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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著! d) D. E( c T4 A# {
http://www.bbc.com/culture/story ... test-british-novels7 _% S1 |- V, u9 E
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
+ h) Z2 I+ m2 u: r7 P99. There but for the (Ali Smith, 2011)
2 P/ f7 Z" h- b9 ?7 C3 `8 G! Z+ P98. Under the Volcano (Malcolm Lowry,1947)4 o8 T3 B, Y( s( a: e( p
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
$ e+ r9 N& J, z% W6 Q, O2 W96. Memoirs of a Survivor (Doris Lessing, 1974)4 K( e# }1 x0 e
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
9 _7 b! \+ S, w! p! i8 y3 l" F, |94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)% Q5 M3 q6 ?! ^& J- N$ T- M
93. Lord of the Flies (William Golding, 1954)
: ^8 h8 Z! _; p+ K! e4 y9 x- x5 E92. Cold Comfort Farm (Stella Gibbons, 1932)
: |1 v, O6 ^+ |9 `4 c" l& @: V91. The Forsyte Saga (John Galsworthy, 1922)
) O1 m% b' C- S E90. The Woman in White (Wilkie Collins, 1859)9 v, R: @9 A3 K
89. The Horse’s Mouth (Joyce Cary, 1944)/ n7 }6 q+ C3 Q- U+ i$ b
88. The Death of the Heart (Elizabeth Bowen, 1938)+ E v1 ?# U3 l1 t# q, c' Q3 Z
87. The Old Wives’ Tale (Arnold Bennett,1908)
4 T8 N: ~- }. w! {# v, F7 w86. A Legacy (Sybille Bedford, 1956)
6 c9 b1 I2 n0 U, J! l% W5 k+ Z85. Regeneration Trilogy (Pat Barker, 1991-1995)0 J. N1 o1 F8 _6 T" U
84. Scoop (Evelyn Waugh, 1938)
s/ x. [0 O$ Z, W83. Barchester Towers (Anthony Trollope, 1857)
) s2 F" D0 y: d82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)- ?: d: b, X' ]( F
81. The Jewel in the Crown (Paul Scott, 1966)
/ L7 Q2 Z% A% q. I80. Excellent Women (Barbara Pym, 1952)
7 I% `" Y. c- O# E0 v79. His Dark Materials (Philip Pullman, 1995-2000)
b7 `3 T9 J. y5 |" V7 X( d" l& H78. A House for Mr Biswas (VS Naipaul, 1961)7 C6 d* `, s4 e1 I) i' I, Y- U
77. Of Human Bondage (W Somerset Maugham, 1915)
* _5 }: W4 Y0 Q, S0 U0 ]4 f7 W76. Small Island (Andrea Levy, 2004)# k# F- D! c9 K, z: l' ?; B
75. Women in Love (DH Lawrence, 1920)$ G+ i, s* m; P2 c% \1 K5 w3 o
74. The Mayor of Casterbridge (Thomas Hardy, 1886)# i8 G1 `' f/ f: n$ [7 b
73. The Blue Flower (Penelope Fitzgerald, 1995)
7 g, M* S7 _5 z' |" X3 T72. The Heart of the Matter (Graham Greene, 1948)
6 h/ E$ s6 x) _* o" v: n' _71. Old Filth (Jane Gardam, 2004)9 z l+ o$ Z# G7 q' ?
70. Daniel Deronda (George Eliot, 1876)
) v6 t. T* D2 U B, w6 Z3 z$ O69. Nostromo (Joseph Conrad, 1904)2 G5 j& W R! Q# l0 Q
68. A Clockwork Orange (Anthony Burgess, 1962)0 c6 c0 S2 W; k
67. Crash (JG Ballard 1973)
, g* n3 b: [+ M3 C& e. M9 I66. Sense and Sensibility (Jane Austen, 1811)
+ H) D/ n" Y, d+ a& p" H3 V, v65. Orlando (Virginia Woolf, 1928)7 C. z# `8 U' V8 Z4 C
64. The Way We Live Now (Anthony Trollope, 1875)- n5 f% P* m% A+ x" ~6 O
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
$ o7 s N: P: [! ~$ C* j: ]1 g, ?62. Animal Farm (George Orwell, 1945) o! g0 ]2 x) S
61. The Sea, The Sea (Iris Murdoch, 1978)
8 s+ o2 j6 C8 V, R* E7 _) s60. Sons and Lovers (DH Lawrence, 1913)" I8 j, X P3 ?; P$ i/ ]
59. The Line of Beauty (Alan Hollinghurst, 2004)- E$ _! ^2 T/ M) D# ~8 _2 L" z
58. Loving (Henry Green, 1945)! L Q* L; H. s3 o5 I
57. Parade’s End (Ford Madox Ford, 1924-1928)( Q. ?: N, Z2 X0 z% b
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
4 I, g) ~ z: r& k4 j0 j55. Gulliver’s Travels (Jonathan Swift, 1726)/ y4 B, O+ ` o" ]" d5 F
54. NW (Zadie Smith, 2012)
& G6 ~6 C5 c) g: l% v$ H, c3 G53. Wide Sargasso Sea (Jean Rhys, 1966)
5 E5 Y1 e( @2 j8 d5 g# w3 ]/ c2 Y52. New Grub Street (George Gissing, 1891)$ t5 g) E! R- k
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. S* `+ X, q, C- k7 i' f$ ^50. A Passage to India (EM Forster, 1924)4 V( `1 v. S8 C u% M% l8 {
49. Possession (AS Byatt, 1990)
e- |) U; w- k48. Lucky Jim (Kingsley Amis, 1954)
8 H! J" B( n" x( ?; K' M47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)8 Z1 ]9 u6 M6 f, Q1 e
46. Midnight’s Children (Salman Rushdie, 1981)( M5 L- j* @0 o. [6 _
45. The Little Stranger (Sarah Waters, 2009)
, ~3 n( R" m; W2 i+ u* j/ q44. Wolf Hall (Hilary Mantel, 2009)5 X; L; S7 ~: X3 X, N0 K
43. The Swimming Pool Library (Alan Hollinghurst, 1988)5 m4 B; L' }, [8 _5 H, G$ ]
42. Brighton Rock (Graham Greene, 1938)
+ q. k `. W7 s41. Dombey and Son (Charles Dickens, 1848)/ a1 [0 c0 a) T4 \* A8 j0 u
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
9 X5 f5 r- y: i+ d: A$ C% K39. The Sense of an Ending (Julian Barnes, 2011)
, W+ B9 c' |8 a5 U% |38. The Passion (Jeanette Winterson, 1987)6 `: r7 |( m5 f i
37. Decline and Fall (Evelyn Waugh, 1928), S# k; C" b- C* Z7 O: k
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)2 _9 _8 y& s" \! ^
35. Remainder (Tom McCarthy, 2005)/ U: j# x0 V* f& o( o0 `& u
34. Never Let Me Go (Kazuo Ishiguro, 2005)
4 J; d% J% v8 W9 s" c33. The Wind in the Willows (Kenneth Grahame, 1908)
! `& a$ L# \; m32. A Room with a View (EM Forster, 1908)
1 S3 n2 q u, {% I/ m3 J) k31. The End of the Affair (Graham Greene, 1951)
0 U' e% p' j8 A0 d30. Moll Flanders (Daniel Defoe, 1722)) i& e4 l+ a& Z1 Q% y
29. Brick Lane (Monica Ali, 2003)& d) j$ Y8 h0 y5 D, s& {
28. Villette (Charlotte Brontë, 1853)' e9 N9 X9 c. d2 R& S* a9 K, n9 ^1 i
27. Robinson Crusoe (Daniel Defoe, 1719)4 x+ l, g# B9 Z# Y/ U- H
26. The Lord of the Rings (JRR Tolkien, 1954)
' s0 N/ |+ \! z; A4 h1 Q4 I25. White Teeth (Zadie Smith, 2000)& J2 [! D3 x! A8 f$ O
24. The Golden Notebook (Doris Lessing, 1962)
; P1 f# U. k5 \" V23. Jude the Obscure (Thomas Hardy, 1895)
, Z- w! H- D- x' I: d# X22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)* e' u$ R4 e, z1 L% E. e' }
21. Heart of Darkness (Joseph Conrad, 1899)
/ _ V5 n6 M& h [2 V# w% a, A; Z20. Persuasion (Jane Austen, 1817)
8 h( }# ~" _6 R5 ?3 v) S19. Emma (Jane Austen, 1815)% g, y/ \5 a- J2 N$ b# x7 P: N( y8 a, n2 I
18. Remains of the Day (Kazuo Ishiguro, 1989)
9 I; Z9 }5 Q2 v2 q, N2 d17. Howards End (EM Forster, 1910)
" _$ S) }3 S" k6 C/ ~6 P16. The Waves (Virginia Woolf, 1931)
- t- C* D; |8 B15. Atonement (Ian McEwan, 2001)" n' }8 Z1 t) E5 X5 M I
14. Clarissa (Samuel Richardson,1748). A T9 @. e* s! m, y3 e
13. The Good Soldier (Ford Madox Ford, 1915)
; Q/ K; e: c0 h* ]0 f9 }2 T/ V8 {12. Nineteen Eighty-Four (George Orwell, 1949)) @2 D' z& [! l" A
11. Pride and Prejudice (Jane Austen, 1813)
5 f6 q7 D% r. X/ l( U3 U10. Vanity Fair (William Makepeace Thackeray, 1848)
* u) x( k) F2 j; i" H& `: e9. Frankenstein (Mary Shelley, 1818)( _* `$ f# a4 b7 d/ ]- u( S( `
8. David Copperfield (Charles Dickens, 1850)
, v5 c$ H5 c9 ^! ^/ ~) e h1 j9 @7. Wuthering Heights (Emily Brontë, 1847)
) R& p5 g+ p8 ]+ G/ m$ }8 l6. Bleak House (Charles Dickens, 1853)3 K' T3 e/ ]0 Y' O- `: C/ K
5. Jane Eyre (Charlotte Brontë, 1847)
5 I3 e2 D8 i! B0 [, Y% z4. Great Expectations (Charles Dickens, 1861)4 S; q, g: x. ]# d1 G6 o* F
3. Mrs. Dalloway (Virginia Woolf, 1925)
; y( m) ~4 p5 q8 [& M% y6 v2. To the Lighthouse (Virginia Woolf, 1927)9 G9 s$ S1 k( A) x
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。# c& s+ c0 P0 c7 o
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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