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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 8 Z3 x n6 W3 s2 {/ \9 H
9 Q/ r- b. s' rBBC评出100大英国文学名著& J* y* t9 u( q& J" x
http://www.bbc.com/culture/story ... test-british-novels
! m. k! w. z1 d* T- n0 t惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* T6 n; ?7 L: {6 Z. i
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100. The Code of the Woosters (PG Wodehouse, 1938)
2 q8 B; I5 w0 g* y7 G99. There but for the (Ali Smith, 2011)
L8 k5 e0 j' Y# B* q98. Under the Volcano (Malcolm Lowry,1947)% o9 s9 ~' I: _
97. The Chronicles of Narnia (CS Lewis, 1949-1954)2 ^; X- H0 ~" P# \ [3 e. ~
96. Memoirs of a Survivor (Doris Lessing, 1974)- [/ R+ T, E9 j2 g2 t' j
95. The Buddha of Suburbia (Hanif Kureishi, 1990)5 I* u9 e7 [6 z/ @ v/ g
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)2 }5 D) A& C4 `* C
93. Lord of the Flies (William Golding, 1954)
% n+ i8 d. ]! ~: r92. Cold Comfort Farm (Stella Gibbons, 1932)
! p3 b+ M% N2 h& S+ Z" k91. The Forsyte Saga (John Galsworthy, 1922)" F3 H0 e! `* O: Y1 N) U. q
90. The Woman in White (Wilkie Collins, 1859)5 o9 i2 Z7 L% R3 S
89. The Horse’s Mouth (Joyce Cary, 1944)
+ j) ?( S9 p6 v+ g88. The Death of the Heart (Elizabeth Bowen, 1938)
* j* X1 P* N/ @7 J# m( n: X87. The Old Wives’ Tale (Arnold Bennett,1908)
5 d' Q) s& o- N86. A Legacy (Sybille Bedford, 1956), u. C6 z3 d6 ~) y6 T: `- K
85. Regeneration Trilogy (Pat Barker, 1991-1995)
; _* Q3 a" {% {4 P: e84. Scoop (Evelyn Waugh, 1938)
: R: V: U3 S" |4 Z8 { m) z4 J, k83. Barchester Towers (Anthony Trollope, 1857)
$ S: z: a' \5 O4 B82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
8 r- h: l& ^' C. z! G81. The Jewel in the Crown (Paul Scott, 1966)
/ o4 a8 s$ ]3 `& f80. Excellent Women (Barbara Pym, 1952): ?; J( g% Z6 z# G2 K
79. His Dark Materials (Philip Pullman, 1995-2000)
! t4 P$ L1 f+ Y4 i( h4 [78. A House for Mr Biswas (VS Naipaul, 1961)1 H: U) T' p% G5 o n" [* S
77. Of Human Bondage (W Somerset Maugham, 1915)
/ A0 A' Q, p; R0 p; N* x0 j76. Small Island (Andrea Levy, 2004): p/ f1 n3 V. c7 q6 i0 Y" q/ P
75. Women in Love (DH Lawrence, 1920)
1 e: Z5 K9 `% H$ N74. The Mayor of Casterbridge (Thomas Hardy, 1886)6 N0 n* @6 @/ H# V- }/ G2 J
73. The Blue Flower (Penelope Fitzgerald, 1995)( ^7 O. @. H! G0 ^
72. The Heart of the Matter (Graham Greene, 1948)4 Q1 H: F2 Y1 ?& R1 M0 `
71. Old Filth (Jane Gardam, 2004)
- m# i9 k" k1 N p7 A. \0 o70. Daniel Deronda (George Eliot, 1876)
9 K" z" E' Q) n69. Nostromo (Joseph Conrad, 1904)
" t& {+ s6 P1 j4 A' y68. A Clockwork Orange (Anthony Burgess, 1962)7 P) _1 h* S. f5 J; h
67. Crash (JG Ballard 1973)
0 m' ]) F( o: i# g# Y2 u66. Sense and Sensibility (Jane Austen, 1811)7 ^3 C+ h; [* Z$ h9 j
65. Orlando (Virginia Woolf, 1928)% G2 ~( [, h$ k+ J
64. The Way We Live Now (Anthony Trollope, 1875): c; D" g/ w. S! g# T
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
- q6 G7 w' {- z6 h- @6 e62. Animal Farm (George Orwell, 1945)2 M+ I$ w. N0 Y$ r- `( @' }* Z" `# i
61. The Sea, The Sea (Iris Murdoch, 1978)
+ q0 J: w) D% @60. Sons and Lovers (DH Lawrence, 1913)4 s2 \8 |4 \: F4 U+ ~& U& |4 i
59. The Line of Beauty (Alan Hollinghurst, 2004)
& C2 f6 n1 t' o5 Q' i+ X+ M8 Z2 B- _58. Loving (Henry Green, 1945)) ~ T% n8 C" W, g1 v7 j# v
57. Parade’s End (Ford Madox Ford, 1924-1928)/ C, T2 G0 H; H, i
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)) P1 G% S2 A6 Q: L
55. Gulliver’s Travels (Jonathan Swift, 1726)
h* I, ?& F; V; @54. NW (Zadie Smith, 2012)
0 H7 r+ O& x4 j5 h8 C2 h6 }4 Q) b53. Wide Sargasso Sea (Jean Rhys, 1966); F- }* p7 v/ w% X
52. New Grub Street (George Gissing, 1891)
4 {1 \1 m3 h* i+ |- n51. Tess of the d’Urbervilles (Thomas Hardy, 1891)" L- Z( p3 |3 i0 w9 w
50. A Passage to India (EM Forster, 1924)) f/ Z/ ^. N, p: O- H3 U
49. Possession (AS Byatt, 1990)
1 L; d& \, b% w! L) W48. Lucky Jim (Kingsley Amis, 1954)
/ R3 M6 i9 z: b X47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
. [& Z& y; p, |- Z0 n46. Midnight’s Children (Salman Rushdie, 1981)
8 \% v5 I$ p! T0 D45. The Little Stranger (Sarah Waters, 2009)1 F2 y* R* R3 F2 b# I
44. Wolf Hall (Hilary Mantel, 2009)
: e+ X, D. {: p6 b4 D43. The Swimming Pool Library (Alan Hollinghurst, 1988)! N6 ?8 n/ q6 {
42. Brighton Rock (Graham Greene, 1938)0 ^1 x& Z( U9 n
41. Dombey and Son (Charles Dickens, 1848)" ]# Y; ?% ^% b4 }
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)6 x6 j7 m8 C5 R* o
39. The Sense of an Ending (Julian Barnes, 2011)2 h. I2 e v6 h
38. The Passion (Jeanette Winterson, 1987)
, B; E3 x$ c9 d" q! m37. Decline and Fall (Evelyn Waugh, 1928)
. k# U* H" x* ]8 S- x36. A Dance to the Music of Time (Anthony Powell, 1951-1975): S/ ~; S2 t+ t& N6 z8 X w5 d; z
35. Remainder (Tom McCarthy, 2005)
3 o4 T* H# ]3 Y; L) z- a5 j; n A34. Never Let Me Go (Kazuo Ishiguro, 2005)/ }8 C8 X! }4 h, H" Z
33. The Wind in the Willows (Kenneth Grahame, 1908)
- H; m+ A5 p3 E0 X' n$ ?, Y$ [; R7 t32. A Room with a View (EM Forster, 1908)
3 o' @) S: v4 z5 t! V; e! U* P31. The End of the Affair (Graham Greene, 1951)
, i `" x& Q+ [) z8 J30. Moll Flanders (Daniel Defoe, 1722)
& x+ _1 M6 `/ H4 l( ]! r29. Brick Lane (Monica Ali, 2003)1 ? h* K. C9 d: @! x# f g
28. Villette (Charlotte Brontë, 1853)
n/ x# C2 ?% N' D27. Robinson Crusoe (Daniel Defoe, 1719)
+ W; r$ q8 ]- _7 ~6 U, W26. The Lord of the Rings (JRR Tolkien, 1954)3 G5 [6 K, `9 F
25. White Teeth (Zadie Smith, 2000), |0 E7 r% o& ~0 [9 A; v& u
24. The Golden Notebook (Doris Lessing, 1962)9 l6 s# A6 B- o! F% ~% K, k
23. Jude the Obscure (Thomas Hardy, 1895)) R7 |% W+ c3 ?
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749): q/ a* W. X, Q( r
21. Heart of Darkness (Joseph Conrad, 1899) V5 b7 k; [$ Z5 N% c
20. Persuasion (Jane Austen, 1817)8 q" h0 x4 o! U1 I: g8 B
19. Emma (Jane Austen, 1815)
6 D% z: Z [3 J% t2 q# G# V18. Remains of the Day (Kazuo Ishiguro, 1989)- g/ ?* N$ S# T4 O2 \' R* ~
17. Howards End (EM Forster, 1910)3 P+ M4 W' _$ A e. O8 |0 D# z+ _
16. The Waves (Virginia Woolf, 1931)+ c7 \% {3 f, J
15. Atonement (Ian McEwan, 2001)/ f; o; G& N4 L( v9 H7 _2 w9 a/ j
14. Clarissa (Samuel Richardson,1748)
3 I9 y# I. H0 @! \6 [# b13. The Good Soldier (Ford Madox Ford, 1915)! ^) c1 X( Q) g. k$ I% @! c
12. Nineteen Eighty-Four (George Orwell, 1949)
9 c0 n" z% U4 M( U* a- S+ [11. Pride and Prejudice (Jane Austen, 1813)" _9 T; x2 J2 Z1 Z8 W9 N1 J
10. Vanity Fair (William Makepeace Thackeray, 1848)* Y; z( P0 V! R9 Y4 t1 }% p
9. Frankenstein (Mary Shelley, 1818): \6 O! i1 y0 ~
8. David Copperfield (Charles Dickens, 1850)
1 Q" s* u- ]. C2 B" U, a# C7. Wuthering Heights (Emily Brontë, 1847)
5 i# C! G4 l* ^; r8 P6. Bleak House (Charles Dickens, 1853)" w% I, I, D7 J, e3 |6 `
5. Jane Eyre (Charlotte Brontë, 1847)% _& _0 Q5 G0 j# b b+ u
4. Great Expectations (Charles Dickens, 1861)- J' z, e) O' @ O
3. Mrs. Dalloway (Virginia Woolf, 1925)
0 x/ u6 m: c! k1 G4 \4 t2. To the Lighthouse (Virginia Woolf, 1927)
6 W% b5 V: f+ @1. Middlemarch (George Eliot, 1874)
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$ j* p6 @: J+ q7 r% c5 F前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。 F, u3 D9 {- n1 R+ h! \
# {& L! A8 t" X4 i6 r呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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