|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
Y0 Q) P8 I" L1 w
' z* {. ^( L/ r) U9 B5 R8 [BBC评出100大英国文学名著
, L, P8 Z) B4 S8 A$ ]http://www.bbc.com/culture/story ... test-british-novels
1 W% W# @, u$ Z$ B; N! @惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。6 G0 p3 \5 C: L0 M
3 ]3 m- J( X7 w100. The Code of the Woosters (PG Wodehouse, 1938)" ^% H/ \7 I+ _6 Y' M+ o- Q
99. There but for the (Ali Smith, 2011)* ` ^& R x5 S, v8 Y- M+ a
98. Under the Volcano (Malcolm Lowry,1947)/ i A' E3 ~. v- Q
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
: t5 v/ _2 i' Q96. Memoirs of a Survivor (Doris Lessing, 1974)5 z9 a* W0 M, A9 ^6 D6 Z
95. The Buddha of Suburbia (Hanif Kureishi, 1990): K. c3 n3 {5 i4 e
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
" ]# U2 ~& c2 s93. Lord of the Flies (William Golding, 1954)2 j6 M' `, |( m6 h) C" F
92. Cold Comfort Farm (Stella Gibbons, 1932)3 ^' c4 s& d# N; ]3 A9 D9 s
91. The Forsyte Saga (John Galsworthy, 1922)5 ~: R5 G6 @7 f+ m9 L( T0 Q
90. The Woman in White (Wilkie Collins, 1859) Q( W/ \5 | o3 M7 n* D, _# ]# D
89. The Horse’s Mouth (Joyce Cary, 1944)( t) j }/ ^- \# X! ]! ]- \' @
88. The Death of the Heart (Elizabeth Bowen, 1938)
, P) \, K4 Q% R7 d9 [" ~ {87. The Old Wives’ Tale (Arnold Bennett,1908)
% o0 P+ A) n: C; }86. A Legacy (Sybille Bedford, 1956)
# r2 n8 V5 K1 r2 r85. Regeneration Trilogy (Pat Barker, 1991-1995)" _' R1 L, R# d: l
84. Scoop (Evelyn Waugh, 1938)
6 z$ O8 Q/ w! |* b' r/ M83. Barchester Towers (Anthony Trollope, 1857)
: [+ s; \2 N) G& M) b- u9 g/ a+ \0 n82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)0 I1 j" _1 |2 x3 f
81. The Jewel in the Crown (Paul Scott, 1966)
) e' q* H; g" K' k% \, U; Z, D2 z80. Excellent Women (Barbara Pym, 1952)
0 w0 q5 N F/ n8 G9 [$ H1 u79. His Dark Materials (Philip Pullman, 1995-2000)
/ I# y3 A5 V* u/ E9 C2 h5 x s78. A House for Mr Biswas (VS Naipaul, 1961)
2 K5 w! {+ D) B- D+ Q; m& f77. Of Human Bondage (W Somerset Maugham, 1915)) r+ B, J# G: I1 m
76. Small Island (Andrea Levy, 2004)4 s$ s& w9 G/ \7 x7 a# M" E3 A
75. Women in Love (DH Lawrence, 1920)
% u4 ~, {( T- \* U74. The Mayor of Casterbridge (Thomas Hardy, 1886); E2 V! n# Q" k9 M# K- j
73. The Blue Flower (Penelope Fitzgerald, 1995) A# |( {. f# Q4 J2 ^% w
72. The Heart of the Matter (Graham Greene, 1948)- ^4 R. P5 S2 `/ W1 g/ c# [9 Z
71. Old Filth (Jane Gardam, 2004) |% L/ V1 p# m, q# L, z5 \
70. Daniel Deronda (George Eliot, 1876)% J; y$ e7 F8 m5 V% q
69. Nostromo (Joseph Conrad, 1904)
- w* K+ h7 e! l3 X68. A Clockwork Orange (Anthony Burgess, 1962)- L# y- U* M) x+ P% V' M, ^' d7 U
67. Crash (JG Ballard 1973)# W3 w, i' i$ d( }* m
66. Sense and Sensibility (Jane Austen, 1811)
0 |/ n! d. D Q3 n, J1 J65. Orlando (Virginia Woolf, 1928)0 ?; a1 _3 U7 Z' w
64. The Way We Live Now (Anthony Trollope, 1875)
4 G$ L, o0 w+ j# b& o: E63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
- W8 |& Z; l( r0 u4 R/ B62. Animal Farm (George Orwell, 1945)' G5 | e+ L$ s2 t% W
61. The Sea, The Sea (Iris Murdoch, 1978)
0 r8 o6 x/ X/ }4 K& n60. Sons and Lovers (DH Lawrence, 1913)
: h6 B1 _% i3 s; v6 V59. The Line of Beauty (Alan Hollinghurst, 2004)
) R1 m3 H5 b1 b4 x" x, X, Y58. Loving (Henry Green, 1945)$ z0 o, {' [ p- B4 S
57. Parade’s End (Ford Madox Ford, 1924-1928)6 ~, h# \6 p! q4 R# a: t; L4 c
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
1 k+ h; y0 h1 H" \% k$ i# _55. Gulliver’s Travels (Jonathan Swift, 1726)9 r- k! \7 O: W1 g. Y5 O
54. NW (Zadie Smith, 2012)% D% M8 N+ z0 w, p% I2 [& V
53. Wide Sargasso Sea (Jean Rhys, 1966)% o7 F, v7 d# _4 A- G, D& a
52. New Grub Street (George Gissing, 1891); M$ Z( | t3 G; U
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)" U* Z9 ]0 j Z; W. j
50. A Passage to India (EM Forster, 1924)
, n6 k- g, d/ p$ ^& f49. Possession (AS Byatt, 1990)& E6 G- L, V: W
48. Lucky Jim (Kingsley Amis, 1954)% R! Q% n" Y O) {3 c. x
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
" T; r% h7 K- T( ? g46. Midnight’s Children (Salman Rushdie, 1981): E, u0 m& F2 j6 z* b- l; O9 A
45. The Little Stranger (Sarah Waters, 2009)
* ?% U5 F. m+ s6 e; U( ^44. Wolf Hall (Hilary Mantel, 2009)
2 o% h: b0 E6 a9 h# h43. The Swimming Pool Library (Alan Hollinghurst, 1988)0 i8 D5 ]5 K! y) X' d) Z2 v
42. Brighton Rock (Graham Greene, 1938)
9 c- }! ~ o# O/ M+ v M41. Dombey and Son (Charles Dickens, 1848)4 @+ ?9 D {! c( j" o+ v
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
' }$ A3 H$ W0 j" k: S39. The Sense of an Ending (Julian Barnes, 2011)
6 _2 C% v, M _! i38. The Passion (Jeanette Winterson, 1987)
& S) K) w. a4 O! y. D37. Decline and Fall (Evelyn Waugh, 1928)% i# g! a0 e. K* Z! O6 t
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
9 e, }% O0 {( |3 d2 x) F* [35. Remainder (Tom McCarthy, 2005)! j3 ?7 c- y/ U7 }5 v; h! E& T
34. Never Let Me Go (Kazuo Ishiguro, 2005)
& _' X+ i" u6 s33. The Wind in the Willows (Kenneth Grahame, 1908)
/ p* ~( w' L* Q6 g6 }2 S7 e' I32. A Room with a View (EM Forster, 1908)- M3 @6 X: Y1 q: J( X6 h
31. The End of the Affair (Graham Greene, 1951)( O1 y% W, q, X! s+ c
30. Moll Flanders (Daniel Defoe, 1722)
0 X' K1 @9 {' ^29. Brick Lane (Monica Ali, 2003)5 o k4 o0 v3 Y6 g; G
28. Villette (Charlotte Brontë, 1853)0 b& F/ A( A; |% B5 j
27. Robinson Crusoe (Daniel Defoe, 1719), ?: F* f6 g1 y s9 y) a1 V, Q
26. The Lord of the Rings (JRR Tolkien, 1954)2 g2 n. P4 C3 C- B6 o7 {
25. White Teeth (Zadie Smith, 2000)
) T/ U' s; \8 A6 L24. The Golden Notebook (Doris Lessing, 1962)
* w/ r: U& y b' X |( U23. Jude the Obscure (Thomas Hardy, 1895)
& Y2 j8 C* b! D8 A& ?- {+ h3 m22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
, _" o5 W5 E7 V21. Heart of Darkness (Joseph Conrad, 1899)8 y. O' J" r% I% B; F
20. Persuasion (Jane Austen, 1817)
4 I4 K/ }* `) {19. Emma (Jane Austen, 1815). A$ o1 w0 {4 { R1 x
18. Remains of the Day (Kazuo Ishiguro, 1989)
" c7 h+ R+ z7 k. y9 ~6 F17. Howards End (EM Forster, 1910)
$ y& F: i: P$ A8 t* t) R' v0 M16. The Waves (Virginia Woolf, 1931)9 B/ n1 u* Y. i# _# J
15. Atonement (Ian McEwan, 2001)
, J; j7 p0 u' d; p8 N14. Clarissa (Samuel Richardson,1748)/ _% r: l7 f, I1 }4 c) b+ J
13. The Good Soldier (Ford Madox Ford, 1915)
* u) k& F ~3 l# L0 T, Y/ I12. Nineteen Eighty-Four (George Orwell, 1949)- L( I4 B5 S6 a1 {% g3 g: A g
11. Pride and Prejudice (Jane Austen, 1813)5 m5 r& |1 T) i7 Y. G; A& O% X
10. Vanity Fair (William Makepeace Thackeray, 1848)/ H3 Q3 U' V( f8 K8 d
9. Frankenstein (Mary Shelley, 1818)3 H2 d& \7 r+ i4 }
8. David Copperfield (Charles Dickens, 1850)$ i) I% I8 g l' q
7. Wuthering Heights (Emily Brontë, 1847)1 F' Z9 O0 J4 w W- {* s
6. Bleak House (Charles Dickens, 1853)
/ Q+ t7 o$ N ^5. Jane Eyre (Charlotte Brontë, 1847)9 H X H6 Q1 a, ~- a. L
4. Great Expectations (Charles Dickens, 1861): e: p2 e5 @% F* ?, I1 r
3. Mrs. Dalloway (Virginia Woolf, 1925). |' Q% m$ T3 r3 M
2. To the Lighthouse (Virginia Woolf, 1927)
# F1 ^# @1 R9 H9 h! O) m/ ~1. Middlemarch (George Eliot, 1874)
$ [$ E6 P' n* [/ j' j F3 P0 ~& V' u! T8 c- Z- H- t) e4 g
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
' d; a) j/ [- F; s; L9 O) `. |7 O6 K1 n( s9 h1 O' U
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
2 H& j) L. O5 h4 f. @! G4 k
