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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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6 A9 u" q8 I. ]; v: B, hBBC评出100大英国文学名著
/ F' B. `2 p1 h# F1 o! xhttp://www.bbc.com/culture/story ... test-british-novels
7 t9 C' O' o4 c7 _& P3 \. {惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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: j* K, ~8 M5 F, d100. The Code of the Woosters (PG Wodehouse, 1938), O$ ]6 ?* r! @8 e4 H9 Q
99. There but for the (Ali Smith, 2011)! _: b) I9 H' e/ h% {5 D5 J
98. Under the Volcano (Malcolm Lowry,1947)7 T1 A9 ^6 ^) L7 f' c5 x
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
7 S; D' q( b5 [- |6 l9 O96. Memoirs of a Survivor (Doris Lessing, 1974)1 Y: s- q, l. X$ v+ O
95. The Buddha of Suburbia (Hanif Kureishi, 1990)! h' a& \$ r' `! \4 C
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)& X& |! M3 Z: s* i9 r
93. Lord of the Flies (William Golding, 1954)/ l g; d3 U6 b* o0 E5 T/ r2 r& k
92. Cold Comfort Farm (Stella Gibbons, 1932)
# T, [% y5 `) `) P91. The Forsyte Saga (John Galsworthy, 1922)
% H2 Q" D' W, j+ Y8 ?; K% F( U3 ]90. The Woman in White (Wilkie Collins, 1859)& A/ T M5 ]# G+ W7 x7 E& e
89. The Horse’s Mouth (Joyce Cary, 1944)
8 |+ B0 K: z5 i. h/ u6 G% M/ N88. The Death of the Heart (Elizabeth Bowen, 1938)8 b3 }6 j" `8 o: r {5 l
87. The Old Wives’ Tale (Arnold Bennett,1908)
8 b4 Y6 n; y w6 b4 ~% `) K86. A Legacy (Sybille Bedford, 1956)
' V4 |. j3 b k$ j3 F. Z$ b4 D O85. Regeneration Trilogy (Pat Barker, 1991-1995)
* G: J1 S- n) w84. Scoop (Evelyn Waugh, 1938)
+ n1 ^' G; K2 @" g* V# N m83. Barchester Towers (Anthony Trollope, 1857): g' S& i) u; X
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)# ?# S" k+ S8 K8 Y& q9 P3 V* @
81. The Jewel in the Crown (Paul Scott, 1966). [$ b, @ g B: a, B& L
80. Excellent Women (Barbara Pym, 1952)
' Z5 b) M( I/ f; Q9 j, h7 W; g79. His Dark Materials (Philip Pullman, 1995-2000)1 h5 I& A& R, m( F
78. A House for Mr Biswas (VS Naipaul, 1961)
) q9 G; M! |8 ~7 Y+ `$ K# {7 S77. Of Human Bondage (W Somerset Maugham, 1915)' P2 ?8 i9 k4 E0 D
76. Small Island (Andrea Levy, 2004)
2 L+ @& @1 N: p6 k75. Women in Love (DH Lawrence, 1920)7 P. H' ^' l" I$ _4 E2 g$ ?
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& [2 H5 V2 C' g1 j% I6 h* H" W \" W73. The Blue Flower (Penelope Fitzgerald, 1995)4 t0 O4 L6 U7 o! q, C1 R6 F
72. The Heart of the Matter (Graham Greene, 1948)
3 b! H1 K" S D71. Old Filth (Jane Gardam, 2004)
9 Y8 m! @' O) G- p' K) ]70. Daniel Deronda (George Eliot, 1876)
2 D, Z$ t; e, k- p2 |69. Nostromo (Joseph Conrad, 1904)0 I# j+ H' M5 A$ d5 O
68. A Clockwork Orange (Anthony Burgess, 1962)
* O+ C, J% c2 v$ A6 G67. Crash (JG Ballard 1973)- t- c1 B+ O7 S5 l; i+ ~ l8 I
66. Sense and Sensibility (Jane Austen, 1811)! ]" R; G% h6 @1 N
65. Orlando (Virginia Woolf, 1928)
" Q7 T1 D+ b( K; ^" P+ d9 {( _" T9 ~64. The Way We Live Now (Anthony Trollope, 1875)2 p8 P5 |, }4 H* [
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)- M8 s4 t+ q3 z; S2 r
62. Animal Farm (George Orwell, 1945)8 i2 Q4 j) Y. f0 p! W I
61. The Sea, The Sea (Iris Murdoch, 1978)
9 B7 i' O b, F3 A% _60. Sons and Lovers (DH Lawrence, 1913)
( ?8 K' {" e" P# l# y2 c1 s& e59. The Line of Beauty (Alan Hollinghurst, 2004)
. m+ r5 O5 E l) ]58. Loving (Henry Green, 1945)
# F2 \' _0 u1 \; b% ?57. Parade’s End (Ford Madox Ford, 1924-1928)
' D' i) R8 d" G5 }2 u" V56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)9 n; `9 X( O3 D$ }* Z# j
55. Gulliver’s Travels (Jonathan Swift, 1726)9 d4 @( ?9 i3 L$ ^ a
54. NW (Zadie Smith, 2012), r' S; ^9 H. z% H& A
53. Wide Sargasso Sea (Jean Rhys, 1966)
9 u) C5 V J% ]' `) K52. New Grub Street (George Gissing, 1891)" q. t: a% D+ n0 c& H4 w* `
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
4 J+ r b3 U/ Y: f* X1 k( m* K50. A Passage to India (EM Forster, 1924)
0 X! N, r: J! v z49. Possession (AS Byatt, 1990)
# a0 |" i$ q$ I T$ J48. Lucky Jim (Kingsley Amis, 1954)
8 p5 P7 n: b, M, j5 p( S& Q47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)# {3 c% d, P2 l( q& S- B
46. Midnight’s Children (Salman Rushdie, 1981)1 z! j/ X' j9 E3 \
45. The Little Stranger (Sarah Waters, 2009); N" i" f2 O+ ~# I/ @, g/ A5 x) H
44. Wolf Hall (Hilary Mantel, 2009)
+ l' T6 v4 }: B+ |) J5 s) F' _43. The Swimming Pool Library (Alan Hollinghurst, 1988)& ^' \) c- s9 E- N4 v7 a% F
42. Brighton Rock (Graham Greene, 1938)
" z; d+ t5 }, d# Z/ \41. Dombey and Son (Charles Dickens, 1848)
$ {4 }( P m0 t! T- X40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
; a% M4 h# Q/ D' d0 I39. The Sense of an Ending (Julian Barnes, 2011)" e) O: n, S; y5 [+ i$ s2 {
38. The Passion (Jeanette Winterson, 1987)
4 v% O" o$ L" q. a" V37. Decline and Fall (Evelyn Waugh, 1928)& l3 E' U2 L* S
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)+ S2 E- \- m3 ?% R8 @
35. Remainder (Tom McCarthy, 2005)& k; F8 N. M, k, S. O0 c) @
34. Never Let Me Go (Kazuo Ishiguro, 2005)
% w6 K9 c* W) Y- X4 C( _33. The Wind in the Willows (Kenneth Grahame, 1908)2 t) L% ~3 h: `6 q; {7 [
32. A Room with a View (EM Forster, 1908)& t, J/ D/ A1 Q0 N9 t9 {8 G" c
31. The End of the Affair (Graham Greene, 1951)
- h+ d4 B- |* Z6 A1 K30. Moll Flanders (Daniel Defoe, 1722)7 A8 y( ?# q! m4 O; V: I
29. Brick Lane (Monica Ali, 2003)" z1 y5 J: |7 t6 v
28. Villette (Charlotte Brontë, 1853)2 o: Y" j6 ?0 `( I G h! y! b
27. Robinson Crusoe (Daniel Defoe, 1719)
( D" D: I- a' N. ^$ J0 ~26. The Lord of the Rings (JRR Tolkien, 1954)
5 O& S9 c. L2 w: S- _; `) x25. White Teeth (Zadie Smith, 2000)
, O4 V2 _' @ E) c2 X24. The Golden Notebook (Doris Lessing, 1962)4 N# s( z+ l& C9 d" ]
23. Jude the Obscure (Thomas Hardy, 1895); I! x9 B' S! Q' {' X; u, _
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749). U2 Y6 [7 r! r2 O
21. Heart of Darkness (Joseph Conrad, 1899)" ^1 _/ n( W. g- p- a1 z
20. Persuasion (Jane Austen, 1817)
, X! j! P/ C- W7 t0 s) {' n19. Emma (Jane Austen, 1815)
: I Y8 }+ M6 u( J0 j# P& t2 {6 c18. Remains of the Day (Kazuo Ishiguro, 1989)
% Y: v0 h$ B: _1 m6 N17. Howards End (EM Forster, 1910)* D/ G6 v3 J" P" r6 f8 k( y* |4 l
16. The Waves (Virginia Woolf, 1931)3 }4 h2 ?$ ?1 z( ^; w5 \3 m
15. Atonement (Ian McEwan, 2001)
$ [: X' t9 J( O' ?' ^6 g14. Clarissa (Samuel Richardson,1748)3 @7 L4 ?9 n; E+ }! l5 G9 l2 p [
13. The Good Soldier (Ford Madox Ford, 1915)
# m/ t0 p! Z$ E( W* b12. Nineteen Eighty-Four (George Orwell, 1949)* x6 c& r# l; |" ~* _
11. Pride and Prejudice (Jane Austen, 1813)
4 s6 u, q: g+ C0 m& C2 Z. p* ^6 i10. Vanity Fair (William Makepeace Thackeray, 1848)
4 ^3 w0 i" n( v0 O9. Frankenstein (Mary Shelley, 1818)
6 `+ l: x- @5 l8. David Copperfield (Charles Dickens, 1850)
/ V% E/ k/ s& X' Q& O* y4 |$ O7. Wuthering Heights (Emily Brontë, 1847)
7 N! T1 t* X; ~6. Bleak House (Charles Dickens, 1853)
! p4 t: m/ U; N8 E* T- z" y3 r5. Jane Eyre (Charlotte Brontë, 1847)
8 s, Y# @' u9 |+ [! q4. Great Expectations (Charles Dickens, 1861)% F" D" _! ~2 Y6 R, E
3. Mrs. Dalloway (Virginia Woolf, 1925)- Q2 c/ C/ y2 z0 ] V
2. To the Lighthouse (Virginia Woolf, 1927)
8 Y& s# [0 p- u6 W9 y7 x0 e9 i% `5 V1. Middlemarch (George Eliot, 1874)) O: c6 V: V# b7 [8 U( R
$ {# N7 u3 t0 N, o' F: ?% c3 o前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。& C5 ?) j1 j A; K! D4 R9 y @/ I4 P
' b4 p% G- {) q2 G1 Y% t' R呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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