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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; I) S" V- F: R3 y4 K
. e) O) q2 l8 q R$ F) T9 KBBC评出100大英国文学名著; m) y+ h5 g! G2 q9 a
http://www.bbc.com/culture/story ... test-british-novels: p! V6 @1 O* ~+ a# p; Y
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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4 y1 `- Z1 i$ [+ H100. The Code of the Woosters (PG Wodehouse, 1938)
+ M& `( n6 Z6 p0 p& }& z, a99. There but for the (Ali Smith, 2011)
# I% X- Q' B$ n98. Under the Volcano (Malcolm Lowry,1947). Q6 v9 l# R- _/ D
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
_$ v, C! c; z( E9 i96. Memoirs of a Survivor (Doris Lessing, 1974)
; ?5 Q8 W9 L O6 h7 i& K" O" M95. The Buddha of Suburbia (Hanif Kureishi, 1990)
2 V$ d3 x: }5 t( `# R" r" X94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824): r0 l+ Z% ~; \
93. Lord of the Flies (William Golding, 1954)
# b0 E; w4 O1 K8 y92. Cold Comfort Farm (Stella Gibbons, 1932)
1 ~% z9 N8 w8 ^9 ?1 `91. The Forsyte Saga (John Galsworthy, 1922)
5 B% k/ p7 l2 Z& I/ \% ]90. The Woman in White (Wilkie Collins, 1859)' ]! X p- c: ~) Y( B" X
89. The Horse’s Mouth (Joyce Cary, 1944)
1 a" S! a) L1 W4 u: t88. The Death of the Heart (Elizabeth Bowen, 1938)
: `! t, I4 N! j# f87. The Old Wives’ Tale (Arnold Bennett,1908)
9 `$ M" m0 O% _8 H; C86. A Legacy (Sybille Bedford, 1956)
7 J1 C9 b) K- t8 w3 x0 \) i85. Regeneration Trilogy (Pat Barker, 1991-1995)
9 A! q9 i7 R* ~84. Scoop (Evelyn Waugh, 1938)& s; ?2 K" C) U# N. ?1 u& B
83. Barchester Towers (Anthony Trollope, 1857)3 c1 B/ a6 O& V0 }0 h' V
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ k# r- v5 t/ f6 j: Z
81. The Jewel in the Crown (Paul Scott, 1966)& V" C3 ^5 I# k6 g! ~+ `+ w
80. Excellent Women (Barbara Pym, 1952)
' {% s- t# U8 A" _79. His Dark Materials (Philip Pullman, 1995-2000)( p8 ^( Q ]6 r7 Y
78. A House for Mr Biswas (VS Naipaul, 1961); d. W% r3 k/ I, j$ J# r% a
77. Of Human Bondage (W Somerset Maugham, 1915)% d3 }4 i5 L# Z
76. Small Island (Andrea Levy, 2004)
# T* \! l0 q1 R7 { @4 a75. Women in Love (DH Lawrence, 1920)
3 U' }0 j8 G1 @( r74. The Mayor of Casterbridge (Thomas Hardy, 1886)8 z* w% S6 Y& X" t2 d$ ?
73. The Blue Flower (Penelope Fitzgerald, 1995)& o5 T% S9 z# | b3 D8 U) ?
72. The Heart of the Matter (Graham Greene, 1948)
4 q6 |+ t1 s' I% h, F71. Old Filth (Jane Gardam, 2004)/ B" j, g+ H" V3 m
70. Daniel Deronda (George Eliot, 1876)
, A$ L5 V4 B! G. `# {69. Nostromo (Joseph Conrad, 1904)
9 `" p7 M h1 K6 Q68. A Clockwork Orange (Anthony Burgess, 1962)
/ T) I3 D& h& Y) D/ t& j" r0 f7 |8 o67. Crash (JG Ballard 1973)# D5 u1 `+ o) u+ E+ r
66. Sense and Sensibility (Jane Austen, 1811)3 |, j; o5 g9 H
65. Orlando (Virginia Woolf, 1928)
5 Z/ M: e/ } p+ d64. The Way We Live Now (Anthony Trollope, 1875)
4 t8 T1 ] y% {( @63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)+ r/ s. a9 H& Z( I( L# N' a
62. Animal Farm (George Orwell, 1945)
' r+ g: b" c, z# j0 S, L. W& C61. The Sea, The Sea (Iris Murdoch, 1978)
0 i- Z$ p. p; ~# r7 s$ f1 [6 R& s60. Sons and Lovers (DH Lawrence, 1913)
1 P" J1 K* S* p# r/ P* P9 r59. The Line of Beauty (Alan Hollinghurst, 2004)
* i: V& l$ ^* m$ u1 y58. Loving (Henry Green, 1945)( c: ?1 t% j' U6 Q9 ?6 l0 x* O' o9 I
57. Parade’s End (Ford Madox Ford, 1924-1928)
! K, @0 B1 W- G% ]6 q56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)3 y: I1 }2 l' {
55. Gulliver’s Travels (Jonathan Swift, 1726)
6 f: N$ {9 h `3 k$ m2 }5 ?* J54. NW (Zadie Smith, 2012)( E. i9 Q1 I; q8 A
53. Wide Sargasso Sea (Jean Rhys, 1966)
i6 q2 K8 |* R8 f9 v9 l _52. New Grub Street (George Gissing, 1891)
1 V a' B0 U/ n1 k6 E7 ~, T51. Tess of the d’Urbervilles (Thomas Hardy, 1891)1 q" w( Q/ N. ?: C$ l/ k
50. A Passage to India (EM Forster, 1924)
" U( H3 _% h& D49. Possession (AS Byatt, 1990)/ Y7 d* h4 J# ^; Y, _( ^2 c1 R( I
48. Lucky Jim (Kingsley Amis, 1954)
0 n/ C. z! C4 _: z) P' {' u47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
! R# h# \) ?- e( `46. Midnight’s Children (Salman Rushdie, 1981)
3 y2 k( }4 c* _+ ^, y: \45. The Little Stranger (Sarah Waters, 2009)3 S2 h! s% s7 H& l4 u" G- Z/ i/ U
44. Wolf Hall (Hilary Mantel, 2009)9 [( m. b3 t! h/ b* n
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
4 H, B6 z0 G7 _: t+ o9 V42. Brighton Rock (Graham Greene, 1938)0 O4 z( L" P& y$ a
41. Dombey and Son (Charles Dickens, 1848)- G5 E2 Z3 @0 k( @; |7 i! Z
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" Y3 G! A0 \$ J& V4 Z# @4 D
39. The Sense of an Ending (Julian Barnes, 2011)
1 \- U1 R, U* f# ~$ W38. The Passion (Jeanette Winterson, 1987)0 o1 a- i1 [& e; O9 n$ r( K
37. Decline and Fall (Evelyn Waugh, 1928)3 J8 ? Z. \- z1 ^$ q8 g* u
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
2 T2 e) h6 L* Q* Z0 I* d35. Remainder (Tom McCarthy, 2005)
' Q- i ~2 Y5 V- p- n34. Never Let Me Go (Kazuo Ishiguro, 2005)* N; b) ^1 L' v0 m7 R
33. The Wind in the Willows (Kenneth Grahame, 1908)* F, U1 ?6 b5 l0 x6 L! u
32. A Room with a View (EM Forster, 1908)! q# I0 n3 h B- n+ b) B
31. The End of the Affair (Graham Greene, 1951)
1 A, V# i4 O( B( W* J- Y+ b30. Moll Flanders (Daniel Defoe, 1722)4 y$ v: L' ]" d0 J) t6 R
29. Brick Lane (Monica Ali, 2003)
$ v# f# L0 ]7 ^. W9 ^2 _* R+ V* c28. Villette (Charlotte Brontë, 1853)
: H z! c C4 ^5 h+ [4 {0 y27. Robinson Crusoe (Daniel Defoe, 1719)" V+ u3 Y; _$ m t+ \& T! b
26. The Lord of the Rings (JRR Tolkien, 1954)! {) h4 L( \/ P, K# |/ x& z t
25. White Teeth (Zadie Smith, 2000)4 P+ m0 B3 t0 ~+ o3 b! V, }
24. The Golden Notebook (Doris Lessing, 1962)
, X1 S0 F. c2 t8 ^/ I) A8 l23. Jude the Obscure (Thomas Hardy, 1895)/ W) J& ]* W; ]0 i
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
1 D6 e0 A* Z/ n9 n0 R' |21. Heart of Darkness (Joseph Conrad, 1899)
% k4 b( `4 W7 ?8 O, k$ H20. Persuasion (Jane Austen, 1817)" d5 Y" }7 N8 w; _- h1 Z+ Z2 [
19. Emma (Jane Austen, 1815)
0 Y# |! S6 G/ S7 a* C& ^. T. u18. Remains of the Day (Kazuo Ishiguro, 1989)
" \, U# B8 U( [, f. s5 s17. Howards End (EM Forster, 1910)) ]# ~$ P4 N5 P7 i+ e
16. The Waves (Virginia Woolf, 1931)
1 t# k2 |, P- r1 o15. Atonement (Ian McEwan, 2001)" z. T6 h* h' G7 h' l$ A7 i
14. Clarissa (Samuel Richardson,1748)
$ J* z/ s( U; }9 U4 O; W( l13. The Good Soldier (Ford Madox Ford, 1915)( P% q: _4 q0 g8 e( X: T
12. Nineteen Eighty-Four (George Orwell, 1949)
# j4 l3 w9 L" q c9 q1 O+ Q1 y! q11. Pride and Prejudice (Jane Austen, 1813)1 }/ R( s+ D; q% O/ f1 S8 c1 G
10. Vanity Fair (William Makepeace Thackeray, 1848)% R: @. |! w. W
9. Frankenstein (Mary Shelley, 1818)5 a; N# N0 n8 W! M; S
8. David Copperfield (Charles Dickens, 1850)4 M8 o3 Y. B) {' R" m+ p3 a! R/ G
7. Wuthering Heights (Emily Brontë, 1847); S, D7 l0 N) }
6. Bleak House (Charles Dickens, 1853)8 B( U9 ^) c. R; I+ E
5. Jane Eyre (Charlotte Brontë, 1847)/ g! U0 R, f7 z; J0 F: o
4. Great Expectations (Charles Dickens, 1861)" L2 c) e& S1 u3 G- E! v
3. Mrs. Dalloway (Virginia Woolf, 1925)3 I2 h) E* @# T" ~! f
2. To the Lighthouse (Virginia Woolf, 1927)
; g' c. O2 @( U& y1 W1. Middlemarch (George Eliot, 1874)# Q: u7 q& f+ S4 K: o1 I. ~, @
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。9 A7 y6 m( W3 C# B3 `; n7 V5 [
- S( U1 z& l! _: \ a6 T呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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