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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著. R0 ^; A) V( q7 v* @: p& T
http://www.bbc.com/culture/story ... test-british-novels& v) y" e% B6 S$ A7 L
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
4 s8 k/ ? p5 T' i7 Y99. There but for the (Ali Smith, 2011) c3 I1 b, J b8 B
98. Under the Volcano (Malcolm Lowry,1947)7 ?: q/ ]5 K. X# ?) t9 L: K8 m
97. The Chronicles of Narnia (CS Lewis, 1949-1954)- h8 m* ^% T7 Y5 f
96. Memoirs of a Survivor (Doris Lessing, 1974)
6 @7 g# A6 P# h3 @* l' [' t& }95. The Buddha of Suburbia (Hanif Kureishi, 1990)
2 t9 S4 Z1 u3 }# D, i94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)8 v8 y% ^ U9 [# R* I
93. Lord of the Flies (William Golding, 1954)& i) N. I0 C$ d* M' i. x! G2 _* D
92. Cold Comfort Farm (Stella Gibbons, 1932)
: x1 G" V. P1 E91. The Forsyte Saga (John Galsworthy, 1922)
. X: o; A1 }3 h5 n- r90. The Woman in White (Wilkie Collins, 1859)
4 a* q! u1 w/ _5 F2 n% B/ \89. The Horse’s Mouth (Joyce Cary, 1944)1 r+ e" F, X2 \1 L+ o8 d
88. The Death of the Heart (Elizabeth Bowen, 1938)* T; e6 p4 E3 h# v0 e% s @( C
87. The Old Wives’ Tale (Arnold Bennett,1908)* s* S) `' O" q9 R" O! c
86. A Legacy (Sybille Bedford, 1956)8 t7 d+ H a# |
85. Regeneration Trilogy (Pat Barker, 1991-1995)' Y) b6 F- m9 J2 `. U, h
84. Scoop (Evelyn Waugh, 1938)) t$ A* V. d( F+ ?( c$ d6 P5 I
83. Barchester Towers (Anthony Trollope, 1857)% f2 @( O9 \$ @$ ]
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
/ w% ^- `% _! \7 Y81. The Jewel in the Crown (Paul Scott, 1966)
+ B+ o* ?! V0 w80. Excellent Women (Barbara Pym, 1952)0 |) u1 ]2 @7 ^, O7 x- E" ^% |, P
79. His Dark Materials (Philip Pullman, 1995-2000)
2 O9 ?. s3 L9 R) H# I% P5 V78. A House for Mr Biswas (VS Naipaul, 1961)* V+ r8 r' Q- U8 J: [' ~& e" }
77. Of Human Bondage (W Somerset Maugham, 1915)
; v" E) @$ a( H" U76. Small Island (Andrea Levy, 2004)
% V; z8 \. G% u7 G: Z0 E75. Women in Love (DH Lawrence, 1920)
! ^1 q5 u4 @6 Q& B, L2 D74. The Mayor of Casterbridge (Thomas Hardy, 1886)0 I3 B' a9 X: f" u; m; k3 a
73. The Blue Flower (Penelope Fitzgerald, 1995)+ k+ K/ S) L: V" P& Y
72. The Heart of the Matter (Graham Greene, 1948)
$ x/ p* h8 d4 p& G71. Old Filth (Jane Gardam, 2004)
1 ?* r% I" ~$ N5 ^, N70. Daniel Deronda (George Eliot, 1876)1 b& ^, r8 k9 r1 @1 w
69. Nostromo (Joseph Conrad, 1904)
+ o) y" q* T( K, @- T68. A Clockwork Orange (Anthony Burgess, 1962)
7 H+ }+ D4 R9 {67. Crash (JG Ballard 1973)
4 n8 H, T) B. O. n66. Sense and Sensibility (Jane Austen, 1811)
4 D" Y# H8 J* u2 f. W65. Orlando (Virginia Woolf, 1928)
# Y v* s, o, A( q6 f64. The Way We Live Now (Anthony Trollope, 1875)
% g2 u' _$ a" Z2 h2 s* R2 [63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
3 h: g: u7 M* i+ z; p6 l62. Animal Farm (George Orwell, 1945). ^# R2 s: z2 ?+ R3 K
61. The Sea, The Sea (Iris Murdoch, 1978)
! Y6 L/ X& H7 z4 x3 |2 C60. Sons and Lovers (DH Lawrence, 1913)& V5 @5 n: o0 T O
59. The Line of Beauty (Alan Hollinghurst, 2004)
4 ^5 r5 C# r) X& Z8 f S; K58. Loving (Henry Green, 1945)+ [. o. G& [8 y H6 m" F
57. Parade’s End (Ford Madox Ford, 1924-1928)
1 {9 x' S" e" U& z4 E% @% F( U: d56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)2 _" i3 F" x9 o! K$ r: @
55. Gulliver’s Travels (Jonathan Swift, 1726)( ~/ z) S L- q$ U" s& d
54. NW (Zadie Smith, 2012), p9 h! f X# G5 b
53. Wide Sargasso Sea (Jean Rhys, 1966)9 l. a, q9 S5 ~5 S: r! I
52. New Grub Street (George Gissing, 1891)( _6 U$ Y) q- |/ ^0 g* R2 @6 p
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)- x, G& w) @, ?$ n6 Q
50. A Passage to India (EM Forster, 1924)
7 A, X9 p z: T) Z# ^' O49. Possession (AS Byatt, 1990). Q4 D9 O: A1 S" k0 q
48. Lucky Jim (Kingsley Amis, 1954)8 l( H' a; F$ V* f
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
4 N! O1 K- D+ g" ~/ z46. Midnight’s Children (Salman Rushdie, 1981), e! M7 O: A) h" q. a" v9 f; x
45. The Little Stranger (Sarah Waters, 2009)# D$ }7 u* ^6 w4 A: O2 H' g1 C
44. Wolf Hall (Hilary Mantel, 2009); r0 \ [% G! {& ~ G3 p V# T
43. The Swimming Pool Library (Alan Hollinghurst, 1988)2 d, K F) j) m1 z$ w3 v# W0 @
42. Brighton Rock (Graham Greene, 1938)
$ e+ e# K. v) l3 ?) Z7 a/ V; [8 q41. Dombey and Son (Charles Dickens, 1848)
0 j4 c" {4 k. K4 M" _$ h5 c8 \/ {5 c40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
& Z0 b5 E4 o. h3 B39. The Sense of an Ending (Julian Barnes, 2011)
; y* L2 F. [& k7 Y, p4 e38. The Passion (Jeanette Winterson, 1987)
2 A) L9 e7 P. ~" u$ ?6 f; j( r37. Decline and Fall (Evelyn Waugh, 1928)
' O8 @: a$ X7 F, Y% u0 G! m36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
" X2 f+ l- ?, r1 c+ M3 ^$ o9 W35. Remainder (Tom McCarthy, 2005)1 X$ a( A6 E1 N8 t+ J9 j
34. Never Let Me Go (Kazuo Ishiguro, 2005)4 K3 x( H6 I- c4 O
33. The Wind in the Willows (Kenneth Grahame, 1908)
7 ?* O1 m" P2 S# }8 W8 r32. A Room with a View (EM Forster, 1908)
- v% k) F( Q U, h$ V31. The End of the Affair (Graham Greene, 1951)
1 ^% _9 y8 \0 [/ }2 A30. Moll Flanders (Daniel Defoe, 1722)( z' H# b. Y& |5 x: m- x- h
29. Brick Lane (Monica Ali, 2003)
: c; y4 `- l) N, p$ p- d28. Villette (Charlotte Brontë, 1853)+ ]# l; I( M- M. F! a/ j3 o
27. Robinson Crusoe (Daniel Defoe, 1719)6 W8 ~$ B2 F4 K+ ?% v
26. The Lord of the Rings (JRR Tolkien, 1954)8 X3 U* `8 w$ V
25. White Teeth (Zadie Smith, 2000)6 E8 D6 K* P" q8 S. V( d
24. The Golden Notebook (Doris Lessing, 1962)
5 Q( D- s* f* Z7 E: } t23. Jude the Obscure (Thomas Hardy, 1895)
! L. `$ k) `. [1 Q y+ j0 M+ ?8 ]22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)% C( H) i4 Z* {# ]& j, H
21. Heart of Darkness (Joseph Conrad, 1899). `2 a# N3 q P/ g, c5 o1 I$ ]7 D' i
20. Persuasion (Jane Austen, 1817)
8 w! u5 K* m0 k0 u5 R q19. Emma (Jane Austen, 1815)
( P- g" \! Y4 p, e; c0 X! G18. Remains of the Day (Kazuo Ishiguro, 1989)
6 b/ R7 G3 r% o0 k( W) t5 r3 r17. Howards End (EM Forster, 1910)& `9 m, S B/ D8 y4 D; J
16. The Waves (Virginia Woolf, 1931)/ f d1 h3 y7 {" t' h5 q) I, v; [; s
15. Atonement (Ian McEwan, 2001)
: e6 E9 Y# F) Y- d* y/ a14. Clarissa (Samuel Richardson,1748)
# t4 D; J% B$ g7 s( x13. The Good Soldier (Ford Madox Ford, 1915)
- [! U! T- B) Z9 A- w* ~12. Nineteen Eighty-Four (George Orwell, 1949)
& w5 Y; ]' @: O% D11. Pride and Prejudice (Jane Austen, 1813)( a( L. N6 _, ?4 m' P/ D* T# M5 q
10. Vanity Fair (William Makepeace Thackeray, 1848)# B' x1 y. R1 x# f ] d. H- C
9. Frankenstein (Mary Shelley, 1818)
+ ?; m* p/ B, F" y8. David Copperfield (Charles Dickens, 1850)& V! t- L+ [. t
7. Wuthering Heights (Emily Brontë, 1847)1 `: U( O# t& z" J7 g$ L) R& c
6. Bleak House (Charles Dickens, 1853)
8 j* K C1 z: z/ Q% D j! m8 S5. Jane Eyre (Charlotte Brontë, 1847)9 b: ^0 O2 Q) z/ o) O
4. Great Expectations (Charles Dickens, 1861)
: X, f% U5 U o9 A7 C3. Mrs. Dalloway (Virginia Woolf, 1925): u; H, G; o! ^. W% B: A( o
2. To the Lighthouse (Virginia Woolf, 1927)
% A# m8 d8 X% ], r- H9 Q+ s1. Middlemarch (George Eliot, 1874)$ P8 R% L( j2 Q: ?. y( D
c; ], B. A/ e& r% U- W前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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7 ~1 V0 i4 v1 {呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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