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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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6 _% i- d1 f/ k! b. A kBBC评出100大英国文学名著
- @ B( _3 H* l3 R+ n" ohttp://www.bbc.com/culture/story ... test-british-novels) v# `2 V+ M9 ]
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
2 y6 _8 {1 x/ H( w6 I$ m99. There but for the (Ali Smith, 2011)( H5 }0 B7 Y2 h
98. Under the Volcano (Malcolm Lowry,1947)( T; Z9 E$ [ z5 u% V# J
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
% p& U$ Y% i" F96. Memoirs of a Survivor (Doris Lessing, 1974)! J6 t" ]" @5 a* ?* M5 \& N
95. The Buddha of Suburbia (Hanif Kureishi, 1990)" @" X6 a3 |' e3 x$ b6 n# L: S' p
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
G2 j5 C9 A* i93. Lord of the Flies (William Golding, 1954)
3 W4 X! t9 w) ]3 w6 H92. Cold Comfort Farm (Stella Gibbons, 1932)8 G( X5 U6 [/ N1 d
91. The Forsyte Saga (John Galsworthy, 1922)
+ D! N2 ?6 k; b- S9 X90. The Woman in White (Wilkie Collins, 1859)' @0 U1 ^, b- S+ }$ x. m
89. The Horse’s Mouth (Joyce Cary, 1944)
+ ]7 @7 @9 R" _1 W4 l88. The Death of the Heart (Elizabeth Bowen, 1938)
& ]+ Z: O2 r n0 i- j% Q$ c6 ~% O87. The Old Wives’ Tale (Arnold Bennett,1908)( L( L( E9 @- m; w
86. A Legacy (Sybille Bedford, 1956)- p: I4 \/ |! H, i2 z
85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 e, l9 r/ X e84. Scoop (Evelyn Waugh, 1938)
$ b" O0 T* [3 u83. Barchester Towers (Anthony Trollope, 1857)3 c# U. O8 _ }, l1 i
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
4 S" o q% `9 e# w/ Z$ V81. The Jewel in the Crown (Paul Scott, 1966)3 u3 p. g0 }% }* h6 A9 ?) Q* H$ D
80. Excellent Women (Barbara Pym, 1952)7 F& R4 j7 ~2 r3 A( G
79. His Dark Materials (Philip Pullman, 1995-2000)
5 U0 K" B9 d6 h( F9 ^! N" d78. A House for Mr Biswas (VS Naipaul, 1961)
, Q; W8 Y8 S* b' [" L77. Of Human Bondage (W Somerset Maugham, 1915); ?1 l3 Y0 S5 f
76. Small Island (Andrea Levy, 2004)
' }- m; n% @) R. r" a75. Women in Love (DH Lawrence, 1920)
6 p4 V/ x; l: \7 d. a74. The Mayor of Casterbridge (Thomas Hardy, 1886)
+ D0 h! j$ M# A7 h/ N; L6 U ]73. The Blue Flower (Penelope Fitzgerald, 1995)& P8 a0 e/ F" Z: ?
72. The Heart of the Matter (Graham Greene, 1948), y. j6 |9 s$ M7 u
71. Old Filth (Jane Gardam, 2004)! \- @ O y% V: t, O( ]# J6 w
70. Daniel Deronda (George Eliot, 1876)
) `( a, \2 m$ G$ c8 d( T& |0 I69. Nostromo (Joseph Conrad, 1904)4 ~# i6 c$ \" S+ G) {5 `
68. A Clockwork Orange (Anthony Burgess, 1962)3 p2 t6 i" N$ t5 n1 @# _
67. Crash (JG Ballard 1973)7 m6 a1 R9 s- B! N/ n1 ]/ U
66. Sense and Sensibility (Jane Austen, 1811)
' `! G; V0 ?; A$ [* c65. Orlando (Virginia Woolf, 1928)
- A1 R9 p2 s. w64. The Way We Live Now (Anthony Trollope, 1875)
, b9 l' k* G0 X# u% c r63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)1 D* K, U% v) U" c' u
62. Animal Farm (George Orwell, 1945) o. j% H4 Q' f2 ?
61. The Sea, The Sea (Iris Murdoch, 1978)
& ?" b- J- [5 ?4 d- m: y60. Sons and Lovers (DH Lawrence, 1913)/ u. i/ V v0 s) f" r7 n7 k
59. The Line of Beauty (Alan Hollinghurst, 2004)
7 E" N' O9 B% I4 X- C" q$ Z58. Loving (Henry Green, 1945)
$ r7 I) K. x2 o4 ^! A- e0 J. A57. Parade’s End (Ford Madox Ford, 1924-1928)
4 f8 w D: k+ s- _: d% f56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
0 t1 K# ~' t4 f3 \6 o+ }8 z) E55. Gulliver’s Travels (Jonathan Swift, 1726)
, m. n& \% E7 t, C2 |54. NW (Zadie Smith, 2012)$ [8 G- }3 n! ?* {2 z* `, Y8 b8 V3 i
53. Wide Sargasso Sea (Jean Rhys, 1966)
; w; w5 x5 T9 m- F: ~% w+ L' N52. New Grub Street (George Gissing, 1891)3 o: L+ m3 S4 K( |- w
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)( @; V) }7 q+ E3 ~% T
50. A Passage to India (EM Forster, 1924)5 M3 z5 {! d* A& m0 T* F3 P
49. Possession (AS Byatt, 1990)
, Q# i+ l! M T$ z! B; C' B48. Lucky Jim (Kingsley Amis, 1954)
! F. y- T3 O9 ~) A47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
$ h* Y! ^' A2 \6 d" p& b2 M' P9 ?46. Midnight’s Children (Salman Rushdie, 1981)
& I. p' c8 i7 }" k* [45. The Little Stranger (Sarah Waters, 2009)
. e+ v9 I1 `: N: q& D' a$ l0 W$ l44. Wolf Hall (Hilary Mantel, 2009)% R! l1 x0 h7 C- {
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* @/ l _# |, ^$ s* m42. Brighton Rock (Graham Greene, 1938)- k% n4 ]0 D$ s. N9 t
41. Dombey and Son (Charles Dickens, 1848)
" [" b. }5 c. q) A9 i' [% U) R40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 \8 A9 e) ~5 Q- B39. The Sense of an Ending (Julian Barnes, 2011). z& m9 [5 |1 ~" g6 Z4 i- j
38. The Passion (Jeanette Winterson, 1987)
! D) R" E3 a& n* l37. Decline and Fall (Evelyn Waugh, 1928)5 S: H; \8 a+ E3 W# s
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 `* W2 I2 E) i6 f4 P9 J
35. Remainder (Tom McCarthy, 2005)
: i+ e: P/ R' O2 ~# y34. Never Let Me Go (Kazuo Ishiguro, 2005)' A" a8 G1 A8 Z# W {( t4 Z6 {
33. The Wind in the Willows (Kenneth Grahame, 1908)
+ G8 \0 Q7 J: f32. A Room with a View (EM Forster, 1908)6 G! \8 a1 h$ T5 n$ \6 X0 {
31. The End of the Affair (Graham Greene, 1951)
& [- d: d4 V5 ^: ~. a g% \30. Moll Flanders (Daniel Defoe, 1722)
J* u1 `, h8 X _& s29. Brick Lane (Monica Ali, 2003)
9 D7 V6 k9 x' B28. Villette (Charlotte Brontë, 1853)( g( T9 [; T7 A
27. Robinson Crusoe (Daniel Defoe, 1719)
6 e' f9 e- y+ m# W, P& g) U26. The Lord of the Rings (JRR Tolkien, 1954)
& Q# g2 A ~ F8 K9 {+ {25. White Teeth (Zadie Smith, 2000)9 y, ~# K; T2 O9 k
24. The Golden Notebook (Doris Lessing, 1962)' D1 M ^6 J: h2 Y3 {' m
23. Jude the Obscure (Thomas Hardy, 1895)
$ r! i* K. H+ z. X) Y9 Y* I9 p22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
" m- }8 ?- _9 N: g7 k21. Heart of Darkness (Joseph Conrad, 1899)5 H4 @/ d0 |+ r) p0 k
20. Persuasion (Jane Austen, 1817)
4 H+ E3 ~: c. [9 f) Y19. Emma (Jane Austen, 1815), A; r7 w7 b; l+ Y A
18. Remains of the Day (Kazuo Ishiguro, 1989)
; G- P0 O; K" I2 }7 i17. Howards End (EM Forster, 1910)
/ k: h: w0 W7 a16. The Waves (Virginia Woolf, 1931)) K4 [2 U& s% l
15. Atonement (Ian McEwan, 2001)" L# \+ A; N( K8 o
14. Clarissa (Samuel Richardson,1748)
! P) w1 E- {, @2 K0 k13. The Good Soldier (Ford Madox Ford, 1915)2 ^- @6 s2 S) N8 m. o
12. Nineteen Eighty-Four (George Orwell, 1949)) t; Q) m) ?% K7 r/ U( V
11. Pride and Prejudice (Jane Austen, 1813)
0 E0 C9 P7 Q$ q) i u& c0 F' m10. Vanity Fair (William Makepeace Thackeray, 1848)
4 s7 v0 [' m+ ?, ^& K( @/ y I9. Frankenstein (Mary Shelley, 1818)& p. a6 S1 Z" G( l
8. David Copperfield (Charles Dickens, 1850)" L+ ~: u1 K6 `( k0 L
7. Wuthering Heights (Emily Brontë, 1847)2 J$ A- U/ a2 R# [
6. Bleak House (Charles Dickens, 1853): y- w9 h! `* N, c! t
5. Jane Eyre (Charlotte Brontë, 1847)4 l3 h+ L8 A$ q, h3 @2 ~+ B) `
4. Great Expectations (Charles Dickens, 1861); [7 T2 D# q- W2 z& k. z3 d o0 ]& j
3. Mrs. Dalloway (Virginia Woolf, 1925)
' u+ V! f& t& u) v7 x, S6 Z2. To the Lighthouse (Virginia Woolf, 1927)& p; D* u; k4 n* m1 R1 k
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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