
$ Y2 d6 S/ i! f9 l13. The Good Soldier (Ford Madox Ford, 1915)0 f2 o. b7 V1 n) r4 M( y
12. Nineteen Eighty-Four (George Orwell, 1949)
: @" p6 f' B# a- x11. Pride and Prejudice (Jane Austen, 1813)4 h! p( ^: V2 e% p" s- `! r
10. Vanity Fair (William Makepeace Thackeray, 1848)
1 }0 V# k. [: S5 \8 \% d! u9. Frankenstein (Mary Shelley, 1818)) ?$ g/ s! U7 ? s: @6 p5 A( M- s
8. David Copperfield (Charles Dickens, 1850)- z' b' ]" p8 P @7 Y
7. Wuthering Heights (Emily Brontë, 1847)4 P5 U5 ~; s2 d& z% J0 k' @: o
6. Bleak House (Charles Dickens, 1853)9 e/ ]% F& R6 k* g+ h; L8 N
5. Jane Eyre (Charlotte Brontë, 1847)3 Y7 ]# ]. P) x9 y$ j3 ~2 m2 n
4. Great Expectations (Charles Dickens, 1861) K1 J, _' T2 m+ P" k
3. Mrs. Dalloway (Virginia Woolf, 1925)
7 u! }3 T. R3 m' Z, U2. To the Lighthouse (Virginia Woolf, 1927)
% i$ w$ K9 v% V: A0 k+ B" w1. Middlemarch (George Eliot, 1874)0 s7 P" H4 `1 W, k
9 f% b* W/ x" ?& W9 g; c; p前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。# E# b$ G( [# y. h. q0 B7 _7 n
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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