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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 - W1 C7 x9 v- T' w
, U1 E3 T: S3 e% H4 T; H: C3 |BBC评出100大英国文学名著" n" I$ e" A, d( ]/ f
http://www.bbc.com/culture/story ... test-british-novels
I4 d$ _! O9 |8 x1 `6 S惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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3 Y; f ~) l9 S7 U100. The Code of the Woosters (PG Wodehouse, 1938)
# z/ }% L1 W4 m+ K% @2 w& j99. There but for the (Ali Smith, 2011); n* t* l! r; ~4 J8 }% ?- @+ l
98. Under the Volcano (Malcolm Lowry,1947)* s. Q2 B ` m! [5 N
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
8 B" ?. k; j7 U96. Memoirs of a Survivor (Doris Lessing, 1974)
$ A5 R) v$ g$ J9 v, X9 N, P3 a95. The Buddha of Suburbia (Hanif Kureishi, 1990)
( j2 C& @6 I9 [94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
+ k0 V G# e! O93. Lord of the Flies (William Golding, 1954): X% G) w7 N8 n, V' [
92. Cold Comfort Farm (Stella Gibbons, 1932)( k1 n( ~& s+ E# ]( C1 u- m8 Q
91. The Forsyte Saga (John Galsworthy, 1922)
9 f Y, H8 H$ [90. The Woman in White (Wilkie Collins, 1859)
' B3 M8 S, U v89. The Horse’s Mouth (Joyce Cary, 1944)
2 K4 V% R7 X& k, \) H) b4 J88. The Death of the Heart (Elizabeth Bowen, 1938). U5 t, S6 d W6 a" Y: F
87. The Old Wives’ Tale (Arnold Bennett,1908)
}; n6 m# `0 C! \/ p+ y. B86. A Legacy (Sybille Bedford, 1956)
( `6 q( b# F* d7 j+ f85. Regeneration Trilogy (Pat Barker, 1991-1995)
+ v, M# b! A5 W6 j84. Scoop (Evelyn Waugh, 1938)
: b, U$ ?) W2 c7 r3 U) B83. Barchester Towers (Anthony Trollope, 1857)
, W2 j: F& T0 V! p. y82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
# ^8 S5 R; s1 I$ ^* P6 Z: m81. The Jewel in the Crown (Paul Scott, 1966)7 N, w! Z$ M: Z0 ^
80. Excellent Women (Barbara Pym, 1952)
* d% {+ x( R6 [7 ^# J79. His Dark Materials (Philip Pullman, 1995-2000)7 q% Q/ `$ \- k7 a. t$ R
78. A House for Mr Biswas (VS Naipaul, 1961)4 j) L1 x- T: l2 V9 [, J
77. Of Human Bondage (W Somerset Maugham, 1915)& i1 G1 f- j. E* f; [8 g
76. Small Island (Andrea Levy, 2004)( T3 R4 ?+ ^$ z. K
75. Women in Love (DH Lawrence, 1920)
$ X- t# b! ?: }' ~8 ?1 T; f# @$ O5 Q74. The Mayor of Casterbridge (Thomas Hardy, 1886)
( `! Y1 u2 e: q" u4 }& f: q7 f73. The Blue Flower (Penelope Fitzgerald, 1995): \: S; ?7 E5 X- J
72. The Heart of the Matter (Graham Greene, 1948)& X( T' e$ d: T# p
71. Old Filth (Jane Gardam, 2004)- x; S6 V" D7 m* g# r# |5 b
70. Daniel Deronda (George Eliot, 1876)
4 Z/ P! `* ^, H% S! B69. Nostromo (Joseph Conrad, 1904)" ]! t" v. E) f* X# s N3 Y
68. A Clockwork Orange (Anthony Burgess, 1962)& [ V- X6 ~5 L7 ~
67. Crash (JG Ballard 1973)
' Y+ a+ ?; i4 d1 S% b' S3 Q! o66. Sense and Sensibility (Jane Austen, 1811)0 T) i8 Z2 q; [$ R( d% V& W: M% W5 k* d
65. Orlando (Virginia Woolf, 1928)1 ?0 }% H7 a: `. q# ~+ z1 ^
64. The Way We Live Now (Anthony Trollope, 1875). }/ @2 y9 m9 D: T: Y" J# Q
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)4 ^3 j! P, o, v, D- Y. K
62. Animal Farm (George Orwell, 1945)3 P r. K5 L! J
61. The Sea, The Sea (Iris Murdoch, 1978)
% {( y/ C/ Y+ `0 P2 R60. Sons and Lovers (DH Lawrence, 1913)
4 B: T' q- O6 ?4 ^, }) w59. The Line of Beauty (Alan Hollinghurst, 2004)
+ D$ U+ V& Z6 L+ \; F( o58. Loving (Henry Green, 1945)
% g3 p5 w$ Z7 ^( p- x" H2 E5 r57. Parade’s End (Ford Madox Ford, 1924-1928)
( @6 }6 b: ?) M y1 k* {56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
: J) V7 H, a8 ]4 E) B1 F55. Gulliver’s Travels (Jonathan Swift, 1726)
O7 [! q; b& |& l54. NW (Zadie Smith, 2012)
# j2 U( ^/ T* z/ K* D% _- N53. Wide Sargasso Sea (Jean Rhys, 1966)
6 V: M3 B* H& q52. New Grub Street (George Gissing, 1891)
: @: E% v9 b0 C3 r51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
5 \2 o+ P( M' H/ p! S! p4 @. N3 x50. A Passage to India (EM Forster, 1924)) u1 q9 @& |- _
49. Possession (AS Byatt, 1990)
$ d/ z7 x" k' L9 G2 Z* p" e" H48. Lucky Jim (Kingsley Amis, 1954)# W; n+ ?& v: q; q1 `1 T: w! B8 h4 `" m
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
8 u% B. t& S* C& r3 r3 N46. Midnight’s Children (Salman Rushdie, 1981)4 Z# ~; \& v/ T) r' g
45. The Little Stranger (Sarah Waters, 2009)4 l0 b$ W6 W* n" h. G" T' U
44. Wolf Hall (Hilary Mantel, 2009)
: J. v$ Q3 [! ^4 e43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- L# }% Z( @6 B5 b0 A42. Brighton Rock (Graham Greene, 1938); A* t, p3 p, p: ~, }* p6 |# k- }
41. Dombey and Son (Charles Dickens, 1848)
3 Z* P1 \6 T' z* f; B$ N+ `40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 u7 n2 S, n, s# L39. The Sense of an Ending (Julian Barnes, 2011)$ g2 i2 P6 \2 Y$ E- s5 g
38. The Passion (Jeanette Winterson, 1987)
9 U% K3 r% N9 J N37. Decline and Fall (Evelyn Waugh, 1928)( h! L- c) u/ i, J7 s* n$ e* g% y
36. A Dance to the Music of Time (Anthony Powell, 1951-1975), c& p6 m6 f5 B! H
35. Remainder (Tom McCarthy, 2005)
4 K; u) T$ {# w; M1 T& |5 ]34. Never Let Me Go (Kazuo Ishiguro, 2005)
; G8 n" d8 T$ d8 P33. The Wind in the Willows (Kenneth Grahame, 1908)" E& v8 r$ a2 S- l5 l
32. A Room with a View (EM Forster, 1908)/ d4 l: v6 k, A+ d6 x* Z
31. The End of the Affair (Graham Greene, 1951)# J. w$ G: x' Y* A7 O( r! o
30. Moll Flanders (Daniel Defoe, 1722)
% d! h' F" T. t3 k' I29. Brick Lane (Monica Ali, 2003)
; s5 o: m5 g4 m( M28. Villette (Charlotte Brontë, 1853)
" A+ q% {- l9 K) k, e. D0 R27. Robinson Crusoe (Daniel Defoe, 1719)/ S: m& |2 d! k9 V- _
26. The Lord of the Rings (JRR Tolkien, 1954)9 [0 L4 ?% w: h, k' @5 Q5 v, V
25. White Teeth (Zadie Smith, 2000)
) J8 r: s- Y, d( @24. The Golden Notebook (Doris Lessing, 1962)
+ E% T2 \9 u; b23. Jude the Obscure (Thomas Hardy, 1895)
, z6 z- ~: s1 E" Z- C- D- X8 Q22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
# ]) I0 K3 ^1 }$ r# u21. Heart of Darkness (Joseph Conrad, 1899)
6 t8 d/ I: A3 ^1 O& z. x20. Persuasion (Jane Austen, 1817), i9 j: Y9 E( g; @
19. Emma (Jane Austen, 1815)3 H! r# {+ o1 {( Q) r2 }- [" e
18. Remains of the Day (Kazuo Ishiguro, 1989)% o8 a" l. @2 j$ \" u
17. Howards End (EM Forster, 1910)
2 m1 e* c F) N+ B8 N' t0 g9 o16. The Waves (Virginia Woolf, 1931)) Y# o/ h; p/ w4 P: x0 u8 v! i
15. Atonement (Ian McEwan, 2001)/ a% T# a0 E0 k/ u! N0 ^
14. Clarissa (Samuel Richardson,1748)
3 @6 ?7 W2 \4 c# L$ Q4 U5 g. h( w13. The Good Soldier (Ford Madox Ford, 1915)* e7 S5 w9 v* Y! c4 C- S) Q; T
12. Nineteen Eighty-Four (George Orwell, 1949)
/ q9 p8 p: |& M; s, P11. Pride and Prejudice (Jane Austen, 1813)( U* @+ c' R9 R- [: o, I) e
10. Vanity Fair (William Makepeace Thackeray, 1848)
: R( a. ^3 G! P# N- w9. Frankenstein (Mary Shelley, 1818)4 L% t6 U* Q9 w) W
8. David Copperfield (Charles Dickens, 1850)
. D+ V+ W& T$ q1 L7. Wuthering Heights (Emily Brontë, 1847)) A1 x% W9 J ^7 j5 s6 m
6. Bleak House (Charles Dickens, 1853)
1 F5 t6 j' `- s" k) z6 M( i) D5. Jane Eyre (Charlotte Brontë, 1847)
2 k& {1 `! \( Z4 Y3 }* P4. Great Expectations (Charles Dickens, 1861): W, d! T k+ P2 }0 @
3. Mrs. Dalloway (Virginia Woolf, 1925)9 M, B6 V8 c% Z5 A. P- f
2. To the Lighthouse (Virginia Woolf, 1927)0 z! s, {7 [2 a% T+ L
1. Middlemarch (George Eliot, 1874), G; x7 l% T1 [' E1 |" t$ o8 k$ A
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! H$ a& G* h, N! F7 M
8 P+ w( \8 E6 b- [; h呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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