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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; ~+ ^2 I F S! }) g' `+ q
2 e2 P! B% o, R! q4 Z& ^( W! m: \BBC评出100大英国文学名著& Z9 J: N8 C! ~" I
http://www.bbc.com/culture/story ... test-british-novels
) _( K% p4 i6 y% ~7 f惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
" V1 R& c2 V6 n, ?* S M7 G$ z0 L/ J$ A( H4 q& O) T
100. The Code of the Woosters (PG Wodehouse, 1938)
5 f; F! T1 h3 C2 G( Y99. There but for the (Ali Smith, 2011)+ U$ l! R' s) M G9 s1 n
98. Under the Volcano (Malcolm Lowry,1947)
3 f `) p' `8 k) c+ b7 H97. The Chronicles of Narnia (CS Lewis, 1949-1954)! ]: K" ~5 Y+ E6 A8 d6 N$ h
96. Memoirs of a Survivor (Doris Lessing, 1974)5 z+ D: i; o7 K: I/ `5 D! \
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
3 e" _2 b3 P/ q4 n94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
- ]) h2 J1 [7 m5 x5 T93. Lord of the Flies (William Golding, 1954)
: e- h+ P8 v% E8 H+ B0 o/ ^% l92. Cold Comfort Farm (Stella Gibbons, 1932)
; M' P0 h0 v0 Y91. The Forsyte Saga (John Galsworthy, 1922)5 p: u# _( n2 _$ {
90. The Woman in White (Wilkie Collins, 1859)
4 a: W" R5 Q+ T5 G- \89. The Horse’s Mouth (Joyce Cary, 1944)
" `1 J/ j2 t+ C8 r: R+ H" i88. The Death of the Heart (Elizabeth Bowen, 1938)
9 o1 v* Y6 d# c0 ?87. The Old Wives’ Tale (Arnold Bennett,1908)
4 \' U- `7 \9 M4 e; A86. A Legacy (Sybille Bedford, 1956)
( b9 S* r/ t0 Y I$ _% M85. Regeneration Trilogy (Pat Barker, 1991-1995): z# t$ I ?1 } L
84. Scoop (Evelyn Waugh, 1938)
- F, F6 t' M7 h; C83. Barchester Towers (Anthony Trollope, 1857)) q( F A* k9 R; d) I9 a( D
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
" |* c. E, N; H( `81. The Jewel in the Crown (Paul Scott, 1966)7 Y8 e! x6 j0 D
80. Excellent Women (Barbara Pym, 1952)
8 P5 w% Y3 g# n+ H6 q: N3 @" U79. His Dark Materials (Philip Pullman, 1995-2000)( Z) Q, d' `& T ~ j
78. A House for Mr Biswas (VS Naipaul, 1961)8 O# _5 F' C/ y5 L. j
77. Of Human Bondage (W Somerset Maugham, 1915)5 g+ o$ f+ G. I9 i
76. Small Island (Andrea Levy, 2004) H5 {; y1 q( [, A
75. Women in Love (DH Lawrence, 1920)
( N" _/ {! d9 z2 k74. The Mayor of Casterbridge (Thomas Hardy, 1886), `; S4 D' k$ m- j- u7 G: L5 z
73. The Blue Flower (Penelope Fitzgerald, 1995)
. S8 ]0 C# |6 ~+ _72. The Heart of the Matter (Graham Greene, 1948)/ C- ?/ m; E" x% J4 Q
71. Old Filth (Jane Gardam, 2004)
3 C' K5 u2 T3 Z6 e& d70. Daniel Deronda (George Eliot, 1876): Z) A+ l1 h5 K+ @, U; P v- T, l
69. Nostromo (Joseph Conrad, 1904)
1 ]! K2 ?! P* z/ z68. A Clockwork Orange (Anthony Burgess, 1962)$ l& n/ W, _5 b
67. Crash (JG Ballard 1973)
- C! N# S) U) u7 k1 D3 p4 c66. Sense and Sensibility (Jane Austen, 1811)
" S/ y0 o" O8 @65. Orlando (Virginia Woolf, 1928)# a' c+ k- ~4 m1 o- f" s" Q- K: u
64. The Way We Live Now (Anthony Trollope, 1875)
+ L$ m3 c+ E; A" t& ~( y. k63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)2 b' R, T# x' \8 _: U
62. Animal Farm (George Orwell, 1945)
2 I- T7 O5 K* O: E: e/ @61. The Sea, The Sea (Iris Murdoch, 1978)
6 x3 w. G) v, I5 N60. Sons and Lovers (DH Lawrence, 1913)
8 | |- ]# x0 \; \1 h/ U# U4 \59. The Line of Beauty (Alan Hollinghurst, 2004)
* u3 K+ M) b, F5 {9 T58. Loving (Henry Green, 1945)
' A3 Y' v% N3 U& G2 {57. Parade’s End (Ford Madox Ford, 1924-1928)
" P+ g/ q; s. ~$ T1 w% ^8 L0 Z: W8 v' P56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 M* N: U8 v( X' ]) R; U
55. Gulliver’s Travels (Jonathan Swift, 1726)
* r4 Q! Z% j( B9 ]54. NW (Zadie Smith, 2012)2 O# o8 R( x6 p- @' N/ M( s
53. Wide Sargasso Sea (Jean Rhys, 1966)
# j* m3 m: C; v# d3 j, j52. New Grub Street (George Gissing, 1891)1 x/ h- D7 Y6 z. B0 G$ s2 q
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)( x) u. k, J% i# |
50. A Passage to India (EM Forster, 1924)
. f& G, _# x+ T3 E3 R49. Possession (AS Byatt, 1990)
$ b* Z+ y+ W7 J9 f4 d2 L48. Lucky Jim (Kingsley Amis, 1954)/ d- l) T8 c4 u
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
! C( P6 i- ?; A& y, U& g46. Midnight’s Children (Salman Rushdie, 1981)
" u- l, H% v! w7 R7 h) \45. The Little Stranger (Sarah Waters, 2009)" x: `+ [- N% W
44. Wolf Hall (Hilary Mantel, 2009)# R& v7 C* ^& ?* |0 V9 [: H5 m
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
! D9 b# q9 x, H) L42. Brighton Rock (Graham Greene, 1938)
& i6 I# M3 l2 J41. Dombey and Son (Charles Dickens, 1848)
U2 J K3 s ]8 P5 |40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
: b* F6 H, R- L z39. The Sense of an Ending (Julian Barnes, 2011)
; W3 k L j) g( R- C38. The Passion (Jeanette Winterson, 1987)
) c1 H' v5 _5 H0 Y37. Decline and Fall (Evelyn Waugh, 1928)4 G; C3 d# k$ [' e
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ G4 `# W3 d0 o0 H& z6 s' M6 \35. Remainder (Tom McCarthy, 2005)
8 F+ h6 x& G5 |, {0 g9 x/ B34. Never Let Me Go (Kazuo Ishiguro, 2005)" K% H+ U+ [$ i% J% t0 z/ \" g
33. The Wind in the Willows (Kenneth Grahame, 1908)2 D. O; a: p& w2 Q9 ?3 S. `0 y( B" X
32. A Room with a View (EM Forster, 1908)
6 |9 s( m' x, ]- l6 t8 ^5 {31. The End of the Affair (Graham Greene, 1951)
9 T& r7 f9 C' Q30. Moll Flanders (Daniel Defoe, 1722)1 a& d" y# Z, y: Z7 n2 J
29. Brick Lane (Monica Ali, 2003)
, D5 h# L) W+ E: n28. Villette (Charlotte Brontë, 1853)
& w) b& |8 `! Z" {. u2 A27. Robinson Crusoe (Daniel Defoe, 1719)) @# f' z) l+ E. `: `
26. The Lord of the Rings (JRR Tolkien, 1954)
: M8 e5 b1 K0 d) A25. White Teeth (Zadie Smith, 2000)
( ^' G: K9 `& }24. The Golden Notebook (Doris Lessing, 1962)
3 P" F, Y* [, G" ~23. Jude the Obscure (Thomas Hardy, 1895)& o9 b0 ?" k2 S \, z
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)! n e' H/ e$ f! {1 b
21. Heart of Darkness (Joseph Conrad, 1899)" @& ~" Q/ v2 n$ k$ z
20. Persuasion (Jane Austen, 1817)
+ l& h+ V& d- n5 y6 R19. Emma (Jane Austen, 1815)* B( O1 ]: Y5 Q$ E
18. Remains of the Day (Kazuo Ishiguro, 1989)
. u0 h& \* M$ Y [17. Howards End (EM Forster, 1910)& U4 u6 _* g- g) S7 D& D
16. The Waves (Virginia Woolf, 1931)
! j6 ^% u9 ~. [- S$ w- M15. Atonement (Ian McEwan, 2001)
2 @$ n% \1 [( ^' h9 v+ C N14. Clarissa (Samuel Richardson,1748)* l( ~ d" L. M
13. The Good Soldier (Ford Madox Ford, 1915)
$ R2 T6 z: x" G9 S, x! n' S1 r6 T. t12. Nineteen Eighty-Four (George Orwell, 1949)( ?$ d% J1 k9 C: ^) ^$ H* s9 x
11. Pride and Prejudice (Jane Austen, 1813)' m) H1 N0 ]* \
10. Vanity Fair (William Makepeace Thackeray, 1848)
0 _0 u" f+ N9 A/ S1 y% ^- @9. Frankenstein (Mary Shelley, 1818)
2 C: {6 [' E/ C5 D5 u6 x4 V8. David Copperfield (Charles Dickens, 1850)
0 Y% b, Z, d2 m% `7. Wuthering Heights (Emily Brontë, 1847)- L, {% S+ F9 u/ _0 o, q, }5 k4 a
6. Bleak House (Charles Dickens, 1853)
+ S6 v. R$ _: i2 [% e% m$ @$ `5. Jane Eyre (Charlotte Brontë, 1847)3 k' {0 q4 S3 g
4. Great Expectations (Charles Dickens, 1861)+ y6 q$ e1 P& ^. K
3. Mrs. Dalloway (Virginia Woolf, 1925)* H1 m2 D& o) r- ?$ L* s
2. To the Lighthouse (Virginia Woolf, 1927)
0 ?# q; J; e2 O) _ ^& Z; r1. Middlemarch (George Eliot, 1874)$ H! A/ ]! I7 n3 }
1 r1 M! n2 n! X8 I8 }2 i" j6 r前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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, H) e, }+ H, I8 z2 l呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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