|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑 & g# Y+ i, {2 j- ^) s% o$ S, ~7 p3 I# @
) x; w8 _* q9 X
BBC评出100大英国文学名著
6 O: N5 O* D. ihttp://www.bbc.com/culture/story ... test-british-novels
! r8 z/ z; E/ {$ n惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。. w& S5 O/ k2 e, Z
D+ c1 L! k5 v9 K9 r& x100. The Code of the Woosters (PG Wodehouse, 1938) k7 o6 f" \& ]6 H( y
99. There but for the (Ali Smith, 2011)3 u. Y3 C0 Y1 X2 b- f% T: T
98. Under the Volcano (Malcolm Lowry,1947)
" L7 ^3 o- ?# [/ U4 _7 Y# E d/ B; W1 Z97. The Chronicles of Narnia (CS Lewis, 1949-1954)
/ \% f' o& @- m [9 `2 j1 z3 E96. Memoirs of a Survivor (Doris Lessing, 1974)8 f3 j% L- V7 O) o; ?1 i
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
0 ^9 G2 D- |( l3 W* z6 O* P3 r, `94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)1 t. ^0 G j9 i- x [0 r
93. Lord of the Flies (William Golding, 1954)
3 N- T" E8 M/ Q92. Cold Comfort Farm (Stella Gibbons, 1932)/ B0 x, q8 m( l! H6 k; @9 I4 ?5 l
91. The Forsyte Saga (John Galsworthy, 1922)
e. t+ u* K4 v1 f$ c6 U90. The Woman in White (Wilkie Collins, 1859)
, \3 x' m3 a, m3 g89. The Horse’s Mouth (Joyce Cary, 1944)' q, t; d+ e4 r- ~
88. The Death of the Heart (Elizabeth Bowen, 1938)
[) x3 D4 Y8 y. F87. The Old Wives’ Tale (Arnold Bennett,1908): P* j. W, g% M/ f7 j
86. A Legacy (Sybille Bedford, 1956)
* O3 ?5 i( T2 r' g# T85. Regeneration Trilogy (Pat Barker, 1991-1995)+ ~! [1 m2 p' P2 ?" Z
84. Scoop (Evelyn Waugh, 1938)
7 a$ _3 z6 }( U. `83. Barchester Towers (Anthony Trollope, 1857)
& N7 l! b( {7 I" U& f' t4 X82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
0 |/ k$ c2 S- I81. The Jewel in the Crown (Paul Scott, 1966)
* q3 R) d/ ` @* l80. Excellent Women (Barbara Pym, 1952)# \2 B/ C/ A1 o9 S l
79. His Dark Materials (Philip Pullman, 1995-2000)
4 e. ?) [7 t: m' K" ]1 I8 E78. A House for Mr Biswas (VS Naipaul, 1961)
! G6 [1 n P* Y+ g" Y: F) t6 x77. Of Human Bondage (W Somerset Maugham, 1915)% q3 @1 q5 ]! O' u4 g; b8 c
76. Small Island (Andrea Levy, 2004). ^+ |0 u8 V ]
75. Women in Love (DH Lawrence, 1920)
# d1 ~# i7 {" y; P! f74. The Mayor of Casterbridge (Thomas Hardy, 1886)
$ Z7 }$ ^, U, P73. The Blue Flower (Penelope Fitzgerald, 1995)- f$ w5 O, O- @, |; _
72. The Heart of the Matter (Graham Greene, 1948); o5 ~5 M% s7 r- n( }% s+ S) \. w
71. Old Filth (Jane Gardam, 2004)
# B: f8 ~( W8 c O5 v* n+ E70. Daniel Deronda (George Eliot, 1876)4 D* { y$ F# M0 I3 A, [
69. Nostromo (Joseph Conrad, 1904)8 W- l& l8 ]9 w
68. A Clockwork Orange (Anthony Burgess, 1962)
4 j, \6 r. p6 d& e8 ~& K5 J67. Crash (JG Ballard 1973)
* h# K j* Y/ m4 b B66. Sense and Sensibility (Jane Austen, 1811)
4 C( t1 z7 P E6 j1 N7 x) x65. Orlando (Virginia Woolf, 1928)) U3 W9 p: k- _( A
64. The Way We Live Now (Anthony Trollope, 1875)
" e. Z4 j# z- x! y5 W: a( `# M63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)9 G( q1 d, M% |) |. m) P
62. Animal Farm (George Orwell, 1945)
, T) R0 J; I6 j* j61. The Sea, The Sea (Iris Murdoch, 1978); O$ D; Y0 w, l q
60. Sons and Lovers (DH Lawrence, 1913)6 A% o. b$ f! ?
59. The Line of Beauty (Alan Hollinghurst, 2004)
% o, N# L/ ^! s* }58. Loving (Henry Green, 1945)
' Y$ }5 m4 [/ E( S3 A8 U57. Parade’s End (Ford Madox Ford, 1924-1928)* {! X8 i! t2 A3 h, M, x" M
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)$ [2 ?2 {' W& }2 P
55. Gulliver’s Travels (Jonathan Swift, 1726)
* K; k: P" x# l3 j7 H* }5 s54. NW (Zadie Smith, 2012)
9 Q* M6 l4 s/ W$ c' h53. Wide Sargasso Sea (Jean Rhys, 1966)
& F, x. A- K2 d52. New Grub Street (George Gissing, 1891)
2 o6 \5 S# S z3 Y51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
' O) I! m4 N3 g4 U, X50. A Passage to India (EM Forster, 1924)
6 l/ I8 d3 D! X) o5 b8 ^49. Possession (AS Byatt, 1990)
1 E4 b* e& A' r& J; a48. Lucky Jim (Kingsley Amis, 1954)0 e. Y. J# w }# B& y- x* `
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)# @: L& g* u+ k" J2 x4 m
46. Midnight’s Children (Salman Rushdie, 1981)8 \* o% d7 G V7 p/ y% e0 J& M
45. The Little Stranger (Sarah Waters, 2009)
4 f% j; E6 }. d' [: e44. Wolf Hall (Hilary Mantel, 2009)) C* a$ d9 ?9 A5 J L+ M, d" d
43. The Swimming Pool Library (Alan Hollinghurst, 1988)- O# {( H/ K! q! f) ~& x
42. Brighton Rock (Graham Greene, 1938)8 S! s4 t8 Z/ W0 E' ~! L, Y- H
41. Dombey and Son (Charles Dickens, 1848)
0 ^0 u# `- y# u0 x$ z" t8 y+ i7 j40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
! g) w N) X2 S- G$ X( c39. The Sense of an Ending (Julian Barnes, 2011)
: Z5 J# Z [7 v38. The Passion (Jeanette Winterson, 1987)6 K4 M# P$ ]8 B0 P5 H# _" ~
37. Decline and Fall (Evelyn Waugh, 1928)
' J& b7 R' l' y O1 L36. A Dance to the Music of Time (Anthony Powell, 1951-1975)8 j1 ?2 ]! v! P
35. Remainder (Tom McCarthy, 2005)4 |6 a: w6 M! a/ P4 X
34. Never Let Me Go (Kazuo Ishiguro, 2005)
2 Z. K' z6 M( ~ C33. The Wind in the Willows (Kenneth Grahame, 1908)( \6 u6 C$ x K1 P7 n& R
32. A Room with a View (EM Forster, 1908)
! C$ k6 Q* X! K8 \31. The End of the Affair (Graham Greene, 1951)% S* ~1 [; n+ T2 Q
30. Moll Flanders (Daniel Defoe, 1722)5 [0 ^$ @3 C$ v% T1 k9 A
29. Brick Lane (Monica Ali, 2003)+ _0 D2 \! Y# ]6 a2 j
28. Villette (Charlotte Brontë, 1853)
7 ]- S- h2 \1 o' g) A/ c o* A* [27. Robinson Crusoe (Daniel Defoe, 1719)
4 X. P" w9 i, R6 A26. The Lord of the Rings (JRR Tolkien, 1954)7 ?% K" O9 h0 |3 I5 |
25. White Teeth (Zadie Smith, 2000)+ Z( l3 w$ `: _0 Y- y6 Q
24. The Golden Notebook (Doris Lessing, 1962)$ {. _" v& P9 Z9 H$ `
23. Jude the Obscure (Thomas Hardy, 1895)
( D7 U8 |# O5 A7 Q2 H22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
; v7 Y5 i' A( y21. Heart of Darkness (Joseph Conrad, 1899)9 G4 U; X# y! s! u5 H# [
20. Persuasion (Jane Austen, 1817)
3 ?/ J+ \+ s6 v0 \# n19. Emma (Jane Austen, 1815)
! r/ U+ B. @2 |8 p$ \& y18. Remains of the Day (Kazuo Ishiguro, 1989)2 u0 c: q9 ]6 E6 n! @5 j- U0 Y6 j
17. Howards End (EM Forster, 1910)! `% ^* p0 _ R
16. The Waves (Virginia Woolf, 1931)+ |# K2 ~6 h9 ~ s/ e- u
15. Atonement (Ian McEwan, 2001)3 j5 e$ H4 f7 z
14. Clarissa (Samuel Richardson,1748)
6 ^2 s: u4 V4 g. V13. The Good Soldier (Ford Madox Ford, 1915)
4 L& V8 B1 J* |8 B12. Nineteen Eighty-Four (George Orwell, 1949)* C+ J$ @4 K8 o* G
11. Pride and Prejudice (Jane Austen, 1813)% F$ H5 Z8 j5 M
10. Vanity Fair (William Makepeace Thackeray, 1848)
* \7 R7 ]4 e4 U+ f2 f4 ^/ x9. Frankenstein (Mary Shelley, 1818); r" X' y; V, p* E# {9 W1 J2 b! b
8. David Copperfield (Charles Dickens, 1850)
$ n( C5 N1 O7 r: v2 Q9 L- }3 E7. Wuthering Heights (Emily Brontë, 1847)
0 C% F+ |0 E) w) f6. Bleak House (Charles Dickens, 1853)/ a R( k& V. f4 N- h3 n3 F8 L8 J
5. Jane Eyre (Charlotte Brontë, 1847)
^- z* ^- d3 U+ W9 e/ Y7 f, E4. Great Expectations (Charles Dickens, 1861)
7 ?) m7 R! F9 J4 N# l' t+ @, Y5 N3. Mrs. Dalloway (Virginia Woolf, 1925)
# L* o; q, J3 G. r. i# ]7 p5 y' m2. To the Lighthouse (Virginia Woolf, 1927); n; H- A0 N$ Y/ q- G9 {: A& j
1. Middlemarch (George Eliot, 1874)2 _' V l- N; C. I
) {+ \ Q3 R+ h前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ M. D1 s. |# ~( h
" ]5 y* A L3 n7 B/ `3 [
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
5 i5 L+ b. m( R, a
