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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 - D$ [! | [$ E3 ?8 E; m5 q H( h! d
3 n. |: q" M0 v# a, sBBC评出100大英国文学名著4 b/ H$ J6 O# i2 b" E, u+ d* \
http://www.bbc.com/culture/story ... test-british-novels6 f4 E0 f8 ~7 N( h! l, T
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。6 ?( i5 D. F+ K! U
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100. The Code of the Woosters (PG Wodehouse, 1938)
" X: ^ m, k8 Q! o4 p8 W99. There but for the (Ali Smith, 2011)* w6 S3 Y2 h9 S, o6 Y
98. Under the Volcano (Malcolm Lowry,1947)
" O% o8 C, c9 I5 ~% `" h9 I97. The Chronicles of Narnia (CS Lewis, 1949-1954)
1 [. M1 ?5 ^" l( {96. Memoirs of a Survivor (Doris Lessing, 1974)
" S$ }) ^3 H5 E: H95. The Buddha of Suburbia (Hanif Kureishi, 1990)
% b: h4 P7 j- c) Q0 y94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
1 E1 ]) P7 P: c* y, {) r93. Lord of the Flies (William Golding, 1954)' v1 O& T7 u, C+ e0 U" q4 q
92. Cold Comfort Farm (Stella Gibbons, 1932)
: }& ?, j! I% [& Y) Q# z9 r91. The Forsyte Saga (John Galsworthy, 1922)
9 D& z% W, ~+ e" c8 ~2 m( _( R90. The Woman in White (Wilkie Collins, 1859)
9 ?2 v; V. K* q0 W+ B+ K0 A! @89. The Horse’s Mouth (Joyce Cary, 1944)
& }( o1 S* y, l7 j1 q88. The Death of the Heart (Elizabeth Bowen, 1938)
- n, f* D' _- n5 L& B2 s87. The Old Wives’ Tale (Arnold Bennett,1908)
5 V. E* n8 T1 f' L0 R' g' U/ k86. A Legacy (Sybille Bedford, 1956); P2 e- v1 h# c8 d! S
85. Regeneration Trilogy (Pat Barker, 1991-1995)! M0 W3 r- O' H' k
84. Scoop (Evelyn Waugh, 1938)
- H0 R; ~- B, N9 Y9 ]83. Barchester Towers (Anthony Trollope, 1857)
2 @' m7 A, Y) \" S0 a; u82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
/ q" U, C) g, B5 D81. The Jewel in the Crown (Paul Scott, 1966)
* f( b) U# P8 L9 @80. Excellent Women (Barbara Pym, 1952)
& |- g0 r9 i# l8 N: P e7 N$ B79. His Dark Materials (Philip Pullman, 1995-2000)( J! {! O0 g: }: m% L# b: W H% v
78. A House for Mr Biswas (VS Naipaul, 1961), F! P* A2 \- T3 |; ^! P. w
77. Of Human Bondage (W Somerset Maugham, 1915)
& I/ z5 T+ j7 P- H% s7 s( L* I76. Small Island (Andrea Levy, 2004)" S& G& y8 N m9 H" M% t! v" R
75. Women in Love (DH Lawrence, 1920)
8 l' O, `! ~" ~+ T# A: x: W# G74. The Mayor of Casterbridge (Thomas Hardy, 1886)
+ t% q1 B' C: f* W' r73. The Blue Flower (Penelope Fitzgerald, 1995)
& A6 i! ? P Z n; @" [# o72. The Heart of the Matter (Graham Greene, 1948)' A; j4 B7 J6 ?" z# A5 @
71. Old Filth (Jane Gardam, 2004)
4 _( S6 B( `% s6 v1 {4 E& M70. Daniel Deronda (George Eliot, 1876)7 U3 C ~0 X/ V& d: i
69. Nostromo (Joseph Conrad, 1904)- b z& k( S" m& Y, N9 Y
68. A Clockwork Orange (Anthony Burgess, 1962). n6 A+ o, c7 g7 e$ A$ _! I6 l
67. Crash (JG Ballard 1973)% C( X3 f& M- E5 q3 V
66. Sense and Sensibility (Jane Austen, 1811)
! O; ~+ @; n: S65. Orlando (Virginia Woolf, 1928)
2 l! v" P& a) {# }: j4 x64. The Way We Live Now (Anthony Trollope, 1875)
0 H6 a3 P3 W3 {* P1 K2 A' Y63. The Prime of Miss Jean Brodie (Muriel Spark, 1961) F, M: G0 j3 K. b+ P, r
62. Animal Farm (George Orwell, 1945)2 Q5 P9 F* D8 O: b! F& X
61. The Sea, The Sea (Iris Murdoch, 1978)
/ b; E, f; i" l* M+ m60. Sons and Lovers (DH Lawrence, 1913)) x$ c" g2 B( y8 q' i% W) r
59. The Line of Beauty (Alan Hollinghurst, 2004)
0 J% w T( l# U9 |7 ~58. Loving (Henry Green, 1945)
" t- T0 G. a4 D; l! S o/ }57. Parade’s End (Ford Madox Ford, 1924-1928)
/ K, m7 a) t. ~! ~* m7 w56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
6 ^ P8 e# d- R$ |55. Gulliver’s Travels (Jonathan Swift, 1726)2 D1 ], G. n; H& T n, L
54. NW (Zadie Smith, 2012)" o, k( Z3 C- B6 v- s6 \$ P
53. Wide Sargasso Sea (Jean Rhys, 1966) u2 }6 ~: F8 j4 _# Q4 w, I, e
52. New Grub Street (George Gissing, 1891)4 F: }+ D8 ]. V
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
% ]! o/ {1 D$ \ f50. A Passage to India (EM Forster, 1924)
3 d* d+ \1 ~7 U3 R- ~- [$ L, p49. Possession (AS Byatt, 1990)/ f9 ?" \- f) p/ l, w; A
48. Lucky Jim (Kingsley Amis, 1954)
" ~1 u0 ^: e! h47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
: x; p2 F! N0 y2 Y; h! ]% [( _46. Midnight’s Children (Salman Rushdie, 1981)) T0 s+ d8 f( w: }8 V
45. The Little Stranger (Sarah Waters, 2009); O; d8 ^ f! ? N3 x2 m) n0 O
44. Wolf Hall (Hilary Mantel, 2009)
- C: g, M8 i; n6 X: Z" U) l43. The Swimming Pool Library (Alan Hollinghurst, 1988)8 f0 O: d$ B* d9 n; [, j2 k
42. Brighton Rock (Graham Greene, 1938)# R- U$ s! g" c) s/ V
41. Dombey and Son (Charles Dickens, 1848)
) _+ H# ]" M6 O" `( q- Q! e2 L40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)5 [8 r1 y; }, J
39. The Sense of an Ending (Julian Barnes, 2011)
* p- E9 p$ w' C' l38. The Passion (Jeanette Winterson, 1987)6 O1 m/ \% R- M8 p) R
37. Decline and Fall (Evelyn Waugh, 1928)
3 M2 \! ~3 n2 i) j36. A Dance to the Music of Time (Anthony Powell, 1951-1975)' E k5 a( E8 [: ]
35. Remainder (Tom McCarthy, 2005)4 y4 H' \/ @8 i; v( M: }/ U6 K
34. Never Let Me Go (Kazuo Ishiguro, 2005)
7 n6 o3 H1 L8 B0 l8 D7 h33. The Wind in the Willows (Kenneth Grahame, 1908)
* T$ G9 j8 l }% K2 Y7 \32. A Room with a View (EM Forster, 1908)
, ~; K# s8 |/ a9 L, |/ J31. The End of the Affair (Graham Greene, 1951)1 a( Q0 X( J8 _
30. Moll Flanders (Daniel Defoe, 1722)! |0 j. u' @0 ^$ Y" L
29. Brick Lane (Monica Ali, 2003)) H8 K1 X( ]& {" C' m
28. Villette (Charlotte Brontë, 1853)% w+ P- W) z( F& p+ {5 x
27. Robinson Crusoe (Daniel Defoe, 1719): H" o% b4 ^6 N5 a! v% R
26. The Lord of the Rings (JRR Tolkien, 1954)
( \7 `4 }( l" Q; G25. White Teeth (Zadie Smith, 2000)
/ b$ G# @# F6 {1 _6 y. J( ~. E24. The Golden Notebook (Doris Lessing, 1962)
" A+ d& \' Q* q8 Q: ~; u23. Jude the Obscure (Thomas Hardy, 1895)
: x/ \0 `) t3 S+ A- T2 m3 _22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)1 I) i$ ~9 }/ N, [% }0 t/ B( y
21. Heart of Darkness (Joseph Conrad, 1899)
) u- |0 E/ W$ \1 s" R: E20. Persuasion (Jane Austen, 1817); T% O7 Y( R C1 A" N
19. Emma (Jane Austen, 1815)# J/ f% G# G1 I- c4 ^8 R; _- w
18. Remains of the Day (Kazuo Ishiguro, 1989). w& H$ w e& A" Q0 D! y7 p0 U% J. `/ j
17. Howards End (EM Forster, 1910)' p* ~4 L" C3 F8 m% P6 k" f0 l& E7 i: d
16. The Waves (Virginia Woolf, 1931), K. M. T: K* K3 ?
15. Atonement (Ian McEwan, 2001)) X' ~5 n& }) V2 O
14. Clarissa (Samuel Richardson,1748)
) Y8 u* k4 Q$ q+ O. `7 X) X; d13. The Good Soldier (Ford Madox Ford, 1915)
5 I$ O# l7 z, `$ A5 x12. Nineteen Eighty-Four (George Orwell, 1949)6 r4 `! y ` w$ U- T: Y
11. Pride and Prejudice (Jane Austen, 1813)
! X" a- N. W8 F- }! ?# k: Z& B10. Vanity Fair (William Makepeace Thackeray, 1848)
/ |3 t' x c% `# x/ w9 n# i7 q9. Frankenstein (Mary Shelley, 1818)
7 ~ M3 s, a) A3 G v3 I9 r O, o( @8. David Copperfield (Charles Dickens, 1850)
8 t! n, [# |" j5 n3 q4 O7. Wuthering Heights (Emily Brontë, 1847)
. w+ O( r- F9 D& U! } Y+ i- N, k( f3 B- L6. Bleak House (Charles Dickens, 1853)# v" I* I# i1 R" T* {" c8 R
5. Jane Eyre (Charlotte Brontë, 1847)
+ |6 p7 \( X! Z4 u5 q$ l4. Great Expectations (Charles Dickens, 1861)
! A+ d9 r. l$ J! ~, m5 j* m9 G3. Mrs. Dalloway (Virginia Woolf, 1925)
; t7 \- R1 }" T s5 u& g2. To the Lighthouse (Virginia Woolf, 1927)+ V8 ^: A" J6 M/ A
1. Middlemarch (George Eliot, 1874)
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3 B( \+ A9 s _7 g( k前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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/ z v# r5 F' n2 Y3 P. m, {1 \呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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