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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ' U- o2 m- L6 g6 F- o# v
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BBC评出100大英国文学名著 F2 K7 Y" z% }. [" B
http://www.bbc.com/culture/story ... test-british-novels3 ?1 Q3 V, N8 Y, G* x
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)0 \9 E. X8 d$ B
99. There but for the (Ali Smith, 2011)
. f5 Q! X3 D* [: [ O98. Under the Volcano (Malcolm Lowry,1947)' o4 C: x! d& [/ l' I4 S: G/ Q
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
2 I. Z6 V1 P9 U* g( M" }( s96. Memoirs of a Survivor (Doris Lessing, 1974)
. i d9 [0 N8 q# R95. The Buddha of Suburbia (Hanif Kureishi, 1990)) B7 b. U! I2 }; Q
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
+ I' T5 r2 Z/ ]# q! U93. Lord of the Flies (William Golding, 1954)+ U1 T! y* H3 M. j( O, T
92. Cold Comfort Farm (Stella Gibbons, 1932)4 Q7 Y$ I3 N% m: W% R+ `! R6 l9 r
91. The Forsyte Saga (John Galsworthy, 1922)+ P& o/ c2 }3 Q" n0 q
90. The Woman in White (Wilkie Collins, 1859)9 j# V5 G4 @8 r# J5 R3 f1 Y
89. The Horse’s Mouth (Joyce Cary, 1944)
+ c+ G5 X$ n/ E! j/ `0 }4 B88. The Death of the Heart (Elizabeth Bowen, 1938)% S* y* H1 z: R$ ~: L
87. The Old Wives’ Tale (Arnold Bennett,1908)2 I% ?; G) E$ X* Q. v3 I7 n2 [
86. A Legacy (Sybille Bedford, 1956)
m. S. x; ~3 S7 d0 h' f: \85. Regeneration Trilogy (Pat Barker, 1991-1995)3 G/ K; u: W" V2 O( M7 ]$ k
84. Scoop (Evelyn Waugh, 1938)
5 W3 ^- ^! G! W1 v( ~* t3 r83. Barchester Towers (Anthony Trollope, 1857)
+ q8 [+ n" ^6 T5 k! B. V82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
, c& i/ W4 \6 d) {5 E s: |81. The Jewel in the Crown (Paul Scott, 1966)
; |; Z3 {' ]7 r$ y& c80. Excellent Women (Barbara Pym, 1952)
( a( i5 L5 b! P3 |5 K79. His Dark Materials (Philip Pullman, 1995-2000)
4 [6 {8 M5 t f! k! }2 `, i `78. A House for Mr Biswas (VS Naipaul, 1961)
& c3 Y. _4 y, W77. Of Human Bondage (W Somerset Maugham, 1915)
9 q! c. p* S, p. _1 o& I! [76. Small Island (Andrea Levy, 2004)3 L- I1 }: _ {. X$ y7 ^( U, q
75. Women in Love (DH Lawrence, 1920)5 X1 L+ \4 _3 Q' v
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
' c3 R) I2 [% u3 W. D; i/ Z/ U73. The Blue Flower (Penelope Fitzgerald, 1995)
* e7 y4 A8 y8 ^* A$ i72. The Heart of the Matter (Graham Greene, 1948)
4 J3 B6 z' x* X/ T0 L/ H; G71. Old Filth (Jane Gardam, 2004)
: G6 B6 J0 s4 F+ g! O* J70. Daniel Deronda (George Eliot, 1876) |* r# \- V# y5 Y7 a( {
69. Nostromo (Joseph Conrad, 1904)
' U4 F; l) d/ Z7 p/ G1 k68. A Clockwork Orange (Anthony Burgess, 1962)
( }& y) C" ~4 k. s$ _( M# B5 y% A67. Crash (JG Ballard 1973)
: D! D( p) H$ x% O q! R1 e66. Sense and Sensibility (Jane Austen, 1811)! C8 v. r' Q& a) ]" H1 |2 o3 l% _0 Z1 ~
65. Orlando (Virginia Woolf, 1928)
2 u) e7 [6 q- k8 C64. The Way We Live Now (Anthony Trollope, 1875)( N1 h, H2 _& A& \
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)! Z! \( ^+ y/ s8 @* Y: |
62. Animal Farm (George Orwell, 1945)- W2 y2 A+ L/ o. A- L
61. The Sea, The Sea (Iris Murdoch, 1978)5 Y4 S6 a2 b0 `: |! A0 b
60. Sons and Lovers (DH Lawrence, 1913)+ g: P! [/ e$ J1 X( J2 j
59. The Line of Beauty (Alan Hollinghurst, 2004)
2 f1 X4 ?2 w5 U* c4 a% V; @58. Loving (Henry Green, 1945)
& b9 n$ E9 w2 s) C5 ?57. Parade’s End (Ford Madox Ford, 1924-1928)
+ m. E, Q+ ~7 ^& E% ?56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
# w1 Q+ f/ e# O& w- K55. Gulliver’s Travels (Jonathan Swift, 1726)
R# N; H. I0 [4 D0 }( A6 v54. NW (Zadie Smith, 2012)
5 z5 K" F/ h1 H! j4 `6 {53. Wide Sargasso Sea (Jean Rhys, 1966)) a( j* D* Q* ~: Q6 W: e [8 p% G
52. New Grub Street (George Gissing, 1891)
6 k2 ~; J( m2 ]9 t) F51. Tess of the d’Urbervilles (Thomas Hardy, 1891) Y/ ]' P6 Z6 ~$ q
50. A Passage to India (EM Forster, 1924)
* U+ ~7 @1 \/ B6 K# V+ P49. Possession (AS Byatt, 1990)
! ^+ Q; B2 N( F3 K5 U48. Lucky Jim (Kingsley Amis, 1954)1 T( Z: g2 V+ Q3 j5 D: A
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)4 Z1 m+ g7 o! a5 g7 D4 j1 f' O
46. Midnight’s Children (Salman Rushdie, 1981)
7 T: S \& a0 `; L45. The Little Stranger (Sarah Waters, 2009), B6 I5 f) F4 m* A p: v4 \
44. Wolf Hall (Hilary Mantel, 2009)" k* S( b. Y; k c
43. The Swimming Pool Library (Alan Hollinghurst, 1988): z2 x! G, a1 V: u
42. Brighton Rock (Graham Greene, 1938)( E2 H( V: f @' g& ]. U
41. Dombey and Son (Charles Dickens, 1848)4 W2 C6 A% B0 n+ `' ^5 C' O7 W1 p: Y
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
4 X2 I4 R6 e' m3 F- i, Z39. The Sense of an Ending (Julian Barnes, 2011)' ^& M' w, J) K, D9 `
38. The Passion (Jeanette Winterson, 1987) q K1 x9 T% Z$ s
37. Decline and Fall (Evelyn Waugh, 1928) g$ n" E' C, f8 R% V y
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)/ Q7 b; V3 y, {
35. Remainder (Tom McCarthy, 2005)
7 [5 ^7 F! ?3 a5 `' }- F5 u34. Never Let Me Go (Kazuo Ishiguro, 2005). B* G# n2 d( U
33. The Wind in the Willows (Kenneth Grahame, 1908)
8 @; _" L6 B$ x! m32. A Room with a View (EM Forster, 1908)
$ a8 v8 L* [- Q4 O- H31. The End of the Affair (Graham Greene, 1951)7 u6 E: F; E' O: a" G5 U+ h+ D( F# m
30. Moll Flanders (Daniel Defoe, 1722)
8 ^2 ]3 p9 T0 |$ A' i29. Brick Lane (Monica Ali, 2003)1 a2 M# {3 M, w# ~6 z8 G4 c
28. Villette (Charlotte Brontë, 1853)
! h6 D' Q* u, d T: l- x+ `: G27. Robinson Crusoe (Daniel Defoe, 1719)2 d, a: H$ M% v. Q
26. The Lord of the Rings (JRR Tolkien, 1954), n5 [! o {7 a: L) d9 s! ?; {
25. White Teeth (Zadie Smith, 2000)& \ q( ^3 v2 x& r9 g8 j! K: n, T8 s9 c
24. The Golden Notebook (Doris Lessing, 1962)
! d4 s' V* [/ I6 j23. Jude the Obscure (Thomas Hardy, 1895)# z# o1 p2 B, `& N1 [! ^' p
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)% j8 E, s0 g9 _+ _4 r) y& \3 a
21. Heart of Darkness (Joseph Conrad, 1899)
' S/ u5 I$ u3 B0 \$ `0 H/ H20. Persuasion (Jane Austen, 1817)
! E. z0 t" K* b) i9 E19. Emma (Jane Austen, 1815)
+ z( z' K- Y1 u9 E9 O8 I+ Y18. Remains of the Day (Kazuo Ishiguro, 1989), }1 a! i5 |/ B4 x+ A1 l! ^3 ]0 V/ j
17. Howards End (EM Forster, 1910)) s" W& D3 S4 |
16. The Waves (Virginia Woolf, 1931)/ C. @ c0 M% o! y: M; ^' T2 F2 N
15. Atonement (Ian McEwan, 2001)
6 ^) w9 Y" t6 g. U9 ^( \+ g2 X6 C14. Clarissa (Samuel Richardson,1748)3 F3 {2 b5 J: u) ]2 u7 m
13. The Good Soldier (Ford Madox Ford, 1915)
3 @2 k: n: L/ E2 I12. Nineteen Eighty-Four (George Orwell, 1949)/ Q7 v& |+ K* ^) w: @3 n
11. Pride and Prejudice (Jane Austen, 1813)
! B6 O" o2 f$ b" @+ A10. Vanity Fair (William Makepeace Thackeray, 1848)
: e' V) {0 F$ {. i, S' ], a! c9. Frankenstein (Mary Shelley, 1818)
: i9 }7 M+ H! _" R8. David Copperfield (Charles Dickens, 1850)
" ?' e9 `0 A8 l7 W4 w9 R& o# N7. Wuthering Heights (Emily Brontë, 1847)
% _7 x0 u) W4 {/ T$ A6 a0 O6. Bleak House (Charles Dickens, 1853)# b% O! ?9 B5 Y
5. Jane Eyre (Charlotte Brontë, 1847)
) \$ K$ c& f2 @) r; i7 `( j/ e4. Great Expectations (Charles Dickens, 1861)- ^- I1 o# T5 m; ^* Z" I8 f. v
3. Mrs. Dalloway (Virginia Woolf, 1925)* L- a. S+ j: O
2. To the Lighthouse (Virginia Woolf, 1927)
& l) D8 @9 a5 U1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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