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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 u4 ?& Q4 R7 t" x
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BBC评出100大英国文学名著* u& r; ]+ N6 \- B
http://www.bbc.com/culture/story ... test-british-novels. v0 G3 I4 v. h! ^5 N$ l* Y5 }
惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。1 p. J0 v" g, N H J# W+ K& ]
- g: W$ n2 N) s: n100. The Code of the Woosters (PG Wodehouse, 1938)6 B# g+ t* W9 d0 ^
99. There but for the (Ali Smith, 2011)
. v ]* V4 x* e1 O% |98. Under the Volcano (Malcolm Lowry,1947)/ p1 }& P0 k0 Q
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
( \8 m4 @! |9 _9 p* z' ^96. Memoirs of a Survivor (Doris Lessing, 1974)
5 W2 V8 Z m* i6 i95. The Buddha of Suburbia (Hanif Kureishi, 1990)* }4 d$ v( u' g
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824). Z" h2 ~: _8 w) o' u( }/ E# a j
93. Lord of the Flies (William Golding, 1954)
' c1 i) U1 g/ [+ m/ Q# k; g% L- n1 Q92. Cold Comfort Farm (Stella Gibbons, 1932)
' M' w3 B- v2 I" \91. The Forsyte Saga (John Galsworthy, 1922)% K) {- q4 P2 {3 T+ b% e/ g
90. The Woman in White (Wilkie Collins, 1859)
% u6 H+ g" _; \) j6 ]! N89. The Horse’s Mouth (Joyce Cary, 1944)/ C0 p! b0 s1 ~4 k, Y
88. The Death of the Heart (Elizabeth Bowen, 1938)% {; M2 t$ \- @' p0 w3 f# D$ n
87. The Old Wives’ Tale (Arnold Bennett,1908)
: e' ?. r B2 P! b0 Q. K1 x9 v86. A Legacy (Sybille Bedford, 1956)
$ n* V O% W, N- e5 T! [85. Regeneration Trilogy (Pat Barker, 1991-1995)
' y# S% H+ o R$ S: }* y) T84. Scoop (Evelyn Waugh, 1938). X: h3 Z9 V# O$ t; z% z q! g
83. Barchester Towers (Anthony Trollope, 1857)- _& h/ }8 s0 r5 G
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)7 G- V2 L+ k7 H: x, X5 X
81. The Jewel in the Crown (Paul Scott, 1966)
) ?1 T5 R) M. i/ x0 t80. Excellent Women (Barbara Pym, 1952)& H5 \& ^7 O/ Q2 w- }( Q: L' T
79. His Dark Materials (Philip Pullman, 1995-2000)4 H2 z5 i; [; ]6 Z* K, Y
78. A House for Mr Biswas (VS Naipaul, 1961)
% P) W; d, q6 Q) s77. Of Human Bondage (W Somerset Maugham, 1915)9 h! r* j( w- C1 D# v7 p2 C% n, u
76. Small Island (Andrea Levy, 2004)
- v6 p( _. T2 K7 d3 N( v75. Women in Love (DH Lawrence, 1920)
& |0 w7 q# ^: C74. The Mayor of Casterbridge (Thomas Hardy, 1886)
" y) M. ]5 k# @4 v" Y73. The Blue Flower (Penelope Fitzgerald, 1995)
4 o% Q! s- O/ W% e8 v2 X72. The Heart of the Matter (Graham Greene, 1948)
/ G4 N+ D! T+ y& z6 I) q# z3 u$ n( r71. Old Filth (Jane Gardam, 2004). b( f5 q7 k0 y7 f" v6 ]2 b$ b
70. Daniel Deronda (George Eliot, 1876)/ Y- t/ k- C9 C
69. Nostromo (Joseph Conrad, 1904)
7 |! b& m3 h0 L68. A Clockwork Orange (Anthony Burgess, 1962)( E& h# M6 l8 d; `% e9 ?/ c" B$ J
67. Crash (JG Ballard 1973)2 z! H- I$ g4 h2 P# `
66. Sense and Sensibility (Jane Austen, 1811)
7 Y$ Z6 r! Y6 m2 X5 _2 J3 {0 D65. Orlando (Virginia Woolf, 1928)" y) w" V+ Q" j* B8 q% Z
64. The Way We Live Now (Anthony Trollope, 1875)) p! W# v9 W# G% O& {
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
. x$ M4 e0 j) t) ]62. Animal Farm (George Orwell, 1945)' ~# k' J, U5 |
61. The Sea, The Sea (Iris Murdoch, 1978)3 h# F4 l F1 c2 m! X$ n& h
60. Sons and Lovers (DH Lawrence, 1913)
' f R; P+ |" W; m1 i: a6 C2 s59. The Line of Beauty (Alan Hollinghurst, 2004)
9 n. U: R7 i8 N9 x, `# ]) k58. Loving (Henry Green, 1945)- F' F9 `2 ^0 d J* W
57. Parade’s End (Ford Madox Ford, 1924-1928)
) I8 r" v& n6 L5 Y0 u56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
" ?) d+ D9 P# _2 K1 A: s5 K* h55. Gulliver’s Travels (Jonathan Swift, 1726)5 O0 Z0 r" g# ]
54. NW (Zadie Smith, 2012)7 l4 ?/ p4 Q. ~! i6 H! ^7 |! y
53. Wide Sargasso Sea (Jean Rhys, 1966)
9 X. e1 j3 T$ g5 t8 O C/ w. f# p52. New Grub Street (George Gissing, 1891)
# C' `5 i* `5 T7 `- `* ?51. Tess of the d’Urbervilles (Thomas Hardy, 1891)8 Z: R! e' p2 }% q2 @' U' T6 E# v, F
50. A Passage to India (EM Forster, 1924)
j4 `) w" @1 j9 w2 t4 a49. Possession (AS Byatt, 1990): z% U* G" c& a0 w8 E6 X
48. Lucky Jim (Kingsley Amis, 1954)+ }* c& J% V/ v7 X4 s2 {
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
& P1 S2 t Q: B46. Midnight’s Children (Salman Rushdie, 1981)4 E! t+ g- U& V4 k6 t
45. The Little Stranger (Sarah Waters, 2009)* F# Z0 [$ H( T7 I+ Y+ E! ?! f7 v
44. Wolf Hall (Hilary Mantel, 2009), {0 a4 Z5 ?! \% a) B
43. The Swimming Pool Library (Alan Hollinghurst, 1988)* x, P2 \ `8 _9 v2 {% r- p
42. Brighton Rock (Graham Greene, 1938)* y. S' e9 d* J7 {
41. Dombey and Son (Charles Dickens, 1848)6 s2 e& k, F1 `+ P4 F+ J1 U
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
% k: F; \' ?( _3 e7 K39. The Sense of an Ending (Julian Barnes, 2011)
4 X3 G! N" v; O3 K4 `, M' o38. The Passion (Jeanette Winterson, 1987)
) \; Q( {. v# x4 h. j37. Decline and Fall (Evelyn Waugh, 1928)* d) v) D6 Z) V# f/ ^2 E
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)' B& g- i, R' N0 I+ y! `
35. Remainder (Tom McCarthy, 2005)2 ~ _2 F8 Y4 s0 L; j3 O
34. Never Let Me Go (Kazuo Ishiguro, 2005)
2 x( v9 {9 a" _* n& y8 V3 v33. The Wind in the Willows (Kenneth Grahame, 1908)' U5 |. F* u; q1 u
32. A Room with a View (EM Forster, 1908)
: L% R- ?- a1 S7 J2 _. F. b8 ]31. The End of the Affair (Graham Greene, 1951)5 S! M; d5 Z/ \" D/ N+ @: l
30. Moll Flanders (Daniel Defoe, 1722)
( m6 R$ Y y0 L: i9 _29. Brick Lane (Monica Ali, 2003)
2 @- ]6 [# M6 _, V2 F* d! q6 N28. Villette (Charlotte Brontë, 1853)
+ e1 Y. k: Y) O2 V: r+ v27. Robinson Crusoe (Daniel Defoe, 1719)/ i( f* p, w+ G
26. The Lord of the Rings (JRR Tolkien, 1954)
1 z2 P3 O; p- Z$ I25. White Teeth (Zadie Smith, 2000)) @ B X: E2 O6 u' W$ Z# y8 b
24. The Golden Notebook (Doris Lessing, 1962)6 B1 ?8 r( p B3 }7 ^
23. Jude the Obscure (Thomas Hardy, 1895): w1 r: X8 V% D; t3 E/ D( M5 W7 Q$ q4 `
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749) ?& `/ r7 f$ |: Z* w1 u' l: i
21. Heart of Darkness (Joseph Conrad, 1899)
7 I$ Y! e' A" K2 L- b20. Persuasion (Jane Austen, 1817)' v0 v: I/ { |) M9 Y# g
19. Emma (Jane Austen, 1815)
, q3 H- I% K( ~" d* b8 u' T1 i7 i18. Remains of the Day (Kazuo Ishiguro, 1989)$ E+ u+ U" o2 U$ H+ k, L
17. Howards End (EM Forster, 1910)9 V/ I3 j, u0 p, A6 B3 j/ Q
16. The Waves (Virginia Woolf, 1931)! N+ U) ?3 b0 Q0 {
15. Atonement (Ian McEwan, 2001) [" Q8 ~4 y: k
14. Clarissa (Samuel Richardson,1748)% p# W2 N8 e9 ~9 C' ]
13. The Good Soldier (Ford Madox Ford, 1915)- \4 k- M0 H6 w7 X# v& i/ N+ m
12. Nineteen Eighty-Four (George Orwell, 1949)
( L2 G3 ^' y& F) a& ]# J6 K$ e11. Pride and Prejudice (Jane Austen, 1813)0 f' W. s2 n) L4 C+ N2 \
10. Vanity Fair (William Makepeace Thackeray, 1848)! z: c$ V% `0 Q. U4 y9 t% D
9. Frankenstein (Mary Shelley, 1818)
+ D: m7 Y0 b+ q9 L! O8. David Copperfield (Charles Dickens, 1850)
9 x+ |4 x1 H. c& R, Z% [7 f7. Wuthering Heights (Emily Brontë, 1847)
& k/ [- `4 B7 X" A/ U6. Bleak House (Charles Dickens, 1853)7 @& s R3 L' Z) c! A5 I
5. Jane Eyre (Charlotte Brontë, 1847)
* c6 i! x h5 ]4. Great Expectations (Charles Dickens, 1861)/ m8 T% M9 [8 i; K
3. Mrs. Dalloway (Virginia Woolf, 1925)
' {5 ]6 w0 i) x* u2. To the Lighthouse (Virginia Woolf, 1927)
+ A; U+ O. I( ~# z9 d1. Middlemarch (George Eliot, 1874)5 i+ f. X, d) W' _
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前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。! K; o0 T2 P9 E! X
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呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
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