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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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! d. V& j% Z" e+ h- m2 YBBC评出100大英国文学名著8 E/ V/ E& P. ]8 A% [$ P/ [ Q
http://www.bbc.com/culture/story ... test-british-novels
% z( l' J* b+ _4 C& l. d; ~惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)$ v9 ]: ^6 N0 Q5 }
99. There but for the (Ali Smith, 2011)
$ z& @* Q! o" ~98. Under the Volcano (Malcolm Lowry,1947)
) X/ M8 A3 ~$ {( ~/ C9 `7 D97. The Chronicles of Narnia (CS Lewis, 1949-1954)& e. _6 f7 x3 l8 V2 {) E: D. l; y
96. Memoirs of a Survivor (Doris Lessing, 1974)1 N; \- Y4 \" I5 N2 B% y; ^
95. The Buddha of Suburbia (Hanif Kureishi, 1990)) i9 {4 @8 ~0 O9 O6 Q3 M ]* A
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
[2 h2 B7 |: N" X) N93. Lord of the Flies (William Golding, 1954)4 u0 _$ h' b! U$ b7 r- W O
92. Cold Comfort Farm (Stella Gibbons, 1932)
4 D: `% D! j6 c6 e' M$ ~91. The Forsyte Saga (John Galsworthy, 1922)
$ H) F, V' c! y! H; x90. The Woman in White (Wilkie Collins, 1859)& }* j/ C5 d" C6 ?' b
89. The Horse’s Mouth (Joyce Cary, 1944)5 G( S* ?/ y5 u: z; e- ~
88. The Death of the Heart (Elizabeth Bowen, 1938)
0 e) [9 j! @3 W$ T87. The Old Wives’ Tale (Arnold Bennett,1908)% Z3 X% F5 e( `$ n* J" H
86. A Legacy (Sybille Bedford, 1956)7 u/ U3 B8 O! v9 h: U
85. Regeneration Trilogy (Pat Barker, 1991-1995)* i4 G6 A n9 `4 t( [& b# Y
84. Scoop (Evelyn Waugh, 1938)- q3 A7 j, c2 r$ |
83. Barchester Towers (Anthony Trollope, 1857)
( z M0 Q; x, }6 g/ ^82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
4 l1 T( Z8 }2 q% w9 l# L81. The Jewel in the Crown (Paul Scott, 1966)
5 @' I9 B- b' ~ ? l$ w' B- P80. Excellent Women (Barbara Pym, 1952)0 G1 T) Y) O0 V* |& b
79. His Dark Materials (Philip Pullman, 1995-2000)
' C, ]" S7 J j2 a78. A House for Mr Biswas (VS Naipaul, 1961)+ |4 J6 u' v& Q- a/ {: E+ K _
77. Of Human Bondage (W Somerset Maugham, 1915)7 W1 g; B% w1 f! ?" O2 Q
76. Small Island (Andrea Levy, 2004)/ J8 A* u9 _3 N
75. Women in Love (DH Lawrence, 1920)
) j' g6 E/ m( N( y0 c& I0 R0 y0 Z( |74. The Mayor of Casterbridge (Thomas Hardy, 1886)
( V0 c0 y" @4 ?73. The Blue Flower (Penelope Fitzgerald, 1995)- y& y' W# j% s3 h4 r
72. The Heart of the Matter (Graham Greene, 1948)3 {/ P2 Z9 p* ]5 z3 k2 v
71. Old Filth (Jane Gardam, 2004)
- N$ Z' ~3 W' b# b1 x: ]1 }70. Daniel Deronda (George Eliot, 1876)
0 r% R2 b; r4 P! \4 f3 I: q69. Nostromo (Joseph Conrad, 1904)
8 x. l' Y. w2 F3 k# I# k68. A Clockwork Orange (Anthony Burgess, 1962)
$ Q& W: {5 }# }% y% {67. Crash (JG Ballard 1973)
& J0 [! Z1 D9 k! e5 }7 A; `66. Sense and Sensibility (Jane Austen, 1811)0 H/ K' P& {- |* H3 }
65. Orlando (Virginia Woolf, 1928)2 \$ Y9 W- r, g$ ?. i
64. The Way We Live Now (Anthony Trollope, 1875)
7 E7 }7 M% n0 a5 h {63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)6 `% R0 u0 r! r
62. Animal Farm (George Orwell, 1945)/ z9 y* G* Y7 p. B
61. The Sea, The Sea (Iris Murdoch, 1978); V' W) r" {! Y
60. Sons and Lovers (DH Lawrence, 1913)3 L% W5 d8 w! o( T
59. The Line of Beauty (Alan Hollinghurst, 2004)
( m+ a7 E7 w, P$ a! u- o3 \0 b% c58. Loving (Henry Green, 1945)5 t0 u" t [% b' Z$ z$ u1 ?8 O
57. Parade’s End (Ford Madox Ford, 1924-1928)
/ u) V+ M5 w4 ~! ^5 X56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985), d7 K" |! a- Q; @; J) Y( F+ B
55. Gulliver’s Travels (Jonathan Swift, 1726)* q8 R, h% \9 {) T. F" w+ _
54. NW (Zadie Smith, 2012)
* A P; a: m* p! ~# y! s7 X53. Wide Sargasso Sea (Jean Rhys, 1966)
: A8 T. x8 z* c52. New Grub Street (George Gissing, 1891)2 F' E, W4 u, H2 T2 ^
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)3 M# J( Y8 a/ `& R" w" Q' r4 `/ {
50. A Passage to India (EM Forster, 1924)" Z& M$ } ^( ]8 b8 Q2 E7 D/ [" u6 Y
49. Possession (AS Byatt, 1990)7 R& }( X* B# \0 M3 x0 K. b1 {
48. Lucky Jim (Kingsley Amis, 1954)# Y, H: n( g7 u& Q+ a' H
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
9 [- p7 C/ [4 e- L8 _* T* D' U46. Midnight’s Children (Salman Rushdie, 1981)2 i y2 k% L; p' Y/ ^% }
45. The Little Stranger (Sarah Waters, 2009)
% h; ^# O( w x44. Wolf Hall (Hilary Mantel, 2009)
/ n' ~& B/ {' d3 f" ~43. The Swimming Pool Library (Alan Hollinghurst, 1988)5 [ Z% g' R7 w8 [; H' o: R' d1 s: t# ]
42. Brighton Rock (Graham Greene, 1938)
& ?$ S, c/ v2 L8 B" t/ K$ {, r41. Dombey and Son (Charles Dickens, 1848)6 W3 {" J# r8 U$ @8 ` ?3 i! l) j
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
( P( I! m3 E7 t39. The Sense of an Ending (Julian Barnes, 2011)
$ J8 M, ?- _ d/ x38. The Passion (Jeanette Winterson, 1987)
/ ^5 I9 L9 s. }! z/ D: W t9 w37. Decline and Fall (Evelyn Waugh, 1928)
5 Z* ^: H- E5 C# X Q1 ]0 s36. A Dance to the Music of Time (Anthony Powell, 1951-1975)4 N7 Q# U5 m6 Q, |* P6 I0 _. J, F
35. Remainder (Tom McCarthy, 2005)9 k' z$ P9 F0 O/ t
34. Never Let Me Go (Kazuo Ishiguro, 2005)
7 T1 A. M9 V- l6 e3 o7 A+ g33. The Wind in the Willows (Kenneth Grahame, 1908) w8 E/ \3 e) f4 W/ q; S" E9 J+ `0 p
32. A Room with a View (EM Forster, 1908)
' M+ g9 [* K$ C* D- ?1 F/ i31. The End of the Affair (Graham Greene, 1951)
% E4 L# O/ L I8 H) S7 h1 V6 c30. Moll Flanders (Daniel Defoe, 1722)! j1 R3 N7 I. B( |' v8 `' a4 j
29. Brick Lane (Monica Ali, 2003)2 O- s8 u0 L& _! m
28. Villette (Charlotte Brontë, 1853)
1 q: |" I( T% C( v& u0 @' a3 p) L27. Robinson Crusoe (Daniel Defoe, 1719)
% s j/ h0 s, A8 J/ C" X! i) g26. The Lord of the Rings (JRR Tolkien, 1954)$ e$ n* f0 ?, e0 I2 H
25. White Teeth (Zadie Smith, 2000); C( T" J8 i6 x3 S6 ?7 G
24. The Golden Notebook (Doris Lessing, 1962)
& j* V7 [! y5 n( p' x" k6 f; d23. Jude the Obscure (Thomas Hardy, 1895)2 s+ V. \) B+ L$ R9 J, Q a) M; ^
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
a3 f5 r1 j: t21. Heart of Darkness (Joseph Conrad, 1899)
+ H" B1 d5 l! c20. Persuasion (Jane Austen, 1817)3 \% T: I7 H. u5 k5 S
19. Emma (Jane Austen, 1815)0 G8 ~; u' N& H) H l5 R
18. Remains of the Day (Kazuo Ishiguro, 1989)( L5 D( t8 q7 [. f
17. Howards End (EM Forster, 1910)
( @) [1 E3 s0 ]16. The Waves (Virginia Woolf, 1931)# I& ?! p, }6 ^0 M8 @1 d
15. Atonement (Ian McEwan, 2001)
3 q/ s; m; A3 E9 P/ W/ u) Y14. Clarissa (Samuel Richardson,1748)
& |4 v5 u; X0 R4 k: v( _13. The Good Soldier (Ford Madox Ford, 1915)
3 l7 t( y& z) a& t3 ]# D; O$ J12. Nineteen Eighty-Four (George Orwell, 1949)/ t0 H8 z1 R* C A) e" O" k+ \
11. Pride and Prejudice (Jane Austen, 1813)
- n3 w( |" ?5 ?10. Vanity Fair (William Makepeace Thackeray, 1848)7 ~0 Y3 E% i' @! E6 n: [% _
9. Frankenstein (Mary Shelley, 1818) \- ?! h, v/ h
8. David Copperfield (Charles Dickens, 1850)
K, U, \, n: a% P: I/ _3 a7. Wuthering Heights (Emily Brontë, 1847)
6 m* b* N3 k: ]6 f( Z6. Bleak House (Charles Dickens, 1853)2 _: d6 H( w# O
5. Jane Eyre (Charlotte Brontë, 1847)/ M# u( X: F% F. [. N
4. Great Expectations (Charles Dickens, 1861)
+ e& W: p6 C+ l n4 r! N3. Mrs. Dalloway (Virginia Woolf, 1925)
# e+ A$ H6 s$ H4 v; r2. To the Lighthouse (Virginia Woolf, 1927)
! I: N o( p4 }# n1. Middlemarch (George Eliot, 1874)7 L |! b* W; l: w- H; V
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。$ ^9 R+ \2 T; s; w5 l) m X
5 P1 w; }2 |7 ^% T( C5 `呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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