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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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" h6 {, H& ?; {6 f4 E5 o8 E. WBBC评出100大英国文学名著: t, q; ?7 F' p; p* }9 b2 Q+ n
http://www.bbc.com/culture/story ... test-british-novels
' [: t P# |/ r: s惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。8 K) a: S+ ~3 p: e1 a; r
' V( e' Q; Q( `$ C$ r3 s y100. The Code of the Woosters (PG Wodehouse, 1938)
3 q9 ?, A4 T3 w8 K+ D& d99. There but for the (Ali Smith, 2011)' i8 |2 Y" O; u5 d6 {6 n8 N4 H
98. Under the Volcano (Malcolm Lowry,1947)
8 q' y8 ?+ W" q3 Q3 h97. The Chronicles of Narnia (CS Lewis, 1949-1954)' L2 N# h0 c9 `( b7 N% o
96. Memoirs of a Survivor (Doris Lessing, 1974)
9 F- L$ J! O9 R) G" b/ n3 s95. The Buddha of Suburbia (Hanif Kureishi, 1990)5 T% [5 z0 b: n
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
J" g) t& P. @# y, f93. Lord of the Flies (William Golding, 1954)
, b }; p6 ?8 d, s6 m92. Cold Comfort Farm (Stella Gibbons, 1932)" T/ E3 E' l$ g7 V$ x
91. The Forsyte Saga (John Galsworthy, 1922)/ J' t1 x( w" a+ {9 M
90. The Woman in White (Wilkie Collins, 1859): ~! H! e }. Y3 w) `
89. The Horse’s Mouth (Joyce Cary, 1944)
, }3 E& R- a) G7 x/ E8 V88. The Death of the Heart (Elizabeth Bowen, 1938)$ i& N4 Q9 q7 u6 e4 Y0 {
87. The Old Wives’ Tale (Arnold Bennett,1908)! n. k2 ~( W. X8 g% p
86. A Legacy (Sybille Bedford, 1956)3 }; n0 W# r0 t
85. Regeneration Trilogy (Pat Barker, 1991-1995)
/ L6 m$ I7 F% l84. Scoop (Evelyn Waugh, 1938)
! n/ |. I1 O% Y' |7 E( T6 h2 n83. Barchester Towers (Anthony Trollope, 1857)
: }4 ?9 i# P& M! v X, ^82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
6 D& \+ O* b, n5 f81. The Jewel in the Crown (Paul Scott, 1966)7 ^# Z2 J& _( @8 j9 S% x1 ]
80. Excellent Women (Barbara Pym, 1952)
' Q2 w5 x0 L0 u' }# D79. His Dark Materials (Philip Pullman, 1995-2000)( k& H |4 Z3 K- ]7 Q* j
78. A House for Mr Biswas (VS Naipaul, 1961)
! Q" V% l% h$ N0 P: S J77. Of Human Bondage (W Somerset Maugham, 1915)% J- U* ]+ [2 F+ V; D. ^* [% h
76. Small Island (Andrea Levy, 2004)& J) H6 V i' c4 A$ R/ X3 `0 L
75. Women in Love (DH Lawrence, 1920)
; {' c0 [! s2 j0 d% r: K0 P74. The Mayor of Casterbridge (Thomas Hardy, 1886)
5 V, m. _# ], C5 i* |2 c2 L73. The Blue Flower (Penelope Fitzgerald, 1995)8 j- K0 E$ H: ?2 v! R
72. The Heart of the Matter (Graham Greene, 1948)
! v" ~' k# M( t( ]' f0 ^71. Old Filth (Jane Gardam, 2004)( u# [) V5 Y1 f- j
70. Daniel Deronda (George Eliot, 1876)
0 b% }- T1 v6 Z Z/ `69. Nostromo (Joseph Conrad, 1904)% a _6 l+ t2 p: C j$ ?, I
68. A Clockwork Orange (Anthony Burgess, 1962)
9 a" D8 X* C( ~6 C. \% [; M4 g67. Crash (JG Ballard 1973)& n- ^. h+ }& F. p( e! o
66. Sense and Sensibility (Jane Austen, 1811)+ }0 j) w7 c+ Z4 V/ v2 ^, _0 A# w) |
65. Orlando (Virginia Woolf, 1928)
; }' u x9 }, P* K1 U64. The Way We Live Now (Anthony Trollope, 1875)
: e6 x6 j4 I+ C5 c# n63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)& w6 ?3 n+ ~; h$ @- |
62. Animal Farm (George Orwell, 1945)
# H. @% Y( Q3 u: u5 F: t5 L* B61. The Sea, The Sea (Iris Murdoch, 1978)6 [& x1 ^! N" O, j: u
60. Sons and Lovers (DH Lawrence, 1913)# n9 H7 ~" P i5 e: H
59. The Line of Beauty (Alan Hollinghurst, 2004)5 h8 ?6 `' _2 c3 T9 a+ a
58. Loving (Henry Green, 1945)
& z% M7 W2 n. d8 T$ E! b9 c8 U! I: F57. Parade’s End (Ford Madox Ford, 1924-1928)% `4 |/ U, D$ l8 G" A& }+ C5 o0 t
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
" H1 j; K* |; r* ], ~$ o0 v55. Gulliver’s Travels (Jonathan Swift, 1726)- e+ y X' W+ z) H- f7 J/ b
54. NW (Zadie Smith, 2012)
1 V' p7 [! b0 g53. Wide Sargasso Sea (Jean Rhys, 1966)
$ i( d5 t% v8 g; [, b52. New Grub Street (George Gissing, 1891)( B* E5 S, x( `7 F
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
9 _1 a1 o$ p( L( D50. A Passage to India (EM Forster, 1924)
8 @5 E( X6 \1 |! d$ C' y5 o49. Possession (AS Byatt, 1990)
# E% W& Z+ p8 T6 H; q: g# Y48. Lucky Jim (Kingsley Amis, 1954)% ~# _- p' V4 q; y
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)6 W6 h1 m4 W" E, F2 G0 l# v
46. Midnight’s Children (Salman Rushdie, 1981)1 j! F4 U: O0 O8 x+ n" G
45. The Little Stranger (Sarah Waters, 2009); g7 I! A R" X& {# q' r: t
44. Wolf Hall (Hilary Mantel, 2009)
! \+ D E3 D6 ?1 s8 G43. The Swimming Pool Library (Alan Hollinghurst, 1988)3 G& B( g f" |5 n) |; L
42. Brighton Rock (Graham Greene, 1938)
9 B3 o, V7 e- k5 W41. Dombey and Son (Charles Dickens, 1848)
@/ N+ C0 V3 t* T40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 e$ ] p' o9 k- L9 t+ m' r6 H39. The Sense of an Ending (Julian Barnes, 2011)
# R. ^0 h) s2 _, V8 W5 ~38. The Passion (Jeanette Winterson, 1987)
p; N0 n2 j6 D, E37. Decline and Fall (Evelyn Waugh, 1928)
4 @5 s& u& Y% r4 }' y) N! M3 I0 r36. A Dance to the Music of Time (Anthony Powell, 1951-1975)8 c1 h& b2 O- X/ G) u( T& U
35. Remainder (Tom McCarthy, 2005)
, e% y8 A$ T- h+ s7 f' U- E34. Never Let Me Go (Kazuo Ishiguro, 2005); y. Q r/ L# Z3 _, M/ k
33. The Wind in the Willows (Kenneth Grahame, 1908)
6 e$ g& S2 F4 Y. {/ E+ r32. A Room with a View (EM Forster, 1908)& m. C7 D0 `5 x8 u7 |
31. The End of the Affair (Graham Greene, 1951)
7 J: n4 J9 O; ~8 J; t+ c$ D( F30. Moll Flanders (Daniel Defoe, 1722)
6 c( A, {, X. k/ Q C8 Q, [29. Brick Lane (Monica Ali, 2003)
) z7 l# P% ^- {+ T' m28. Villette (Charlotte Brontë, 1853), A' U3 q+ m. L y& Q; X! z* u( p! j9 t$ z
27. Robinson Crusoe (Daniel Defoe, 1719)
$ }7 E, Y1 _# ^$ a% Q% Q$ d26. The Lord of the Rings (JRR Tolkien, 1954)9 K6 F0 ~- {1 k! z) y. B
25. White Teeth (Zadie Smith, 2000)
x' y: X, q" G2 p24. The Golden Notebook (Doris Lessing, 1962)$ ~" {0 ]# e% @/ e! x7 @
23. Jude the Obscure (Thomas Hardy, 1895)
! p: B9 h1 g. Z/ a' A22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)" m' e6 }# \: L
21. Heart of Darkness (Joseph Conrad, 1899)
5 N4 y2 x c* s) C, k* q3 Q9 B20. Persuasion (Jane Austen, 1817)
: z) |- A; h; o- C7 `% d0 i4 u19. Emma (Jane Austen, 1815): G9 B5 ^! V" q- p# V9 [7 s
18. Remains of the Day (Kazuo Ishiguro, 1989)9 P( k& k- h' b; \
17. Howards End (EM Forster, 1910)" Q& ?% k% t( D& Y% e" b" L
16. The Waves (Virginia Woolf, 1931)
4 O* ]& o& V; G2 r: ~/ b4 `& J15. Atonement (Ian McEwan, 2001)
# R p( _" q4 G4 x. E% z5 s14. Clarissa (Samuel Richardson,1748)
( v4 J9 t ?, }5 L; I+ V% T13. The Good Soldier (Ford Madox Ford, 1915)& t7 P; U/ V! b8 Q, b# M( r
12. Nineteen Eighty-Four (George Orwell, 1949)1 F, f$ v* U s x
11. Pride and Prejudice (Jane Austen, 1813)
( ]8 @4 s- `1 `% i10. Vanity Fair (William Makepeace Thackeray, 1848)2 A( L7 S! c6 C4 s' d" `
9. Frankenstein (Mary Shelley, 1818)) g9 E* T6 |7 A, K
8. David Copperfield (Charles Dickens, 1850)
% `# U8 B1 m7 n3 g7. Wuthering Heights (Emily Brontë, 1847)- S f. G0 i _* u. s% v; m2 ?, r
6. Bleak House (Charles Dickens, 1853)7 p, |) \- n2 o1 C, a* i
5. Jane Eyre (Charlotte Brontë, 1847)
`1 i2 Z, I; \" [7 A- ?# z$ X4. Great Expectations (Charles Dickens, 1861)
+ l: w$ {) A |: L0 S, o8 l3. Mrs. Dalloway (Virginia Woolf, 1925)/ `# Y0 P2 @( H+ G# q) {
2. To the Lighthouse (Virginia Woolf, 1927)3 e" @4 o; ~. K) R1 v; l7 Q0 s
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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