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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 4 i1 t3 @+ D- y$ t
! \' E7 R' Q$ YBBC评出100大英国文学名著, W# F+ h6 L3 |) G( G) J ~* g/ n
http://www.bbc.com/culture/story ... test-british-novels: e; G9 m! B( q* y$ W0 y
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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; V4 ^1 T9 r9 S; ?100. The Code of the Woosters (PG Wodehouse, 1938)4 n% p8 _" f q3 Z% u& ?- e
99. There but for the (Ali Smith, 2011)
7 e6 J, _: O' h98. Under the Volcano (Malcolm Lowry,1947)0 i; f5 w3 S$ e q, u( {8 s0 P
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
. y8 f" X) `9 R& n; N& O% G" Z' I96. Memoirs of a Survivor (Doris Lessing, 1974)
9 l: `: ?+ z: M1 V3 e7 N/ ~) w6 H I- j95. The Buddha of Suburbia (Hanif Kureishi, 1990)0 d) B, r; t+ `4 {* X2 ~
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)" U8 y/ q& s; I, q1 |* B$ X/ z1 J1 L1 I
93. Lord of the Flies (William Golding, 1954)- n! c3 ]+ M' p# _. ?
92. Cold Comfort Farm (Stella Gibbons, 1932)" q# l" s. D, y$ z7 W: W" R) i
91. The Forsyte Saga (John Galsworthy, 1922)& v/ j8 O; g ]+ W; E6 b
90. The Woman in White (Wilkie Collins, 1859)& P$ W$ w }) ]) F4 g
89. The Horse’s Mouth (Joyce Cary, 1944)
; D/ T/ ^- u$ u0 \88. The Death of the Heart (Elizabeth Bowen, 1938)+ c1 N% V& t; n/ c t3 P
87. The Old Wives’ Tale (Arnold Bennett,1908)6 }" h: R: Y2 v0 [/ J
86. A Legacy (Sybille Bedford, 1956)
1 d8 D& x' {0 n* \7 @85. Regeneration Trilogy (Pat Barker, 1991-1995)7 T& q; G3 M% o d
84. Scoop (Evelyn Waugh, 1938)
Q0 W" y& A3 y( [2 r! c83. Barchester Towers (Anthony Trollope, 1857): P2 G8 G0 O* C8 `3 ~
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
3 Z$ ]* E+ Q" {3 D81. The Jewel in the Crown (Paul Scott, 1966)
, M# e; t6 C( I" G) S/ w/ P0 ^& N80. Excellent Women (Barbara Pym, 1952)
) E7 a9 U2 D& ]79. His Dark Materials (Philip Pullman, 1995-2000)/ G% h$ v. |! b" |
78. A House for Mr Biswas (VS Naipaul, 1961)
* I) U/ Z* R; K# g" W77. Of Human Bondage (W Somerset Maugham, 1915)
: M6 I$ s. d; l- L& K- T76. Small Island (Andrea Levy, 2004)5 ?, S$ A" Z# B( }3 A& D ^
75. Women in Love (DH Lawrence, 1920)
2 V6 D8 T# ], D. `9 F74. The Mayor of Casterbridge (Thomas Hardy, 1886)% p: i( ~# y) i3 v" j, K( Y" A
73. The Blue Flower (Penelope Fitzgerald, 1995)$ Q& d$ @, R5 [, Z' o$ n
72. The Heart of the Matter (Graham Greene, 1948)
0 n4 Z; s/ `" }/ j! @+ H- m71. Old Filth (Jane Gardam, 2004)/ } j9 x6 y' m
70. Daniel Deronda (George Eliot, 1876)% t- R. W$ g3 w2 \# B8 v. D
69. Nostromo (Joseph Conrad, 1904)/ b( q5 K- \4 Z2 }& q, [
68. A Clockwork Orange (Anthony Burgess, 1962). V6 \7 g9 j9 D6 H& q; j0 |
67. Crash (JG Ballard 1973)+ U8 g" l3 t: H/ R( t& p
66. Sense and Sensibility (Jane Austen, 1811)5 X9 W6 `) D! N
65. Orlando (Virginia Woolf, 1928)
7 [1 o) A4 k) r6 R64. The Way We Live Now (Anthony Trollope, 1875)% }0 O3 M N1 [0 j! M5 b3 E1 G7 [" u+ H
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)) x9 W9 \' c; m4 m! ^- P
62. Animal Farm (George Orwell, 1945)
5 m% d* d! ]3 ^) T) }7 p61. The Sea, The Sea (Iris Murdoch, 1978)
, M* E4 S$ T3 _% _) ^& E& u7 ~60. Sons and Lovers (DH Lawrence, 1913)$ F$ a% H* ?7 b4 \8 B, Z/ |
59. The Line of Beauty (Alan Hollinghurst, 2004)) A( Q6 ^3 a$ _" O
58. Loving (Henry Green, 1945)
9 T4 P2 K% I C2 }+ S6 \( J; ~% n57. Parade’s End (Ford Madox Ford, 1924-1928)% _; G( v, l7 q1 \' x2 a* Q
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)3 P; V* R3 ~/ @& D
55. Gulliver’s Travels (Jonathan Swift, 1726)( y' _ F5 _$ U# N0 ^. L' v
54. NW (Zadie Smith, 2012) A3 f, T8 i/ x6 y7 `$ E
53. Wide Sargasso Sea (Jean Rhys, 1966)
3 `2 ?8 y( E; z52. New Grub Street (George Gissing, 1891)
! r2 Q& v+ S o4 b0 k1 G! {51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
& I' \1 i" t2 P1 y4 K50. A Passage to India (EM Forster, 1924)
* m$ [0 j( X' t: o49. Possession (AS Byatt, 1990)
' G' |& L" O# m+ O; k+ W48. Lucky Jim (Kingsley Amis, 1954)2 o7 t ^6 i* d. \1 q( T8 }. G6 S
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)6 _5 @) E+ [6 }+ p
46. Midnight’s Children (Salman Rushdie, 1981)
- ^" F5 l" q, Y: I* D4 W1 f0 M& D45. The Little Stranger (Sarah Waters, 2009)
5 ~' T# z9 Q9 e9 m44. Wolf Hall (Hilary Mantel, 2009)
4 P, X, T/ W$ X; v4 T6 b43. The Swimming Pool Library (Alan Hollinghurst, 1988)
0 _) @; |# t5 H& @42. Brighton Rock (Graham Greene, 1938). X8 P2 |9 Y& S$ r' ~. X
41. Dombey and Son (Charles Dickens, 1848)- y7 E' k+ k, D! A
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)7 _2 T6 }% m" ^5 X
39. The Sense of an Ending (Julian Barnes, 2011)& j& R2 i3 M1 Z
38. The Passion (Jeanette Winterson, 1987)
* ?1 `, n. h! y2 g7 Q+ j2 o37. Decline and Fall (Evelyn Waugh, 1928)0 _3 Y3 u! O0 Y1 v& {! K
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)* ^- p y& _* K$ ~; }1 A
35. Remainder (Tom McCarthy, 2005)
: m# h# a9 n/ m' c34. Never Let Me Go (Kazuo Ishiguro, 2005); }7 C2 z- p1 l: `1 n5 w
33. The Wind in the Willows (Kenneth Grahame, 1908)
5 ^5 A3 \; g, `/ P' q# G% p32. A Room with a View (EM Forster, 1908)8 ?. B7 ]# w0 \7 @9 b6 B& S9 P. y; x
31. The End of the Affair (Graham Greene, 1951)3 d* `: \% F: j; c* j) @9 G, p
30. Moll Flanders (Daniel Defoe, 1722)3 s% y* o( j: r/ K$ u. c+ G
29. Brick Lane (Monica Ali, 2003)
& W0 X) f4 s0 B& S( m& J% }7 S28. Villette (Charlotte Brontë, 1853)- Z7 a" d3 p6 T' l! d; y* X
27. Robinson Crusoe (Daniel Defoe, 1719)
F4 A) I# m! u# q% }26. The Lord of the Rings (JRR Tolkien, 1954)5 b4 J3 L+ P8 c6 V" a7 N
25. White Teeth (Zadie Smith, 2000)
8 g' N+ i. ^+ g24. The Golden Notebook (Doris Lessing, 1962)- F+ G6 X9 k/ ]7 k, F% I7 j. E5 U
23. Jude the Obscure (Thomas Hardy, 1895)
1 ?0 L7 {; {* ] a4 @: S/ ?22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
: O0 [) U- t- z3 y8 z* a21. Heart of Darkness (Joseph Conrad, 1899)
0 D f8 L# P3 L20. Persuasion (Jane Austen, 1817)9 C2 g1 h# F. h2 g% a$ T" A
19. Emma (Jane Austen, 1815)# e b0 b( h/ E7 T7 j. w
18. Remains of the Day (Kazuo Ishiguro, 1989)* O* y4 {/ K5 `2 L9 ^
17. Howards End (EM Forster, 1910): X3 ]) m7 W! P, v- H* G8 D, V
16. The Waves (Virginia Woolf, 1931)
/ Q) G! ^. T- T" c) Y15. Atonement (Ian McEwan, 2001)
6 R6 w8 m( R3 H+ f+ x14. Clarissa (Samuel Richardson,1748)
$ q2 @" P/ e# i* Q13. The Good Soldier (Ford Madox Ford, 1915)+ S& T) N v2 m- o) `
12. Nineteen Eighty-Four (George Orwell, 1949)) N2 O4 Z. G; z3 t1 L' H% q
11. Pride and Prejudice (Jane Austen, 1813)0 V1 d8 F6 j4 r( [5 H
10. Vanity Fair (William Makepeace Thackeray, 1848)7 ]0 i7 c- \6 A- R7 K
9. Frankenstein (Mary Shelley, 1818)
. G2 P$ N- A1 Z$ T8 Q$ U5 B8. David Copperfield (Charles Dickens, 1850)
+ m7 V9 d8 s. ]1 n0 J! v+ x7 D' |7. Wuthering Heights (Emily Brontë, 1847)
& p$ I* _* [# \1 \" P0 o L& t$ _6. Bleak House (Charles Dickens, 1853)
0 c: ~5 q2 H# c1 Z1 k' E; T6 K5. Jane Eyre (Charlotte Brontë, 1847)0 }( t1 ?* G4 c6 E3 o7 u
4. Great Expectations (Charles Dickens, 1861)
3 H: o$ A4 M9 ^$ H9 w- |! v3. Mrs. Dalloway (Virginia Woolf, 1925)
0 a8 I5 q) I3 \- y z2. To the Lighthouse (Virginia Woolf, 1927)& v2 V! e3 W$ s. Z3 s$ I
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。: R# X& v$ u/ B' J
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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