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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著$ g, W5 E7 `6 M) A% E; r( {
http://www.bbc.com/culture/story ... test-british-novels
7 ^- L) U% D4 S: K! {/ \+ U惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。% C+ B S& F3 T8 E8 s. m6 U! U9 ^7 j
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100. The Code of the Woosters (PG Wodehouse, 1938)
; L! \9 [3 b9 v99. There but for the (Ali Smith, 2011)
" E! Q" D: ^7 v! ^, t) M98. Under the Volcano (Malcolm Lowry,1947)
5 c- n6 L/ s2 _" {. c+ c* [6 r; M97. The Chronicles of Narnia (CS Lewis, 1949-1954)
/ N8 f6 F+ I. L96. Memoirs of a Survivor (Doris Lessing, 1974)9 O0 f# o. `: F$ T) [) j- S; J
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
\& W1 L% T3 L94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)* J% u1 Q4 O9 Z/ g
93. Lord of the Flies (William Golding, 1954)
6 o0 g* [/ q8 g" P! t92. Cold Comfort Farm (Stella Gibbons, 1932)9 ^5 d. S4 R! b$ J! m0 _% y
91. The Forsyte Saga (John Galsworthy, 1922)) K! @; G6 `2 I& I$ J& |
90. The Woman in White (Wilkie Collins, 1859)
k7 o* _# D6 f5 U: Y- G9 |4 g89. The Horse’s Mouth (Joyce Cary, 1944)
/ n4 \' J) c: O6 B5 L+ L5 D88. The Death of the Heart (Elizabeth Bowen, 1938)
+ q: `+ N6 k$ W- U" \. d4 N87. The Old Wives’ Tale (Arnold Bennett,1908)
% h$ v* z& ^: B( c9 B. a; x86. A Legacy (Sybille Bedford, 1956); A. j) u; F+ U/ _
85. Regeneration Trilogy (Pat Barker, 1991-1995), {5 r1 m' _" W, [9 t
84. Scoop (Evelyn Waugh, 1938)% T5 P1 W5 _& } S
83. Barchester Towers (Anthony Trollope, 1857)
8 O `. P; F% ?8 X82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)4 k3 z; Q+ [- d5 g
81. The Jewel in the Crown (Paul Scott, 1966)' Q" z& o! ^; q8 Y9 i6 u8 ~- \2 H& g
80. Excellent Women (Barbara Pym, 1952)
/ s+ C3 Q* W( u, F- h2 F79. His Dark Materials (Philip Pullman, 1995-2000)
' i. b% {2 @$ a# o78. A House for Mr Biswas (VS Naipaul, 1961)
) L7 Q7 [' \1 h3 {2 t77. Of Human Bondage (W Somerset Maugham, 1915)
8 o7 q9 Q4 P/ r. P/ ^76. Small Island (Andrea Levy, 2004)6 @( u0 L) F0 F6 p: o
75. Women in Love (DH Lawrence, 1920)1 O: n4 l% l. I8 w7 g2 w
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
7 c8 N8 O( M7 _- E* b5 H2 W: w73. The Blue Flower (Penelope Fitzgerald, 1995)' M2 `) L$ F) Z+ t
72. The Heart of the Matter (Graham Greene, 1948)
1 m) \: u$ s7 d: v4 v8 X3 y! J71. Old Filth (Jane Gardam, 2004): J; a% J9 I2 ~% ?$ P# H3 N3 S
70. Daniel Deronda (George Eliot, 1876)" I% X3 B3 R+ [# Q0 S3 R9 L
69. Nostromo (Joseph Conrad, 1904)
9 C* a, z' K" y) z8 X0 y4 M68. A Clockwork Orange (Anthony Burgess, 1962)
: |; l0 R5 s. X67. Crash (JG Ballard 1973)1 `$ \3 t4 X$ H; `; e+ d9 n
66. Sense and Sensibility (Jane Austen, 1811)
7 q1 Q- k/ d5 d6 i0 w6 o" U65. Orlando (Virginia Woolf, 1928)$ w# ]; q# N# L- z- N
64. The Way We Live Now (Anthony Trollope, 1875)3 Y$ Y! x" Y9 K1 O$ T/ H* I
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
; g" W, ]$ j4 X/ X+ H62. Animal Farm (George Orwell, 1945)
5 m9 W: \9 x0 Q2 m4 T0 O5 O61. The Sea, The Sea (Iris Murdoch, 1978)
6 N4 p) q2 ?& N7 x' G5 P( O' q9 W60. Sons and Lovers (DH Lawrence, 1913)
% q* Q) ^) x/ r3 q' d' S59. The Line of Beauty (Alan Hollinghurst, 2004)6 V: R: J3 k5 Y4 h& I6 m
58. Loving (Henry Green, 1945)
3 R K+ H8 M; @+ ~1 X7 h) Q57. Parade’s End (Ford Madox Ford, 1924-1928)- ?8 @: P# k l t2 U
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ D# [, |6 R8 {* |& |
55. Gulliver’s Travels (Jonathan Swift, 1726)) B9 e# y9 s! b* p( d3 `% n4 R
54. NW (Zadie Smith, 2012)( B8 a! x' s- `( K$ X! s; g+ M
53. Wide Sargasso Sea (Jean Rhys, 1966)5 K% X7 B. x( G! [# \2 h- A7 ^% z. l$ [ u
52. New Grub Street (George Gissing, 1891)
" N3 B! ^* h+ v* s _51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
+ w$ X. U+ J% B1 O50. A Passage to India (EM Forster, 1924)$ Y2 l7 {) b! \7 R+ ?+ L- T. i( C
49. Possession (AS Byatt, 1990)0 c7 @$ y$ ^/ C% Z" X0 x7 H, `
48. Lucky Jim (Kingsley Amis, 1954)5 `! k( j- k6 W3 H4 W% _8 A" _
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759): V( k. u* s! ~; r7 O( d5 j! e& V, r
46. Midnight’s Children (Salman Rushdie, 1981)7 J& {- \' Z2 i' A2 \
45. The Little Stranger (Sarah Waters, 2009)
1 T( s, G% f* A9 T, X! ?44. Wolf Hall (Hilary Mantel, 2009)! y; o8 R9 [" t' N3 `% x2 n
43. The Swimming Pool Library (Alan Hollinghurst, 1988)% r$ ~- H. z) [/ b# i5 }
42. Brighton Rock (Graham Greene, 1938)0 G- b; L3 X w* G4 P9 Z
41. Dombey and Son (Charles Dickens, 1848)
; ?3 u( F: W W Q40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)& {2 g: Q$ s, i' U2 d+ U
39. The Sense of an Ending (Julian Barnes, 2011)- C1 {) P6 ]) D! l
38. The Passion (Jeanette Winterson, 1987)
9 y( X! n* V% ~* Y37. Decline and Fall (Evelyn Waugh, 1928)
, Z+ c$ d( _8 n& E' q4 I/ J36. A Dance to the Music of Time (Anthony Powell, 1951-1975)1 J0 R8 w+ |6 e
35. Remainder (Tom McCarthy, 2005)
4 T! O1 E4 |7 u) m9 @34. Never Let Me Go (Kazuo Ishiguro, 2005)
8 W. D0 ~9 U$ Q9 S& c. e9 F33. The Wind in the Willows (Kenneth Grahame, 1908)
: @4 `$ D# y. T32. A Room with a View (EM Forster, 1908)
* y, W) B1 P+ C3 u% [31. The End of the Affair (Graham Greene, 1951)( Y, n4 o1 m* Z+ `
30. Moll Flanders (Daniel Defoe, 1722)
5 Q( s( y+ A+ S29. Brick Lane (Monica Ali, 2003)/ x' [6 ~9 @$ o- ?; S6 a' b
28. Villette (Charlotte Brontë, 1853)/ F) n7 a9 e% f$ t9 i! l
27. Robinson Crusoe (Daniel Defoe, 1719)
0 s5 q) F* L- \; q- [- ^26. The Lord of the Rings (JRR Tolkien, 1954)
( t+ G8 ~" J6 [6 Q4 \25. White Teeth (Zadie Smith, 2000)
0 Z1 D \1 b' G" g( a* o3 v' X& J24. The Golden Notebook (Doris Lessing, 1962)$ g4 u, w9 r( Y0 ?* M! ~, X
23. Jude the Obscure (Thomas Hardy, 1895)
1 W' [1 ^( K: `+ `" M$ H22. The History of Tom Jones, a Foundling (Henry Fielding, 1749): q- H: W. f! }3 C6 B
21. Heart of Darkness (Joseph Conrad, 1899)& s3 U4 g% v( C4 l# h( o# C
20. Persuasion (Jane Austen, 1817) h6 Y$ i" a5 j) \
19. Emma (Jane Austen, 1815)
3 t# h1 ?5 ]2 X. K& J) N9 j18. Remains of the Day (Kazuo Ishiguro, 1989). i. v( Y6 ]* M
17. Howards End (EM Forster, 1910)
1 O! h! } [/ V6 Y16. The Waves (Virginia Woolf, 1931)
$ W* m; E. A7 f2 Z) D7 r y6 ?15. Atonement (Ian McEwan, 2001)- x! U: Z7 d; v' G
14. Clarissa (Samuel Richardson,1748)
& l' c/ z4 q6 d9 i1 ?7 ~" s13. The Good Soldier (Ford Madox Ford, 1915) V2 c* U& K9 L9 ~& I8 R- M( g
12. Nineteen Eighty-Four (George Orwell, 1949)/ D- P- z* c. Y, Y+ F
11. Pride and Prejudice (Jane Austen, 1813)" \. V7 Q) Z/ Y8 p9 w3 h
10. Vanity Fair (William Makepeace Thackeray, 1848)/ z9 o" f T$ T" m1 R9 F' n: o
9. Frankenstein (Mary Shelley, 1818)
" L/ d+ b0 M h# O H8. David Copperfield (Charles Dickens, 1850)
( |# j; w7 T8 t* Z5 _7. Wuthering Heights (Emily Brontë, 1847)8 K D3 t8 ~+ n5 a, d# u. x$ V
6. Bleak House (Charles Dickens, 1853)
8 ~5 u! o# y6 w4 ~' K, t @5. Jane Eyre (Charlotte Brontë, 1847)
0 M4 B7 W: D8 x$ x2 X4. Great Expectations (Charles Dickens, 1861)
6 x) ^5 q2 |9 r7 l5 P$ n( o1 m3. Mrs. Dalloway (Virginia Woolf, 1925)6 W$ h8 Z( e; f6 I
2. To the Lighthouse (Virginia Woolf, 1927)
+ ~$ W% I" `6 e1 w; P1. Middlemarch (George Eliot, 1874)
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1 L* C2 `* N. M2 [# W8 r, N前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。; F% k+ p9 x; r4 t. z7 J
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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