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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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. {0 R% P2 ?+ p' yBBC评出100大英国文学名著% e! u# }; p8 C+ |/ j9 k) T& f, d
http://www.bbc.com/culture/story ... test-british-novels0 a# _( {1 R$ r6 E8 V
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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' Q3 f$ Z7 o( T9 C4 x2 ^100. The Code of the Woosters (PG Wodehouse, 1938)
% I/ t. ]3 j: v. R99. There but for the (Ali Smith, 2011): K8 W7 H6 ? m5 V, E
98. Under the Volcano (Malcolm Lowry,1947)
- c. a( }* m+ _, }5 V) C97. The Chronicles of Narnia (CS Lewis, 1949-1954)7 C, H! {1 \9 o4 u4 E5 Z$ W
96. Memoirs of a Survivor (Doris Lessing, 1974), l" Q6 s% ?4 e3 F9 E
95. The Buddha of Suburbia (Hanif Kureishi, 1990)5 l d% D2 F1 }9 Q! @ R
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
6 Z+ }8 y. e# }6 G7 H% [6 t93. Lord of the Flies (William Golding, 1954)
% b: u, T5 P b& c# }; I92. Cold Comfort Farm (Stella Gibbons, 1932)
( I: N* k( G6 p( P91. The Forsyte Saga (John Galsworthy, 1922). ~3 }& d* h4 }, e f- r6 x
90. The Woman in White (Wilkie Collins, 1859)
% U) o$ f( i+ h- L5 N3 T1 }89. The Horse’s Mouth (Joyce Cary, 1944)1 V0 Q2 L. W; J
88. The Death of the Heart (Elizabeth Bowen, 1938)8 H( |2 w; c; l% b8 e0 w. {
87. The Old Wives’ Tale (Arnold Bennett,1908)
1 M8 h, x* B( T. R86. A Legacy (Sybille Bedford, 1956)" [4 Y3 U7 n _
85. Regeneration Trilogy (Pat Barker, 1991-1995)
, `* n. }0 b5 k9 F# D* D84. Scoop (Evelyn Waugh, 1938); y6 d7 ?4 s. n
83. Barchester Towers (Anthony Trollope, 1857)& _8 r" e2 }5 h6 y
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
* H7 h0 T# R/ ]/ P9 }: R/ N81. The Jewel in the Crown (Paul Scott, 1966)
+ I/ c( E4 Z: Q2 {80. Excellent Women (Barbara Pym, 1952)" l4 E' p+ }2 R" P% `. {% G
79. His Dark Materials (Philip Pullman, 1995-2000)- S, X. R8 D l; ^2 W- R) |
78. A House for Mr Biswas (VS Naipaul, 1961)
/ ?% B$ T! n; W$ Z$ |1 ?77. Of Human Bondage (W Somerset Maugham, 1915)" |4 Y O" g" R
76. Small Island (Andrea Levy, 2004)
3 s0 m( |5 b% S D; Q+ Q2 ?" h75. Women in Love (DH Lawrence, 1920)
/ P! ]' i' l' d0 m% B8 |" K74. The Mayor of Casterbridge (Thomas Hardy, 1886)7 y0 G7 n( [( `# W7 P) d7 O
73. The Blue Flower (Penelope Fitzgerald, 1995)
6 J" N# z n( V& e% G, j5 T' x) k72. The Heart of the Matter (Graham Greene, 1948)3 c1 s% {% A' r( J
71. Old Filth (Jane Gardam, 2004)
% U6 T4 d7 X( R, A" }# s70. Daniel Deronda (George Eliot, 1876)7 ~' h: ^+ c- U" C h5 n
69. Nostromo (Joseph Conrad, 1904)
* o& W) l& W# B( T2 Y7 B68. A Clockwork Orange (Anthony Burgess, 1962)1 b R1 u j* e
67. Crash (JG Ballard 1973)
! O0 B1 h! W0 {& c66. Sense and Sensibility (Jane Austen, 1811)
$ E3 c8 Q7 j8 B65. Orlando (Virginia Woolf, 1928); A% \$ a3 I& c6 ?. Z1 I0 N* E \
64. The Way We Live Now (Anthony Trollope, 1875)
$ [- v* I: J# ~- r63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
5 @) {& v' W3 _/ o/ ?5 l: s: p62. Animal Farm (George Orwell, 1945)
+ v, s' P$ K' L1 n7 @/ k: o61. The Sea, The Sea (Iris Murdoch, 1978)
( ^ E" e- c6 m6 Z60. Sons and Lovers (DH Lawrence, 1913); a. t4 |; r" x/ o% B
59. The Line of Beauty (Alan Hollinghurst, 2004)2 V: G& D; ^$ b7 o$ D3 V* ~) N
58. Loving (Henry Green, 1945), r; X, P5 C' B! E
57. Parade’s End (Ford Madox Ford, 1924-1928)+ ?; ^2 `# ?! W# i4 {+ k2 \
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)8 I# R w, p+ |3 o) x
55. Gulliver’s Travels (Jonathan Swift, 1726)4 d/ v! ]: O% H
54. NW (Zadie Smith, 2012)
/ o! z, e/ l" ?$ k53. Wide Sargasso Sea (Jean Rhys, 1966)! c- \ v( [+ P/ M
52. New Grub Street (George Gissing, 1891)( A o' o( ]- m% F; u
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)/ h( f5 U# N6 l, ^& X
50. A Passage to India (EM Forster, 1924)
* f2 S. O( F3 O, P) x: K! z; Z49. Possession (AS Byatt, 1990)
3 m% F6 w. w3 v3 w48. Lucky Jim (Kingsley Amis, 1954)( k- ?& u: w1 ~- U9 O) e; h
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759). r5 O7 V: I. e0 [& @% p ^- u: V
46. Midnight’s Children (Salman Rushdie, 1981); I9 i6 R, Y& [7 x
45. The Little Stranger (Sarah Waters, 2009)3 ~; _7 ]& ] }1 o
44. Wolf Hall (Hilary Mantel, 2009)1 [4 {, t8 F3 }9 h
43. The Swimming Pool Library (Alan Hollinghurst, 1988)3 M/ _: [, M% N- t$ n
42. Brighton Rock (Graham Greene, 1938)
" t$ c. F* i! U8 g% e41. Dombey and Son (Charles Dickens, 1848)
! v" {- z; W2 {* K& m" C40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
2 m3 s0 X6 Z- V+ Z- n% a O39. The Sense of an Ending (Julian Barnes, 2011)
* A6 ^3 ~; d' g+ E9 \7 p. N2 v38. The Passion (Jeanette Winterson, 1987)
% ?5 \# W' Q! P37. Decline and Fall (Evelyn Waugh, 1928)
3 A; @) I* N' n+ d. ]$ c2 a36. A Dance to the Music of Time (Anthony Powell, 1951-1975)$ k7 T% H0 q" Q
35. Remainder (Tom McCarthy, 2005)
+ a) u9 z( @* [5 V34. Never Let Me Go (Kazuo Ishiguro, 2005)- d9 Y/ b* {) @
33. The Wind in the Willows (Kenneth Grahame, 1908)- Q$ \8 G: ^# {$ S
32. A Room with a View (EM Forster, 1908)! ^8 W* ]; O' O5 E6 g
31. The End of the Affair (Graham Greene, 1951)! E! @' K' \3 r
30. Moll Flanders (Daniel Defoe, 1722)- o: t g: R0 E% [
29. Brick Lane (Monica Ali, 2003)
) c7 e% `( X$ f& D28. Villette (Charlotte Brontë, 1853)
) E+ U" v& @% I+ _9 R4 I* \27. Robinson Crusoe (Daniel Defoe, 1719)9 d6 ?/ s+ S0 R, d+ y& ^6 f
26. The Lord of the Rings (JRR Tolkien, 1954)
5 n8 L3 u8 g. q4 j8 f. \) u25. White Teeth (Zadie Smith, 2000)" ~' C% u+ I4 F6 z
24. The Golden Notebook (Doris Lessing, 1962)
1 q. ^: _4 A2 ]) e8 ^+ T23. Jude the Obscure (Thomas Hardy, 1895)1 x4 c( E: n* G) i: i. z
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
( [& U' j& d" t; n, x21. Heart of Darkness (Joseph Conrad, 1899)2 |- v% C: [% e& G! _
20. Persuasion (Jane Austen, 1817)$ l4 |8 t' h7 k( s% i! n
19. Emma (Jane Austen, 1815)
6 X9 L" j$ }# i4 C# W' x18. Remains of the Day (Kazuo Ishiguro, 1989)# X7 m+ F5 B- {. W4 g j8 I/ T, L5 t
17. Howards End (EM Forster, 1910)
# R% P2 c* J7 b7 D. H' t+ D16. The Waves (Virginia Woolf, 1931)! ^$ \( B) y; m4 S6 ?, h( d- _8 S
15. Atonement (Ian McEwan, 2001)
+ e* d* }4 e- |! I- z14. Clarissa (Samuel Richardson,1748)$ t$ ?5 L' x/ I9 m8 s
13. The Good Soldier (Ford Madox Ford, 1915)3 E0 a% R" M5 S5 M0 o. g( j
12. Nineteen Eighty-Four (George Orwell, 1949)
$ N/ h; |( p1 U D* w8 l; {11. Pride and Prejudice (Jane Austen, 1813)4 e1 L( g2 y- V
10. Vanity Fair (William Makepeace Thackeray, 1848)' U; d2 d, w- x1 n9 B: y6 s- e
9. Frankenstein (Mary Shelley, 1818)# K$ z) |, I$ T4 W/ N8 O
8. David Copperfield (Charles Dickens, 1850)' J3 t+ R: _) g% @ d( o2 B
7. Wuthering Heights (Emily Brontë, 1847)" e( Z. V' G& r/ c9 E
6. Bleak House (Charles Dickens, 1853)2 s' K" l& E* T- _6 E; `! [
5. Jane Eyre (Charlotte Brontë, 1847), m1 ^4 R" J) t6 d! p2 f7 H
4. Great Expectations (Charles Dickens, 1861)
/ p+ J# v e: `; p7 E: t3. Mrs. Dalloway (Virginia Woolf, 1925)
# s+ [5 s6 N; B3 q7 Z# ~7 o! z) }2. To the Lighthouse (Virginia Woolf, 1927)/ c, c9 Q% s/ z8 G# g" J$ S
1. Middlemarch (George Eliot, 1874)8 h: [8 o7 z( E* A; w. j
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。- c% M' u$ z0 T/ H: ?# Z
! q, h1 O. T, ?4 H' f& c呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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