|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 W& [1 v/ {, X( e
( } C& B+ w0 o) f
BBC评出100大英国文学名著
* O* T6 h1 [) Y7 ehttp://www.bbc.com/culture/story ... test-british-novels
% V8 ~% V) h3 ]' C惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 V' {7 Z! d; |8 ~7 Z
. _0 ?8 E" f4 _
100. The Code of the Woosters (PG Wodehouse, 1938)4 g0 f4 S% S7 H7 I- ~
99. There but for the (Ali Smith, 2011)6 N8 |0 H. g! V: i9 q$ r
98. Under the Volcano (Malcolm Lowry,1947)
& v! y- Q3 K+ v, D% ~. ]97. The Chronicles of Narnia (CS Lewis, 1949-1954)" B0 J4 V8 X7 N: a# R; E
96. Memoirs of a Survivor (Doris Lessing, 1974)
: R$ _) U+ z* ]) c t p# X95. The Buddha of Suburbia (Hanif Kureishi, 1990)
5 N, I; [& ^# F94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)% s6 f& Y. W( m6 R& H& [& L& `
93. Lord of the Flies (William Golding, 1954)
+ q' X: }, Z/ F92. Cold Comfort Farm (Stella Gibbons, 1932)6 _ F. C+ T. q: F0 p+ T; M# u' G
91. The Forsyte Saga (John Galsworthy, 1922)6 @# c: P2 a7 N6 q
90. The Woman in White (Wilkie Collins, 1859)
$ K& y/ G5 s/ g$ M1 |89. The Horse’s Mouth (Joyce Cary, 1944)
: C& {7 d8 f! l) k( c8 @88. The Death of the Heart (Elizabeth Bowen, 1938)
, _8 Y4 P' r4 I8 O0 Q4 ^87. The Old Wives’ Tale (Arnold Bennett,1908)
3 k' a7 L9 h1 }% P0 P5 ^86. A Legacy (Sybille Bedford, 1956)
1 W& v5 J) `/ m: F7 o7 G9 o) Q85. Regeneration Trilogy (Pat Barker, 1991-1995)' `% [8 X. A' E2 _( K3 a: n( x
84. Scoop (Evelyn Waugh, 1938)
! l9 j0 [0 z+ ^" Q5 ]- G83. Barchester Towers (Anthony Trollope, 1857)
' `: r" l, d9 m4 \' {0 ~7 p. U82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ n" H5 Z' Z/ J) @( P$ T
81. The Jewel in the Crown (Paul Scott, 1966)
/ p, a# G4 Z2 m; O ?80. Excellent Women (Barbara Pym, 1952)" V$ E j( n9 N5 a# {$ W K
79. His Dark Materials (Philip Pullman, 1995-2000). b& B# ]8 A' F& b9 a# z6 D" U
78. A House for Mr Biswas (VS Naipaul, 1961)
7 E3 @7 p6 }- V8 x8 }5 a: v# T" k+ a77. Of Human Bondage (W Somerset Maugham, 1915)" |" i! [- D( l8 ~2 F" f8 {3 L
76. Small Island (Andrea Levy, 2004) J/ x1 K* ^5 d1 i* i% ^
75. Women in Love (DH Lawrence, 1920)7 b/ L2 c# v' R2 @
74. The Mayor of Casterbridge (Thomas Hardy, 1886)# s. j$ J7 K1 U" j; m: s
73. The Blue Flower (Penelope Fitzgerald, 1995)% c3 ]3 `& B2 J5 [; O
72. The Heart of the Matter (Graham Greene, 1948)9 J8 ]" O/ ]* E8 B2 J8 _$ i
71. Old Filth (Jane Gardam, 2004)$ a i: r7 U: B3 }% x' z( `
70. Daniel Deronda (George Eliot, 1876)
4 p1 \! ^3 u, Q/ R j, i' N69. Nostromo (Joseph Conrad, 1904)
6 \$ J0 b5 M& u' c68. A Clockwork Orange (Anthony Burgess, 1962)
3 `, x) K7 ^1 [/ ]5 \1 `3 K7 M67. Crash (JG Ballard 1973)" D0 A2 U8 @) A) z; B! W
66. Sense and Sensibility (Jane Austen, 1811)
7 Q$ M8 \: D! H# W1 L- B65. Orlando (Virginia Woolf, 1928)
' m) Q' {" v% S4 T2 q) R64. The Way We Live Now (Anthony Trollope, 1875)
; i1 ]# s8 I- O- r& ~: R U63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)4 ^1 o# `2 p4 s) f; n1 x
62. Animal Farm (George Orwell, 1945), B0 p0 w: {1 E1 g3 ]5 q! v
61. The Sea, The Sea (Iris Murdoch, 1978) @$ R) [4 w, |7 M, h
60. Sons and Lovers (DH Lawrence, 1913)
% b/ M2 @* J% n( x4 G1 r59. The Line of Beauty (Alan Hollinghurst, 2004)& }2 S& y. |4 ?; {# j/ v
58. Loving (Henry Green, 1945)
' h) e* ^ P; m; L- V57. Parade’s End (Ford Madox Ford, 1924-1928)
4 e' ^- C8 N0 ~56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ I% h0 V/ i& \5 g9 M
55. Gulliver’s Travels (Jonathan Swift, 1726)5 H; N7 f$ W0 x3 {
54. NW (Zadie Smith, 2012)
/ O y9 P$ y+ {, a( Q. r53. Wide Sargasso Sea (Jean Rhys, 1966)
6 r" p% L) ^7 R- m x52. New Grub Street (George Gissing, 1891) e c3 [% O9 z% D
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
l2 g, r/ a. }: F: F. i6 K50. A Passage to India (EM Forster, 1924)
- b; K: N" f4 V1 p( m4 l! b49. Possession (AS Byatt, 1990)2 G3 v3 o4 c1 w) ?8 p; h
48. Lucky Jim (Kingsley Amis, 1954) l K9 m9 L- E/ K
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
) @' T' N& c# l% N1 h46. Midnight’s Children (Salman Rushdie, 1981); E4 P% ^ b$ p
45. The Little Stranger (Sarah Waters, 2009)
0 T2 }7 w" k) Q/ r44. Wolf Hall (Hilary Mantel, 2009)
{3 t. s+ U7 e3 P7 Y43. The Swimming Pool Library (Alan Hollinghurst, 1988); A# ` C J9 k9 b6 Y
42. Brighton Rock (Graham Greene, 1938)" G- l! Q& Z7 r/ J8 z5 R
41. Dombey and Son (Charles Dickens, 1848)
( y9 ~/ `4 @9 |$ X+ x40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
& L& _, L( Z, Q2 H: t+ I3 o0 E: o39. The Sense of an Ending (Julian Barnes, 2011)1 U8 G3 Z# A2 v! u. w
38. The Passion (Jeanette Winterson, 1987)7 d3 ~& Q3 m) N3 m e8 j- C
37. Decline and Fall (Evelyn Waugh, 1928)
6 Q8 u; T) {; s$ d6 s36. A Dance to the Music of Time (Anthony Powell, 1951-1975)2 K+ \+ C. ?/ b3 Y# b0 ^! n, P
35. Remainder (Tom McCarthy, 2005)
! ?) q" r$ F6 t9 U3 b4 S34. Never Let Me Go (Kazuo Ishiguro, 2005)
: j# I& v: W0 f2 x8 ?3 y% K$ w q33. The Wind in the Willows (Kenneth Grahame, 1908)
, i% c! R0 C$ I! E, J7 w0 c32. A Room with a View (EM Forster, 1908)7 R9 ]! N. f- g# ?9 Q4 d/ j
31. The End of the Affair (Graham Greene, 1951)) @& i1 o. _* \3 C+ M& U
30. Moll Flanders (Daniel Defoe, 1722)% i) B9 }1 q( e' d, t1 n: J
29. Brick Lane (Monica Ali, 2003)
9 r* _* _. y z9 ^) H28. Villette (Charlotte Brontë, 1853)8 e1 ~$ S8 U' @+ \$ y
27. Robinson Crusoe (Daniel Defoe, 1719)
% D v" S4 f6 I2 L, L" G26. The Lord of the Rings (JRR Tolkien, 1954)
. A7 M n$ L& o" B9 p25. White Teeth (Zadie Smith, 2000); I" Q- c6 i6 j5 O
24. The Golden Notebook (Doris Lessing, 1962)# q3 o& a) v0 `. x+ K
23. Jude the Obscure (Thomas Hardy, 1895)0 g6 k5 n% }$ \6 c( k4 u9 l
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)' S5 f) [+ G* ~: ?; ^* [# C
21. Heart of Darkness (Joseph Conrad, 1899)4 v$ G* l5 }4 R% N
20. Persuasion (Jane Austen, 1817)
: R u8 ~( p* f8 ~( n19. Emma (Jane Austen, 1815)
( E# l; o3 H$ J) e. w+ A! A18. Remains of the Day (Kazuo Ishiguro, 1989)
6 x) t' w/ l4 e8 j17. Howards End (EM Forster, 1910)
( ~) n( T; w! b( n' A16. The Waves (Virginia Woolf, 1931)
# C: {' ~* t8 ?4 }5 C15. Atonement (Ian McEwan, 2001)
( ?8 E- e7 ?3 c14. Clarissa (Samuel Richardson,1748)
- B% x+ | c0 k( H* p3 s2 t) N3 O13. The Good Soldier (Ford Madox Ford, 1915)
% [# Z% G g3 B5 \12. Nineteen Eighty-Four (George Orwell, 1949)& X8 o( [$ K8 l! `# y% e" [ A0 t
11. Pride and Prejudice (Jane Austen, 1813)( C2 T; B) u& q) J8 l
10. Vanity Fair (William Makepeace Thackeray, 1848)# L. N* @; {' z3 e* q9 v
9. Frankenstein (Mary Shelley, 1818)! h7 }9 ~+ e& g. o
8. David Copperfield (Charles Dickens, 1850)
6 s0 i* q% w6 o) M3 p7 _$ B# V7. Wuthering Heights (Emily Brontë, 1847)) [) g: Q! \9 M
6. Bleak House (Charles Dickens, 1853)- S }7 m( `( |
5. Jane Eyre (Charlotte Brontë, 1847). M* w/ s8 ]7 ~1 ^7 v8 }
4. Great Expectations (Charles Dickens, 1861)& O$ Y5 u% Y4 [/ |/ R8 {6 B
3. Mrs. Dalloway (Virginia Woolf, 1925)
- Z" m6 u i! k1 W2. To the Lighthouse (Virginia Woolf, 1927)! @ Q9 W4 @3 ^* Z
1. Middlemarch (George Eliot, 1874)
; ]9 ?, I, M# d+ h, W" f5 H! Q
: b6 B" X3 M$ U. \前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。* \5 f r5 s: _7 n
* R4 L2 P( f; @$ O8 z, N
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
