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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 G& G6 H# m' W% F$ R$ x
6 j5 K! m& V( O' M' vBBC评出100大英国文学名著8 y4 e8 e8 u4 b) o$ ]
http://www.bbc.com/culture/story ... test-british-novels" H- K+ F8 D/ Q ?
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。6 y. {4 e) p7 C
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100. The Code of the Woosters (PG Wodehouse, 1938)& R2 ^" Z# h2 N# Z% e
99. There but for the (Ali Smith, 2011)2 x- q m( q! G9 r$ h o
98. Under the Volcano (Malcolm Lowry,1947)
/ T! p3 C$ r/ |) i97. The Chronicles of Narnia (CS Lewis, 1949-1954); J$ N0 ?+ \0 Z' `. E
96. Memoirs of a Survivor (Doris Lessing, 1974)' m, `0 Q2 |2 \
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
0 N. \9 d; J, G, J8 v7 l94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
% }. M% S" O) a' s93. Lord of the Flies (William Golding, 1954): j- Q$ z; ^. F' g) b+ x/ B9 W6 a
92. Cold Comfort Farm (Stella Gibbons, 1932)
" }0 p3 p; i* n5 K91. The Forsyte Saga (John Galsworthy, 1922)
* |8 | q( O! T, N+ @8 q Y: v) i90. The Woman in White (Wilkie Collins, 1859)
; Q7 |& n( h1 D1 b1 j& T89. The Horse’s Mouth (Joyce Cary, 1944), P; l7 S, z8 x
88. The Death of the Heart (Elizabeth Bowen, 1938)
1 R* M- l2 @3 r+ m$ m% ~, m: b; b" ^87. The Old Wives’ Tale (Arnold Bennett,1908)
J0 f" S* a$ }9 Z+ f+ J# k2 Z& |86. A Legacy (Sybille Bedford, 1956)" Q$ h) R& a* M: o% D2 a
85. Regeneration Trilogy (Pat Barker, 1991-1995)
7 u g. v/ l0 p/ N: E( F84. Scoop (Evelyn Waugh, 1938)! K& Y8 [; F' P9 L
83. Barchester Towers (Anthony Trollope, 1857)/ ]! Y+ _& A I. T" ?1 ?9 j, d7 @
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)* L1 s, D" p+ g" [" H
81. The Jewel in the Crown (Paul Scott, 1966)
P5 p. `) N9 D3 \/ F80. Excellent Women (Barbara Pym, 1952) h" @( b( N9 L# m& p6 X1 T* H
79. His Dark Materials (Philip Pullman, 1995-2000)) ^% b4 L; |- V8 X0 g7 F( I. W
78. A House for Mr Biswas (VS Naipaul, 1961)2 t2 U% ?7 R4 O( g
77. Of Human Bondage (W Somerset Maugham, 1915)+ I9 f9 f T, p) I
76. Small Island (Andrea Levy, 2004)
0 A4 [1 f; O: W8 `75. Women in Love (DH Lawrence, 1920)
1 B; d, Z( ^) W) g" O" h74. The Mayor of Casterbridge (Thomas Hardy, 1886)0 H9 K6 r: |) b+ c& _ ~
73. The Blue Flower (Penelope Fitzgerald, 1995)
) C# ?+ ~3 ~7 D7 M) ]) L72. The Heart of the Matter (Graham Greene, 1948)
6 u% [* I" A7 U n71. Old Filth (Jane Gardam, 2004)
. e2 U4 ?+ u3 p2 ]70. Daniel Deronda (George Eliot, 1876)0 M# [2 D! q& Y4 H
69. Nostromo (Joseph Conrad, 1904)
* Y# U& l' x% ?1 Q! ~+ e68. A Clockwork Orange (Anthony Burgess, 1962)
7 R# j/ b7 N$ j9 \; n1 x6 d* t67. Crash (JG Ballard 1973)
8 Z$ g0 v( I5 A% v/ _66. Sense and Sensibility (Jane Austen, 1811)2 N$ f' ]' ^* B" ]
65. Orlando (Virginia Woolf, 1928)
! E' n7 u* a9 s64. The Way We Live Now (Anthony Trollope, 1875); t6 z) M. N0 z" a
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
?! @( J: x6 ]$ N. K62. Animal Farm (George Orwell, 1945)# k" Z- n* Q, T! X r% s( O
61. The Sea, The Sea (Iris Murdoch, 1978)
2 e8 k6 R: @% z" N/ l& c/ ?: D& ]60. Sons and Lovers (DH Lawrence, 1913)
3 o) Y+ v; e# O59. The Line of Beauty (Alan Hollinghurst, 2004)1 a4 y9 y) E. v1 X3 I% G
58. Loving (Henry Green, 1945)1 w3 a3 B4 D' x- W/ K3 h% p* e. P
57. Parade’s End (Ford Madox Ford, 1924-1928)
+ D' C Z+ q/ { O6 K+ \56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
% D$ r6 b3 r5 L55. Gulliver’s Travels (Jonathan Swift, 1726)9 y ~1 K* Q4 o! `; [4 o
54. NW (Zadie Smith, 2012)
5 p2 |3 L' f0 `53. Wide Sargasso Sea (Jean Rhys, 1966)
( X7 u5 {" S, H; m: K1 r; ~+ T52. New Grub Street (George Gissing, 1891)
: z( {( ~' E Q0 ^0 Q51. Tess of the d’Urbervilles (Thomas Hardy, 1891)7 G; `* p$ o0 g; w8 n
50. A Passage to India (EM Forster, 1924)
% D. P t) Q" r6 P, l49. Possession (AS Byatt, 1990)
, E6 i+ Q# z, E( ?6 u" }48. Lucky Jim (Kingsley Amis, 1954)! c; L4 l8 T8 u/ a8 ?
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
$ r5 G: u) y2 O7 |; t3 f& F46. Midnight’s Children (Salman Rushdie, 1981)7 G- p& s. A j
45. The Little Stranger (Sarah Waters, 2009)
- A+ N q# S; o2 a4 E1 C# U, `44. Wolf Hall (Hilary Mantel, 2009)
5 z/ n( O0 m1 H& m43. The Swimming Pool Library (Alan Hollinghurst, 1988) b8 o' k/ \4 l- u, F/ r- o
42. Brighton Rock (Graham Greene, 1938)
4 l- T9 L* Y2 u41. Dombey and Son (Charles Dickens, 1848)4 j8 B4 L9 E' G6 ~8 S
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)% L" [1 R/ q: J/ n1 E; M4 [! P
39. The Sense of an Ending (Julian Barnes, 2011)
9 p' _6 M) z/ o, i: |- Z2 X38. The Passion (Jeanette Winterson, 1987)
3 h8 E0 ?5 l8 I$ t; [) P! Y# {37. Decline and Fall (Evelyn Waugh, 1928)7 Y2 d9 ?& p t; S& V
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)8 h6 O% Z- k$ \' y2 l
35. Remainder (Tom McCarthy, 2005)9 W/ l, q7 j2 E; a5 i' s3 M
34. Never Let Me Go (Kazuo Ishiguro, 2005); u4 g4 Z( f, S: M+ o) a
33. The Wind in the Willows (Kenneth Grahame, 1908)# J; a$ R0 C' P( S& c
32. A Room with a View (EM Forster, 1908)
# Z4 ]' d7 L# } t' B31. The End of the Affair (Graham Greene, 1951)
4 w; k7 r/ G/ n9 k30. Moll Flanders (Daniel Defoe, 1722)4 I* v+ w* j+ g* K7 ^+ C
29. Brick Lane (Monica Ali, 2003)
% v2 r7 h# f# u' E, b q28. Villette (Charlotte Brontë, 1853)
+ C2 c; T6 z( J& l: b: A27. Robinson Crusoe (Daniel Defoe, 1719)
+ H: c3 l2 c5 T4 q26. The Lord of the Rings (JRR Tolkien, 1954)
0 r. [" @0 b+ Z0 P0 @25. White Teeth (Zadie Smith, 2000)5 q% C, }9 O" x; W
24. The Golden Notebook (Doris Lessing, 1962)
0 i6 e% K* f' ?# G23. Jude the Obscure (Thomas Hardy, 1895)
4 N* r# z7 H' X, z: v$ k2 n7 @! O22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
0 G. ]& d4 v% h6 W4 B" Y2 r3 U; Z9 H21. Heart of Darkness (Joseph Conrad, 1899)
( l3 t( s& M3 L3 L( `3 U: v9 b( W9 U20. Persuasion (Jane Austen, 1817)
. T3 x- b3 K. Q, Z9 B19. Emma (Jane Austen, 1815)( T7 |5 H9 e) ~% A! c ~
18. Remains of the Day (Kazuo Ishiguro, 1989)
: Z Z3 L& A# Q1 k: B# K: p0 d17. Howards End (EM Forster, 1910)
1 g4 }2 x/ G/ a) F. b! }16. The Waves (Virginia Woolf, 1931)* e8 P8 ~1 q5 i- g8 u" L& a
15. Atonement (Ian McEwan, 2001)) j- i P+ h" P
14. Clarissa (Samuel Richardson,1748)2 a9 I$ l2 m- `: L9 t( r
13. The Good Soldier (Ford Madox Ford, 1915)9 | m% }+ J% p, v' j3 O" r! Y
12. Nineteen Eighty-Four (George Orwell, 1949)
5 a! O$ \2 e7 C9 V D11. Pride and Prejudice (Jane Austen, 1813)6 U1 n+ D( P( K' B- ~
10. Vanity Fair (William Makepeace Thackeray, 1848)
, d% H W1 A5 u6 m9 U: [( s9. Frankenstein (Mary Shelley, 1818)6 u( c8 {0 c; i; q! g3 n
8. David Copperfield (Charles Dickens, 1850)
, s7 r" C1 q" ?, O7. Wuthering Heights (Emily Brontë, 1847)
1 q ]+ r7 c: }) X# B+ h6. Bleak House (Charles Dickens, 1853)1 C+ M6 {% q! w u& t
5. Jane Eyre (Charlotte Brontë, 1847). o& |! V: S0 N# {( k
4. Great Expectations (Charles Dickens, 1861)% y, o8 h/ n# c( `8 k
3. Mrs. Dalloway (Virginia Woolf, 1925), Q8 J4 d' ^% ~. w
2. To the Lighthouse (Virginia Woolf, 1927)7 t; A: B+ l5 K+ G
1. Middlemarch (George Eliot, 1874)
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3 {' B+ |: F6 c+ ?4 r" r W* L1 Q前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! y. u, D; ^% [0 ?; ]
# \- [& ^+ l) _9 {呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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